Photography & Project Work

Looking for some inspiration, or just want to flick through the project work and photos?

In this section you will find posts that are a little more about photography than they are anything else. There is a lot of content here, and to a lesser or greater degree, it is displayed in no particular order.

My intention here is, at least to an extent, to encourage readers to get a little lost on this content. I’d encourage you to find something that sounds interesting, have a read, and then when you get the the bottom of the article, follow the tag links at the bottom of the article and see where you end up.

There are sometimes links to more articles featuring the genre of photography, and some that will take you to photos taken with the same camera, lens or film. Whichever direction you go, if you do get lost, you can always find your way back to this page and start again.

Either way, I hope you find something you like.

If you would like to submit your project or a series of photos to 35mmc, you can find out more about how to write for 35mmc here

Photos & Projects

Articles here are submitted as series of images or representative of parts of authors’ project work.

• Portraits in Skating
• People’s Park Chengdu with an Olympus XA3 and expired Rollei RPX 400
• Shooting a Roller Derby Bout
• Becoming an Honorary Newfoundlander
• Young Band Rocks at a Youth Rock Concert
• Padua, a photographer’s goldmine
• A walk round Portland, Oregon with a Leica M3 and Voigtländer 21/4 Color-Skopar
• My TLRs Over the Years
• The night Venice talked to me
• Shooting Fast Alfa Romeo on a Race Track
• Shooting Cinestill 800T at My Neighbor’s Gallery Exhibition
• Soho (Needless To Say)
• The good, the bad, and the grainy – exploring Czechia with an untested Pentax 170SL
• Capturing a Friend’s Celebration of Life on Film
• “A day in the life of a” – 83 and counting
• The FA Cup: Capturing the Magic Through Film
• Elegy in a Country Churchyard
• More Adventures with C-Mount Marble Macros
• A Full Roll of Flowing Water with a Moscow 4
• Weegee Returns – A photographic tribute to a legendary cult photographer!
• The Boat Graveyard
• Shooting Kite Surfing
• Kodak Ektramax Fireworks and a Cool 110 Tip
• Returning to home developing – an expired roll of FP4 and perhaps a Pen EE
• My Asylum Years
• Burning the midnight oil with Ilford HP5 at 1600 ASA
• A Collector’s Journey From Microscopes to Cancer to Cameras
• Flaybrick Memorial Gardens
• Shooting Historical European Martial Arts (HEMA)-like Events
• Agfa APX 400 pushed to 1600 – When Needs Must
• A Few Musing on Theatre Photography
• Ghost Town Photography in Colorado
• A Few of my Stereo .GIFs
• Instant Arctic – Emulsion Lifting on the Edge of the World
• Shrovetide in Lazarim
• Shooting Vintage with Vintage – Classic Cars through Leitz Thambar and Dallmeyer Dalrac
• Learning to Shoot Fashion Shows on Film
• Visiting Algeria with My Olympus XA
• A Second Outing with the Pentax Auto 110 with Fomapan 400.
• Rockmount Ranch Wear – an American Legend
• Polo in The Karakoram – Hockey on Horseback with a Contax G2 and Velvia 50
• How to Shoot Stand-up Paddle Competitions
• The “Troytsa” – a Religious Resistance Symbol in Bessarabia
• Easter Night Vigil in an Orthodox Community
• London Tube Riders Having the Time of their Lives, or Perhaps Not
• One Photographer and Two Cameras for Spares & Repairs
• Grain, Glorious Grain! – T-Max 3200 pushed to 6400
• How to (Unconventionally) Shoot Track and Field Competitions
• Rolleicord Vb, a roll of Portra 400 and the Reggia di Venaria
• Creekside with a Leica M3
• Into the Wayback Machine – More Adventures with Severly Expired Film
• Expired Film – My Hows and Whys
• The Surface of Water, Grain, and the Search for the Perfect Scan.
• Kyoto, farewell
• Conflicted Beauty – Photographing Charleston South Carolina
• Park Life with a Ihagee Exa 1A
• Visiting an old ‘friend’ – Lisbon
• Recreating Historic Images
• Shooting Analog in the Italian Alps (my new Rolleicord and the first b/w roll)
• Learning to Shoot Boxing Matches
• Karni Mata, Deshnoke
• Évora, Portugal with a Leica MP & Foma 100
• Sigh, Gone – Shooting in Ho Chi Minh City
• Lower than the Angels: Chinatown in February 2020 and 2023
• Cascais, Portugal, by Day and Night
• A Custom Tailored Shirt
• Cycling Slow is what I do Best
• Shooting Contre-Jour
• Leica M3 and Portra 400 at 6000 Feet (1828 meters)
• Gongoozeling Experiences Along England’s Canals
• Compact Formation: Shooting Football with a Superzoom
• Lonely in Korea (Yes, the Southern One)
• Contax RTS II and a roll of Expired Provia
• A Roll of Delta 400 and the Walk to ICP
• Documenting Shanghai’s Modern Architecture
• Finding War and Peace in London – reflections after shooting London’s grand demonstration for Gaza
• 10 Botanical Frames in Black and White – Why on Earth Would You Do It?
• A Weekend Getaway to Nagiso with Ricoh GR1v and Kodak Gold 200
• Festivity of the Goat and “Canhoto”
• Defining Environmental Automotive Portraiture
• Surviving two Leica fails on a motoring trip down to the Balkans
• A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar
• Exploring Urban Exploration Photography
• Drinking Districts in Japan VII: Obihiro
• Kiev 60 in Paklenica National Park
• Traveling. Light? 4 days, 4 Cameras
• Ancient ORWO film, ancient Agfa Rodinal, ancient camera, lens and… photographer?
