Fuji Eterna 250D – My first step into cine film stock

By Mrigank Shekhar

I’ll be honest, I have never shot any cine stocks like Kodak 250D or 500T which seem to be shot by most people. There’s been a couple of reasons for that.

  1. Cine film was not always easily available in Australia in my opinion.
  2. Even if it was available the developing was not readily available or cheap in most cases.

So those two factors combined I had never really thought about giving any of those film stocks a try. Anyway, recently I acquired a roll of Fuji Eterna 250 D which had been expired in 2013, I really wanted to see what it was about and really wanted to try something different than the usual film stocks everyone tends to use.

All the pictures on this film stock were taken with my trusty Leica M6 and Voigtlander Nokton Vintage Line 35mm f/1.5 Aspherical Type II. None of the images below have been edited. They are “AS-IS” from the lab. I tried taking pictures in multiple lightning conditions to test what sort of results does it yield. In the picture above I immediately noticed 2 things.

  1. How grainy the image was despite being a 250 ISO film and,
  2. How there was overall lack of contrast in the image was.

In general, this film stock does have a “Fuji” character aka the popping greens, but I must admit the colours overall do pop in this stock.

It performs really well in sunlight but as soon as it even becomes a little bit overcast, the shadows don’t seem to have too much detail, if I try to pull more details in post, image seems to become muddier.

It gives off a very nostalgic vibe to the photos overall, which could be nice for some people these days who are out looking for such stocks but it’s not what I go after.

I like a more structured and pleasant look to my photos. If I want an older look, I just try to use an older lens to cut back the contrast.

Fuji 250D overall is too grainy and lacks contrast for me, true that I can add contrast in post but the grain for a daylight film is still quite prominent. I’d like to invest as less time in post when things in my control can already be taken care of. I can say for certain that this is not the stock I personally would reach out for any time again soon.

 

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About The Author

By Mrigank Shekhar
Full time corporate slave, taking pictures at any other given moment. Started my photography journey with film in 2015 when I was a youngster and never gave up. After all the years I still feel I'm a humble student of film, i experiment and I'm not afraid to make mistakes, which by the way I've made many!
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Comments

Gary Smith on Fuji Eterna 250D – My first step into cine film stock

Comment posted: 12/10/2024

Sorry to hear that you are a full-time corporate slave. Maybe you should do what you love? Your example shots certainly have a film look and I really like several of them. Thanks for your article!
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Mrigank Shekhar replied:

Comment posted: 12/10/2024

Thank you, really appreciate the encouraging words:).

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Louis A. Sousa on Fuji Eterna 250D – My first step into cine film stock

Comment posted: 12/10/2024

Hi, the images have a good vibe despite the lower contrast. From a fellow "corporate slave" doing what I love on two fronts!
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Mrigank Shekhar replied:

Comment posted: 12/10/2024

Thanks Louis, being a corporate slave really helps buy an extra roll of film in this economy! Thank you for kind words :).

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Geoff Chaplin on Fuji Eterna 250D – My first step into cine film stock

Comment posted: 13/10/2024

Interesting post and your comments - I find the lack of contrast more natural, closer to Portra than Velvia, and the rendition generally relaxing rather than the 'in-your-face' style of images seeking to grab your attention. I could live with these on my wall unlike many colour images from the last 40 years. But I'm looking forward to seeing what you come up with next.
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Mrigank Shekhar replied:

Comment posted: 13/10/2024

Thank you, I do realise the colours are like portra but the grain still seems to be too heavy despite being processed in proper ECN-2 chemistry and I think that's what sort of put me off.

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Graham Orbell on Fuji Eterna 250D – My first step into cine film stock

Comment posted: 14/10/2024

Mrigank We don’t know what happened to your 11 year old cine film in all those years. And you don’t say how it was processed. Some labs use the correct ECN2 processing and wait a few days until they have a batch to process. Other labs remove the remjet backing manually then process the film in C41 chemistry.
Cine film is designed for cine printing or scanning and that requires a less dense negative than is suitable for still photography scanning. This is so it can be printed or scanned at speed. It’s usually recommended to rate 250 ISO cine film at 160 / 125 ISO to reduce grain for still photography. I live in Auckland New Zealand and I use a film lab called Splendid that processes and scans ECN2 film giving excellent results. Scans can be downloaded. You can purchase Kodak 250D cine film ( and other film ) from Aliexpress. It’s packaged variously as Hitchcock or Nolan, in 36 exposure and 8 exposure cassettes. Takes 10 days to arrive to NZ, maybe a little quicker to Aus. and it gives very good results very economically. I find Aliexpress is reliable.
Your photos look nice but I don’t think they are a good test of cine film. They seem to have a green cast which might be processing, scanning, or expired or a combination of those. Get some fresh film and give it 3/4 stop extra exposure. And get it processed ECN2 and see the difference.
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Mrigank Shekhar replied:

Comment posted: 14/10/2024

Hi Graham, thanks for your comment,I did think of all of those things which you rightly mentioned. Keeping in mind this stock was expired 10 years ago and kept in a freezer, I still shot it half a stop above. I.e 200 ISO. we have Irohas lab here which just started doing ECN-2 in proper Kodak Chemistry, other than this stock I've already shot 250D and 500T since I wrote this article and the results on those two stocks seem to be much more pleaseing in terms of grain structure which I might say is the biggest thing that put me off. Might go out and shoot another roll I have just to make sure :D.

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Graham Orbell replied:

Comment posted: 14/10/2024

Mrigank, ten years in a freezer might be OK. I wouldn’t risk it for anything important. I’d suggest rating it at 1 stop over, but maybe shoot half the roll at 200 ISO and the other half at 125 ISO, or some sort of bracketing. Half a stop over hardly makes any difference with color negative. Back when we shot cine film for TV, before digital, Fuji negative was always much more grainy than Kodak, but that was well before 2013. I’ll be interested to see your next results

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