5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

By Andrea Monti

The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter.

As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the fact that shooting handheld at night made it mandatory to open the lens up to F2,8.

Focusing in the dark gives unpredictable results. Perhaps the ME’s viewfinder wasn’t bright enough, or (more likely) it was my eyes that weren’t working properly, but the fact is that misfocusing is likely to happen.

Deutsche Bank AG Brussels Branch – 13, Av. Marnix

Speaking of focus, like other Russian-made lenses I’ve seen, the M1-B has a very stiff focus ring that makes it difficult to focus quickly. However, if there is enough light, it is possible to get a decently sharp photograph.

Dsquared2 store in Waterloo bd.

I don’t quite understand the reason for odd focal lengths, such as 37mm in this case. I am not against trying different FOV, but it is hard to see a difference with a standard 35mm.

A view of Patrick Lumbumba Sq. taken from Bd. du Regent

The lens has no visible distortion and does not look soft at wide apertures, but it should be noted that the corners are very dark and the softness can be masked by shadows.

Hotel de Monnaies Tube Station Entrance

This is another example of how the MIR-1B reacts to flaring. With the same caveat just given, it looks like the result is good enough.

Bruxelles Midi Station

Instead of using the LS4000, in this case I went back to DSLR scanning with a Pentax K1 and a Pentax SMC 100/2.8 Macro and used a standalone application, Smarconvert, to get a positive image.

I still need to learn how to use it properly, but it seems to work better with colour film than black and white.

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About The Author

By Andrea Monti
My name is Andrea Monti. I’m an Italian free-lance journalist, photographer and – in my spare time – an hi-tech lawyer. The works I am more proud of are covering live jazz, pop and rock concerts for an Italian online music magazine and Opera and prose for a 200 years-old theatre. I also do sport photography mainly in athletics and fighting disciplines. You may find out more about me on https://andrea.monti.photography
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Comments

Gary Smith on 5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

Comment posted: 12/03/2025

Usually at that time of day my mind doesn't look for things to keep busy because I've already gone to bed. Maybe it's my eyes but I don't see any of your images being terribly out of focus. My brother routinely complains that my shots are OOF but if I've posted one, it's usually because I like the shot. Soft is OK sometimes. I'm sure I'd struggle to manually focus any of my film cameras in the conditions you've captured so well Andrea.

Thanks for another great read!
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Danilo Leonardi on 5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

Comment posted: 12/03/2025

Oh wow! Using the MIR-1B 37mm f/2.8 in Brussels, what an amazing thing, considering that a version of the lens won the "Grand Prix" at Expo 1958 in Brussels! (By the way, the Atomium was built for the occasion). Some MIR-1s have the Grand Prix written on them. Depending on the version, it was manufactured either by KMZ near Moscow or by other Soviet factories like VOMZ. Where is yours from? A piece of photographic history! And a wonderful article, very atmospheric pictures.
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