5 Frames Around the University of Minnesota

By Kevin Ealain

My first camera was a Minolta x-370. It was actually my mother’s camera. I shot that camera with reckless abandon from my teens well into my twenties. My eventual wife encouraged me to expand my habit with a class in darkroom film developing and printing. I was instantly hooked. However soon life did that thing it does and ultimately the x-370 was collecting more dust than snapshots. So it sat idle for nearly a decade.

Then came the new year of 2024 and something stirred inside me to dust things off again. Maybe it was because our son was 9 now and I could afford the time to myself. Maybe it was because I was in a stable career so that I could afford, (literally) the film habit, while also being entirely unsatisfied with my career in the trades, and I longed for the creative. Regardless it was time to take another swing at things. I took the x-370 back out and the bug was back with a vengeance.

I love mechanical cameras, and mechanical focus, but for a variety of reasons I wanted something a little more modern. Something with AF to exact. So while committing that most dangerous of acts one day, perusing Facebook marketplace, I came across an ad for a lot of cameras. Now I had read about the Minolta a7 and how great it was. It sounded perfect! This seller had a few Minolta cameras. He did not have an a7 but had a 7000i. Anyone who knows these cameras knows there are stark differences between them but this was available and the price was right, so I impulsively arranged to meet him after work the next day. The camera was in perfect working order, with a clean crisp 50mm 1.7 lens, a mint 70-210mm “beercan” telephoto, lens caps and battery included.

Then I hit eternal struggle I think all photographers come across at least once in their practice… what to shoot? Shoot everything! Shoot anything! That’s what all the creative motivators say. Easier said than done for a family man, with a full time job! When am I going to ever have time to shoot? But I had a new toy to play with, and I had to find something!

Now I’ve been working in the construction trades for 8 years running. Early mornings…very early mornings have become my routine tous les jours. So here I was traversing large, expansive buildings, many over a hundred years old, around the University of Minnesota, in the absolute quiet and stillness of predawn hours. An interesting experience given that in just a few hours, these halls would be bursting with students and faculty, echoing with chatter and academia.

But for a couple of hours every morning, the only sound to be heard was the click of a shutter, and the automatic advance whirring of Kentmere 100 film in a Minolta Maxxum 7000i with a 50mm 1.7 lens, all before the world woke up. These are just a few of those results. All developed in my own darkroom with FPP monobath and DSLR scanned.

Black and white image looking upward threw a stair way, the light causing drastic shadow across the white drywall Black and white image of verticle blinds drawn, a large potted plant in front of them, the sun causing striking shadows Black and white image of an open ceiling grid shows exposed HVAC and electrical work Black and White image of a break room with a variety of small tables, a checkered floor, and a long row of filing cabinets along the back wall Black and white image of a staircase with iron railings with sharp shadows of the railings cast upon the stairs

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About The Author

By Kevin Ealain
Kevin Ealaín is a film photographer based out of Minneapolis, Minnesota. All films and prints are developed in his home darkroom. Prints are available for purchase, check his website for more details.
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Gary Smith on 5 Frames Around the University of Minnesota

Comment posted: 02/08/2024

Nice images Kevin.
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Kevin Ealain replied:

Comment posted: 02/08/2024

Thank you

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Tony Warren on 5 Frames Around the University of Minnesota

Comment posted: 02/08/2024

Lovely images Kevin and testament to the quality of the camera and lens you used. I used Minolta exclusively for some years and it never disappointed. Your story reminded me of one of my favourite times of day, but at the other end. I often traveled by train late at night and the memory of the vast empty space of the station and its echoing sounds is still fresh and somehow comforting, like your empty buildings.
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Kevin Ealain replied:

Comment posted: 02/08/2024

Thank you for the kind words! I lived in NYC for a year and those empty train platforms late at night are absolutely sublime. And I love Minolta. I sometimes think it’s a shame they don’t get more recognition and respect but then again I like how affordable and available they are, so maybe it’s for the best they’re kept “secret”

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Jim Hanes on 5 Frames Around the University of Minnesota

Comment posted: 03/08/2024

My second & first NEW SLR was a X-370. I soon bought some filters, an electronic flash and a 70-210mm zoom lens. Used the camera to shoot family photos as the kids were growing up. Camera disappeared during a move. I bought an X-700 and then another X-370 as backup for the X-700, but use them in rotation. Not a lotta difference between them in photos taken with the same film/speed/aperture.
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Bob Janes on 5 Frames Around the University of Minnesota

Comment posted: 03/08/2024

NIce results.
Comparing the 7000i and the 7, there are two ways of looking at it - one notes that the difference between the two are because there are two other generations of camera between the two seven-series cameras, with the 7000i only being the second generation to be produced - the other way of looking at it is that only 12 years passed - an amazing amount of progress in that time.
The 7000i however, is a very capable camera - it is a shame it misses DoF preview and the whole card thing was a bit of a rabbit-hole, but as your shots show, it is a very capable camera (and the lenses for it are rather nice too!)
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Paul Quellin on 5 Frames Around the University of Minnesota

Comment posted: 07/08/2024

Makes me want one of my old Minolta XG2s back even more. I have satisfied my craving to own Minolta's again with a couple of older rangefinders and a crazy 80's compact, but a Minolta SLR is going to find it's way into the collection soon, I can feel it coming. I liked the play of light on the first and last staircase shots; its something I get the desire to capture too. I occasionally work in a two storey admin building that just sometimes catches really interesting light on the staircase. It's not easy to explain to the people who work there every day what you are doing with a camera on the stairs I find.
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