• Ride Options in Vienna
• The End of the Line
• 6 rolls, 6 days, 600km, one misplaced drop of oil: Nikon FM on the Second City Divide
• Blur as protagonist: an attempt to take the pulse of the city
• A Curious British Institution, and the Tale of an Agfa Isolette II
• Home on Mamiya RB67
• Where is the Heidelberg? – with Canonet GIII QL17 and Fomapan 400
• Dream Grieving, Photograph Weaving
• Film Ferrania P30 in Finland with a Leica M3
• You don’t know what you’ve got till it’s gone
• Phytogram Experiments in Weeds – What Pushes Through
• Saving my vacation photos from a faulty development
• Kodak Star, 60 and S30 – One City, One Film, Three 110 Cameras
• Bay Area Photo Walkabout with a Selection of Camera
• Veliko Tarnovo – a Glimpse into its Past
• Documenting Berlin, 2022-2023
• The End of a Summer with Nikon F4
• Traversing The Cowboy Trail (Part two)
• Traversing The Cowboy Trail (Part One)
• Olympus Trip 35 on Holiday – Part 2 – Getting Arty in Italy
• Behind the People of Chicago
• Sunset Story
• The Roll Of Film That Changed My Photographic Life
• Monastery of Varzaresti, Moldova – resistance through faith and tradition
• AgfaPhoto APX 100 in Furano, Hokkaido
• A Walk Through Western New York Wine Country
• 360º Migration – A Video Story
• A Hike with Leica IIIC and Fomapan 400
• The Negative Space – a Portrait of a Local Film Lab
• Creating Abstract Landscapes with a Kaleidoscope Filter
• Drinking Districts in Japan VI: Sapporo, and a Gruesome Start
• Legoland Denmark – lines, dots and angles
• Rollei RPX 25 in Budapest
• The Water Battle – Carnival in Ponta Delgada
• Infrared Impressions of Southern California with a Converted Nikon D700
• Olympus 35RC and a Couple Rolls of Kodak Ultramax – The Radical Retro Red Vacation
• Everyday Abstracts – From Italy’s Lake Region
• One of the Last Technicians in Stockholm – a reportage by Daniel Morales
• Dad’s Voigtlander Vitomatic II
• Louise Post, a Shutterbug & the Importance of Tangible Things
• In praise of Photowalks – three 35mmc contributors on the Thames Embankment
• Recomposing Street Photography with Reflections
• Photographing Summer Solstice at Stonehenge on Expired Fujifilm Neopan 400 – by Simon King
• Greenlandic Moments
• Nothing New Except to Me – Another Leica Story
• Making “Morandi’s”
• Local Heritage Recycled, Reused, Repurposed
• The End of the Dream – Installing dystopian billboards throughout California
• Inspiring a Project Today by Referencing Images from the Past
• 5 frames at São Paulo with Fuji XT-1 and Pentax-M 35mm f2.8
• Two rolls of Portra and a Packet of Crisps…
• Fitzrovia’s Last Remaining Bespoke Tailor
• Eastman Kodak 5222 Double-X with a Contax RTS II
• Drinking Districts in Japan V: Asahikawa, with a Sony A7Riii, Zeiss Sonnar 55mm, and Leica iiig, 50mm f3.5 Elmar and Delta 400
• 3 Days in “Our Town” with a Retina IIa, T-Max 100, Wratten 23A and Caffenol
• Drinking areas in Japan IV: Yurakucho with a Leica M3, Zeiss Sonnar and Portra 400…
• Drinking areas in Japan III: Shinjuku with a Leica M3, Zeiss Sonnar and iiig, Elmar 50mm f3.5, Portra 400 and Ilford HP5
• Space Cakes, a Roll of Kodak Portra 160 and the Near-Death Experience of my Makina 67
• The Flour Battle
• Shooting my first roll of expired film
• A Repository for Memories: My Mother’s House
• Photographing a Butterfly Conservatory – Black and White, What Can’t It Do?
• Shooting f/8 Until Sunrise – My Experiences and Methods
• Age or Beauty? – 2: Hokkaido Barns, Glue Prints
• Fujifilm Professional TX-2 – Seeing Panoramic
• Age or Beauty? – 1: Modern Art Painted by Nature
• 5 Frames with an Olympus OM1, a roll of HP5 and a Bridge
• Heavens Above
• Drinking districts in Japan II – Nagasaki with a Leica iiig, 50mm Summitar and Portra 400
• Venice into Dreams – a Pinhole Photo Essay
• The Ricoh GRii in the Delivery Room – When Less is More Than Enough
• Rolleiflex 3.5F and Agfa Ultra 50 – Taveling in Turkey and Pakistan
• Bolívia: 12 Days with One Camera & One Lens – By Rodrigo Castro
• Searching for light in the Lister foundry – By Matthew Bigwood
• An unexpected Yashica T4 and some unplanned snow
• Drinking districts in Japan I: Tokyo with a Leica iiig, 50mm Elmar f3.5 and Portra 400 – By Geoff Chaplin
• Seeing the unexpected in the ordinary – a day in the life with my newest project: Peaceful Days – By Derek Lluisma
• More California History with the Zeiss Ikon Super Ikonta – By Eric Norris
• Help! I like Dirty Pictures! – By Alex Kreisman
• A Commuter’s Travelogue – by Leah de la Cruz
• 5(+5) Digital-IR Frames from a Roving CoolPix 990 in Paris
• Double Exposure, Double City – By Joshua Blevins Peck
• A Little Trip to Borough Market with a Contax G2 – Part 2 – dubblefilm Cinema Film – By Joe Curzon
• Film Friday, Saturday and Sunday – By Röd White
• A Little Trip to Borough Market with a Contax G2 – Part 1 – Kosmo Foto Agent Shadow 400 – By Joe Curzon
• Analog Adventure at Space-X’s Starbase – By Jim Hofman
• 52 x 36 – A Whole Year of Film – Part One – By Jake Yorath
• The Ones that Got Away
• The Spoiled Negatives from a Spoiled Petri 7s – By Ana Sousa
• Cairo, Egypt with a Nikon FE, 20mm Lens and Cinestill 50 – By Felix I Flores Rodriguez
• Declining Reno – 13 Frames Developed in Kompostinol – by Sonny Rosenberg
• Rolleiflex 2.8F – Reflections on a Brief Period of Ownership – by Simon Foale
• A Year of Projects and Community Events (#TwentyTwentyDo) – by Billy Sanford
• Development Notes: Ilford HP5+ & FP4+ in Rodinal – By Simon King
• Development Note – 30ish Year Expired Black and White Film – by Simon King
• A Rainy Day in Saltaire – By John Fontana
• Tokyo in Monochrome – Part 1 – by John Paul Menez
• Shooting infrared with a rangefinder camera, Rollei Infrared film and a Retina IIc – By Tony Warren
• An Experimental Collage Project with the Instax Mini 90 Neo Classic – By Erin O’Leary
• Shooting Mum’s Agfa Silette with a Roll of Kodak Gold 200 – By Stuart Watchorn
• Fujichrome 64T II Slide Film Cross-Processed – by Christian Schroeder
• First Experiments with Classic Lenses and 102-megapixels of Fuji GFX 100 – By Tudor Stanescu
• Farewell to a Friend – Nearly a Whole Roll – By John Pemberton
