If you’re looking for photography equipment and peripheral reviews, this is the place to start!
35mmc Reviews
Below you will find a list of all of the reviews on 35mmc organised by type and then alphabetically. If you don’t quite know what you’re looking for there are a couple ways to navigate the content.
First, as you will see, there is a table of contents for this page. Click the items in that table and it will take you to the list you clicked on.
Once you start clicking reviews, you can either keep coming back to this list and working your way through it, or you can let yourself fall further into the rabbit hole of content by clicking the tag links that you’ll find at the end of the various articles. The latter option is especially useful for finding any more content that can be found on 35mmc about the particular subject you are reading about.
Write for 35mmc
If you can’t find something you’re looking for, or maybe feel like your favourite camera, lens etc is conspicuously missing from the list and you would like to review it for 35mmc, you can find out more about how to write for 35mmc here
Buyers guides/help
For those who are a little less sure about what some of all this means, or indeed those looking for help about what camera they should buy, I have prefaced each section below with a small introductory paragraph or two.
If you are really new to film cameras and photography, you might find this guide helpful: Which film camera should I buy? A guide to anyone asking this question
I would also recommend reading this article to anyone who’s thinking of sinking a lot of cash on any of the types of camera listed below: Thinking about spending a stack of cash on a film camera? Read this first!
You can also find more Buyers Guides on 35mmc here
All of this is subjective!
One final, and I would say very important note: ALL of this is very subjective. Just because one person who reviews something well or badly here, does not mean you to will like or dislike it respectively. If you read a review and disagree, please feel free to comment on the individual review pages. Regardless of your opinion though, it is important to know – especially if you are a beginner – that there is no “best” camera. If you would like to know more about what I mean by that, there is a section in one of the aforementioned articles where I go into some detail here.
Point & Shoot Film Camera Reviews
Here you will find a list of all the point & shoot film camera reviews that have been published on 35mmc. Point & Shoot film cameras are small and mostly pocketable. They are the more basic variety that allow the photographer to concentrate on just framing/composition.
A lot of point & shoot cameras are still very affordable, but it’s fair to say that some have fallen foul of become cultishly popular – often for very little reason beyond buying trends perpetuated through social media.
If you find a point & shoot camera you like the look of that’s more money than you felt like paying, you might want to give yourself a bit of a reality check by reading this article first: Don’t Believe the hype – A tight-fisted photographer’s approach to compact cameras
- Agfamatic Pocket 4008 – a P&S of Yesteryear
- Alfie Tych Preview – An Eccentric Camera that Fits in the Palm of Your Hand
- Boots 35AF – This Boots is made for shooting
- Cannonmate AE 808 – Shooting a very fake “Canon” – By Karl Gustavsson
- Canon 110ED Mini-Review of a Luxury Pocket Camera – By Bob Janes
- Canon AF35M Review – Making Mere Adequacy Intriguing – by Torsten Kathke
- Canon AF35ML Review – A Curious incident – by Torsten Kathke
- Canon Epoca – A Review of A Twice Owned Camera – by Phil Harrison
- Canon MC Review – The Joys, and Woes of Early Autofocus Point & Shoot cameras
- Canon Multi Tele – The Long Half-Life of a Canon Half-Frame Camera
- Canon Prima BF-80 Date Review (Snappy QT Date) – By Benn Murhaaya
- Canon Prima 120 Review – My current telephoto lens of choice!
- Canon Sprint Review (or AF35j, Jet or Autoboy Lite)
- Canon Sure Shot 105 Zoom – Mini Review – By Gavin Bain
- Canon Sure Shot 130u II Date: One of Canon’s Last Film Cameras
- Canon Sure Shot AF-7/8 Review – Simplicity is fun – by Christos Theofilogiannakos
- Canon Sure Shot EX – A Mini-Review of a Very Basic Camera
- Canon Sure Shot M Mini-Review & Auto-Flash Disable Modification
- Canon Sure Shot Max Review – Eat Your Liver Yashica T4! – By Mike Caputo
- Canon Sure Shot Sleek / Prima Mini II Review – By Charles Higham
- Canon Sure Shot Supreme Review – By Dean Dent
- Canon Sure Shot Z155 Review – Fine Workmanship for a Small Price – By Thang Nguyen
- Canon Sure Shot Z90W One Roll Review – Kodak Portra 400 in Coventry – by Charles Higham
- Canon Sure Shot Zoom XL Review – An Elegant Brute – By Mike Hannon
- Canon Sureshot Multi Tele Review – Adventures in Half Frame Part 2 – by Anil Mistry
- Canon SureShot Autoboy (AF35M II) Review – by Jeremy Strange
- Canon Top Twin & MC Review – Comparing Two Mid-80s Compacts – by Tobias Eriksson
- Carena Mini Zoom 115s Review – Least Probable Favorite Camera of all time – By Gandhi Cabañas
- Chinon 35 FS-II Review – Birth of a Review – By Ian
- Chinon Auto 2001 & Kodak VR35 K14 Review – Vision of the Future From the Past – By Thang Nguyen
- Chinon Auto 3001 Multifocus review – by Sigurður J. Haraldsson
- Chinon Auto 3501 – Ugly, Noisy and Quite Capable
- Chinon Belami AF Review – Snap Happy with Fomapan Creative 200 – By Iain Paterson
- Chinon Bellami Mini Review – By Dale Willetts
- Cosina CX-2 Review – an ingenious bit of industrial design
- Fuji Discovery 875 Zoom Plus: Attention Kmart Shoppers, or a Discount Department Store Photographic History – by Shawn Granton
- Fuji DL-300 & Pentax Espio 140 – Jungle Duel – Point and Shoots
- Fuji DL-500 review – Tiara’s older brother – by Benn Murhaaya (NSFW)
- Fuji Natura Black Review – For Late Night Shooting – By Marcus Harris
- Fuji Natura S Review – Wide and Fast – By Andrew
- Fuji Zoom Date 2.8 “Silvi” Review- I think it might be a party animal!
- Fuji Zoomdate 1300 – Is that a telephoto in your pocket or are you just happy to see me?
- Fujifilm DL-270 Zoom Date Review – The “In-laws’ Camera” – by Julián Péter
- Fujifilm Zoom Date siblings: 1000, 1300 and 160S Review – By Ivan B. Palli
- Halina 160 – 5 Frames Mini-Review with a Roll of Portra 400 – by James Greenoff
- Halina AF700 Review – How it saved me from Creative Block – By Miriam Woodburn
- Halina AF810 Review – a Bloody Awful Camera
- Halina Panorama – full frame “Canny” Shooting
- Hanimex VEF Mini Camera Mini Review – by Tobias Eriksson
- Holga Micro-110 – How low(fi) can you go?
- Holga Tips from a Holga Nut
- Kodak Ektar H35 Review – Cheap Thrills with a Very Simple Camera – By Eric L. Woods
- Kodak KE60 (Easy Load 35) Review – Concealed Greatness Among the Compact Craze – Thang Nguyen
- Kodak S1100XL Review – Chinon 3001 in Kodak Clothing – By Thang Nguyen
- Kodak Star, 60 and S30 – One City, One Film, Three 110 Cameras
- Konica AA-35 Reporter Review – By John Furlong
- Konica AiBORG Review – Big/ugly/horrible… Good lens
- Konica Big Mini F Review – Is It As Good As It Looks? – By Thang Nguyen
- Konica Big Mini Review – Yeah, it’s not bad …
- Konica Genba Kantoku 28WB Review – “The Guv” – by Ray Yee
- Konica Mermaid – One roll mini-review
- Konica Z-up 100w compact review – by Charles Higham
- Konica Z-up 150 VP – Mini Review – by Charles Higham
- Konica zUp 140 Super Review – Gratis Gratification
- Leica C2 Zoom Review – A Mind of Its Own – by Torsten Kathke
- Leica Mini – One roll review
- Leica Mini Zoom – A Whole (Test) Roll with Kodak Gold 200
- Leica Minilux Death by E02 / 5 Frames with a Beautiful Brick – By Bill Thoo
- LensFayre Snap LF35-M – A Sustainable, Customisable & Reusable Camera
- Lomo LC-A – a one-roll / 15-year review
- Lomo LC-A – 7 Alternatives to the Classic Lomo – by Alan Duncan
- Lomo LC-Wide Review – The Ultra-wide, Point & Shoot
- Lomography Fisheye 2 Camera Review – Family Vacation – By Alex Vye
- Lomography Metropolis Film and the Minolta Riva Panorama
- Lomography Spinner 360° review – Analogue Panorama Shots on the Cheap
- Lomomatic 110 Camera Review: Lomography’s New Tiny Format Treat
- Minolta 16 MG sub-miniature camera.
- Minolta AF 35R QD Review – A Brief Encounter – by Taylor Ervin
- Minolta AF101R review – by Maulana Randa
- Minolta AF50 Big Finder Review – a Wide Angle Compact to Use Close-up
- Minolta AFZ – a mini review
- Minolta Explorer Freedom Zoom Review (Riva Zoom 70W) – by Benn Murhaaya
- Minolta Freedom Zoom 160 Date Review – A Highly Sophisticated Focusing System – By Thang Nguyen
- Minolta Hi-Matic AF2 Review – A Camera Between the Ages – by Torsten Kathke
- Minolta Pocket Autopak 460 Tx 110 – A Shooting Experience
- Minolta Riva Mini Review – by Torsten Kathke
- Minolta Riva Panorama – A Fun Intermezzo – by Aukje
- Minolta Riva Panorama Review – A simple joy!
- Minolta Riva Zoom 110 Mini-Review – The Perfect Camera for a New Dad – By Or Sachs
- Minox 110S Mini-Review of a Clever Cassette Camera – By Bob Janes
- Minox 110S review
- Minox 35GT Review – Ilford HP5 & the Streets of Berlin – by Jean-Christophe Wiart
- Minox CD70 – A Mini-Review on Kentmere 400
- Minox EC Review – The smallest usable camera in the world – By Victor Doroshenko
- Miranda A-X – Attack of the Clone – Guest Review by Ken Hindle-May
- Vivitar Ultra Wide and Slim – Modifying & Shooting – by Charles Higham
- National Panasonic C-500AF – The Little Plastic Camera that Could – by Tom Shappard
- Nikon 310 Zoom – review by Andrew
- Nikon AF3 – One roll review
- Nikon L35AF – a mini review – by Giacomo Zema
- Nikon L35AF – A review of a broken camera (that will see life after it’s death)
- Nikon ‘Lite Touch’ AF600 Review – A Forgotten Fling
- Nikon Lite Touch Zoom 120ED – A One Roll (of Tri-X) Review – By Robert
- Nikon TW20 5 Frame Review – Two lenses; two perspectives
- Nikon Zoom 700 VR Mini-Review
- Olympus AF-1 Mini review – The Hunt for a Hidden Gem – By Temoor Iqbal
- Olympus AF-1 Twin Review – A travel camera of (no) choice – by Douglas Pulman
- Olympus AF-10 Super Review, or: Pushing the functional limits of a crap point & shoot.
- Olympus AF10 Twin Review – Two Lenses For The Price Of One – By Rick Davy
- Olympus AZ-1 Zoom Review – a remarkably unremarkable camera – By Oliver Clarke
- Olympus iS-300 Bridge Camera Mini Review – 7 frames with a 1990s ‘Grandpa Chic’ Camera – Matthew Bigwood
- Olympus L-10 Panorama Review – Guest Post by EMULSIVE
- Olympus Mju ii & Kodak T-MAX 400: Lessons from The Forgotten Ones – by Jon YK Lee
- Olympus mju-ii Review (pt2) – Great Camera, But Too Expensive For What It Is!
- Olympus Mju-ii Review – A One Roll Test on the Street – by John Hanson
- Olympus mju-ii Review – Is It the Ultimate Point & Shoot? – By Hamish Gill
- Olympus Mju II Zoom 80 Panorama Review – by Ken Hindle-May
- Olympus mju-iii wide 100 review
- Olympus mju-V Metal Review – Not So Famous Last Words – By Octavia Vans
- Olympus Promaster Infinity TWIN Review – It’s got the POWER!
- Olympus Quick Shooter Zoom – 5 Frames Mini-Review of a $900 Point & Shoot – By Eric Norris
- Olympus Stylus Epic Zoom 115 Review – Elegant by Design – By Thang Nguyen
- Olympus Stylus Epic Zoom 80 – Mini Review – By Will Hopkins
- Olympus XA and Fujicolor Pro 400H – A Favorite Camera/Film Combo – By Phil Calvit
- Olympus XA Review – Another Classic Oly – by Daniel VanDurmen
- Olympus XA – Digital Palate Cleansing – By Ed Lara
- Olympus XA Review – Mighty Micro Machine – by Michael Rennie
- Olympus XA – Shooting a roll in San Francisco – By Jacint
- Olympus XA2 – A Brief Guide to my Every Day Carry Camera
- Olympus XA2 Review – or why I learned to love a camera – by Frank Lehnen
- Olympus XA4 has a day out in Scarborough
- Olympus XA4 Review – by Patrick Kuhl
- Panasonic C-3000ZM (Zoom 28) Review – A No Thrill Camera with Brilliant Optics – By Thang Nguyen
- Panasonic GM1 Review: A Digital ILC Alternative to the Olympus XA2? – by Charles Higham
- Panorama Wide Pic Toy Camera Mini-Review – by Holly Gilman
- Pentax Auto 110 – My First Experiences
- Pentax Espio 120 – 1/3rd roll review
- Pentax Espio 170SL – A One Roll Review
- Pentax Espio 80 Review – My Summer Holiday Snapper
- Pentax Espio Mini (UC-1)
- Pentax IQZoom 928 Review – My Superzoom of Choice – By Shawn Granton
- Pentax PC35AF-M – A Mini-Review
- Pentax PC35AF Review – A camera with a certain charm
- Pentax Zoom 105 Super Review – By Pedro Trevino
- PF Micro 110 – High-Tech 110 Camera and some Fresh Film – By Jordi Fradera
- PIC Camera – Having fun with the rare round British made oddity
- Point and Shoot Shootout on a Budget – By Dan Marinelli
- Ricoh FF-8WR – one roll review
- Ricoh FF-90 Super Review – A Landscape Photographer’s New Companion – By Adam Smith
- Ricoh FF90 Review – The camera that got in a fight with 80’s style, and lost!
