A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

By Geoff Chaplin

A walk with a Leica iiig from the late 1960s (recently restored by PPP cameras) and Summar lens from the 1930s, at first finishing off a Silvermax roll then Fomapan 100 and RPX 100. In many ways not the typical photographer’s idea of perfect shooting weather, or combination of equipment. Low light but medium speed film – exposures generally f2 and sometimes down to 1/30th of a second even in daylight. Low contrast scenes with a low contrast uncoated slightly hazy lens. But the camera is very compact and light, easy to carry around all day (Barnack’s intention), the lens supposedly soft (is it really?) but has character, but the poor lighting and wet pavements led to some interesting, sometimes challenging, scenes.

I walked from my flat passing by Spitalfields’ market taking a few shots of the old houses and shops on the way, The largest, the Market Coffee House says it has ports, burgundies and more (featured image; Silvermax).

Moving on to St Paul’s crossing through the churchyard, on the way tourists braving the rain were taking routine pictures of the cathedral but looking down presented a more interesting view. The image shows the cathedral reflected in the pavement (inverted view, Fomapan).

Wet and Misty Thames
St Paul’s (inverted view)

A deserted row of benches in the churchyard.

Wet and Misty Thames
St Paul’s churchyard (Foma)

Just outside the cathedral a newly married couple, probably Chinese, were using a side entrance as protection from the rain while their photographs were being taken. No guests – just a photo-shoot, typical of Chinese and Japanese white-wedding-dress style weddings. Mostly about an unusual setting, western wedding clothes, and photo-memories to hide away after the first year of marriage.

I carried on walking down to the Millennium Bridge and then going east along the south side of the river to Tower Bridge. The low tide gave access to the river’s edge and several groups were down there beachcombing and photographing relics. A friend of mine collects discarded oyster shells (once the food of London paupers) and prints images on the insides using liquid emulsion.

Wet and Misty Thames
Beachcombing (RPX)
Wet and Misty Thames
“What is this?” (RPX)

Looking back behind the bridge the towers of the City were ghostly in the mist. From the introductory page of London Walking Tours: “The Tower of London has dominated the London skyline and the pages of English history ever since it was constructed by William the Conqueror” – not any more. Now lost below a collection of globally common steel and glass skyscrapers. Leadenhall market too is now literally partially underneath one of the towers.

Wet and Misty Thames
Tower Bridge, the Tower of London, and the City (RPX)

Continuing east along the Pool of London to Concordia Wharf and some moored vessels I could barely see the Canary Wharf towers. To my right the restored warehouses surrounded a wharf now drained of water at low tide.

Wet and Misty Thames
Canary Wharf (RPX)
Wet and Misty Thames
Empty at low tide (RPX)

Continuing to walk round in the evening the weather remained typical November wet, cold and miserable but the tourist crowds now much less. The buildings and lights presented a very different view, sometimes more positive but sometimes a menacing view.

Wet and Misty Thames
Tower Bridge and London Bridge Hospital (Foma)
Wet and Misty Thames
Menacing Shard (Foma)

All films stand developed in Rodinal 100:1 and scanned on an Epson 4990.

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About The Author

By Geoff Chaplin
Primarily a user of Leica film cameras and 8x10 for the past 30 years, recently a mix of film and digital. Interests are concept and series based art work. Professionally trained in astronomical photography, a scientist and mathematician.
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Comments

Ibraar Hussain on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

Man! Lovely moody atmospheric photos ! Marvelous! Timeless look to them
London is my home town. I left a few years ago but my heart still lives there and I do get homesick. Thank you!
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Luis replied:

Comment posted: 18/02/2024

Nostalgic

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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks again Ibraar, I'm glad you liked it and it evoked positive memories. Miserable November weather, very difficult to get punchy images.

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Julian Tanase on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

Really enjoyed your story and photographs, Geoff. The one showing the bridge in the evening, coming out of a really Dickensian foggy London, is a classic. Probably taken with your back to the Traitor's Gate was it? It also somehow saddens me to see Canary Wharf drained. What gives there?