• Low Light Photography on the Morning of “Vaikasi Visakam”, with Ilford Pan F 50 – by Simon King
• Lightning in Bottles, 5 Cámara Galletita Lumen Still Lifes – by Sonny Rosenberg
• Popping off a Roll of Colour Negative – Portra 400 pushed +2 – By Phil Harrison
• 5 Frames in Ilskile Church with Nikon FM and Kodak Tri-X – by Felix I Flores Rodriguez
• Boffin’s Bower Revisited – The First Chapter of an Ongoing Project – By Peter Roberts
• Anecdotes from the Analogue World Ep. 2 – By Nandakumar
• Revisiting Glimpses and Opening a Door – By John Pemberton
• Nikon L35AW AF & Lomography Babylon – When it all goes wrong but still goes places – By Marinka Stam
• Hasselblad XPan and its Fabulous 30mm f/5.6 Lens in Mississippi – by Andrew Morang
• Up and Down the Old Lincoln Highway in Reno – By Sonny Rosenberg
• The Souls of Burning Objects – by Sonny Rosenberg
• Anecdotes from the Analogue World Ep. 1 – By Nandakumar
• Multiple Exposure Experiment with a Compact Camera that Cannot Take Multiple Exposures – by Puttipong Nipat-u-tit
• The Lost Art of Film Street Photography – By Armando Cabellero
• The Nikon F2, some Nikkors, and a Roll of Ektar 100 – By Sam Westenskow
• Céu in Oslo on a Small Rangefinder Camera – By Hugo Vasconcelos
• Stereoscopic Singapore: Making of a 3D Photography Project – by Sroyon
• B.B King on a Canon AE1 – By Ron Duda
• Cyanotype Music Video “Wounded Angel” – By Paulina Blažytė
• Making 4×5 Slides using a Sepia Toner Kit – By Andrew Smale
• Planning of a Project: Large Format Portraits in the Wild – By Gunnar Misund
• Shooting Film And Digital in Athens – By Charles Higham
• Photographer Captures 2022 Lunar Eclipse on One Sheet of Large Format Film
• Traveling Kavalan 噶瑪蘭之路 – By John Vivadelli
• Trespassing with a Hasselblad H2 – By Brian Cox
• New Individualism – the Evolution of a Photo Project – By Pablo Garcia
• A Photographic Road trip to a Different Greece – By Stelios Themelakis
• Travel Broadens the Mind – By Bob Janes
• Shooting Gigs – Pushing The Boundaries of B&W Film – By Tom Schulte
• 5 Frames from Panta Rhei (Everything Flows) – Keith Beven
• Painting Landscapes with my Rolleiflex – by Christian Schroeder
• Overnight Curfew at Lviv Train Station, Ukraine – by Simon King
• Documenting Beijing’s Modern Architecture – By Yuze Chen
• My Best Friend Ross – A Short Photo Story – By Jarrod Sams
• The Black & White Threshold – Photographing Scotland’s Skye and Assynt – By Jasper T Kauth
• Analogue Panoramic Pictures with a Rolleiflex Camera – by Christopher Schwer
• The Mother and The Photographer – By Ailbíona McLochlainn
• Mirror Mirror – The Fuji Instax Mini Evo and its Mirror Filter – By John Sullivan
• Film Photography With a Drone – By Jason De Freitas
• 5 Frames of a Ukraine Invasion Protest – By Thorsten Wulff
• Street Photography in Copenhagen in the 1960s – By Teit Joergensen
• From My Window – By Angele Fourteau
• 3 Days, 3 Rolls of Film in the American Southwest: Pt 2 – By John Pemberton
• The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton
• The Honeymooners – October 1983 – By William Brown
• Sabatier Effect with a B&W Negative and Color RA4 Process – by Séverine Chauveau
• The Leica for a Year Project – By Patrick Medd
• Traces – A Photography Project – By Stefan Aune
• Photographing Run-Down Places – By Christian Schroeder
• A Few Thoughts on how Analogue Photography Helped me Settle in – By Milosz Jeromin Cordes
• Appreciating what you already have with Nikon FE and Fuji C200 – By Jesper Reiche
• Intentionality In Photography: A Group Project From The Photography Books and Theory Group
• Glimpses At The Conservatory: A Photographic Project – By John Pemberton
• Positive Memories – Creating Positive Images Inspired by the Photobooth Process – By Andy Smale
• Ilford XP1 – Explorations with 28 Year Old Film – By Bob St-Cyr
• “I am Lonely” Said Vinnie the Voigtländer Vito BL – by Andrew Morang
• LomoChrome Metropolis in the Philippines – by Yameen
• Canon EF – Shooting in a Castle – By Jordi Fradera
• Memento Mori – The making of a Zine – By George Griffin
• Hollywood Sunset – An Analog Experience with a Nikon and a 3D printed 4×5 – By Oleg (Boris) Dyachenko
• Zenith Nature – drone photography – by Michele Molinari
• Trying Concert Photography on Film – By Billy Sanford
• Capturing Desert Wildflowers on Kodak Ektar – By Cameron Wheatley
• Fall Leaves with Five Cameras – By Dave Palumbo
• “I am Lonely” said Spottie the Spotmatic – by Andrew Morang
• Montserrat Underground – Two visits 25 years apart – By Jordi Fradera
• Toy Camera Share Project – The First Three Photographers – By Holly Gilman
• Carbon: A Photographic Project – By Dan Zorg
• Street Protests on Film: Leica M2 and Rolleiflex 2.8F – By Exphotog
• Photosynthesis: A Double-Exposure Art Project – By Ben Felten
• Self-Portrait in Hotels – by Michiko Ohashi
• Haystack Heroes: A Photographic Project – By Tommaso Carrara
• Iceland on Mamiya RB67 – by Ľubomír Drápal
• 1 Street, 48 Hours and 50 Disposable Cameras – By Frankie Bina
• Experimenting In My C-41 Developing – Dance Developing – By Holly Gilman
• The Challenges (and Joys) of Travelling with Film – Reflections on Vanuatu – By Ali MC
• Back in the woods with a Pentax MX and 3 SMC lenses – By Clive Williams
• Road Trip Without an End – A Photographic Diary – By Zachary Gastin
• Nikkormat EL Mini Review – A Trip To The Seaside with Fuji Provia 100F – By Clive Williams
• Analogue Upcycle – by Laura Cogan
• The Field of Flags – by Simon King
• “Blur is a Part of Life” – A Collaborative Project
• An Experiment with Sprocket-Hole Panoramas – By Joris Koolen
• Ensign Selfix 820 with One Roll of Fomapan 100 – by Steve Phillips
• The Hyde Park South Carriage Drive Manège – by Simon King
• A Cinematic Photographer Discovering New Horizons by – Nicola Armento
• How Minimal Can You Go? How Minimal Is Too Far? – By Nik Stanbridge
• ‘Moscow Dayze’, From Russia With Film: Bringing a Self-Published Photo Book to Life – by Dmitri Tcherbadji
• Photos from the Circus, 1956 – By Jordi Fradera
• Spring Blossom in the Churchyard – a Mini-Project in Black & White – By Philip Ahlquist
• Reportage at the Rodeo – By Cody Allen
• 36 Photos of Filipa, And How I Found My Way To Portrait Photography – By Fernando Martins
