Arrived in a hotel room shortly after 11pm on a monday after a 5 hour drive. I’m fortunate to drive a very comfortable car so despite being a bit tired from a long drive after a working day, I wasn’t ready for bed just yet. Also there was a heatwave at the time so an hour or two of ventilating the room seemed like plan. I decided to load my F3P with a new aquaintance, Kentmere Pan 400, and start writing this post.
I’ve read the reviews, I know it is often referred to as a great film stock despite also being referred to as a lower quality HP5 as it is also a Harman (Ilford) product, so I was excited to try it out for myself. My hope is to get a few hours off the coming day to shoot the 24 frames on the roll (I almost always choose 24 exp film instead of 36 as I tend to be a slow shooter and always have been). The picturesque area I’m currently in should provide more than enough material for 24 frames. My only concern is a review, I don’t recall by who or where, that said the emulsion had a tendency to separate from the backing. I guess I’ll find out about that.
The F3P on the other hand is nothing new to me. I’ve had that camera for, i think, about 15 years. It’s an absolute joy to shoot with its big bright viewfinder, and the modified controls are really thought through.
Some days later: The few hours didn’t happen. The heatwave is still on though so instead I joined my fiancé and her daughter for an evening swim, they were less than exited about being in this article though so I shot the last couple of frames around the house the day after. Occasions like this makes me think a bit different than I usually do when I’m out photographing wildlife. No lightning fast AF, no Auto-ISO, no Image Control, no chimping, no nothing more than aperture, shutter speed and composition. Documenting, making memories stick as permanent images on a piece of celluloid. It’s back to basic photography. The best kind, pardon me for beeing sentimental.
So how about that film then? Well, it’s a medium-high ISO-film. It produces grainy black and white images. No more, no less. It has a murky feel to it that I can’t really say I like. This roll was processed in Tetenal Paranol S, maybe Ilford DD-X would give better results. Maybe I’ll give it a try, maybe not.
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Kamil Leszczuk on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 12/10/2022
Comment posted: 12/10/2022
Phil Harrison on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 12/10/2022
Comment posted: 12/10/2022
Dan Castelli on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 12/10/2022
Here’s my impression (culled from my notes):
1. Buy the developer recommended by the film manufacturer and follow the instructions for development. You can deviate from the norm later.
2. Shoot the film at box speed. Don’t experiment yet.
3. If possible, use a 18% gray card to set exposure.
I found the film to be more ‘demanding’ than HP-5. You need to be spot on your exposure. If you are in the habit of bracketing your exposures, you’ll quickly see it doesn’t tolerate over/under exposure.
3. When developing, try to keep your temp. near 68F/20C for all chemistry. Agitate according to the directions given. Follow Ilford’s recommendation for washing the film.
It’s a great film. Quirky. But it requires more attention in terms of exposure and processing. It’s not for photographers who are sloppy in their practice, nor for the occasional shooter. I’ve had no problem enlarging the negs in my darkroom.
Don’t think of it as student grade or inferior to HP-5, Delta 400 or XP-2. It’s not.
Comment posted: 12/10/2022
Comment posted: 12/10/2022
Comment posted: 12/10/2022
Kai on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 12/10/2022
I'm wondering, what developing times did you use here for Paranol S? The manual reads that Kentmere 400 needs to be developed 14 min @1 25 and 35 min @1 50 respectively, which i find very strange. Are the developing times really that long?
Comment posted: 12/10/2022
Comment posted: 12/10/2022
Hans Gustafsson on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 12/10/2022
Hans Gustafsson on 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
Comment posted: 13/10/2022