5 Frames in Greece with the Contax T3

By Chantel Wakefield

First: WOW. What a privilege to even type the title of this one. Me? Jetting off to Greece? For 10 days? With a Contax T3?! Yeah, that happened. I stuffed my essentials in a single carry-on suitcase and threw this baby in my backpack with some Portra 400, Fuji C200, Fuji Superia (old) 400, and Kodak Gold 200.

The itinerary included multiple destinations around the country, complete with several flights and numerous security checkpoints. While some airports were kind enough to hand-check my film, others were not (*cough* Copenhagen *cough*). Thankfully, all the frames came out mostly okay. There were some weird streaks in a few of my landscape shots, but it didn’t seem to affect the whole roll.

athens greece views with the contax t3

The first stop was Athens, and my hotel room had a stunning view of the Acropolis. Even on an overcast day, it was a sight to behold. Fun fact from my cab driver: within the city limits, buildings cannot be constructed over a certain height. This is to ensure that no matter where you reside, you’ll always have a view of the Acropolis.

Bougainvillea captured by the Contax T3

After a full day of exploring the mainland, I continued onto the Corfu leg of the trip.

This island is brimming with lush landscapes, rich greenery, and vibrant Bougainvillea. The blooms sprinkle the streets like a dessert topping. I spent most of my stay in a smaller, quieter neighborhood along the north coast, but the historic Old Town district in the center of the island was equally charming. You can definitely see the Italian influences in the buildings, and even the smaller alleyways were stuffed with shops and restaurants.

Old Town Corfu Greece on the Contax T3

Santorini was the grand finale.

This volcanic island is home to the architecture I was most excited to photograph, and it fully lived up to my expectations. The views felt utterly celestial. It’s truly a photographer’s dream destination.

Santorini Greece views captured on the Contax T3

At one point, I asked a staff member at the hotel if she ever gets tired of the view. She answered: “No, never.”

Santorini sunset cruise

The Contax T3 metered this sunset above perfectly. Every snap from my evening cruise along the Aegean captured the views exactly as I remembered. Throughout the trip, I chose to shoot in full auto. There have been plenty of vacations where I was shooting in full manual and tinkering with a camera instead of enjoying the moment, and I didn’t want to miss a single bit of the fun. It’s nice to have a tool that lets you snap the shutter without a second thought, knowing it will produce beautiful images (as long as they’re well-composed).

By now, it may be obvious that I’m a loud and proud Contax fan. When they consistently produce such sweet photos, can you really even blame me? The G1 is still my favorite, but it’s a brick, and I wanted something light and unassuming for this holiday. The T3 fit the bill. Unfortunately, on my return flight home, the camera’s lens housing and focus motor were damaged. Thankfully, Nippon Photo Clinic in NYC was able to handle the repair – albeit, for a pretty penny.

Here’s a link to see more snaps from all the rolls I shot.

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Comments

Andrew L on 5 Frames in Greece with the Contax T3

Comment posted: 15/02/2024

Just went to Greece with my wife in January. What a lovely place in every way! I didn't take any film cameras, though I wanted to - I felt like it would add an extra element of complication to what would already be a very full trip, so I went with a small Olympus Micro Four Thirds and my Ricoh GRIIIx. I came back with over 4000 photos! But I know I would have enjoyed shooting with more restraint with film, and the resulting feel that memories take on when my photos are made with film. Next time, film.
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Chantel Wakefield replied:

Comment posted: 15/02/2024

i absolutely struggled when deciding which camera to bring. that's part of the problem with having too much gear. documenting my travels on film is unmatched, though. it always hits different than digital.

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Gary Smith on 5 Frames in Greece with the Contax T3

Comment posted: 16/02/2024

I've not managed to get to Greece yet. It's on my list. Nice set of images from a good looking compact film camera!
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Chantel Wakefield replied:

Comment posted: 16/02/2024

thanks so much!

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Cdlinz on 5 Frames in Greece with the Contax T3

Comment posted: 16/02/2024

Wonderful! The five frames left me wanting more so i was thrilled with the bonus footage link.
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Chantel Wakefield replied:

Comment posted: 16/02/2024

glad you enjoyed!

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Gary on 5 Frames in Greece with the Contax T3

Comment posted: 16/02/2024

Nice shots! (Including the bonus roll.) The candles are spooky, and the blue "evil eye" reminds me of Turkey, where such medallions are all over. Looks like it was a great trip. I do worry about film not being hand-checked at airports.
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Chantel Wakefield replied:

Comment posted: 16/02/2024

thank you! i always ask for a hand-check, but it's still a gamble whether the security teams will allow it.

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Paul Quellin on 5 Frames in Greece with the Contax T3

Comment posted: 16/02/2024

Hi Chantel, enjoyed your article and the images. Before the digital dawn I ran my own test on Kodak Gold with airport security x-ray. With time, film faded into the background of course. Many years have elapsed and I still have access to the equipment with my work and suddenly there is this thing people are calling lomography, so I decided it was time for another film test. Last week I acquired 3 rolls of Kodak Gold 200 35mm. One has been run through a CT scan twice, one through a conventional carry on x-ray 10 times and one hasn't had either as this one will be the control. Each is now loaded into a vintage Kodak camera (all similar performance) and I hope to shoot them in the next few days. It should be possible to show that the CT scan will produce a wavy white line across the negatives. The conventional x-ray won't even at 10 passes. The problem we all face is the current "CT dawn" now growing for screening of your carry on baggage. I don't know what Copenhagen would be using, but the type of machine really will make a difference. It has to be said, you can hide things inside 35mm cassettes (I have done it). Unfortunately having items searched by a means other than the main technology the airport has been required to deploy, isn't a right for us all. In my work, I have to see both sides. As the more damaging technologies get rolled out more widely, there may be solutions that can work for both airports and photographers. I think many airports gave up with signage a long time ago in the mistaken belief that film was no more. We all need to debate this topic more so airports, then regulators at the national and eventually international level begin to take an interest.
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Chantel Wakefield replied:

Comment posted: 16/02/2024

wow, this is such cool information - thanks for sharing! i completely understand how easy it can be to hide... discretionary items in 35mm canisters, though. i just wish there was a standard process across major airports. you never know how it's going to go until you get there.

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