- Ricoh FF9s Review – with a roll of IR friendly Rollei 80s – by Ivan B. Palli
- Ricoh GR10 Review – A Diamond Wrapped in Coal – By Edward Chang
- Ricoh Mirai as a Semi-Professional Task Camera – Back to See “the Future”
- Ricoh Mirai & Olympus AZ-4 Zoom Review – Fraternal Twins – By David Tellet
- Ricoh R1 Review (Rollei Prego Micron) – An overlooked achiever – by Benn
- Ricoh R10 First Rolls Mini-Review – By Louis Boothman
- Ricoh RZ-105 Zoom Date – Mystery Camera Review – By Ivan Palli
- Ricoh Shotmaster Tru-Zoom Date Review – A Mystery Camera in the Mail – by Frank Lehnen
- Ricoh Shotmaster Ultra Zoom Super Review – A Practical Camera for Flash Photography – By Thang Nguyen
- Ricoh Shotmaster Zoom Super Date Review – By Gavin Bain
- Rollei AFM35 – A Regular Companion Once More
- Rollei Prego 125 Review – Shooting a Should-be-Cheap Camera Expensively
- Rollei Prego 70 Review: The Trouble With Names – Pedro Trevino’s P&S Journal #3
- Rollei Prego AF review – a gem, provided you don’t drop it…
- Samsung AF Slim – one roll review
- Samsung ECX1 Review – The bargain “Dad Cam” of Yore
- Samsung EX2F Review – A Pocket Camera No One Remembers – Orkhan Abbasov
- Samsung Fino 70s – Experiences with a Bewitched Camera – By Jordi Fradera
- Samsung Slim Zoom 1150 Review: Good Results, Frustrating Experience – by Shawn Granton
- Samsung Vega 140S Review – “Millennium Compact” – by Charles Higham
- So you want to get into Minox photography?
- Sprocket Rocket 2.0 Review – A Day at the Fair – By Alex Vye
- Texet TX-500 review – Fake Autoexposure Compact ? – by Rock
- Vivitar PZ3815 DB – It Gets the Job Done – By Thang Nguyen
- Vivitar Tec 45 / Panasonic C-600 Review – Remarkable Machines Without A Reputation – By Thang Nguyen
- Worth the Upgrade? Reviewing the Kodak Ektar H35N’s Hip New Features: Glass Lens, Star Filter, and Bulb Shutter
- Yashica Auto Focus Motor Review and Notes – By Michael Raven
- Yashica Elite 70 Review – No Zeiss No Problem – By Sean Benham
- Yashica J and J2 (Ninja Star) Mini-Review – Back to the 80s – By Meifei Tang
- Yashica Ninja Star II AF-J2 Review – Thoughts on Salvage (NSFW) – Pedro Trevino’s P&S Journal #2
- Yashica T2 Review: A Noisy Companion – by John Lee
- Yashica T3 Review – by Alex Redman
- Yashica T3 Super D Review – by Byron Hawes
- Yashica T4 Review: A ‘Cult vs. Budget’ Comparison – By Dmitry Zhilyaev
- Yashica T4 Review – Goodbye to an old friend – By Clive Williams
- Yashica T4 Zoom – user review by Kwasi Boyd-Bouldin
- Yashica T5 Review – The Path to Enlightenment
Advanced Compact Film Camera Reviews
Advanced compact film cameras – like the point & shoots – are mostly quite small. They have more advanced features such as the option to change the aperture manually or switch to manual focus. In recent years, these cameras have become very much more expensive. They aren’t getting any younger either, and therefore come with something of a health warning. It is quite possible that if you buy one of these cameras it might irreparably fail. That said, it is hard to deny the enjoyment that can be found in shooting them.
A little while ago (when they were less expensive) I began writing a buyers guide specifically to this type of camera. I managed to tick a few off the list before they became too expensive for me to justify buying to review. My article documents some of the pros and cons of the models I did review and can be found here: The 35mmc (growing) Guide to the 35mm Advanced Compact Camera
- Alfie Tych Preview – An Eccentric Camera that Fits in the Palm of Your Hand
- Contax G2 Review – The Gobi Desert – by Nicholas Koh
- Contax G2 – The Finest Camera Ever to See my Minds Eye
- CONTAX T – The 1st One – A Compact, Manually-Focused Rangefinder
- Contax T2 Review – Just a device? – by Adam Laws
- Contax T2 Review – it’s chunky, it’s very expensive, but it’s good!
- Contax T2 vs. Fuji Klasse S – A Clash of Compact Camera Giants – by Aivaras
- Contax T3 Review – A regular companion
- Contax TVS – Mini Review – By Lukas Walter
- Contax TVS Review – The ‘Executive’ Compact Zoom – By Eddy
- Contax TVSii – a review with a few comparisons to the T2
- Contax TVSiii Review (vs. the TVSii) – A One Roll Review
- Fuji DL Super Mini (Tiara) Review – an almost cult classic – by Benn Murhaaya
- Fuji Klasse W – Comments on Exposure and Focusing
- Fuji Klasse W – Initial Impressions
- Fuji Klasse W Review – My final thoughts
- Fujifilm Klasse 38mm F/2.6 Review – By David Narbecki
- Konica Hexar AF – A Love Letter – By Ong Sien Hong
- Konica Hexar AF Mini Review – by Rob MacKillop
- Konica Hexar (AF) review – Picking a few holes in the Untouchable
- Contax T2 – Long Term Impressions – By Kwasi Boyd-Bouldin
- Minolta TC-1 – On Loan and in Love – By Robert
- Minolta TC-1 Review – An Eccentric Beauty
- Minolta TC-1 Review – A Worthy Companion – by Benn Murhaaya
- Nikon 28ti and 35ti – Mini-Review – By Ahmed Al Shorouqi
- Nikon 35 Ti – Long Term Impressions – By Lennart Klein
- Nikon 35Ti review – by Marc-Olivier Gilbert
- Olympus XA – And the Nobel Laureate who used to own it – By Eric Huynh
- Pentax Espio 115M – Mini Review – by Phil Harrison
- Ricoh GR1 Review – The Path to Enlightenment
- Ricoh GR1 – A tale of repair and repeated woe
- Ricoh GR1 – will it dethrone my Olympus XA2? – by Frank Lehnen
- Ricoh GR1v Review – My Final thoughts
Scale Focus Film Camera Reviews
Scale focus film cameras also tend to be quite small, but rather than rely on autofocus, they are manual and require the user to set the focus based on an estimated guess of the subject distance.
Many of these cameras are older, but are also a little more simple than the autofocus cameras above. In some cases this can mean they are more reliable, though this is by no means the rule.
Included in this list are fixed lens scale focus cameras and a few interchangeable lens cameras.
- Agfa 1035 – What Hamish’s Unloved Camera Did Next… An Ektachrome Adventure – By Dave Walker
- Agfa 1035 Review – a Confusion of my Preferences
- Agfa Optima Sensor Flash Review – By Bal Camp
- Bessa L – Love and Hate in Berlin – By Mike Brookes
- CAMERADACTYL Brancopan 35mm Panoramic Camera: A Preview with Pictures – By Ethan
- Canon 110 ED Review
- Canon Demi C – Half-frame with a tele lens – Guest review by Tobias Eriksson
- Canon Demi EE17 Review – A Surprisingly Good Half Frame Camera – By Phil Stefans
- Chinon Bellami Mini Review – By Dale Willetts
- Comparing the Zeiss Icon Voigtländer 500 SE Electronic and the 1000 SR – By Nigel Haycock
- Cosina CX-2 Review – an ingenious bit of industrial design
- Cosmic 35 Review – and a multiple exposure project – By Dale Willetts
- Dacora Dignette – The Story of a old Colleague’s Camera – By Jordi Fradera
- Diax L-1 Scale Focus Camera Review – by Simon Foale
- Durst Automatica – Overcoming Scale Focus Fears with an Italian Beauty
- Fujica Half – the Revival of a Half Frame Camera
- Ilford Advocate Camera – A wonderful street camera
- King Dominant or Regula Sprinty BC300
- Kodak Retina 118 – More Than a Camera – By Lisa Murphy
- Kodak Retinette 1A Review – A compact piece of Kodak History – by Carlos Argott
- Konica C35 EF aka ‘Pikkari’ Mini-Review – Compact Fun Shooting – By Meifei Tang
- Konica C35 EFP Review – by Dexter Robinson
- Konica EE-Matic 260 & Ilford Sportsman C – Reviving two Instamatic Cameras – by Tobias Eriksson
- Leica Standard Review – and some thoughts around the Benefits of Standardisation
- Lomo LC-A – a one-roll / 15-year review
- Lomo LC-A – 7 Alternatives to the Classic Lomo – by Alan Duncan
- Lomo LC-A+ Review – love it or hate it…. or both? – by Frank Lehnen
- Lomo LC-Wide Review – The Ultra-wide, Point & Shoot
- Minolta – Four 35mm, 1960’s Compacts – by Tobias Eriksson
- Minolta Hi-Matic G – The Bare Essentials – by Cosmo Coughlin
- Minolta Hi-Matic S2 – The One I’ll Never Part With
- Minox 35 GT-E Review – Scale Focusing a Pocket Camera – By Anton Yakovlev
- Minox 35 GT review – a true pocket camera – by Gaston W
- Minox 35GT Review – Ilford HP5 & the Streets of Berlin – by Jean-Christophe Wiart
- Nikonos iii – a dry land one-roll review
- Nikonos V, 35mm f/2.5 & Fuji Superia X-TRA 400 – In the Surf- By Michael Rennie
- Nikonos V – Underwater Film Photography – by Aukje
- Olympus 35 EC and EC2 Review – An Alternative to the Trip 35 – By Michael Sherman
- Olympus Pen EE-2 Review – Adventures in Half Frame Part 1 – by Anil Mistry
- Olympus PEN EE-2 Review – Fixed Perfection? – by Alan Duncan
- Olympus Pen EE-3 Review – A Weekend in Prague – by John Hanson
- Olympus Pen EE-3 – Shooting Film in Barcelona – By Jordi Fradera
- Olympus Trip 35 on Holiday – Part 1 – Keeping it Simple in New Zealand – by David Hume
- Olympus Trip 35 Review – A cult classic point & shoot
- Olympus Trip 35 Review – Learning to be More Spontaneous – by Andrew Morang
- Olympus Trip 35 – Shooting my black camera in Munich
- Olympus Trip 35 – Through the Viewfinder
- Olympus XA-2 – An old friend
- Olympus XA2 – A Brief Guide to my Every Day Carry Camera
- Olympus XA2 Review – or why I learned to love a camera – by Frank Lehnen
- Olympus XA3 Review – Highs and Lows of Travel Photography with a Simple Compact Camera – By Keith Tomlinson
- Olympus XA4 Review – by Patrick Kuhl
- Panasonic GM1 Review: A Digital ILC Alternative to the Olympus XA2? – by Charles Higham
- Panomicron Oxygen review – A 3D Printed Hasselblad Xpan Alternative
- Pentax 17 Comprehensive Review – The New Half-Frame Point & Shoot
- Petri Color 35 – A Love Letter to a favourite camera
- Petri Color 35 Review
- Petri Color 35 – Through the Viewfinder
- Regula RM & Mastra V35 Mini Review – A Pair of Kings – By Rock
- Rollei 35 Review- A brace of rolleis – by Malcolm Myers
- Rollei 35 – My Experiences and Love for these Little Cameras
- Rollei 35S “Art Machine” – My Early Experiences
- Rollei 35S & Choosing a Film Partner for Another Pocket Camera – by Phil Calvit
- Rollei 35SE Review – and some wider thoughts about shooting a zone focus camera
- Rollei 35T – A compact hiking companion
- Rollei A110 – Bringing It Back From The Dead
- Rollei A110 – The 110: a Review – By Bob Janes
- Rollei B35 – the German Cousin from Singapore
- SEM-KIM (1947) – An Amazing Old Camera Shot in B&W and Color – by Jordi Fradera
- Smena 8M Review – Sometimes you just have to play – By Carlos Argott
- Olympus Trip 35 – Two Trips with a Trip – by Daniel Stoessel
- 5 Frames with a Voigtlander Bessa L – Broken in Just the Right Way
- Voigtlander Bessa L – (not really a) review
- Voigtlander Vito B, Plus Accessories – A Very Interesting Charity Shop Find – By Seb Copley
- Voigtlander Vito B Review – A Beautiful Camera
- Voigtländer Vito BL Review – Compact Excellence – by Andrew Morang
- Voigtländer Vito CL – The Dad Cam – By Hans Gastafsson
- Voigtlander Vito II review – A simple folding 35mm compact camera
- Voigtländer Vito IIa Review – Going Full Circle – By Tony Warren
- Yashica Rapide Half Frame Camera – History and Review – By Dan Cuny
- Zeiss Ikon Contina III – One Roll Mini Review – by Charles Higham
- Zeiss Ikon SW – First Impressions of this “blind” camera
- Zeiss Ikon Taxona Review – Shooting Square – by Rajmohan Fotograf
Disposable Film Camera Reviews
Some more recent disposable cameras can used more than once, but they are all very simple and very cheap.
- Disposable Camera Holiday Snaps – Moments of Truth (Part One) – By Brian Nicholls
- Disposable Camera Holiday Snaps – Moments of Truth (Part Two) – By Brian Nicholls
- Disposable cameras – Reflections on my early use – by Tobias Eriksson
- Disposable Cameras Review – Cheap, Fun, and Dependable – by Rick Davy
- Kodak Ektar H35 Review – Cheap Thrills with a Very Simple Camera – By Eric L. Woods
- Konica WaiWai – The disposable camera experience
- Solarcan Review – Solography; it does exactly what it says on the tin!
- Toronto with an Orphan Camera – By Brian Nicholls
Fixed Lens Rangefinder Film Camera Reviews
Fixed lens rangefinder film cameras are similar is size to many of the scale focus film cameras above. The main difference is that they have the added benefit of a rangefinder to help the user focus. If you are unaware of the concept of a rangefinder, you can find out more about them in this article: What is a Rangefinder Camera, and is one right for you?