• The Pipes Man and Me – By Merik
• Tiffen Black Pro Mist Filter & Turning the 50mm ZM Sonnar “Atmosphere” up to 11
• ‘Dessert First!’ – Film Cameras and Sentiment in my New Photobook – By Hanna Quevedo
• Chasing a Hot Dog with a Leitz-Minolta CL – By Dan Castelli
• Jena BM 80mm f/2.8 – Fixed and Adapted to a Sony for Shooting Beautiful Roses – By Jordi Fradera
• Empty Paris – Covid 19 & Parisian Walks with a Minox 35ML – Angèle Fourteau
• Façades of Kolkata, and the Value of “Boring” Projects – by Sroyon
• Montoggio – A Chronicle of an Absence – By Salvatore Da Cha
• Shooting Film on the Trip for My Mother’s Funeral – By Jim McConnell
• Ilford HP5 and a First Experiment at 3200 – by Jonathan Slater
• Shooting Stardust with Ilford Delta 3200 and a Minolta SRT 100 – By Stephen Badolato
• Kodak Brownie Vecta and Following in Fox Talbot’s Footsteps – by Charles Higham
• A Glimpse into My Photo Hoarding – By Larissa Almeida
• Bringing Textures to Life with Ilford Delta 3200 – By Daniel Boklage
• Three Rolls of Foma at the Fairground With a Minolta Autocord – By Charles Cave
• More Portraits Please – Making Opportunities to Photograph People – By Peggy Marsh
• Being a 1950s Movie Star – In Cambridge with Ferrania P30 – By Iain McGlinchey
• Accidental Film Soup with a Canon Sureshot A1 – By Rob Orchard
• Condensing Time – by Christian Schroeder
• The Retirement of the RNLI Leonard Kent – by Simon King
• ‘New in Town’ – The Making of a Photo Book and Finding Inspiration Right Where I live – By Robert Guanci
• A Few Frames Cut from “Transiting Bulgaria” – by Simon King
• 200 Miles by Bike in California / 12 Photos from a Lomo LCA 120 – By Eric Norris
• Submerging in Ponarth with Minolta X-500 – By Miłosz J. Cordes
• This Music Video was Made Entirely Out of Cyanotypes – By Edd Carr
• Christmas at the Alexander Nevsky Cathedral, Sofia – by Simon King
• Lights in the Darkness – My Low Light Film Photography 1957-2002 – By Jordi Fradera
• Appreciating San Francisco and its Trees in Quarantine – by AJ O’Connell
• Making Dreamscapes by Developing Film at 30 Degrees – By Tyrell McBride
• An Istanbul Airport Stopover; Photographing the Sleepers – by Simon King
• Re-Imagining Morecambe – by Mark Harrison
• Shooting Medium Format Film in Rohingya Refugee Camps (and Getting Arrested in the Process) – By Ali MC
• Aliens don’t exist… But I have seen (and Photographed) a UFO – By Jordi Fradera
• Mamiya 7ii, Rollei RPX25 and an Old Datsun 120Y – By Filip Wawer
• “Inspired” – Photographing Inspiring People with my Dream Lens – By Marcus Hofstätter
• Repairing & Shooting a Nikon EM & 50mm f/1.8 – By Jordi Fradera
• Swimming for Sam / Documenting Louise Banks – By Harley Jaffar
• Shooting Praktica MTL 5 B Found in a “Mine” with Expired Tri-X – By Jordi Fradera
• Finding Our Way Into A New World – A Single Photo a Day Project – By Dustin Neikirk
• My Approach to Portrait Photography on Film – By Ken Wagner
• The Young Farmers of Milton Keynes – By Sagar Kharecha
• Meraki Photo Shoot – Creativity In Isolation – By Gavin Bain
• Making a Book of Memories – Photographing my Son’s Birth – By Dwight Daly
• Puzzlewood With an IR Modified Sony NEX-5N – by Charles Higham
• Aeromodelling and Photography in 1957 – By Jordi Fradera
• What the Hell did I do? – A One Shot Story – By Gerard Exupery
• ‘Musing’ about a 35mm Film Photography Series – By Tamara Masa
• Parking Lot Hockey on Ilford HP5+ – by Simon King
• Photographing a Refugee Protest – By Ali MC
• Not at home with my Rolleiflex – Stefan Wilde
• It’s Interesting Because It’s Old – A One Shot Story – By Gerard Exupery
• Markets in Yemen with a Pentax MZ-5 – By Jordi Fradera
• Too Big To Fail – A Visual Acknowledgement – By Nico Klein-Allermann
• Glastonbury Rathyatra – The Only Chariot Festival of 2020 – By Sagar Kharecha
• Roaming in South East England with a 50mm lens – by Mark Harrison
• Record Covers & the Chronicle of a Photo Shoot for ‘Bradford’ (with 4 Cameras) – by Fernando Martins
• Street Portraits of Bike Messengers – Standing by with the Rollei 35 SE – Trevor Hughes
• Bokeh as the Subject (in Photos and Writing)
• Endangered Hawaii / Wild Waikiki – by Susan Polanco de Couet and H.Gert de Couet
• Talking with Teachers – A Photography and Zine Project – By David Marshall
• Ghosts of Covid – A Photography Project – By Mike Beard
• The Many Interpretations of one Quote – Photography Theory and Practice
• Asahi Pentax 6×7 and my Four Points Project – By Rick Davy
• Exploring Wildfires and Finding Individualism – Mamiya RB67 & Portra 400 – By Pablo Garcia
• Portrait Photography on a Rolleiflex: Archie Roach and the Stolen Generations – By Ali MC
• Second Hunt Campaign – Shot on Pentacon Six & Kodak Portra 160 – by Kornelia Konieczka
• My Personal Favourite Photography Experiences of 2020
• Yasuhara T981 & Nikon 50mm f/2 – My Impressionist kit – By Aivaras
• Photography vs. Cameras and a Full Spectrum Fuji X100 In the Mist
• Tokyo XPan – A Cinematic View of Japan – By Mike Amos
• “Ride Slow, Take Photos” – 1200 Miles on a bicycle with a Speed Graphic – By Erik Mathy
• ‘Arctic Norway’ – A Photozine – By Alex Relton Brown
• Photography Theory and Practice – A Collaborative Project
• Brean Sands, A Leica M4-P and a Roll of Kosmo Foto Mono 100
• Sunrise On Lomography 800 & A Leica M6 – By Gavin Bain
• Connected – A Wet Plate Project about the Bonds of Friendship – By Markus Hofstätter
• Camping After The Bobcat Fire – Photographing Mt Pacifico – By Justin Aguirre
• Experiments in Film Soup – By Holly Gilman
• The Influence of Film on Film – ‘Preserve’ – By Lucinda Lewis
• Nikkor 20mm f/3.5 – Taming The Ultra-Wide – By Fernando Martins
• Photographing Little Things on Film – By Jordi Fradera
• In the Woods, in the Rain, with a Mirror and a Mamiya 645 1000s – by Brian Dolzani
• The 40th London Arba’een Procession 2020 (HP5+ @800) – by Simon King
• Analogue Portraits – Behind the Viewfinder – by Dila Binkanat
• Naniwa; A City Without a Face – By Akiti Dezem
• Girls’ Hostel – My Teenage and University Years (2005-2016) – By Sumaiya Tazin
• Exploring an Ice Factory in Mississippi with Panatomic-X Film in a Hasselblad – by Andrew Morang
