A digital-infrared photo of maple leaves colorized to depict the coming of fall.

Autumn Emerging – One-Shot Story

By Dave Powell

In September, 35mmc contributor SKLBA posted an excellent review of the quirky, 21-year-old Sony Cybershot DSC-F828 bridge digital. Since I don’t see a way to include photos in Comments, I’ll post my comment here as a One-Shot Story!

I’ve never used an F828, but I did take the above digital-infrared photo of maple leaves with a circa-2001 F707. It (and the “in-between” F717) had shorter 5x zooms and fewer megapixels, but in many respects, the F707, F717 and F828 were very similar.

SKLBA covered the pros and cons of the F828 very well. But I’d like to add that the Olympus C-8080 WZ is a very-high-quality (and much easier to carry) 8-megapixel CCD alternative to the F828. (Though it doesn’t compete in IR capability.)  And if one wants to explore digital-infrared, Nikon’s 3.34-megapixel Coolpix 990 (mentioned here and here) offers a beautiful entry-level alternative with a more flexible rotating-body/lens system. But before shooting IR or UV with the 990, its hot mirror must be removed (here are YouTube instructions for doing that).

Returning to the above photo, I captured it with the F707’s Nightshot mode, on a bright summer day, and without the “magnet hack” (which I didn’t know about at the time). Those leaves were in deep shade, but it was still a challenging shoot. The camera had to be tripod-mounted. And because the lens automatically opened wide to f/2, I had to stack several ND filters in front of it to avoid burning out the sensor (even when shooting through a dark 720nm band-pass filter).

I then converted the file to black-and-white, and digitally colorized a few leaves to depict the coming of fall. In fact, Boston’s charitable Society of St. Vincent de Paul just auctioned off a 13×19-inch print of “Autumn Emerging” for $100. It went to a collector who “had just the right spot for it on his wall.” So even today, I think Sony’s F-series cameras can still do lovely, useful work.

FINAL NOTE: SKLBA’s infrareds were stunning. And slipping transformed and un-transformed “Transformers” cameras into his featured image was WAY cool!

–Dave Powell is a Westford, Mass., writer and avid amateur photographer.

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About The Author

By Dave Powell
Trained in mathematics, physics, cosmology, computer programming and science journalism. Retired mathematician, award-winning technical and journalistic writer. Past winner of an international business-journalism equivalent of the Pulitzer Prize. And past author and editorial advisor for Sesame Street... where I regularly worked with Jim Henson and Kermit!
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Comments

Ibraar Hussain on Autumn Emerging – One-Shot Story

Comment posted: 05/10/2024

Dave that is simply beautiful
I’d adorn my wall with that
Fantastic art my friend
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Dave Powell replied:

Comment posted: 05/10/2024

Thank you so much, my friend! Actually, I've had an old 8x10 print on the wall for about 30 years... but after doing the 13x19 for the auction, I've UPGRADED!!

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Gary Smith on Autumn Emerging – One-Shot Story

Comment posted: 05/10/2024

A great photo Dave! I liked my 717 for the twisting lens mount. I could sit at a concert and point the lens at the performers while still having a comfortable view of the screen.
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Dave Powell replied:

Comment posted: 05/10/2024

Hi Again Gary! That also makes it less obvious where one is pointing when shooting street. And look-up shots of flowers (and some mushrooms) are dead easy!

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Jeffery Luhn on Autumn Emerging – One-Shot Story

Comment posted: 05/10/2024

Dave, you have proven (again) that creativity is not limited by equipment! That image would have been good as a watercolor or any other medium. Great!

I still have my Sony 707, but sold my 828 while I was able to salvage some money from it. It's sad that Sony gave up on that rotating lens design. Just imagine a fully updated camera with a large LCD, high resolution, and Zeiss zoom lens.

Time marches on.
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Dave Powell replied:

Comment posted: 05/10/2024

Very much appreciated Jeffery! And yes, the Zeiss lens on an updated system would have been aces. Sony's quirky F707 may have had only 5 megapixels, but its lens certainly made maximum use of 'em!

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