- Agfa Karat 36 Review – The Patchless Rangefinder – By Perry Ge
- Agfa Super Silette Automatic Review
- Ansco’s “Super Memar f/2” – A Simple High-Quality Camera
- Argus C4 Review – My Experiences – by DaCosta
- Balda Baldessa 1b – a mini-review – By Cameradactyl (Ethan)
- Balda Super Matic – Quirky but fun
- Brumberger – A fun camera with a Funny Name
- Canon QL17 Giii review – Discovering cameras I’d Missed Along the Way – Part 1 – By Steve Ember
- Canonet 28 Review – The modest Canon – By Bob Janes
- Canonet QL17 GIII Review – Affordable, Fine and Reliable – by Armin Rebihic
- Canonet QL17 GIII – This camera almost has it all
- Canonet Review – 43 Years in Preparation – By Bob Janes
- Certo Dollina 2 – Otherwise Unwanted Cameras № 5
- Chinon 35EE Review – The Poundland Rangefinder – Guest review by Alan Duncan
- Contax T Review – My Final Word in Pocket Cameras – by Hern Tan
- CONTAX T – The 1st One – A Compact, Manually-Focused Rangefinder
- Fujica 35-SE – A review of an interesting if tatty camera
- Fujica GS645 Professional – A 6×45 Rangefinder Review – By Rob Hawthorn
- Huaxia 822 – Jumping into the Analog Deep End – My First Foray into Film
- Kodak Retina IIc – My Journey and Discovery
- Kodak Retina IIIC – Back into Film with a Charity Auction Find – By Stewart Waller
- Konica Auto S3 – A Tale of Woe and finding My White Whale – – By Hendrik Teron
- Konica Auto S3 review – by Mike Caputo
- Konica Auto S3 – Small and Perfectly Formed – By Bob Janes
- Konica C35 Review – by Olli Thomson
- Konica IIIM – Caves, Fog, and Review
- Minolta – Four 35mm, 1960’s Compacts – by Tobias Eriksson
- Minolta AL-F – Getting to know ALF
- Minolta Hi-Matic 7 Review – One Year Shooting Film – By Seb Copley
- Minolta Hi-Matic 7s and A Sentimental Journey Discovering True Optical Prints – by Shawn Granton
- Minolta Hi-Matic 7s – My Gateway Drug into the World of Camera Collecting – By Markus Hainz
- Minolta Hi-Matic E – Minolta’s ‘Difficult’ Second Electro Camera – By Bob Janes
- Minolta Hi-Matic E Review – A point & poke Rangefinder
- Olympus 35 SP vs Olympus 35 RC Review – Twins – By Matt Parry
- Olympus 35 SPn – A Review of a Quality Compact – By Bob Janes
- Olympus 35RC and a Couple Rolls of Kodak Ultramax – The Radical Retro Red Vacation
- Olympus 35RC – 3 Days in Hong Kong – by Jay Meador
- Olympus 35rc Review – yet another classic Oly
- Olympus 35RC – A Travelling Review – By Andy Larner
- Olympus 35SP – A 5 Frame Mini-Review
- Olympus SP & DC Review – Two Olympus cameras, one family holiday – Guest post by Chris Pattison
- Olympus XA and Fujicolor Pro 400H – A Favorite Camera/Film Combo – By Phil Calvit
- Olympus XA – And the Nobel Laureate who used to own it – By Eric Huynh
- Olympus XA Review – Another Classic Oly – by Daniel VanDurmen
- Olympus XA – Digital Palate Cleansing – By Ed Lara
- Olympus XA Review – Mighty Micro Machine – by Michael Rennie
- Olympus XA – Shooting a roll in San Francisco – By Jacint
- Petri 1.9 Color Corrected Super Type III – Review by Johnny Sisson
- Petri 2.8 Color Corrected Super review – by Andrew
- Retina IIc and the Kodak Retina system
- Richomatic 35 – Two Contrasting Examples of a 1960s Quality Point & Shoot Camera.
- Ricoh 500G Review – A Great All-rounder – by Andy Rowan
- Ricoh 500GX Review – Spirit of ’76 – by Chris Pattison
- Rollei XF 35 – First Impressions
- Samoca LE-ii Review – A Fantastic Little Rangefinder
- Six of my Best Freebie Cameras – Part2: The Others – By Rock
- Vivitar 35ES Review – A short test – by Charles Higham
- Voigtlander Vitessa – a (non-comprehensive) review – By Steve Karsten
- Voigtlander Vito CLR – Early Experiences with little Stips
- Voigtlander Vitomatic ii: from paperweight to family heirloom
- Voitlander Vitomatic II Review – by Nigel Haycock
- Yashica Electro 35 GS – A Personal Journey to Find My Perfect Rangefinder Camera – By Salman Rameli
- Yashica Electro 35 GT – Finding a Rangefinder – By Francois Marlier
- Yashica Electro 35CC mini review – by Andrew Morang
- Yashica Electro 35GS Review – I Guess I’ll Keep It? – by Ian Ross
- Yashica Lynx-14 Review – Great 45mm lens (good camera stuck to the back) – By Andy Larner
- Yashica Lynx-14: The Camera that Came Home
Changeable Lens Rangefinder Camera Reviews
The same basic concept as above, but these rangefinder cameras allow the photographer to change the lens on the front of the camera. With this comes a series of different lens mounts. The most notable being Leica Thread (/Screw) Mount (LTM/LSM), Leica M-Mount, Nikon S Mount and Contax rangefinder mount. The latter comes in two varieties, internal (for 50mm lenses) and external (for other focal lengths). Sound complicated? It isn’t really.
It’s worth noting that LTM lenses can be mounted with a simple adapter on M-mount cameras, but not the other way around.
It’s also worth noting that whilst Nikon & Contax mounts are the same mechanically, Nikon lenses won’t focus perfectly on Contax cameras, or the other way round.
Leica Thread Mount cameras are sometimes known as Barnack cameras (after their inventor Oskar Barnack). If you find yourself interested in buying one of these cameras, here are 7 reasons you should, and 9 reasons you shouldn’t (both sets of reasons are subjective, but those guides might help determine if one is right for you.
Leica M-Mount Cameras are arguably the most successful and popular rangefinder cameras. I haven’t reviewed every single one of them, but I have most of them. You can find all my personal M-Mount rangefinder camera reviews here
One final note: most of these cameras are film cameras, but some of the M-mount cameras are digital
- Agfa Ambi Silette – First Roll Reflections
- AGIMatic – an Innovative British 35mm Film Camera
- Barnack to Barnack – my Thread Mount Leica Journey so far
- Canon 7 Review – by Terry B.
- Canon Model 7 – A Journey To Find “My” Camera – By Gavin Bain
- Canon P (for Populaire) thread mount rangefinder mini-review
- Contax G1 – Much more in-focus than out-of-focus – By Chantel Wakefield
- Contax G2 Review – by Adam Laws
- Contax G2 Review – The Gobi Desert – by Nicholas Koh
- Contax G2 – The Finest Camera Ever to See my Minds Eye
- Contax IIa review – Chasing that Classic Look with an Unaccountably Affordable Vintage German Rangefinder – By Phil Calvit
- Corfield Periflex Camera – A British Gem
- Epson R-D1 review – a digi-film camera – By Simone Zuccarini
- Fed 2 Russian Rangefinder Mini-Review – By Julian Higgs
- Fed4 & Industar И-61 lens review – Back in the USSR – by Howard Hurd
- Fujifilm Professional TX-2 – Seeing Panoramic
- Hasselblad Xpan with a 35mm F2.8 PC Nikkor – A Users’ Review. Cal Stewart
- Hasselblad XPan and its Fabulous 30mm f/5.6 Lens in Mississippi – by Andrew Morang
- Hasselblad Xpan-ii – A personal review – The dream that didn’t come true
- Hasselblad Xpan with a Nikon 35mm PC shift lens – FAQ
- Hasselblad X-Pan Review – Fulfilling a Vision – By Cal Stewart
- Hasselblad XPan – by Jef Price
- Kiev 4 Review – It Bites Back – By James Northcote
- Kiev 4AM Review – Perseverance is Key – by The Blackburn Morb
- Konica Hexar RF Review – A Meandering Insight into my Experiences so far
- Leica Barnack Cameras – In praise of the early compact Leicas – By Frank Lehnen
- Leica CL – A Vindication
- Leica CL Review (The Film Camera)
- Leica IIf Red Dial: Nostalgia, or Tool for Serious Storytelling? – By Exphotog
- Leica III from 1933 – Perfectly Imperfect
- Leica IIIa Review – My Final Roll with an Underused but Long-Prized Camera
- Leica IIIc Review (Long-winded Edition) – By Filmosaur
- Leica IIIC Review – A family member back in operation – by Andrew Morang
- Leica M-A Review – The Perfect Rangefinder?
- Leica M-A – From digital, back to film – by Anthony Killeen
- Leica M Edition 60 (Leica M60) Review – the Deconstruction of the Digital Camera
- Leica M [typ 262] Review – Saying Goodbye
- Leica M10-D – The Essence of Photography, or is Cheating Allowed? – By Marc Wick
- Leica M10-P Review – A Brilliantly Underwhelming Digital Rangefinder
- Leica M10-P vs. Sony A7riii and Shooting the Simon and Garfunkel Story
- Leica M2 – Overlooked lesser sibling or minimalist, ‘gold-standard’ talisman of classic Leicadom for wide angle? – By Chroma
- Leica M2-R review – by Alex Hakimi
- Leica M2 Review – Unique in its own Subtle Way
- Leica M [typ 240] Review – A brief relationship
- Leica M3 – a review, and some thoughts about finding the right version for me
- Leica M3 DS Review – My final thoughts on the Double Stroke vs. Single Stroke
- Leica M3 – The Virtues of the First M – by Steven Bleistein
- Leica M4-2 Review – Leica’s Redheaded Stepchild – by Ryan HK
- Leica M4-P Review – Function over Mystique
- Leica M4-P vs. Leica CL – and a Tale of Loss and New Experiences
- Leica M4 Review
- Leica M5 and R8 – In defence of the Forgotten Divas – by Markus Maurer
- Leica M5 Review – The Odd One Out
- Leica M6 Classic & Leica M6 TTL – A Review of Both Variants
- Leica M6 (yet another) Review – Is it worth the hype? – By Joe Monat
- Leica M6 – In Praise of the Classic- by Hokari57
- Leica M6J review – The M6 meets the M3 – By Steven Bleistein
- Leica M7: Beautiful Camera; Neither Here nor There – by Steven Bleistein
- Leica M7 review – a near perfect camera (at least for my personal requirements)
- Leica M8 – A “Better” Alternative to Shooting Film Rangefinders?
- Leica M8 – How important is the use of a CCD in the look of the photos?
- Leica M8 Review – A simple, digital, rangefinder
- Leica M9 Review – Rediscovering a Joy in Digital Photography
- Leica MP review & some wider thoughts on “the ultimate tool”
- Leica MP (Another) Review – by Adam Laws
- Leidolf Lordomat – Capturing Light and Shade
- Minolta CLE Review: The Most Zen of M-Mount Rigs – Steven Bleistein
- Nikon S2 Review – Upstart Rival to the Leica M3 – By Steven Bleistein
- Nikon S3 Olympic – A Piece of Treasure Found in the Junk Section
- Nikon S4 Rangefinder – The Antithesis to Digital Drudgery.
- Pixii (Model A1112) – A Primer into this New Digital Rangefinder Concept
- Pixii (A1571) Review – New Upgrades and Some Personal Experiences
- Canon VI-T (a Tale of a Treasured Camera)
- The Leica IIIF RD – My First Impressions – By Alyssa Chiarello
- Voigtlander Bessa R2C Review- What Is Old Is New Again – By Floyd K. Takeuchi
- Voigtlander R2A & R3A Review
- Zeiss Ikon ZM Review – The Ultimate AE M-mount Rangefinder…?
- Zeiss Ikon SW – First Impressions of this “blind” camera
- Zorki 1 Review – the Russian Leica (of sorts)
- Zorki 4K Review – Following the Wisdom of Tolstoy
- Zorki 5 & 6 – A Brace of Otherwise Unwanted Cameras
SLR Film Camera Reviews
SLR (Single Lens Reflex) film cameras are arguably the most versatile. They also range from very simple purely mechanical manual cameras, all the way through to highly complex and technologically advanced cameras with lots of automatic features. As with most the types of cameras listed here I talk at a little more length about the pros and cons of the different types of SLR film cameras here.
It is worth noting that most of the brands have different mounts which means it’s not always easily possible to mount different brands of lenses on different brands of cameras. For this reason, SLR cameras are sometimes called ‘system cameras’ – you buy into one brand’s system of lens mount, and you’re stuck with the lenses that were made for that camera. It’s also worth noting that some of the brands changed their mount over the years.
Despite the confusion that some of this can cause to the beginner, SLR cameras often offer the best bang for buck – especially some of the smaller-name brands which remain very affordable and versatile.
- Agfa Flexilette Review – a 35mm TLR – By Thomas Merk
- Agfa Selectronic 2 Review – The Best of Both Worlds – By Rock
- Canon 1Ds Review – Happy 20th Birthday to One of the First Full Frame DSLRs – By Brian M Cox
- Canon AE-1 Review – The Hater’s Guide – By Rich Stroffolino
- Canon AT1 Review – The Unpopular Sibling – By Gavin Bain
- Canon EF Camera review – The F-1’s Little Sibling – By Thomas
- Canon EOS-1 Review – The Professional 1 – by Ray Goodwin
- Canon EOS 3 Review – The Good, The Bad, The Heavy
- Canon EOS 300 Review – Not a great camera, but a great camera! – By Malcolm Myers
- Canon EOS 300x & 40mm f/2.8 STM Review – My Compact Camera – by Mauro Pastore
- Canon EOS 33 Review – An overlooked treasure – By Benn Murhaaya
- Canon EOS A2 – An Odd Little GAS Journey.
- Canon T50 – Loving the unloved/ignored.
- Canonflex R2000 – A mini-review of Rare Camera – by Meifei Tang
- Chinon CE-4 and Pentax SMC 50mm f1.7 – Think Different
- Contax RTS Review – Second Time Lucky
- Contax S2 Review: The Beauty of Simplicity – By Joe Monat
- Corfield Periflex Camera – A British Gem
- Cosina CT-1 and its Lengthy Legacy – By Ben O’Keeffe
- Exakta VX Initial Experiences – A Camera for the 35mm Aficionado.