• My Journey to Infrared Photography – By Markus Hofstätter
• Agricultural Landscapes Reloaded – by Christian Schroeder
• The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 2 – by Ricardo Andrade
• The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 1 – by Ricardo Andrade
• Shooting Diptychs with the Olympus Pen FT – by Noel Roque
• Using an Hybrid Camera to let Subjective & Objective Visions Coexist – By Mario Cipriano
• Lens versus Pinhole – Battle of the Isolettes – By Rock
• Zero 2000 Pinhole Camera, a Camel and an Elephant – By Scott Gitlin
• Better Together – A City with a Complicated Past – By Billy Stanford
• Experimenting with analog in Iran with an Olympus OM-2n – by Théo Lefort
• Seascapes and Stories You Can’t See
• A 4×5 Portrait with a Toyo 45A, Schneider 210mm f/5.6 & Fuji Acros – By Louis A. Sousa
• My Camera Goes Where I’d Rather Not – By Gerard Exupery
• Social Distance – A Covid Inspired Photography Project – By Mattias Johansson
• Through the (Looking) Glass – Photographing Portraits in the time of COVID-19 – By Carole Evans
• Nine Homemade Cameras: Pinhole Adventures Part 1 – by Sroyon
• A Spectacularly Failed Mui Wo Photo Trip – By Benoît Felten
• Analog Iran – A Project Shooting B&W Film Documenting Iran – By Ali MC
• Adding Color to Cyanotype – By John Isner
• Cyanotype Printing with Pre-Coated Paper – By Benoît Felten
• A Day Out with the Nikkor 50mm f/1.2 AIS and Nikon D850 DSLR – by Anil Mistry
• Shooting Three Kinds of Redscale Film – by Tobias Eriksson
• Photographing Concerts in the 1970s & ’80s – By Dan Cuny
• It’s All Done with Mirrors – A Tale of a Telescope Street Photo – By Tom Ace
• Shooting 4×5″ GAF Film Packs in the Mississippi Delta – by Andrew Morang
• LCKDN20 – Documenting the Abandoned City – By Giacomo Mantovani
• Evaluating and Choosing Half Frame – By Javier Martínez Delgue
• Behind the scenes at the East Lancashire Railway – By Phil Harrison
• Photographing An American Road Trip – By Daniel Sigg
• Mask portraits – Koniflex TLR and Portra 400 – by Peter Schafer
• 4 Decades of Panoramas – Analogue & Digital – By Jordi Fradera
• The Season of our Discontent – By Mark Seawell
• The Stay Home Project – By John Scott
• Reflections on the Covid-19 pandemic, through a single roll of film – by Pierre-Alix Favillier
• The #BlackLivesMatter Protests in NYC & a Canonet G-III QL17 – By Jive
• Black Lives Matter (through a Petzval 55mm f1.7 MKII Lens) – By Maxime Evangelista
• Fomapan 200 for my first Black and White slides – By Fred Baboulaz
• 3 Focal Lengths in Danish Marshland – by Sroyon Mukherjee
• Hunting Dinosaurs or: Photographing Abandoned Factories – by Christian Schroeder
• Documenting the #BlackLivesMatter Protests – Some Thoughts and Images – By Dan Shapiro
• Protestors, Allies, Fighters, Keep On – #BlackLivesMatter – By Eric Toribio
• Architectural photography with a 50mm lens (and some thoughts on minimalism) – By Daniel Sigg
• At the Machine Boneyard: 10 Frames of Scrap Metal – by Christian Schroeder
• Shooting 5×4 with Connie / Reminding myself how easy Large Format Photography is
• Lockdown Lumen Pt 2 – Artists around the World Printing with Sunlight
• Virus in Vicksburg – a quick overview by Andrew Morang
• Yet Another Night Shift: Long-Time Exposures on Kodak Portra – by Christian Schroeder
• Lockdown Lumen – Artists around the World Printing with Sunlight
• Zeiss Otus 55mm and 85mm Lenses on 35mm Emulsions – Owls on Film – By Bent_Brent
• Shooting Pentax Auto 110 Lenses (On film and Digital) – By Jason Foster
• The Craft Project – A New Direction – by Julian Higgs
• February Frames with Bernie, The Strokes, Nikon and Tri-X – By William Le
• Who Lost Their Shoe? – by Chris Colten
• Delving Deeper into Textured Double-Exposure – By Benoît Felten
• The Peat Bog, Impressions from Another World – by Christian Schroeder
• Rollei IR400 Infrared Film – First Roll – By Maxwell Wagner
• Zourkhane – a Traditional Sport in Iran – By Marc Wick
• Analogue Portrait Photography with Leica M rangefinder Cameras – by Marc Wick
• Easter Egg Hunting with the Fuji X100V
• Infrared Photography with an Unmodified Leica M240 and an R720nm filter – By Steven Bleistein
• Exploring Worcester’s Former Fire Station
• Travelling Light in Japan with Fujifilm X-Pro3 – By John Scott
• Las Luminarias – Spanish festival of horses and fire – By Tibor Budai
• Images from the Last Normal Thursday in Tokyo with Meg Hewitt – Steven Bleistein
• Fuji X100V – First Frames with and some thoughts on why I bought it…
• The Tsukiji Outer Market at Dawn with a Leica M3 and Roll of Kodak Tri-X – By Steven Bleistein
• A Heavy Visit – An Acount of Shooting an Emotive Subject – By Alex Kreisman
• Photographing Buildings and Places in Hannover – by Christian Schroeder
• A quick 3 frames of Kodak Aerochrome – By Mike Caputo
• Shooting Textured Double-Exposures with the Hasselblad XPAN – By Benoît Felten
• Shooting Star Trails with 120 Cinestill 800T – By Bill Thoo
• Pushing T-Max 400 to EI3200 with a Leica M3 Monochrom and First-Gen Summilux 35mm f/1.4 – Steven Bleistein
• How I Shot A Micro-Budget Feature Film for less than £4000 with Vintage Lenses and a Sony A7s – By Brenden Singh
• A Paxette Pinhole Conversion and a walk in the Countryside – By Rock
• Finding Subjects in Familiar Sights – by Chris Illing
• Travelling Myanmar Solo with Black & White Film – By Jelle Vonk
• Shooting Black & White Film at the Zoo – by Christian Schroeder
• Up Close and Personal with the Ricoh GR1s and Kodak T-Max P3200 at EI12,800 – By Steven Bleistein
• American Dream Colors: On US Roads with my Canon AE-1 – By J.M. Saponaro
• The London Arba’een Procession 2019 with Fujifilm C200 – by Simon King
• Kodak Ektar 25 – Urban/Rural Decay in the Texas Panhandle – by Andrew Morang
• 55 Frames with 55 Cameras of One Man at One Moment – By Mark van der Wal
• A Beginner’s Exploration of Documentary Photography – By Hugo Morgan
• Agricultural Landscapes – by Christian Schroeder
• Fuji Natura 1600 & Shooting Star Trails and at Night – By Bill Thoo
• Ilford HP5 Plus & The Yorkshire War Experience – By Phil Harrison
• Revisiting Bremen Ports – by Christian Schroeder
• Extreme GAS! I don’t need a new camera, I need a new Helicopter!
