22 January, 2026
5 Frames from Florence, on DragonFilm CI
For those who aren’t already familiar with them, DragonFilm is a small UK based company who re-spool various interesting films under their own branding. Up until recently ...
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22 January, 2026
5 (ish) Frames with a Pentax 17 – The Much-Maligned Camera that might just be my Favorite
In the year-and-a-half since Ricoh released their Pentax half-frame camera, much has been written about its design, about the company hitting the pause button on their film came...
21 January, 2026
Reflecting on a few of my own failures
Inspired by a post from Alexandre Kreisman, I wanted to present some misses to the community to look for ideas and opportunities for growth. Below, you’ll find 8 images t...
21 January, 2026
New ads provider incoming – possible interruptions to service
Just a heads up, I am moving ad providers. I have, believe it or not, been quite happy with the current provider, but I have had some page load issues and a very poor Q4 which h...
21 January, 2026
100 or 200 skies – Kentmere vs Kentmere – Not really a fair contest
There is nearly always Kentmere film in the fridge. There are films I would prefer, but Kentmere rarely seems to be out of stock when it is shopping time. With a period of cold ...
20 January, 2026
Arizona Dreamin’ – One Shot Story
It was close to nine in the evening, yet the edge of the sky was still pale blue. The heat had not softened. Dry wind lifted sand and cut against my exposed skin. Eighteen wheel...
20 January, 2026
In Terms of “Terms”, and Giving, Taking, or Harvesting a Photograph
A recent article by Tom Warland caught my eye, as it very succinctly offered thoughts from a perspective that to me seems to stand opposed to the conclusions I arrived at in my ...
19 January, 2026
High Risk, High Reward (or, Against Spray and Pray)
I have recently stumbled upon a video of a guy ‘debunking’ the alleged myth of ‘one shot, one keeper’ —actually the orginal Japanese version was hikken, ...