- Exakta VX Review – Through The Past, Brightly
- Fuji STX-2 – A Love Affair with a Much Hated Camera. Simple Refinement
- Fujica ST-901 Review – Back to the future – by Chris Pattison
- Ihagee Kine Exacta 1936 Round Window – Accidentally Discovering a Camera Brand I’d not heard of
- Konica Autoreflex T3 Review – By Bob Janes
- Konica FS-1 and FT-1 review – The Shape of Things to Come
- Konica TC and T4 SLRs – The Last of the Steam Powered Trains
- Leica Digital-Modul-R Review – ‘R’ You Ready for This? – My Passion Camera System – By Jarrod Sams
- Leica M5 and R8 – In defence of the Forgotten Divas – by Markus Maurer
- Leica R3 – a camera I was never expecting to buy!
- Leica R3 – a Review in a Galaxy Far, Far Away – By Luke Patton
- Leica R6.2 Review – By James Tocchio of Casual Photophile
- Leicaflex SL – Walks in Barcelona – By Jordi Fradera
- Leicaflex Standard Review – by Jason S. Ganz
- Mamiya DSX 1000B Review
- Minolta 7000 – Finding an eBay Bargain
- Minolta 9000 – The First Professional Autofocus Camera. Let it bleed.
- Minolta Dynax 5 & Dynax 60 Review – Late Model Budget Gems – By Bob Janes
- Minolta Dynax 7 Review (aka Minolta a-7 & Maxxum 7) – As good as it gets – By Bob Janes
- Minolta Dynax 9 – The 24 Year Wait for a Camera I had Put to the Back of my Mind
- Minolta Dynax 9xi – That difficult second ‘Pro’ AF SLR
- Minolta Maxxum 7 – The Best for when you really have got to get that shot (on a budget)
- Minolta Maxxum 7000 – Putting a €30 Camera Through Its Paces at Belgium’s Toughest Cycling Race
- Minolta Maxxum 9 / Dynax 9 / Alpha 9 Review – The 35mm Film Godfather of the Sony Alpha line – By Benjamin Fargen
- Minolta SRT 101 Review – My Funny Valentine – By Bob Janes
- Minolta X-300 Review – The Last Manual Focus SLR
- Minolta X-700 and 45mm f2 Lens – A love story with an uncertain ending – By Torsten Kathke
- Minolta X300 – Turning Back Time with my 35 Year Old SLR – By Richard Wilford
- Minolta XG-E Review: Takes a Lickin’ and Keeps On Tickin’ – by Aaron Gold
- Minolta XM Compared to the Nikon F2 – Between Myth and Market – By Alex Peter
- Nikkormat FT Mini-Review – Back to Basics
- Nikkormat FTn Review – Definitely Quirky, but also a Rock Solid Camera
- Nikomat FT2 review: Because photography isn’t complicated enough – by Aaron Gold
- Nikon D700 – a 2023 Review of a Classic Full Frame DSLR
- Nikon EM & Nikkor 35mm Review – A Quest for An Ideal Compact Film SLR – Pt2 – by Ed Lara
- Nikon EM Review: The “SLR Camera for Women” – By Mike Caputo
- Nikon F-301 (N2000) – In Defence of Nikon’s Ugly Duckling – By Brian J. Grossman
- Nikon F2 Photomic – The game changer
- Nikon F2AS Review – The Camera That Filled The Void – By Chris Barrett
- Nikon F3 – The Professional Simplicity
- Nikon F4 Review – A Design Revolution
- Nikon F5 review – A dream come true – By Vladislav Stanimirovic
- Nikon F6 Review – Never borrow a camera from a friend – by Marc Wick
- Nikon F75 Project – Part 1 – Going off on a tangent from my usual direction of travel
- Nikon F75 Project – Part 2 – revelling in the 50mm point & shoot experience
- Nikon F75 Project – Part 3 – Kodak Portra 800 & Two competing brains at the Christmas Fayre
- Nikon F75 Project – Part 4 – The SLR viewfinder, fundamentally flawed and entirely outdated…?
- Nikon F75 Project – Part 5 – An afternoon with a zoom lens (and a roll of Portra 800)
- Nikon F75 Project – Part 6 – preferences & ideologies
- Nikon F801 (N8008) Review – A Numbers Game – By Tony Warren
- Nikon FE Review – Returning to Film with a Fun, Compact, Affordable and Easy SLR – By Daniel Sigg
- Nikon FM and How it Became my “Do Anything” Camera
- Nikon FM2 Camera Review – Joy in Simplicity – By Ted Ayre
- Nikon FM2 Review – Its significance and modern appeal since 1984
- Nikon FM3a – Code Name: “The Last Ninja” – by Rod ZX
- Nikon FM3a Review – My desert Island camera – by Anil Mistry
- Nikon Pronea 6i – Retired & Expired: Experimenting with APS film – By Isaac D. Pacheco
- Olympus OM-10 – My Journey and Review – By Jessica Goodwin
- Olympus OM-2n – My First SLR Film Camera Review – Ivan Studynskyi
- Olympus OM-2n – You Wait 6 Months For An OM And 3 Come Along – By Bob Janes
- Olympus OM – 42 years, Full Circle Back to Where I Started
- Olympus OM1 – Return of a Classic
- Olympus OM10 – It’s Not You, It’s Me – By Jay Ridsdale
- Olympus OM2n – Best of Both Worlds?
- Olympus OM4Ti review – a ‘compact’ SLR Camera – by Guy
- Olympus Pen F – The Walk to Paradise Garden and W. Eugene Smith.
- Olympus Pen-FV review – Less is more (literally) – By Tim Lebedin
- Pentax 50mm f/1.2 SMC lens on Film with a Pentax LX – by Aivaras
- Pentax-A 70-200/4 & K1000 – The Accidental Pentax Kit – By Clive Williams
- Pentax Auto 110 Review – By Bob Janes
- Pentax KX – Mechanical Mastery, The Smoke, Sounds, and Nostalgia – By Jarrod Sams
- Pentax KX review: My first. My favorite? – by Aaron Gold
- Pentax LX – Shooting My Wife’s Camera
- Pentax ME Super Review – Not for me, but a Great Camera Regardless
- Pentax MV-1 & 40mm f/2.8 Review – A Quest For an Ideal Compact Film SLR – Part 1 – by Ed Lara
- Pentax MX – doing the “one camera” thing to aid a lack of inspiration
- Pentax MX – My Nuts and Bolts Review
- Pentax MZ-5 Review – Cheap Thrills with an AF SLR Film Camera
- The Pentax MZ-M (ZX-M) Review – The Ultimate Beginner’s 35mm SLR? – By Iain Paterson
- Pentax MZ-S and 31mm, 43mm, 77mm Limited lens trio review – By Aivaras
- Pentax P30 Review – Finding Joy, Despite it not working as expected
- Pentax P30t review – The Middle Child – By William Le
- Pentax Program A – First Impressions Review – By Peter Roberts
- Pentax SF1n, Pentax-A 35-135mm and Kodak Vision 3 250D – My Personal Recipe for Photographic Nirvana
- Pentax SFX Review – 1980s First-Gen AF SLR Joy!
- Asahi Pentax Spotmatic F Review – A Class Act – By Bob Janes
- Pentax Super Program Review – By Chris Colten
- Pentax ZX5n & 40mm DA Limited – A Crop Pano for a Winter Coat Pocket – by Rob Jamieson
- Praktica BX20 – End of the line for Pentacon – By Bob Janes
- Praktica BX20 – Meeting my Old Friend after 30 years, a Happy Reunion or a Disaster?
- Praktica L Rievew – A Yearning for this old Line of SLRS – By Rock
- Praktica MTL3 – Back to Film, with a Roll of Expired ‘SupaSnaps’ Film
- Ricoh KR10 Super – I have a debt of gratitude to this camera
- Rolleiflex SL35 – Why use an unloved camera?
- Six of my Best Freebie Cameras – Part1: The SLRs – By Rock
- Topcon RE Super vs. Miranda Sensorex – By Stuart Jenkins
- Voigtländer Bessamatic DeLuxe Review – Best of the 60s – By Madeleina Schwantes
- Voigtlander VSL 1 review
- Wirgin Edixa-Mat Reflex B – A Brief Look at a Camera I’d Never Heard of
- Zenit-E: A Love Letter To The Unloved – By Dan Fernandez
- Zenit E Review – My Father’s old camera – Johann Wahlmüller
Lens Reviews
In this section, you will find reviews of lenses for all sorts of different mounts. As I have detailed in the various sections above it is often the case that lenses can only easily be used on the cameras they were designed for, so whilst reading through the reviews here, it is worth making sure any lens you might like the look of is compatible with your camera.
That being said, this is not always the case, and in sometimes lenses can be adapted or even hacked to fit on different cameras. This has become increasingly popular in recent years with some digital cameras offering a great platform for adapting some of the lenses listed below.
You can read more about lens adapting and modifications here
I am a particular fan of a type of lenses called Sonnars – you can read some of my experiences with these specific types of lenses here
- 7artisans 12mm F2.8 lens review (Fuji Mount) – by Iurii Zvonar
- 7Artisans 28mm f/1.4 late-prototype early impressions preview
- 7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment
- 7Artisans 35mm f/1.2 Review – my new mini super-sonnar
- 7Artisans 35mm f/1.4 Mark II Leica L-Mount Lens Mini Review
- 7Artisans 35mm f/2 News & Pre-Production Sample Photos
- 7Artisans 50mm 1.8 AF – A Brand New Budget Auto Focus Lens
- 7Artisans 50mm f/1.1 & 28mm f/1.4 Reiview – Alternatives or Imposters? – By Jeremy Rata
- 7artisans 50mm f/1.1 Long Term Review – by Simon King
- 7Artisans 50mm f/1.1 – First Roll – by Barnaby Nutt
- 7Artisans 50mm f1.1 – The Everyman’s Noctilux? – Guest Review by Mehrdad Abedi
- 7Artisans 50mm f/1.1 (ongoing) Review
- 7Artisans 55mm f/1.4 aps-c lens – Mini-review
- 7artisans 55mm F1.4 Review – Shot on a Fuji X Camera – by Iurii Zvonar
- 7Artisans 60mm 2.8 Macro Lenses – A Comparison of Two Lenses for Film Scanning
- 7Artisans 75mm f/1.25 Review – a confusion of “want” over “need”
- 7Artisans 9mm f/5.6 Review
- Ampro MC 28mm f/2.8 – A Few Frames with the Worst Lens Ever?
- An Overview of my 5 Artisans Lenses – 7 and TT
- Asahi Pentax 24mm f/3.5 Super-Multi-Coated Takumar Review
- Asahi Takumar 24mm Lens on a Leica M2 – by Andrew Morang
- Avenon 21mm f/2.8 super-wide lens mini-review
- Canon 28mm f/2.8 LTM – A Short Review – By Atanas Grozdev
- Canon 50mm f/1.4 ltm lens Review – An impressive classic gem
- Canon 50mm ƒ/1.4 LTM Lens – A Mini-Review of 1960s Optical Excellence – by Andrew Morang
- Canon 50mm f/1.5 LTM Review – Exploring the Classic Sonnars Pt.9
- Canon 50mm f/2.2 Leica thread mount lens review
- Canon 50mm f0.95 Review – by James Fox-Davies
- Canon 50mm F1.8 LTM on A Leica T – by Ed Lara
- Canon 85mm f1.8 LTM Review – James Fox-Davies
- Carl Zeiss 38mm Sonnar / Omnar CX38-28 for use on Hasselblad XCD and Fuji GFX
- Chiyoko Super Rokkor 45mm f/2.8 – Early Experiences – By Agata Urbaniak
- Chiyoko Tele Rokkor 11cm f/5.6 – The Molehill – Pt 2 – By Agata Urbaniak
- Chroma Cameras Double Lens 24mm f/11 Prototype Sneak-Peek Preview and Interview
- Chroma Double Glass Lens – My First Shots – by Sonny Rosenberg
- Ernst Leitz (Leica) Elmar 9cm f/4 Collapsible – The Near Perfect Slow Lens – By Agata Urbaniak
- Fed4 & Industar И-61 lens review – Back in the USSR – by Howard Hurd
- Fuji lens lost in wilderness for 4 months – found, and still works! – By Steve Boykin
- Funleader 18mm f/8 Cap Lens Pro Review
- Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!)
- Hasselblad (Zeiss) Distagon 50mm f/4 Review
- Industar-50 LTM (on Fujifilm X-Pro3) Review – The Joy of Flawed Lenses – By Don Goodman-Wilson
- Industar-69 (on Fujifilm X-Pro3) Review – A Dreamy, Compact Wonder – By Don Goodman Wilson
- Jupiter-3 Review – Experiences with a flawed copy – Finding my Perfect Classic Sonnar – PT7
- Jupiter-3 – Sourcing my Perfect Soviet Lens with a bit of Help From Skyllaney – By Sasha Tsyrlin
- Jupiter-8 – fluked success at modification – Finding my Perfect Classic Sonnar – PT6
- Jupiter-8 (unmodified) on a Leica – Finding my Perfect Classic Sonnar – PT5
- Jupiter-8m (Brian Sweeney modified) – Finding My Perfect Classic Sonnar PT8
- Jupiter-8M (Contax Mount) – Finding my perfect classic Sonnar PT4
- Kodak-Anastigmat Ektar 5cm f/3.5 – Retina Lens Mini Review
- Komura 35mm f/2.8 in Nikon S mount – a Hidden Gem.
- Konica 17mm f/16 Hexagon Lens Review – Plastic Fantastic or a Poor Man’s Hologon? – By Simon Kimber
- Kyoei W.Acall 35mm LTM (on Fujifilm X-Pro3) Review – A Delightful Daily Walkaround Lens on APS-C – By Don Goodman-Wilson
- Leica 21mm f/3.4 Super-Angulon Review / Shooting an elderly symmetrical wide angle on a digital rangefinder
- Leica 28mm 2.8 Elmarit-M ASPH Review – one of the best lenses I’ve ever… sold…
- Leica 35mm 2.4 Summarit-m mini-review – by Adam Laws
- Leica 35mm f/2 eight-element Summicron and Leica M240 – Candid Portraits – By Steven Bleistein
- Leica 35mm f/2 Summicron v3 Lens Review
- Leica 40mm f/2 Summicron Lens Review
- Leica 50mm f/0.95 ASPH Noctilux-M Review and Bokeh Worship – By Steven Bleistein
- Leica 50mm f/0.95 Noctilux vs 7Artisans 50mm f/1.1 – by Simon King
- Leica 50mm f/2 Summicron v3 – Cameraworks Restoration Review
- Leica 50mm f/2 Summar Review – A lens with a good deal of character.