• One Rainy Night in SF – Nikon F3HP + Kodak TRI-X pushed to 3200 – By Benjamin Fargen
• Bremen Ports, a Playground for Photographing Industrial Architecture – by Christian Schroeder
• Kodak P3200 – A Lackadaisical Experiment Shooting for Fowey Shellfish
• My “Reason for Visit,” stage 3B cancer – By Nicolás Hagen
• Environmental Portraits on E6 – shooting transparency with available light – By David Hume
• The Nuclear Option – My Experiences in the Chernobyl Exclusion Zone – By Charlie Thom
• Ricoh GR Mini Review – On The Road – Morocco by Motorcycle – by Nick Holt
• My First Ever Roll of Film and My Love for Light – by Joshua Nutz
• Leica M10-P vs. Sony A7riii and Shooting the Simon and Garfunkel Story
• Kodak Ektar 25 – Living in the Past, a Hasselblad, and Flooding in Mississippi – by Andrew Morang
• Protest Photography – Composing and Shooting Hong Kong’s Mass Protests with a Konica Hexar RF and XPan
• Shooting Snowdon with a Fuji x100F – by Pierre-Alix Favillier
• My Dark Side: Night Photography with CineStill 800T Film – By Christian Schroeder
• A few frames with a Konica Hexar RF, Voigtlander 50mm f/1.2 and Kodak Portra 800
• 1960s New York. Dad’s slides scanned – by Charles Higham
• Cosmic 35 Review – and a multiple exposure project – By Dale Willetts
• A Portrait of a Violin Maker, and some reflections on shooting what I enjoy
• Long exposures with the Minolta Dynax 5 and a roll of Kodak ColorPlus 200 – By Robert
• The Making of the POLARACER project – Shooting the Custom Motorcycle Scene in Bali – By Carlos Albisu
• Fuji GW690II – Urban Decay in Vicksburg, Mississippi, with the Texas Leica – By Andrew Morang
• The Streets of Kuala Lumpur and Hat Yai with a Nikon 35Ti – by Nuraishah Shamsuddin
• Shooting in the Morgan Motor Company Factory
• Kodak Ektachrome E100 – A few Double Exposures – By Michael Turek
• Green Man Festival 2018 on Ten Rolls of Film, a Leica M4, and a Contax G1 – by Simon King
• Silver Springs and a Voigtländer Vitomatic I – By Anthony Rue
• Shooting a roll of Kodak HIE infrared film with a Nikon F-301 – by Charles Higham.
• A World Within a World, or: A Russian Lens for a Russian Circus – By Robert Poole
• Shooting a Polaroid 195 in Sudan – By Carlos Albisu
• An Instax Project And A Framing Challenge – by Aukje
• 24 Hour Project, London, 7/4/18: What (was) in my Bag & My Approach – by Simon King
• 5 frames with a Nikon F3 – by Eduardo Ribeiro
• Sansome Walk – The Silent Leisure Centre
• Beers & Cameras Birmingham – 24/03/18 – and, how we didn’t let the racists ruin our day…
• First roll with a Leica II – by KJ Vogelius
• 5 frames with Pentax SuperA – By Aivaras
• 5 Frames with the Lomography Minitar Art Lens – by Barnaby Nutt
• Reflecting on some analogue memories – by Rob MacKillop
• 5 Frames with a Leica M6 & Cinestill 800t – by Christoph Ackermann
• Photographing Punks on Polaroid – by Simon King
• A Few Frames More, with the Hasselblad XPan – by Simon King
• 80 Days Without Development: Describing Images I Have Not Seen – By Jordan Lockhart
• London Comic Con on Three Rolls of XP2 and a Leica CL – by Simon King
• ‘Unremarkable Architecture’ – Kicking of a photo project (with Kodak 400 TMAX)
• Surviving 365 Days on Film – by Ken Hindle-May
• Snapshots of a Commute – by Greg May
• Finding details in the city: part 2 – Georgetown – by Carlos Argott
• My First Roll of Film – Guest post by Eve North
• Finding details in the city: part 1 – International District – Guest post by Carlos Argott
• A Canon Prima BF-90, 3 Rolls of Agfa Vista 200 and a Trip to Japan – Guest post by Nuraishah Shamsuddin
• Leica M6 Street Photography – Tokyo Files – by Mark Forbes
• 35mm & (very) Large Format in Detroit – by Erik Henderson
• The St. Paul’s Hostel Ilford Photo HP5+ disposable camera project – an introduction to the project
• Nikonos V – Underwater Film Photography – by Aukje
• There’s a first time for everything… – by Joe Thomlinson
• My First Experience of Film – by Ross Gibson
• Day 1 in the Darkroom…
• County Enterprises at Work
• Pushing Tri-X To 3200, Or Shooting A Concert On Film – Guest Post by Aukje
• The Leica M3, Nikon 28Ti, and the Jurong Fishery Port – By Hern Tan
• #MCRWLK with a Lomo LC-Wide and a roll of JCH Streetpan 400
• A Disused Office Building
• A few more shots from the Leica M9
• Contact (Tango) Sheet – The photo and camera that won a Leica M4 – By Julián Péter
• Kodak Ektar 100 Vs Portra 400 In Greece – By Aukje
• And the winner of the M4 is Julián Péter
• First Shots with the Leica M9
• Leica M4 Competition Entries
• An afternoon and evening at Stroud Brewery
• KKE – Film photography for a local architects
• A few snaps with the Leica M8 and Zeiss 28mm ZM Biogon
• An evening of abusing the Leica M8 in low light
• Experiences with 35mm Ilford SFX – by Rob MacKillop
• First (digital) colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar
• First colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar
• An evening at home with a Leica M8(!)
