Multiple exposures in Brighton

Brighton montage – a one shot story

By Mark Ellerby

February 2014 at a conference in Brighton. I took my recently acquired Rollei B35 along with some Kodak Gold. In the less interesting intervals of the conference I sneaked out to take some pictures, as the conference centre was just opposite the East Pier.

After a couple of shots, the camera made a crunching sound when I wound it on. Ouch. I ignored it and hoped things would be OK. The winding was smooth after that, so happy days, I told myself. After about 10 more shots though, I allowed my mind to align with my instincts, and realised that something inside wasn’t right, as the winding was a bit too easy. Despondent, I wound the film back to its canister (which happened far too quickly for my liking), and sulkily made my way back to the hotel. (Luckily, I had brought another camera with me, so all was not lost.)

I sent the film off to be developed, knowing it was probably mostly ruined, but dev&scan was only £5 at the time, so it was no great loss.

The results came in a few days later, and along with some great b/w shots from my Lomo LC-a & Fuji Neopan 400CN, there were two images from my Rollei and Kodak Gold, one rubbish shot of the pier from a distance, and this wild montage of various installations that decorated the Brighton seafront, all bathed in warm golden afternoon light and a high-key atmospheric effect resulting from the ten or more stops of overexposure of the one frame.

The camera wasn’t kept long after that, as aside from its tendency to chew up film, the shutter adjustment wheel was stubbornly resisting the twist. It got so bad I had to resort to using pliers to change the shutter speed, and just change the aperture when out shooting. Unfortunate, as it could make some nice images and some are still some favourites of mine.

I put some pictures on flickr occasionally, here

Thanks for reading.

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Comments

Timothy Hancock on Brighton montage – a one shot story

Comment posted: 08/12/2024

Like the shot - was it ten shots ? Seems like a lot of overexposure or have you brought the image back in post ??
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Mark Ellerby replied:

Comment posted: 08/12/2024

If memory serves, it was about 12 shots. Amazing that the lab managed to pull any detail at all from it when they scanned it.

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Jeffery Luhn on Brighton montage – a one shot story

Comment posted: 08/12/2024

Mark,
Sorry for your loss. Mechanical cameras are very dependable...until they aren't.
Jeffery
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Mark Ellerby replied:

Comment posted: 08/12/2024

I have lost many film cameras over the years to failure, the camera's or my own, and couple of digital ones too, so I've become accustomed to the occasional bereavement and I have lower expectations for the longevity of my gear. The most gutting was the Ricoh GR digital that I dropped in a river, I loved that camera.

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Graham Orbell on Brighton montage – a one shot story

Comment posted: 08/12/2024

Mark, I’d suggest printing it 16” X 20” then duct tape a banana on top. You never know, it could sell for millions
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Ben Garcia on Brighton montage – a one shot story

Comment posted: 09/12/2024

Another happy accident! I still find it funny that the British advertise "mushy peas" to draw you in instead of as a deterrent. :)
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Mark Ellerby replied:

Comment posted: 09/12/2024

I never understood mushy peas. Thankfully in modern times we have curry sauce as an option.

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Scott Gitlin on Brighton montage – a one shot story

Comment posted: 22/12/2024

I think multiple exposures are a great technique to capture the "atmosphere" of a scene. It might be interesting to work this capture with editing software by increasing the contrast and decreasing the brightness.
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Mark Ellerby replied:

Comment posted: 22/12/2024

That's a good suggestion Scott, thanks. I did try increasing the contrast and bringing down the highlights and it took much of that whiteness out leaving a more calming image.

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