- Leica 50mm f/2 Summicron DR – Plum Blossoms – By Steven Bleistein
- Leica 50mm f/2.5 Summarit-M Review
- Leica 90mm f/2.8 Elmarit-M Review – closing the door on modern Leica lenses (in favour of Zeiss)
- Leica 90mm f/2 APO Long Term Review – by Simon King
- Leica Summicron 35mm v4 vs Voigtlander Nokton 35mm v2 – By Vincent Bihler
- Leitz Elmar 10.5cm f/6.3 – The Berg – Pt 3 – By Agata Urbaniak
- Leitz Thambar 9cm f/2.2 – Early Experiences
- Lens Punk LPK-M Review – A Single Element ~f/64 ~28mm Lens (Shot on a Leica M10-P)
- Lensbaby Burnside review – wacky, but potentially wonderful
- Lensbaby Lenses: Sweet vs. Edge – a Review – By Martina Kettner
- Light Lens Lab Eight Element 35mm f/2 review
- Lomography 20mm f/5.6 Zenit New Russar+ Review
- Lomography 50mm f/1.5 Zenit New Jupiter 3+ Art lens Review
- Lomography Daguerrotype Achromat Mini Review – Street Portraits – by Anil Mistry
- Lomography Nour Triplet V 2.0/64 Review – Beyond The Blur – My Time With The Bokeh Control Art Lens
- Macro Converter Lens – for “Broadening Photography Skills on the Cheap” – By Salman Rameli
- Meyer Optik Görlitz f/2.8 100mm Trioplan II (The New Version) Review
- Meyer Optik Gorlitz 30mm f/3.5 Lydith II (The New Version) Review
- Meyer Optik Görlitz 58mm f/1.5 Biotar II (The New Version) Review
- Meyer Optik Görlitz 58mm Primoplan f/1.9 II (The New Version) Review
- Meyer Optik Görlitz Primoplan 75mm f/1.9 II (The New Version) Review
- Minolta 28mm f/2.8 M-Rokkor – Shooting and Repairing – by Victor Doroshenko
- Minolta 28mm f/3.5 G-Rokkor Review – Another Gem I’m Parting With
- Minolta AF Reflex 500 Review – Letting the Cat Out of the Bag – By Bob Janes
- Minolta X-700 and 45mm f2 Lens – A love story with an uncertain ending – By Torsten Kathke
- Moment Anamorphic Lens Review – Another take on Shooting Wide – By Aivaras
- Mr.Ding Noxlux 50mm f1.1 review – by Vincent Bihler
- MS-Optics converted Nikon L35 35mm f/2.8 Sonnar – 35mm Lens conversion – Part 2
- MS-Optics 21mm f/4.5 Perar Review- a tiny, and very eccentric lens
- MS-Optics 50mm f/1.1 Sonnetar Review – Exploring Sonnars Pt.13
- MS-Optics Converted Yashica T4 35mm f/3.5 Tessar – The Hunt for the Commute Camera pt.1 – By Hern Tan
- NEWS: Introducing the Omnar 35mm f/3.5 Pantessa FLB (YS35-35FLB)
- Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens
- Nikkor 20mm f/3.5 – Taming The Ultra-Wide – By Fernando Martins
- Nikkor-H Auto 2.8cm f/3.5 – Wakimoto’s Triumph and Nikon’s Hidden Legacy
- Nikkor-T 10.5cm f/4 – The Mountain, the Berg, and the Molehill – Pt 1 – By Agata Urbaniak
- Nikon 500mm Mirror Lens – The short fat cheap deal!
- Nikon 50mm f/1.8 – Returning to the Cheap Fifty: A Homecoming – By Max Cooper
- Nikon Micro-NIKKOR 55mm f/2.8 AI-S – Now, then and always? – By Clifton Dowell
- Nikon (Nippon Kogaku) Nikkor-Q.C 5cm f/3.5 Review – An Odd Duck in the Sea of 50mm Lenses – By Agata Urbaniak
- Nikon (Nippon Kogaku) W-Nikkor 3.5cm f/1.8 LTM Review – a GAS killer – By Agata Urbaniak
- Nikon (Nippon Kogaku) W-Nikkor.C 2.5cm f/4 LTM – Nikon’s Tiny Gems, pt 3 – By Agata Urbaniak
- Nikon (Nippon Kogaku) W-Nikkor.C 2.8cm f/3.5 LTM – Nikon’s Tiny Gems, pt 2 – By Agata Urbaniak
- Nikon (Nippon Kogaku) W-Nikkor.C 3.5cm f/2.5 LTM – Nikon’s Tiny Gems, pt 1 – By Agata Urbaniak
- Nikonos 15mm f/2.8 Lens Mini Review – Shooting Fuji Velvia & Provia 100 – by Simon Foale
- Omnar/Skyllaney Converted Carl Zeiss Jena Biotar 40mm f/1.4 – Mini Review
- Omnar Lenses CN26-6 – 26mm f/6 – My First Lens Coming to Market!
- Omnar LT42-45 Barnack – Leitz Summar 42mm f/4.5 – Lens Review
- PAM Britar 105mm f/4.5 – An American Triplet Review
- Panasonic GF1 & 7Artisans 18mm – My Analog Point & Shoot Experience Digital Camera – By Frankie Bina
- Pentax 50mm f/1.2 SMC lens on Film with a Pentax LX – by Aivaras
- Pentax 77mm Limited Review – The Joy of a Short Tele Lens
- Pentax-A 70-200/4 & K1000 – The Accidental Pentax Kit – By Clive Williams
- Pentax-M 40mm f/2.8 and Pentax MX – imperfect, but pocketable!
- Pentax MZ-S and 31mm, 43mm, 77mm Limited lens trio review – By Aivaras
- Pentax Q 11.5mm Shield Lens on the Beach – A Jankuary Lens that Blurs
- Pentax SF1n, Pentax-A 35-135mm and Kodak Vision 3 250D – My Personal Recipe for Photographic Nirvana
- Pergear 10mm f/8 Pancake Fisheye Lens Prototype Review – By Iurii Zvonar
- Pergear 12mm f/2 lens in Fuji X Mount – Mini-Review – by Iurii Zvonar
- Pergear 25mm f/1.8 Review – A Brand New Lens for my Sony for ~£50!
- Pergear 35mm f/1.2 Lens in Fuji X-Mount Review – by Iurii Zvonar
- Pergear 60mm f/2.8 Prototype (Fuji X mount) – Review by Iurii Zvonar
- PPP 35M Color-Minotar 35mm f2.8 Review
- PPP Cosmic Lomo T-43 to Leica M-Mount Lens Conversion Review
- Russian Slide Projector lens modification – By Stuart Jenkins
- Samyang Remaster Slim – a 3-for-1 Pancake Lens Review
- Minolta Lenses on a Nikon F3 in Iceland – by Simon King
- Sigma 45mm f/2.8 DGDN Mini-Review – By JK Lockwood
- Skyllaney 50mm f/1.4 Planar – Zeiss (C/Y) to M-mount Modified Lens Review
- Skyllaney Rehoused 1930s Uncoated Zeiss Jena 50mm f/2 Sonnar – Exploring the Classic Sonnars pt.10
- Skyllaney restored Jupiter-3 Review – Exploring the Classic Sonnars pt.11
- Skyllaney-Restored Sonnars Reunited with Their Old Rangefinder Camera – By Phil Steelandt
- Skyllaney Zeiss 50mm f/1.5 Single Coated Sonnar Review – Exploring Classic Sonnars pt.12
- SmallRig 1.55X Anamorphic Lens, iPhone Cage and Grip Review
- Soligor 35mm f/3.5 – A Cheap and Cheerful Softie
- Sony 135/2.8 [T4.5] STF Mini-Review – By Rollin Banderob
- Sony 135mm STF ‘Smooth Trans Focus’ – A Bit of Lens GAS Come Good – By Vincent Ferrier
- Sony 135mm STF ‘Smooth Trans Focus’ – A Different Compromise for Sharp Focus and Smooth Bokeh
- Sony NEX-5R as an APS-C Camera for the Funleader 18mm f/8
- Thypoch 50mm 1.4 Simera review – A high spec rangefinder lens!
- Thypoch Eureka 50mm f/2 M-Mount Lens Review
- Thypoch Simera 28mm f/1.4 ASPH review
- Thypoch Simera 35mm ASPH review
- Tokyo Optical Co. Topcor 50mm f/1.5 LTM (Semi-Sonnar) Mini-Review
- TTArtisan 11mm f/2.8 M-Mount Fisheye lens Review
- TTArtisan 21mm f/1.5 ASPH review – by Vincent Bihler
- TTArtisan 27mm f/2.8 AF Fuji X mount (a manual lens shooters) review
- TTArtisan 28mm f/5.6 Review – by Vincent Bihler, Dave Young and Hamish Gill
- TTArtisan 35mm f/1.4 ASPH review – by Vincent Bihler
- TTArtisan 35mm F/2 APO ASPH Review – By Vincent Bihler
- TTArtisan 35mm 0.95 for Fujifilm X Mount Review – Not Just for Bokeh!
- TTArtisan 50mm f/0.95 ASPH review – by Vincent Bihler
- TTArtisan Tilt 50mm 1.4 Lens Review
- TTArtisans 90mm 1.25 Review – Bonkers, Extreme, but Exactly what you Should Expect!
- Viltrox 28mm f/4.5 Pancake Lens Review and Indigogo Launch
- Viltrox AF 35mm 1.7 Z DX – A new nifty fifty prime lens for the Nikon DX system
- Vivitar 19mm f3.8 – Exactly What it Should Be
- Voigtänder Skopagon 40mm f2 – a Vintage Lens with Modern Performance – By Oliver Toth
- Voigtlander 15mm f/4.5 Super-Wide Heliar (V1) Review
- Voigtlander 25mm Snapshot Skopar Review – by Eddy Lambert
- Voigtlander 28mm f/1.9 Review, or: A cautionary tale of Actual vs. the Perceived need of a fast lens
- Voigtlander 28mm f/2 Ultron Review – Speedy Value – By Hern Tan
- Voigtlander 28mm f/3.5 Color-Skopar Review
- Voigtlander 35mm f/2 Ultron ASPH Review – Shooting in Hong Kong – By Ong Sien Hong
- Voigtländer 35mm f/2.5 Color Skopar Review – by Theo Wiersema
- Voigtlander 35mm Nokton 1.2 Mini-Review – One of the fastest 35’s around – By Ryan HK
- Voigtlander 35mm Nokton f/1.2 VIII – By Bruno Chalifour
- Voigtlander 50mm f/1.2 Nokton Aspherical Review
- Voigtlander 50mm f/2.5 Color-Skopar Leica Thread Mount Lens Review
- Voigtlander 50mm f/1.1 Nokton Review
- Voigtlander f/1.5 50mm Nokton LTM – Review by Hern Tan
- Voigtlander 50mm 3.5 VM Heliar – a review of two halves
- Voigtlander Ultron 40mm f2 SL II for Pentax K Review – By Aivaras
- Zeiss 16mm f/8 Hologon Lens Review – M-Mount Modified
- Zeiss 21mm f/2.8 ZM Biogon – A Lens I Will Grudgingly Keep – By Hern Tan
- Zeiss 28mm 2.8 ZM Biogon Review
- Zeiss 35mm 1.4 ZM Distagon Review – Optically Awesome!
- Zeiss 50mm 1.5 Sonnar (Separated Optics) – Finding my perfect classic Sonnar – PT2
- Zeiss 50mm 1.5 ZM C Sonnar Review
- Zeiss 50mm f/2 Planar vs Jupiter-8 50mm f/2 – by Simon King
- Zeiss Distagon 50mm CF f/4 FLE – The Most “Manual” Lens I Know – By Marco Fantin
- Zeiss Otus 55mm and 85mm Lenses on 35mm Emulsions – Owls on Film – By Bent_Brent
- Zeiss ZM M-Mount Lenes – The Lenses I “Need”, and not just “Want”
Medium & Large Format Camera Reviews
Medium & Large Format Cameras, in simple terms, are cameras that take a larger format of film, or have larger digital sensors than the 35mm cameras otherwise found on this website. Like all types of camera, medium and large format cameras come in all sorts of different types. But, with the majority of content on this website being about 35mm cameras, I decided to lump all medium and large format cameras into one category.
If you like the look of one or another of the cameras reviewed below, you can navigate to similar cameras by following the tag links found at the bottom of the review.
- A brief encounter with a (Zeiss) Ideal camera.
- Agfa Isolette L – I Dared to Repair… and Won!
- Agiflex – The British Medium Format SLR – By Bob Janes
- Agilux Agifold – Buying British
- Alpa 12TC and some Berlin Street Photography
- Asahi Pentax 6×7 and my Four Points Project – By Rick Davy
- Balda Baldix – A mini-review of 1950’s Folder – By Dave Donnelly
- Bronica ETRS Review – by Andy, AKA The Phlogger
- Bronica ETRSi and 135W – First Whole Roll Experiences
- Bronica SQ-B – Panoramic Shooting with a Medium Format Camera – By Noel Roque
- Brooks-Plaubel Veriwide 100 Mini-Review – By Dan Cuny
- Butchers Cameo Quarter Plate Camera – By Emma Wheeler
- Cameradactyl OG – 5×4 Large Format Snapshot Camera Review
- Chroma Snapshot mini-review – Fun with a 3D printed large format customized camera – By Oleg (Boris) Dyachenko
- Ensign All Distance – A Box Camera from 1927 – By Tony Warren
- Ensign Selfix 820 with One Roll of Fomapan 100 – by Steve Phillips
- Finding my ideal 6×9 folder – Largest Negative in a Compact Travel Format – by Zheng Li
- Fuji GFX100 – Just a camera, but it’s the right camera for me – By Adam Hoskins
- Fuji GW690II – Urban Decay in Vicksburg, Mississippi, with the Texas Leica – By Andrew Morang
- Fuji GW690iii – Hands on Review of the Texas Leica – By Benoît Felten
- Fujica GL690 with Fujinon S 100mm F3.5 & Fujinon SW 65mm F5.6
- Fujica GS645 Professional – A 6×45 Rangefinder Review – By Rob Hawthorn
- Fujifilm GA645W – medium format for mountaineering?