• Birthday no.33
• Clee Hill in the Fog / 3rd roll with the Xpan II  
• First roll with the Hasselblad Xpan II & 45mm
• One camera, four conversations – Pieter Geloen
• A Birthday at the Birmingham German Christmas Market
• Carters Steam Fair
• F8 team head shots
• Wilces Cider – The start of a year long project
• A couple of rolls with the Leica M5
• The first 24hrs of Norah Dali Gill
• The 50mm Sonnar gets a workout in the Gym
• First Roll with the Zeiss 50mm ZM Sonnar
• First roll with Zeiss Ikon (ZM)
• A day in hospital – First roll with the Olympus mju-iii Wide 100
• First photos (/Gifs) from the Konica AiBORG
• Legoland Windsor & giving AG Photo Lab a go
• Cornwall 2015 – The last day – The Lost Gardens of Heligan
• Cornwall 2015 – Day 5 – Fun Park and Dunes walk
• Cornwall 2015 – Day 4 – Sunshine at last!
• Cornwall 2015 – Day 3 – Eden and the beach
• Cornwall – Day 2 – The beach and the fun park
• Cornwall 2015 – Holywell Bay in the Mist
• First shots with the Leica M Edition 60
• First shots with the Leica 90mm f/2.8 Elmarit-M
• Faye and Family – A Family shoot with a difference
• Ma Baker – Behind the scenes at a local bakery
• First roll from UK Film Lab
• A roll of XP2 through the Contax T3
• A pre-wedding shoot on a farm…
• First Roll with my Leica M-A – Lndnwlk 3.0
• Election Day 2015 – The final push of the Worcester Labour Party
• First roll with the Leica M3 DS and m-mount Leitz Elmar 50/3.5
• First roll with the Leica M-A and 50/2.5 Summarit-M
• First roll with a Leica M2 (and a recently serviced 50mm 1.5 Summarit)
• First roll with the Leica CL – Derelict barns
• Leica iiic Competition – Vote on the final 10
• Leica iiic Competition Entires (181-201)
• Leica iiic Competition Entires (161-180)
• Leica iiic competition entries (141-160)
• First Roll with the Rollei 35SE
• Leica iiic competition entries (121-140)
• Leica iiic competition entries (101-120)
• Leica iiic competition entries (81-100)
• Leica iiic competition entries (61-80)
• Leica iiic competition entries (41-60)
• Leica iiic competition entries (21-40)
• Leica iiic competition entries (1-20)
• First shots with the Leitz Elmar 50mm f/3.5 (and Leica iiic)
• First Roll with the Contax T3
• A lost roll from Christmas – 50mm V4 Summicron and XP2
• First roll with the Leica M3
• Low light fun with Ilford HP5+ at ei3200 and Ilfotec DD-X
• Christmas in colour – A few shots with the Voigtlander 50mm f/1.1
• Hartlebury Train Carriages – Cinestill 800T and 50mm Summicron
• Three Nights in Paris – And some reflections on my camera choices
• Breaking my Xpro Cherry
• Our Discovery of the Worcester Community Land Co-operative
• The Daughter’s 2nd Birthday – Shot with a mju-ii
• Water fight fun with a Canon Sureshot A1
• Ricoh GR1s – Shots from a lost weekend
• A Week in Wales – Part 2
• A Week in Wales – Part 1
• Trip 35 and some very cheap film… and Connie.
• First Shots from the Fuji Klasse W
• A selection of Yashica T5 shots.

5 Frames with

This is a series of articles that tell short stories of 5 frames taken with a camera, lens or film – sometimes all three.

• 5 Frames of Kodak Tri-X @3200
• 5 Frames with a Minolta Dynax 9 & Harmon Phoenix 200
• 5 Frames with a Kodak Easyshare DX7630
• 5 Frames with a Yashica Mat 124
• 5 frames with an Instax Mini 99
• 5 Frames with my Canon A1 and a roll of Ilford Pan F
• 5 Frames With the Leica M8 in Providence, Rhode Island
• 5 Frames with Contax T and Fomapan 200
• 5 frames with a Rolleicord Va on Lomography Purple
• 5 Frames in Berlin on a Leica M5 with CineStill 50D
• 5 Frames with a Canon Canonet QI17 GIII and Fujifilm 400
• 5 Frames with a Voigtländer Vito B
• 5 Frames with a Minolta XGM at Go Your Own Way
• 5 Frames of Kodak 5219T film with Contax Aria for Cantonese Opera
• 5 Frames with a 1D MkII and a 35mm F1.4L
• 5 Frames from the Ultramax Challenge
• 5 Frames with a Canon G1 – a Little Known Classic
• 5 Frames With a Nikon S3 — a Camera That Will Make Your Heart Flutter
• Fuji Eterna 250D – My first step into cine film stock
• 5 frames with Petri 7s using Kodak Gold 200
• 5 Frames with an IR Converted Nikon D300
• 5 Frames with a Minolta 16MG and Rollei RPX 25
• 5 Frames, 40 Years, 1 Camera
• 5 Macro Frames with a Canon EOS 30 & MP-E 65mm
• 5 Frames with Pentacon F and Agfa APX 100
• 5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM
• 5 Frames with a Kodak Retina Ib (Model 19) and a roll of Kodak ColorPlus 200
• 5 frames with a Canon EOS IX7 APS camera
• 5 Frames with a Retinette 1B and Lomochrome Metropolis – Patina at Lullingstone Castle
• 5 Frames with A Few Minolta X-300s
• 5 Frames with a Hasselblad 501 C – ZEISS 80mm f/2.8 and Kodak Gold 200 – By Eric L. Woods
• 5 Frames with Three Cameras in the Woods
• 5 Frames with a 20-40mm f/2.8 Pentax 110 lens on an OMD-EM5 MKII
• The Whole Test Roll – Hasselblad 503CX and Ilford XP2 Super
• 5 Frames with a Leica M6 and Slide Film
• 5 Frames with a Widelux F7 at The Louvre
• 5 Frames of Kodak VISON3 5219T on a Leica M6 with Nokton 35mm F1.5 in Cantonese Opera Backstage
• 5 Frames With A Le Clic Fun Shooter Panoramic Conversion
• 5 Frames in Old San Juan On a Mamiya 6 with Fujichrome
• 5 Frames with a Minolta X-700 and Harman Phoenix in Krakow, Poland
• 5 Frames Going Square with 35mm Film in a Minolta 24 Rapid
• 5 Frames with Ilford Ortho Plus
• 5 Frames with a Fed-2 – New aspects, old subject
• 5 Frames of Iceland (on Portra 400 and HP5+)
• 5 Frames Around the University of Minnesota
• 5 Frames with Contax T2 and Kodak Tri-x 400
• 5 Frames with a Sony DSC R1 bridge camera – from Commute to Salsa.
