5 Frames with Kodak Portra 400 in a Pentax 67

By Scott Micciche

These photographs were captured by me in Carmel, California for my sister’s wedding. Development was done by thedarkroom.com but I scanned all of these on a Nikon Coolscan 8000 at 4000 dpi. All shots are handheld and the lighting was golden hour or just before. The timeframe is November, so there is quite a bit of windy cool air so moving hair required shutter speeds above 1/250s. This Pentax 67 and meter head were examined, cleaned, lubed and calibrated the year prior by Eric Hendrickson and is one of the most reliable medium format cameras I own.

It is an absolute pleasure to use and although many complain about the weight, is not an issue for me. I’ve lugged this around for hours while vacationing. The 2nd generation 105mm Super Takumar lens was deep yellow when I purchased it, but 4 days under a UV A/B cold LED lamp removed 99% of the coloration. It is important to note I had to fly with this camera in a thinkTank Retrospective 10 V2.0 bag. TSA-Pre allowed me to kindly ask TSA to hand-check the many rolls of film I had to take with me. Along with Kodak Portra 400, I carried other Kodak film stocks including: Double-X, TMAX-400, Portra 160 and Portra 800. I found Portra 400, during golden hour, to be the most pleasing and kept within my 1/1000s shutter limitation in available light.

Pentax 67 / 105mm f/2.4 Super Takumar 2nd generation – Kodak Portra 400 f/2.4 1/1000s

I shot many of these wide open but I also believe in stopping the lens down. Too many photographers use the Pentax 67 and 105mm at minimum focus distance, wide open aperture and the photos have no depth. This shot of my sister and new brother-in-law is wide open with enough distance to have more than just her eyeball in focus.

Pentax 67 / 105mm f/2.4 Super Takumar 2nd generation – Kodak Portra 400 f/8 1/250s

A portrait of her bridesmaid and husband. The lens is stopped down to f/8; the 105mm Super Takumar, even stopped down, can produce an extremely pleasing background; the depth of field and transition to out-of-focus is so natural and not abrupt.

Pentax 67 / 105mm f/2.4 Super Takumar 2nd generation – Kodak Portra 400 f/11 1/125s

Diana at close to minimum focus distance and lens stopped down to f/11. The sharpness is so good from the Coolscan 8000 that the “Ray Ban P” logo is clearly seen on her sunglasses.

Pentax 67 / 105mm f/2.4 Super Takumar 2nd generation – Kodak Portra 400 f/8 1/250s

The wedding occurred at Mission Ranch in Carmel, California. The far background is Carmel Bay and in front is the sheep pasture where they roam around and stare at the wedding participants during the ceremony. The lens is stopped down to f/8.

Pentax 67 / 105mm f/2.4 Super Takumar 2nd generation – Kodak Portra 400 f/8 1/250s

Through the reeds, across the sheep’s pasture and out to Carmel Bay – the lens is stopped down to f/8 with focus on the reeds.

Although I did not use this camera during the ceremony as I was a participant, the shutter noise would have been distracting. The Pentax 67, used for situations like this, is best before and after the ceremony. I hope you enjoyed the article and please feel free to leave comments or ask any questions. Cheers! — Scott

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About The Author

By Scott Micciche
I am an experienced analog photographer based in Chattanooga, Tennessee.
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Comments

Louis A. Sousa on 5 Frames with Kodak Portra 400 in a Pentax 67

Comment posted: 09/03/2025

Well done Scott with the old warhorse!
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Scott Micciche replied:

Comment posted: 09/03/2025

Thank you, Louis!

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Art Meripol on 5 Frames with Kodak Portra 400 in a Pentax 67

Comment posted: 09/03/2025

Chattanooga is one of my favorite cities. The shots look great too. Nothing like Carmel and golden hour. Back in the late 80's and early 90's I used that camera to shoot interiors for a southern lifestyle magazine. It was just a great workhorse of a beast. I never experienced a wide open aperture since I was always stopped way down. That shutter was noisy but most of the time I had it locked up for long exposures when using hot lights and even when shooting strobes to blend the light. My favorite lens was the SMC 75mm shift. Though the camera is surprisingly light for its size the lens really added heft. Thanks for the memories.
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Scott Micciche replied:

Comment posted: 09/03/2025

I'm glad you liked the article and the camera. I feel I neglect it over the years but once I had it serviced and told it was as new inside, I was more confident to travel with it. Images from it and its lenses never cease to impress. Cheers!

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Gary Smith on 5 Frames with Kodak Portra 400 in a Pentax 67

Comment posted: 09/03/2025

Never been to Carmel however I've been through Chattanoga many times. My MF excursion had me decide that the Mamiya 645 was too heavy but that the Voigtländer Perkeo II was just right. My film from both also visited thedarkroom.com (which helped me decide that I needed to start doing my own again). There's a finished roll of 36 color negatives waiting for me as we speak (of course I can't remember what the first 18 shots are of). Thanks for posting your California shots, doesn't look much like that in TN.
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