- Fujifilm GF670 Review – My Medium Format Rangefinder Of Choice – By Steve Kars
- Fujifilm Professional GA645i and Velvia 50 in The Hindu Kush
- Goerz Tenax 6×9 – A Genius Design
- Great Wall DF4 / Export – The beauty of simplicity.
- Hasselblad 500CM – Sometimes objects of desire do match expectations – By David Mitchell
- Hasselblad and the Bronica – Comparing an Icon with a Forgotten Gem – By Dave Palumbo
- Hasselblad H1 – An Accidental Journey into Phase One P Series Digital Backs – By Bill Thoo
- Hasselblad Super Wide (Early Version) Review & History – By Dan Cuny
- Hasselblad SWC vs. Mamiya 7 with 43mm lens – A Personal Wide-Angle Medium Format Showdown
- Holga (and Umbrellas) – a 5 Frames mini-review – By Zac Lukins
- Holga Tips from a Holga Nut
- Horseman Convertible – Discovering a New and Rare Camera – By Art Meripol
- Ilford Craftsman and a Roll of Ilford FP4+ – By Kat Good
- Intrepid 4×5 – One Year of Traveling – a Review, Thoughts, and Photos
- Kershaw Penguin, Learning Photography, and My Introduction to Medium Format – By Peyton Hunter
- Kiev 60 TTL – Medium Format SLR Review – By Michael Elliott
- Klito no. 2 hand camera – That time when I revived a camera from 1906.
- Kodak 66 II – a refreshingly simple 6×6 folding camera
- Kodak Autographic Brownie 2A with 120 film - By Lori Brooks
- Kodak Brownie Hawkeye – A Review of Mum’s Camera – By James Hanes
- Kodak Brownie Vecta and Following in Fox Talbot’s Footsteps – by Charles Higham
- Kodak Jiffy VP Art Deco Camera – My Pre-1940’s Camera Project – By Kate Johnson
- Kodak Junior No. 1A Autographic – Song of the Centenarian – from the 1920s to the 2020s – By Simon Foale
- Kodak No 2A folding pocket Brownie camera – An Historic Compact – By Dale Willetts
- Kodak Panoram No.1 – Photographing Yosemite with my 120 year old Panoramic Camera – By Dan Cuny
- Kodak Six-16 Camera – A Gifted Camera Experience – By Kevin Montanaro
- Kodak Tourist – The Most “Transformable” MF Folder?
- Konica Pearl III Medium Format Folder – Review and Street Shots from NYC
- Krauss Rolette Luxus – an old timer’s story
- KW Reflex Box Camera History & Review – By Dan Cuny
- Mamiya 6 Automat Mini-Review – A small, cheap 6×6 with a good lens!
- Mamiya 6 IV Review – The Original 6- by Ray Goodwin
- Mamiya 7 vs. Makina 67 – Spoiler: the Makina Wins
- Mamiya C220 – The TLR Itch
- Mamiya C330 Review – The hunt for the perfect 6×6 – By Anton McCloud
- Mamiya C330F, and How I Turned it into a Swan – By Rene Villaroman
- Mamiya Six II – Early Version Review & Images – By Dan Cuny
- Marchand Fischer Baby Camera
- Marshal Press – A 5 Frame Mini-Review with CineStill XX
- Medium Format On A Budget – A Quick Comparison of Three, Low Priced, 120 format, 6cm x 6cm TLR Cameras – By James Hanes
- Microcord & Rolleiflex – A Comparison of two TLRs – By Bob Janes
- Minolta Autocord CDS – History & Review – By Dan Cuny
- Minolta Autocord TLR: First Impressions – by Sroyon
- O.Zone 69 – My Summer with an Open-Source Camera System
- Olympus Chrome Six – An Idiot’s Guide / A Trip to Helsinki
- Pajtás: A Hungarian Box Camera – by Zsuzsa Szabó
- Pearl River 4 – A Chinese TLR camera
- Pentacon Six Mini-Review – The grass isn’t always greener – By Holly Gilman
- Pentacon Six Mini Review – Getting to Know the Camera – Part 2 – By Holly Gilman
- Pentax 645 – A Review of a Budget Medium Format Workhorse
- Pentax 645N and Pentax 645D – From Analog to Digital – By Eric L. Woods
- Pentax 67 – Successfully Use With Wide Lenses
- Pentax 67II – The Perfect Travel Camera
- Pentax 6×7: My journey so far, or: A camera too far – By Rock
- Plaubel Makina 67 Review – the Beginning and end of my Journey into Medium Format
- Plaubel Makina 670 Review – How it Killed my love of 35mm – by Ray Larose
- Polaroid Pathfinder – Shooting 120 Film In My Father-In-Law’s Essentially Obsolete Camera
- Rolleicord IIe 1949-50 – Lalage Bown’s Camera
- Rolleiflex 2.8C Review – Making Friends with a Legend – By Phil Calvit
- Rolleiflex 2.8D – Getting to know a Classic – Three Years of Ownership
- Rolleiflex 2,8GX – A Short Review and Comparisons with the 2.8F
- Rolleiflex 6000 – A passionate review about a great camera system – by Volker Muth
- Roundshot Seitz 65/70-220 – One (Long!) Frame
- Six of my Best Freebie Cameras – Part2: The Others – By Rock
- Super Ikonta 532/16 Review – An Ikon – By Bob Janes
- Tele Rolleiflex Review – I will not be separated from this camera
- The Cost of the Mamiya 7
- Thornton Pickard Rubyette No. 2 – So now what?
- Voigtlander Bessa & Brilliant V6 Two Classic 1938 Medium Format Cameras – By Phil Harrison
- Voigtlander Superb – My New Favorite TLR – By Dan Cuny
- Yashica D – Diving into Medium Format
- Yashica MAT 124G (and its auxiliary lenses) Review – By Aivaras
- The Yashica Mat 124G and Me
- Yashica Mat 124G – First Roll Experiences
- Yashica Mat-124G – Perspective From a Newbie – By Salman Rameli
- Zeiss Box Tengor 56/2 – Pinnacle or SwanSong?
- Zeiss Ikoflex III (1939) – Atoning For GAS By Doing A History Project – By Stefan Wilde
- Zeiss Ikon Ikoflex II – Falling in love with an ancient TLR.
- Zeiss Ikon Ikonta – Lost and Found, a 70 Year History – By Conor O’Brien
- Zeiss Ikon Nettar 515/2 – A More Affordable Zeiss Camera
- Zeiss Ikonta 524/2 review – Slow the working down – By Oliver Clarke
- Zenza Bronica S2A – Early Experiences Review & Buyer’s Notes – By Mark Herse
Under-Water & Rugged Cameras
These cameras are all designed to be used either underwater, or in more inhospitable places – I always keep one of these cameras in my collection as they are great for taking to the beach.
- Canon Sureshot A1 Review – Underwater fun! – by Chris Dodkin
- Konica Genba Kantoku 28WB Review – “The Guv” – by Ray Yee
- Konica Mermaid – One roll mini-review
- Nikonos iii – a dry land one-roll review
- Nikonos V, 35mm f/2.5 & Fuji Superia X-TRA 400 – In the Surf- By Michael Rennie
- Nikonos V as Rugged Travel Camera – a Retrospective By Simon Foale
- Nikonos V – My Thoughts and Experiences – Is it really indestructible?
- Nikonos V Review – Cycling with and shooting on Dry Land – Steven Bleistein
- Nikonos V – Underwater Film Photography – by Aukje
- Sea & Sea Motormarine EX II Review – By Andy Larner
- The Nikon Nikonos III – Review and Photos From the Kayak – By David Hume
Digital Cameras
Digital cameras have been increasingly and more frequently reviewed on this website over the years. What differentiates the digital camera reviews you will find on 35mmc from those you find on many other websites, is that they are often written by people who have more of a penchant for film cameras.
As such, the reviews might be a little more about the experience of shooting the camera than the objective quality of the results. You might also find reviews of digital cameras that are quite old but continue to be used by their owners for a range of reasons beyond which one has the most megapickles, or is better in lower light.
- Agfa ePhoto CL18 – A digicam from the year 2000
- Breaking Out A 19-Year Old Digicam for ‘Jankuary’: The 4MP Olympus FE-100
- Canon 1Ds Review – Happy 20th Birthday to One of the First Full Frame DSLRs – By Brian M Cox
- Canon 50mm F1.8 LTM on A Leica T – by Ed Lara
- Canon 5D Classic Review – By Ray Goodwin
- Casio EX-ZR800 – My Cheapo Companion
- Digital Nostalgia – 5 Early Digital Cameras from between 2001 and 2005 – By Bob Janes
- Epson R-D1 review – a digi-film camera – By Simone Zuccarini
- Fuji GFX100 – Just a camera, but it’s the right camera for me – By Adam Hoskins
- Fuji MX-500 – 5 Frames for Jankuary with my first digital camera
- Fuji X-Pro 3 – A digital camera design philosophy I can get on board with!
- Fuji X-Pro, or: Why I stopped worrying about buying a digital Leica – by Xiaosu Han
- Fuji X100 – Kolari Vision Full Spectrum Modified – First Impressions
- Fuji X100f Review – Has Fuji lost sight of the elegant original concept?
- Fuji X100V – A (Personal) Guide to Mode/Menu/Button Customisations
- Fuji X100V – First Frames with and some thoughts on why I bought it…
- Fuji X70 Review – A Photographer’s Camera – by Benn Murhaaya
- FujiFilm E-510 – A Digital Compact from a Forgotten Age – By Adam Kendall
- FujiFilm E-550 Review – A Balancing Act – By Adam Kendall
- FujiFilm E-900 Review – a Sublime Paradox – By Adam Kendall
- Fujifilm Finepix S3100 – Kicking off Jankuary
- Fujifilm X-Pro1 – Digital Infrared Zone Focus Viewfinder Camera – First Outing – by Agata Urbaniak
- Fujifilm X-Pro3: First thoughts from a film shooter – By David Hume
- Fujifilm X-Pro3 Part Three: Four Days with Four cameras – By David Hume
- Fujifilm X-Pro3 Round Two: The X Files and a Meditation on Film and Digital – By David Hume
- Fujifilm X100F & Shooting it like an Analog Rangefinder – By Steven Bleistein
- Game Boy Camera – by Adam Laws
- GoPro – Treating a Action cam Like a Point & Shoot
- Hasselblad H1 – An Accidental Journey into Phase One P Series Digital Backs – By Bill Thoo
- Hasselblad X1D II 50C – A Week of Trying Digital Medium Format
- Kodak DC3200 – Kodak’s Digital Automatic Box Camera
- Kodak DX6340 – A Day With a 2003 Digicam for Jankuary
- Kodak EasyShare Z730 – Jankuary – The Best Camera is the One You Get for Free
- Kodak Ektra Mobile Phone Review – By JK Lockwood
- Kolari Pocket & IRChrome Filter Review – Digital Aerochrome in a Tiny Package!
- Konica Minolta Dimage X1 – It’ll put you off Photography for life
- Konica Minolta Maxxum 7D in Walthamstow Marshes – Unleashing the CCD Kraken
- Konica Minolta Maxxum 7D – Nostalgic liaison with an old flame
- Leica C (Typ 112) – A Capable Compact (by Panasonic)
- Leica D-Lux (typ 109) Review – serious digital compact? – Jef Price
- Leica Digital-Modul-R Review – ‘R’ You Ready for This? – My Passion Camera System – By Jarrod Sams
- Leica M-D 262 Review – A Love Affair – by Ong Sien Hong
- Leica M-D: To M-D or not to M-D? – By Adam Singer
- Leica M Edition 60 (Leica M60) Review – the Deconstruction of the Digital Camera
- Leica M [typ 262] Review – Saying Goodbye
- Leica M10-D – The Essence of Photography, or is Cheating Allowed? – By Marc Wick
- Leica M10-P – Initial Experiments with a Nikon 35mm 2.8 PC Shift Lens
- Leica M10-P Review – A Brilliantly Underwhelming Digital Rangefinder
- Leica M10-P vs. Sony A7riii and Shooting the Simon and Garfunkel Story
- Leica M10 – Why I chose mine over the Sony a9 – by Rollin Banderob
- Leica M240 – Retiring My Well Worn Rangefinder – By Simon King
- Leica M [typ 240] Review – A brief relationship
- Leica M8 – A “Better” Alternative to Shooting Film Rangefinders?
- Leica M8 – (Finally) Falling in love with this aging digital – By Taffy Ledesma
- Leica M8 Review – A simple, digital, rangefinder
- Leica M8 – A Year with an Ageing Digital Rangefinder – By Rui Hu
- Leica M9 Review – Rediscovering a Joy in Digital Photography
- Leica M9M Monochrom – First few shots and initial impressions
- Leica Monochrom (M9M) review – for the love of black and white
- Leica Q Review – by Adam Laws
- Leica TL Review – finding joy in very limited function and purpose
- Sony A7Rii – Making it work for me – Take Perfect. Spoil it. Be happy – by Aivaras
- Resurrecting a beloved Minolta A1 during some snowy Jankuary isolation
- Nikon 1 V1 Review – One For All or One for None?
- Nikon D2H – Bidding On an Old Pro – By Wes Hall
- Nikon D40 – an Ode to my First “real” Camera
- Nikon D700 – a 2023 Review of a Classic Full Frame DSLR
- Nikon D80 – Rekindling the Magic with a Nostalgic Homecoming
- Nikon Df – Thoughts From a Film Shooter – by David Hume
- Olympus C2000Z – A new life for an early digital compact
- Olympus Camedia C2020Z – Vintage Digital/Antique Shop “Jankuary’ Find – 2MP from 1999.