London has changed a great deal, but still remains a city to roam and photograph. Thank you !
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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks again Julian. Night shots can bring something out of the ordinary I find, especially with film. I was standing on London Bridge at the Hospital side.

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Timothy Hancock on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

Great photos and blog - my kind of camera, my kind of photography
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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks Timothy, The iiig and collapsible lens are an almost perfect combination.

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Marc on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

These were fantastic photos & story. I live in the Pacific Northwest of USA (Washington State). The weather is similar to England. I was concerned with the film you were using as I normally switch to mostly digital for the many grey months. I appreciate your efforts; hope to be brave enough to try.
Did you do much post processing?
Hope to see more
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Ibraar Hussain replied:

Comment posted: 18/02/2024

B&W film is wonderful for the grey months - check out Martin Henson’s YouTube page for some inspiration.

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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks Marc. I generally like slow/medium speed (up to 125asa) and it can be used in all conditions. Acros 100 is great for night shots - no reciprocity failure up to 90s. For other films in low light it's about working within constraints and finding appropriate shots.

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Geoff Chaplin replied:

Comment posted: 18/02/2024

I forgot to reply on the post processing question. Generally it's just spotting and straightening when necessary, occasionally very minor changes to the contrast curve. There are exceptions on rare occasions but these images are close to straight scans.

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Gary Smith on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

Great photos Geoff! I'm anxiously awaiting processing on my first roll (HP5+) through my newly acquired IIIc with the 50/2 Summicron. What do you use for a meter? What film do you typically shoot through your Barnack?
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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks Gary, Generally sunny 16 but if difficult lighting a handheld Sekonic Flashmate. I don't use faster film then 125, sometimes down to 20asa - wide and slow are requirements.

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James Evidon on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 18/02/2024

The Summar appears soft compared to modern lenses. It definately gives a sense of being back in the 1930's. I also have a Leica IIIG that I have shot with collapsible Elmar's. I recently acquired a collapsible f/2.0 Summitar and will give it a road test within the next few weeks. The IIIG feels great in the hand; small, solid and comfortable. Much nicer than my old M240 digital which I no longer have. The LEICA CL digital in much closer in size and feel to the older Leica III series.
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Geoff Chaplin replied:

Comment posted: 18/02/2024

Thanks James, I too love the Elmar on the iiig, and I recently finally got a 2.8 version in excellent condition. The Summitar is a top quality lens, not quite a cron but so close.

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Alexander Seidler on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 19/02/2024

Very beautiful geoff !
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Geoff Chaplin replied:

Comment posted: 19/02/2024

Thank you Alexander.

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Paul Quellin on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 19/02/2024

Enjoyed that Geoff. Sometimes the weather is like that, in fact where I am, probably too much of the time. I think the images are evocative and speak of how November ought to look. The image of the Shard has a really unusual quality to it I think.
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Geoff Chaplin replied:

Comment posted: 19/02/2024

Thanks Paul. The Shard - so unusual, I think low cloud and strange lighting from behind (or maybe from within). I've never seen it like that before or since. Lucky coincidence.

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Bryan Costin on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 20/02/2024

These are beautiful. I really love this kind of weather but my attempts at photographing in it are seldom as lovely as yours.
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Geoff Chaplin replied:

Comment posted: 20/02/2024

Thank you Bryan! I'm not aware of doing anything special in this weather, just my usual walk and I photograph what appeals. I guess the old lens and shooting wide open add (or subtract) something.

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Bradley Newman on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 20/02/2024

I could really feel these shots. Thanks for sharing.
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Geoff Chaplin replied:

Comment posted: 20/02/2024

Thank you Bradley. Odd how an ancient lens can work so well at the emotional level.

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Dan Castelli on A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar

Comment posted: 20/02/2024

Nice job. The nighttime images with the antique lens are reminiscent of Brassai & Paris streets.
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Geoff Chaplin replied:

Comment posted: 20/02/2024

Thanks Dan, to be compared to Brassai is an honour indeed (albeit undeserved!). I must admit his images have been an inspiration.

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