- Olympus E-1 Review – Down the Kodak CCD Rabbit Hole
- Olympus E-300 and Fuji FinePix Z10fd – Jankuary Roadtrip – Battle of the CCDs
- Olympus Mju-mini Digital – The OTHER Mju – By Orkhan Abbasov
- Panasonic GF1 & 7Artisans 18mm – My Analog Point & Shoot Experience Digital Camera – By Frankie Bina
- Panasonic GH2 and 25mm f/1.7 – A new camera for the vlog
- Panasonic GM1 Review: A Digital ILC Alternative to the Olympus XA2? – by Charles Higham
- Panasonic Lumix LC5 Review – Occasional Forays Into Digital – By Rock
- Panasonic LX3 – 8 Months with a 14 Year Old Point and Shoot
- Pentax K-3 Mark 3 Monochrome Vs… – In Search of a Monochrome Option
- Pentax K100D – The only digital camera that I have any affection for
- Pentax Optio S12 – Jankuary Camera that Meows
- Pentax Q7 – A Black and White Holiday Workflow
- Pixii (A1571) Review – New Upgrades and Some Personal Experiences
- Polaroid’s PDC-700 – A little old digicam with a big secret (Shot for Jankuary)
- Ricoh GR Digital Classic Review – My Story – by Gabor Dobrocsi
- Ricoh GR Digital Review – Shooting a Vintage Digital Camera
- Ricoh GR III – Early Impressions – By Louis A. Sousa
- Ricoh GR Mini Review – On The Road – Morocco by Motorcycle – by Nick Holt
- Ricoh GRIII and GR1s Experience Comparison by a Film Agnostic – By Steven Bleistein
- Ricoh GRIII Review – The Allure of a Compact Camera – By Srinidhi Aithal
- Ricoh GXR Review – By Alex Hakimi
- Sigma DP1 Merrill – Finding perspective in the Mojave Desert – By Brian Cox
- Sigma dp2 Quattro – Out of Left Field – An Opinionated Review
- Sony A5100 review and (quite personal) setup guide
- Sony a700 from 2007 Revisited – Sony and APS-C part 2 of 3
- Sony A7iii Mini-Review – Finding the Darkside
- Sony A7Rii review – A superb farce of a camera
- Sony DSC-R1 Review – A Surprisingly Usable Vintage Digital Camera – By Matthew Bigwood
- Sony F828 Review – More than Meets the Eye
- Sony Mavica Floppy Disk Camera and the Shitty Camera Challenge
- Sony NEX-5R as an APS-C Camera for the Funleader 18mm f/8
- Sony NEX-7 from 2011 Revisited – Sony and APS-C – part 3 of 3
- Sony R1 – the Original from 2005 revisited – Sony and APS-C part 1 of 3
- Sony RX1R Review – and using it as a Digital Contax G2 – by Simon King
- Sony ZV-1 Review – A High Quality Digital Point & Shoot?
- The Little Dino that could – a thermal print camera
- Yashica Y35 Review – Unexpected Expectations – By Alan Duncan
- Yashica Y35 Review – it’s not for us hoity-toity elitist film photographers, you know!?
Instant Camera Reviews
Reviews of cameras that take instant films such as Instax or Polariod.
- HassyPB Review – It Makes Photos That People Want To Take From You
- Instant Magny 35 Review – An Instax Headache! – By Hern Tan
- Instax Share SP-2 Review – The Joy of Instax – By George Griffin
- Lomography Lomograflok Review – By Josh Foster
- Mint InstantFlex TL70 Plus Instax Square TLR Review
- MiNT SLR670-S Review – a Timeless Time Machine – by Andrea Armando
- NONS Instant back review
- NONS SL660 Review – Exploring the World of Instant Film Photography
- Polaroid 690 Review – by Adam Laws
- Polaroid Spectra / Frustrating Beauty – By Bill Thoo
- Polaroid SX-70 – An Early Experience Shooting a Pack of Colour film at Pollock Light Rock
DIY and Pinhole Cameras
Reviews of cameras pinhole, 3D printed and DIY build cameras
- A Calculator for Pinhole Camera Design – by Sroyon
- CAMERADACTYL Brancopan 35mm Panoramic Camera: A Preview with Pictures – By Ethan
- Cameradactyl OG – 5×4 Large Format Snapshot Camera Review
- Cyclopin: My Stereoscopic Pinhole Camera Made from a Cardboard Box
- Developing A Modular Pinhole Camera – By Nils Aksnes
- FauXPAN, Just Another DIY 35mm Panorama Camera – By Freeman Lin
- Goodman Scura 35mm 3D Printed Panoramic Pinhole Camera Review
- Ligero69 – Chasing My Perfect Camera – By Mario M.
- Making and Using a Cardboard Camera: Pinhole Adventures Part 2 – by Sroyon
- Making, Measuring and Testing the “Optimal” Pinhole: Pinhole Adventures Part 3 – by Sroyon
- Nine Homemade Cameras: Pinhole Adventures Part 1 – by Sroyon
- Olyversal 2:1 Frame Camera Project – By Alexander Seidler
- Panomicron Oxygen review – A 3D Printed Hasselblad Xpan Alternative
- Solargraphy Cans – Going Homemade after Learning with Solarcan – By Antoine Carolus
- Zero 2000 Pinhole Camera, a Camel and an Elephant – By Scott Gitlin
Film Reviews
As with cameras and lenses, there is no “best” film. There is also an almost infinite amount of possibilities when it comes to any particular film emulsion. As such, one person’s experiences with one film can differ from the next persons. There is also something in the region of 200 different films on the market today. Below you will find just some experiences of some films.
- 40 Year Old Black and White Film: experiments with three German Film Stocks (and a 1955 Leica M3) – By Daniel Sigg
- 5 Frames with the Zorki 2C (S) & Retropan 320 Soft – By David Hoult
- A Personal Comparison of “Affordable”, Mid-Speed, Black & White Film Stocks – By Holly Gilman
- Adox CHS 100 II – First Impressions
- Adox CMS 20 II Pro – My First Roll
- ADOX Colour Mission 200 – A new colour negative film – By Phil Harrison
- Agfa 1035 – What Hamish’s Unloved Camera Did Next… An Ektachrome Adventure – By Dave Walker
- Agfa Copex Rapid developed in H&W Control
- AgfaPhoto APX 100 in Furano, Hokkaido
- Argenti Noa Noa B&W Traffic Surveillance Film Review – by Sroyon
- Atlanta Film Co Euphoric 100 – A Film Review – By Molly Kate
- BERGGER Pancro 400 – Small Scenes Up a Mountain in Seoul
- CineStill 400D – A Bittersweet Review
- Cinestill 400D vs Kodak Portra 400 – Film Review – By Ted Ayre
- Cinestill 800T – Filmstock Feedback – By Benoît Felten
- Drug Store Film – A Short Review – By Charlie Bierwirth
- Experiments Pushing & Pulling Ilford HP5 – By Holly Gilman
- Finding Kodachrome and Bringing Back Color (the Digital Way)- By Zheng Li
- FOMA 100 Classic, and a Small Town in the Middle of Nowhere
- Fomapan 400 & Kentmere 400 Review – Battle of the Budgets – by Simon King
- Fomapan Retropan 320 Soft 35mm – In Memoriam – By Yorgo Douramacos
- Fuji C200 Review – A short note on my Enduring Love for this film – By Phil Stefans
- Fuji Industrial 100 One Roll Review – Shooting Film and Eating Tuna – By Robert
- Fuji Natura 1600 & Shooting Star Trails and at Night – By Bill Thoo
- Fuji Pro 400H & Kodak Portra 400 – Quest For Colour – By Aukje
- Fuji Superia 400 – Single Roll Review – by Christian Schroeder
- Fujichrome 64T II Slide Film Cross-Processed – by Christian Schroeder
- Fujichrome Velvia – Expired & Developed in Rodinal – By Lee Griffith
- Fujifilm 400 (made in the USA) vs. Kodak Ultramax 400 – The Same, or Different…?
- FujiFilm Neopan 400 – Trying Not to Get Too Attached to a Dead Film – by Simon King
- Fujifilm Neopan SS – My Last Rolls & When Not to Shoot Expired Film
- Fujifilm Velvia and My Shallow and Shameless Dumping of Kodachrome
- Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II – By Dale Rogers
- GAF Versapan (135) – Another Expired Film Treasure – by Andrew Morang
- Harman Phoenix 120 – My First Few Rolls
- Harman Phoenix 200 – First Roll Review & Experiences
- Harman Phoenix – Now Available in 120 – My First few Rolls
- Ilford HP5 – I Just Developed a Roll I Shot a Quarter-Century Ago – By Aaron Gold
- I Tried the Cheapest Film on the Internet – Here’s What Happened
- Ilford Delta 3200 – a challenge accepted
- Ilford Delta 400 – My First Roll – By Gavin Bain
- Ilford FP4+ – My First Roll Review – By Gavin Bain
- Ilford FP4 Type 517 Cine Film Review
- Ilford HP5 and a First Experiment at 3200 – by Jonathan Slater
- Ilford HP5+ at Adventurous ASAs – By Kieran Newman
- Ilford HP5 vs Kodak Tri-X – Finding My Go-To Black & White Film – by Aukje
- Ilford Kentmere 120 – A Review in Paris – By Molly Kate
- Ilford Ortho 80 Plus for Documentary Photography: A Review
- Ilford Ortho Plus – A good match for a Box Tengor 56/2.
- Ilford Ortho Plus Review – My First two rolls
- Ilford PanF 50 Plus in the Photography Studio
- Ilford XP1 – Explorations with 28 Year Old Film – By Bob St-Cyr
- Ilford XP2 – High Street Superhero – Film Review – By Ted Ayre
- Kodak ColorPlus 200 and Olympus OM40 – Developed as B&W – by Teemu Matilainen
- Kodak Colorplus 200 Colour Negative Film Mini-Review
- Kodak ColorPlus 200 on Nikomat FTN – Colour Negative Photography on the Cheap – By Tom Sheppard
- Kodak Ektachrome E100 – Forgetting my Expectations & Embracing a bit of Failure
- Kodak Ektachrome E100 – A few Double Exposures – By Michael Turek
- Kodak Ektachrome E100 – First Rolls Review – Pt1 – My First Roll
- Kodak Ektachrome E100 – First Rolls Review – Pt3 – Experiments with an Incident meter
- Kodak Ektachrome E100 – First Rolls Review – Pt 4 – Bristol SilverPan Film Lab (incl. Video)
- Kodak Ektachrome E100 – First Rolls Review – Pt2
- Kodak Ektachrome E100 – Shooting my First Rolls – Part 5 – The Journey So Far
- Kodak Ektar 100 – Shooting Fashion In The Dark – By Aukje
- Kodak Ektar 100 Vs Portra 400 In Greece – By Aukje
- Kodak Ektar 25 – Living in the Past, a Hasselblad, and Flooding in Mississippi – by Andrew Morang
- Kodak Ektar 25 – Urban/Rural Decay in the Texas Panhandle – by Andrew Morang
- Kodak P3200 at EI400 Pull-Processed in XTOL
- Kodak P3200 – My first Roll
- Kodak P3200 & Happiness found in my (lazy) Hybrid 35mm Workflow
- Kodak P3200 – A Lackadaisical Experiment Shooting for Fowey Shellfish
- Kodak Portra 400 – My First Experience With – by Aukje
- Kodak Portra 400 – My First Roll – by Simon King
- Kodak Portra 400 – Recreating 90s New York Style
- Kodak Portra 400 – Pushing to 1600 – by Simon King
- Kodak Portra 800: My Latest Crush In Film Photography – By Aukje
- Kodak Portra 800 Review – and some Thoughts on Shooting it Within my Workflow
- Kodak Pro Image 100 – First Roll Review
- Kodak T-Max 400 – Is it my cup of T-grain? – Quick Film Review – By Ted Ayre
- Kodak T-MAX P3200 – Frist Rolls Review – The Start of Some Experiments
- Expired Kodak Technical Pan – a Cornucopia of Contrast
- Kodak Technical Pan – Discovering the Joys of Expired Film – By Theo Swinscow
- Kodak Tri-X – My First Roll – by Aukje
- Kodak Tri-X – Finding my Photo Mojo in Forty Rolls – by Ryan Neilan
- Kodak Tri-X Review – Five Decades and Counting of Praise – by Andrew Morang
- Kodak Verichrome Pan – Adventures Shooting a Roll of Film from 1976
- Kodak Vision 3 250D – C41 or ECN2 – A quick comparison – by Phil Harrison
- LomoChrome Metropolis in the Philippines – by Yameen
- Lomochrome Turquoise Review and Experience – by Hugo Mireles
- Lomography 110 Tiger Film – My First Roll of 110 since the 90s
- Lomography ‘Babylon Kino’ B&W 13 ISO 35mm Film – First Frames Review
- Lomography ‘Fantôme Kino’ B&W 8 ISO 35mm Film – First Frames Review
- Lomography Metropolis Film and the Minolta Riva Panorama
- Lomography Purple and Metropolis Films: Goin’ Weird – by Christian Schroeder
- Lomography Turquoise 35mm Film Review
- Lomography’s Babylon 13 – Shooting Portraits in Chinatown – By Eric Jones
- My First Rolls of Ektachrome – A Tropical Thunderstorm – By Aukje
- My Last 17 Rolls of Bulk Rolled Polypan F 50 ISO Black & White 35mm Film – by Sina Farhat
- Olympus XA and Fujicolor Pro 400H – A Favorite Camera/Film Combo – By Phil Calvit
- Orwo film – The Magic of a forgotten giant – by Eric “kAAs” Sluis
- Orwo Wolfen NC-500 – A Contrarian’s Perspective
- Polachrome Polapan CT – A short-lived introduction from Polaroid
- Rene Selection 5207 – Trying out an Incredible film for my #filmstocktryouts project
- Rollei 135 Film – Experiments with Three Stocks – by Daniel Sigg
- Rollei ATP 1.1 with Minox camera
- Rollei Infrared Film – An Introduction – By Tony Warren
- Rollei IR400 Infrared Film – First Roll – By Maxwell Wagner
- Rollei RPX 100 and some comparisons to ADOX Silvermax.
- Rollei RPX 25 at 100 ASA stand developed in Rodinal 100:1
- Rollei Superpan 200 Film Mini-Review
- SPUR UFG – The Quest for Finest Grain – An Aviation Film used for very Down-to-Earth Photography
- Svema former USSR Bulk Film – by Eric ‘kAAs’ Sluis
- The Birth of The NoColorStudio Experimental No.5 High Contrast Film – By Arnas Špaka
- The Cost of the Mamiya 7
- Washi E – A Very Peculiar Film
Scanner and Digitisation Device Reviews
Once you have taken your film photo, in this modern world, it is often the case that you might want to digitise your photos to show them off on the internet. Below you will find a few reviews of products that aid in this process, but if you would like to know a little more about the theory and various practices, you can find more information in this section of the website about workflow.
- Agfa Duoscan HID – Bringing a Cheap 24 Year Old High-End Scanner Back to Life – It’s Mind Blowing
- BlackBox 135 Digitisation Tool Review
- CAMERADACTYL Mongoose – Automation for you 35mm Digitisation Workflow
- Noritsu LS-1100 – The Move to Home Scanning / Early experiences with a 35mm Film Lab Scanner
- Epson V800 – Home Scanning Colour Negatives – by Aukje
- Noritsu LS-1100 – First Colour Scans
- Noritsu LS-1100 – First Black & White Scans
- For Quick Film Scans, Try an Olympus C-8080WZ!
- Pacific Image XA Review – I Scan at home, and this is why – Guest Post by Mark Sperry
- Plustek OpticFilm 135i 35mm Film Scanner Review – By Bob Janes
- Plustek OpticFilm 135i Review Part II – Panoramic Film Holder and Investigating ‘Panorama Mode’ – By Bob Janes
- Plustek OpticFilm 8200i Review – A case for home scanning – by KJ Vogelius
- Reflecta RPS 10M Review – Reflections on Homes Scanning – by Frank Lehnen
- Seeking Sharpness on a 15-year-old Flatbed Scanner – By Nathan Bobinchak
- Using a Mobile Phone And a Free App To Scan Negatives – By George Griffin
Darkroom & Dev Kit Reviews
If you approach your film photography in a more traditional way by either developing and/or printing your photos, below you will find a few reviews of products that aid in this process. If you would like to know a little more about the theory and various practices, you can find more information in this section of the website about workflow.
- 8×11 film dev reel for Jobo tank
- AGO Film Processor – An honest review of Vintage Visual’s Film Processor
- ARS-Imago Monobath MB Developer: Initial Thoughts – By Steven Bleistein
- Tips and a DIY tool for film loading using a 35mm Paterson Tank System – guest post by Guy
- Jagglé – Introducing my Daylight Enlarger
- Large scale printing with a Jobodrum – By Thorsten Wulff
- Learning to develop film with the Cinestill Df96 Monobath – By Rob MacKillop
- Midtone Machines – Introducing my Automatic Film Processor – By Andrew Burns
- Paterson Universal Developing Tank – by Parallax Photographic
- Rodinal Vs Kodak D76 vs D96, Which is the best for Double-X (5222) – By Azriel Knight
- Tetenal Colortec C-41 Developing Kit – By Parallax Photographic
Accessories & More
Here you will find reviews and experiences all of sorts of peripheral products. As with everything in this huge list of reviews, if you find some thing of interest, you can find more similar products by clicking on the tags you will find at the bottom of the reviews.
- 35mm Accessory Viewfinder for the Budget Conscious / The Wonders of 3D Printing
- 5 Analogue Zines You Should Try: Pt1 – By Holly Gilman
- 5 Frames Cut from The Summer of ’20 – by Simon King / New Exit Group
- 595Strapco Quick Release Horween Leather Camera Strap Review
- 595Strapco Laverton review
- A Memory of a Visit to a Lacandon Family – by Teit Joergensen
- A Photographers Vest – Better Late than Never!
- Accessory rangefinders – the Watameter and others.
- Ago Film Processor by Vintage Visual – Product Review
- Analog Memo – Creating a Digital Notebook App for Android – By Barry Carr
- ‘Analogue Photography – Reference Manual for Shooting Film’ – a Strong Recommendation
- Analogue Upcycle – by Laura Cogan
- Analogue Wonderland Wonderbox Subscription – A 5 Frame Review – by Billy Sanford
- ‘Arctic Norway’ – A Photozine – By Alex Relton Brown
- Astrhori AH-M1 Shoe Mount Light Meter Review
- Astrhori XH-2 Shoe Mount Light Meter Mini-Review
- “Bardo: Summer of ’20” – a Photozine – by New Exit Group
- Beauty in Photography by Robert Adams – Book Review – By Holly Gilman
- Bowman Leather Camera Straps Review – Affordable Quality from the Edge of the Lake District
- Bridging Analog Photography and Digital Metadata with Exif Notes – By Babak Farshchian
- Butter? But… er… – the 3D printed accessories you will love, hate, or maybe both!?
- Cordweaver/Peak Design Strap Review
- Cosyspeed Camslinger Review – A camera bag that doesn’t annoy me!
- Crown + Flint: The digital companion for analog photography
- darktable Mini-Review – A Quick look at my Favorite Software
- Datafilm: The Note Taking App Designed For Film Photographers – By Vincent
- ‘Dessert First!’ – Film Cameras and Sentiment in my New Photobook – By Hanna Quevedo
- Doomo Meter D Light Meter Review – for the “Analogue” Experience
- Doomo Meter S Review – Just Another OLED Light Meter…?
- EditorKeys Lightroom Keyboard Cover mini-review
- “Elliott Erwitt: Silence Sounds Good” review – By Neil Milton
- Falcon Dust-Off: An Unsung Hero of Film Photography
- Fat Lama – could your camera collection earn its keep?
- Filling a Niche Market With the m_v Double Shoe Accessory – By Hern Tan
- Film Log: A Free App for Film Exposure Record-Keeping – by Dmitri Tcherbadji
- Film Shots – Another Film Exif App For Android And iOS, But With A Difference – By Oleksii Novikov
- Footprint Leather Camera Strap with ‘QR Swivels’
- Forward Motion – On the Road with Saint Etienne – By Mike Monaghan
- Free Photo Editing Apps – A Comparison and some Personal Experiences
- Godox AD100 Pro Review – The Perfect Off-Camera Flash For My Needs
- Godox AK-R21 Projection Attachment and AK-S Slide Set – Lighting Gear Review
- Godox Lux Cadet – Retro Flash Review
- Godox Lux Elf Review – the Cute New Retro Flash
- Godox Lux Senior and Lux Junior Flashes – In-depth Review and Comparison – by Sroyon
- Godox Lux Senior Flash – Street Portraits and First Impressions – by Sroyon
- Godox Lux Senior with B/W negative film – by Phil Harrison
- Good night sweetheart & my little rant about toothpaste
- Grain2Pixel Review – A Photoshop Plugin for Converting Negatives – By Arild Edvard Båsmo
- Grainery – The Story of a New Social App for Film Photographers – By Molly Kate
- Hawkesmill Borough Leather Camera Strap Review
- Haystack Heroes: A Photographic Project – By Tommaso Carrara
- Hedeco Lime One Compact Light Meter Review and Launch on Kickstarter
- Hedeco Lime Two Low Profile Shoe Mount Light Meter Review
- Helmut Newton- Pages from the glossies – by Anil Mistry
- ‘Holga’ by Michael Kenna – A Mini Book Review – By Holly Gilman
- Hollywood Sunset – An Analog Experience with a Nikon and a 3D printed 4×5 – By Oleg (Boris) Dyachenko
- ‘Inherit the Land’ by Jack Lueders-Booth – Review by Joshua Wright
- Instax Share SP-2 Review – The Joy of Instax – By George Griffin
- Jackery Explorer 240 Review – Power for Photographers (and their Families) on the Go
- Japan Camera Hunter – Notes on a positive experience.
- Jupiter-3 – Sourcing my Perfect Soviet Lens with a bit of Help From Skyllaney – By Sasha Tsyrlin
- KameraKraft LMGRIP V2.0 & LM10GRIP V1.0 Leica Camera Grip Reviews
- Keks EM-01 Shoe Mount Light Meter Review
- KEKS KM-Q – A Sugar Cube-Sized Light Meter Review
- Keks KM02 Shoe Mount Light Meter Review
- Keks KMQ – a new answer to the need for tiny light meter?
- Kentfaith Variable ND (ND2-400) & 1/4 Black Mist and a growing love for lens filters
- Kodachrome Movie Review – it’s Good Even If it is About Family, Not Film – By Frank H. Wu
- Leatherman Squirt S4 review (for Photographers)
- Leica 1.4x viewfinder magnifier – mini-review
- Leica 50mm f/2 Summicron v3 – Cameraworks Restoration Review
- Leica Summicron 35mm v4 vs Voigtlander Nokton 35mm v2 – By Vincent Bihler
- LightPix Labs FlashQ M20 – Hitting the street with a new flash
- Lomography DigitaLIZA Max Review – By George Griffin
- Lumu Light Meter review
- Lumu Power review – the tiny full featured light meter
- Macro Converter Lens – for “Broadening Photography Skills on the Cheap” – By Salman Rameli
- Magnum Contact Sheets – Book Review – by Holly Gilman and Sroyon Mukherjee
- Second City – Making My First Zine – by Richard PJ Lambert
- McKeown’s Price Guide to Antique and Classic Cameras – Catalogues, Histories and Price Guides
- Memento Mori – The making of a Zine – By George Griffin
- Moon Tiny Flash – Mini Flash Mini Review
- ‘Moscow Dayze’, From Russia With Film: Bringing a Self-Published Photo Book to Life – by Dmitri Tcherbadji
- MR-9 Battery Adapter
- My Search for the Right Developing Tank – By Ciela Guenne
- ‘New in Town’ – The Making of a Photo Book and Finding Inspiration Right Where I live – By Robert Guanci
- Nightcap Pro – An iPhone camera app review
- ‘Up North 2’ – The lost photozine
- One of the Last Technicians in Stockholm – a reportage by Daniel Morales
- Peak Design Everyday Sling 5L – News and mini-review
- Peak Design Range Pouch (Small) Review
- Peak Design Slide Lite, Field Pouch, Leash and Cuff – A System Review
- Peli 1510 Protector Case review – My Peli Adventure Begins
- Photography through the Pandemic – 35mmc’s First Book! – By Holly Gilman
- Photography Through The Pandemic – A Spotlight on the Artists: Pt 1
- Photography Through The Pandemic – A Spotlight on the Artists: Pt 2
- Photography Through The Pandemic – A Spotlight on the Artists: Pt 3
- Photography Through The Pandemic – A Spotlight on the Artists: Pt 4
- Photography Through The Pandemic – A Spotlight on the Artists: Pt 5
- Photography through the Pandemic Book – Kickstarter is Live!
- PhotoMemo Books – from Mike Padua’s ShootFilmCo
- Photosynthesis: A Double-Exposure Art Project – By Ben Felten
- pixl-latr Review – A Film Scanning Gadget for Someone Who Hates Gadgets – By Nick Davis
- PPP Cameras Leatherette For Pentax 17 Review.
- PPP Cameras – Repair & Servicing Review
- ‘Project Cleansweep’ – Beyond the Post-Military Landscape of the United Kingdom – By Dara McGrath
- Real Photographers Forum – A highly biased opinion.
- Real Photographers Forum – Help Give the Old Place a Boost!
- RNI ‘Really Nice Images’ Review – and some wider thoughts on film simulation
- ‘Redlands’ by Philip Brookman – A Book Review – By Holly Gilman
- Reflx Lab Light Meter Review
- Reveni Labs Incident Meter Prototype Preview
- The Reveni Labs Light Meter Review – (Small) Size is Everything
- Reveni Labs Spot Meter Review
- Review of the Crown + Flint Mobile App for Film Photographers: Simple, Intuitive, and Helpful
- Scarabaeus Review – an elegant belt clip for your camera
- Seasons of East Van, 2022 – Book Review
- Sekonic L398A Review – Field testing – by Michael Scott
- Sekonic Twinmate L-208 – A very versatile little light meter
- Self-Publishing Books of Your Photography for the Skint Neophyte
- Shoe Mount Light Meters – Which One is Right for You…?
- SilverPan Film Lab – My Choice for Film Development Services
- Sirui B25R Bendable LED Light Review – It Bends! – by Sroyon
- Sirui T120 Telescopic RGB LED Light Review – I See You Have Constructed a New Lightsaber – by Sroyon
- Skyllaney-Restored Sonnars Reunited with Their Old Rangefinder Camera – By Phil Steelandt
- SmallRig 1.55X Anamorphic Lens, iPhone Cage and Grip Review
- SmallRig Free Blazer Review – A decent video tripod for under £400?
- Some Cool Books for 35mmc Readers (Part 1)
- Some Cool Books for 35mmc Readers (Part 2)
- Street Photography in Copenhagen in the 1960s – By Teit Joergensen
- ‘Taab’ lens tab – Pre-production review / beta test report
- Talking with Teachers – A Photography and Zine Project – By David Marshall
- Techart Pro LM-EA9 Auto Focus Lens Adapter Review
- The Attraction of Wet Darkroom Prints – My Experience at Hidden Light LLC – By Floyd K. Takeuchi
- The Colours of Shanghai / How I came to Publish a Photozine of XPAN shots – By Benoît Felten
- The Joy of Photobooks – By Nik Stanbridge
- The Lesser Photographer by CJ Chilvers – a particularly sage photography book
- The Meaning in the Making – Mini Book Review
- The Negative Space – a Portrait of a Local Film Lab
- Voigtlander VC Meter II Light Meter Review
- Thirteen Ways of Looking at a Blackbird
- Thoughts on ‘up north 1’ and a little common ground shared with someone I’ve never met …
- Through the (Looking) Glass – Photographing Portraits in the time of COVID-19 – By Carole Evans
- Tiffen Black Pro Mist Filter (1/8), on Digital & MF film – by Pierre-Alix Favillier
- Tiffen Black Pro Mist Filter & Turning the 50mm ZM Sonnar “Atmosphere” up to 11
- TTArtisan Light Meter Review – The Cheapest of Its Kind – By Frankie Bina
- TTArtisan Lightmeter II Review – Gradual Improvements
- Usedlens.co.uk – New Website for Searching for Used Camera Gear in the UK – By Dan Cook
- V-201x Light Meter Review – The Budget Option
- Voigtlander 28/35 mini-finder micro-review
- Voigtländer Kontur Viewfinder Review – By Tony Warren
- VSGO Electronic Air Blower Review
- Hitchcock’s Rear Window – Watching the Watcher – By Frank H. Wu
- “Why It Does Not Have to Be in Focus” and “Out of Focus”: Pinhole Adventures Part 4 – by Sroyon
- Zaidmade film case review (and other photography paraphernalia)
- Zen and the Art of Camera Scanning or The Brief History of Vlads Test Target – by Vlad Serebryany
- Zhiyun Molus G300 Review – Incredibly Compact and Bright LED Light
- Zhiyun Molus X60 RGB Light Review – Documenting a Daoist Idol Makers’ Workshop
- ZHong Yi Lens Turbo II Review – The Cure – By Tony Warren
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