• 5 Frames with ‘a’ Kodak Autographic № 3.
• 5 Frames of Sunsets in Black and White
• 5 Frames with a Mamiya C330 and Rollei Infrared film
• 5 frames with a Canon AE-1, shooting a professional football (soccer) game
• 5 Frames with a Nikon FE and a Stroke of Luck
• 4 Frames (and an error) with a Zeiss Ikon Nettar 518/16
• 5 frames with Nikon FM2 and Kodak Gold 200
• 5 Frames with the Ilford Sporti
• 5 Frames with Rollei Superpan 200 and a Minolta 460Tx 110
• 5 Frames with a Leica M3, TTArtisan 50/1.4 and Tri-X
• 5 Frames with an Olympus OM-1N
• 5 Frames with a Panasonic Lumix G100
• 5 Frames with a Pentax MZ5 at the Beach
• A Classic Car meet with XP2 Super and a bit of help from a Leica 111a
• 5 Frames of Kodak Double XX 5222 on a Pentax Espio 24EW in Madrid
• 5 Frames with expired Agfa CNS in a Rollei A110 and processed in expired chemicals.
• 5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160
• 5 Frames with a Fujifilm GA645
• 5 frames with a Nikon FM2 & Kentmere 400 pushed to 3200
• 5 frames with the Olympus XA that were ruined by the addition of my finger
• 5 Unintended frames with Agfa APX100 (and an OM4-Ti)
• 5 frames with Nikkormat FT3 in Meidling, Wien
• 5 frames in Ouro Preto with Ilford Delta 400 and a Nikon 35Ti
• 5 Frames of Macrophotography with a Pentax 645D and Pentax-A 120mm f/4
• 5 frames with a Canon EOS 30 – A return to film
• 5 Frames with a Fujica ST605N and a Vivitar 35mm f2.8
• 5 Frames testing two Rollei A110 cameras
• 5 frames with a Canon EOS-1V, the glorious Fifty and a Roll of Tri-X 400
• 5 Frames with a Leica iiic, Summicron 50/2 and Ilford HP5+
• 5 Frames inspired by Georges de la Tour
• 5 Frames with a Nikon D800 and the Voigtlander f1.4 58mm Nokton
• 5 Frames with a Free Olympus OM10 and Optomax 35mm Lens
• 5 frames with Orwo Wolfen NC500 and a Yashica Electro 35 CC
• 5 Frames with a Minolta XD, 85mm f/2.8 Varisoft lens and Ilford HP5+
• 5 frames with Fomachrom D II 20
• 5 frames with a Pentax Q7 & Fisheye lens in the library
• 5 frames with Harman Phoenix 200 and Olympus Pen D – A match made in heaven
• 5 frames with a Minolta 700si
• 5 Frames with an Intrepid 4×5 – Famous For Quality.
• 5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2
• 5 frames with Sony Mavica MVC-FD200, and a lesson in trusting your equipment
• 5 (+2) Frames with a Pentax Q7 & Nikon 85mm 1.8 AFD (~400mm equivalent)
• 5 frames with Kodak Shellburst 346 – the UFO film
• 5 Portraits of… my Girlfriend in Rome with a Pentax ME Super
• 5 Frames with a Nikon F3 HP and Portra 400
• 5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto
• 5 Frames with a Praktica MTL5B, a Pentacon 50/1,8 and a Roll of Portra 400 (expired in 2011)
• 5 Frames from a Seaside Town with a Nikon F4
• 5 frames with Ilford Delta 3200 and Canon EOS 7
• 5 Frames with the Sony DSC-V3 – In Search of Lost CCD Sensors.
• 5 frames in Venice with the Leica 50mm Summicron V4 on a Leica M10
• 5 Frames with a Minolta X-700 and Tri-X
• 5 Frames with Lomography Orca 110 monochrome film.
• 5 Frames with the Mamiya 6 IV-S Folding 6×6 Camera
• 5 Frames with a Voigtlander Vito II
• 5 Frames with Agfa APX 400 in the Midwinter
• 5 Frames with a Voigtlander Bessa I – My Gateway into Medium Format
• 5 Frames with a Voigtländer Vito CLR
• 5 Frames with a Leica M3 & Ilford HP5 pushed to 3200
• 5 Frames on the road in Morocco with Bronica RF 645
• 5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI
• 5 Frames with an Omnar Lenses CX38-28 – Contax T/T2 M-Mount Lens Conversion – on a Leica M10-P
• 5 Frames with JCH Streetpan 400 and a Leica M4-P
• 5 Frames with Fujichrome Fortia SP and Yashica FX-3
• A 2 Year Journey Across California with Kono Monolit ISO 3 film
• 5 (square) frames with a Zeiss Ikon Tenax I and Ilford XP2 Super
• 5 Frames with Five Fifties and a Leica SL (Typ 601)
• 5 Frames in Greece with the Contax T3
• 5-ish Frames with a Kodak Tourist II
• 5 Frames with a Yashica 35 Rangefinder
• 5 Colour Frames with a Yashica Mat TLR
• 5 Frames with the MiniCam 100k – My Jankuary project
• 5 Frames with a Kodak Medalist II and Ektar 100
• 5 frames of 40-years expired Kodacolor II
• 5 Frames with a Leica 111a
• 5 frames in Los Angeles with a Kodak S1100XL and Ilford HP5+
• 5 Frames Testing a Long Since Used Olympus 35 ECR
• 5 Frames with a Minolta XD7 and Kodak Vision 3 250D
• 5 frames with Zebra Dry Plate Tin Types
• 5 Frames with a Mamiya Press Super 23 – or how I got (back) into film photography.
• 5 Frames with a Fuji GS645S that wasn’t quite as advertised
• 5 frames of Fomapan 100 with my Father-in-Law’s Canonet on Jeju
• 5 Frames with a Rollei 35 and Kodak Tri-X
• 5 Frames with a Canon EOS 600 in Berlin after many years
• 5 Frames with my Nikomat FTn in Milan
• 5 Frames with “WP-Tech 100” and a repaired XA2
• 5 Frames With a Trip 35 – A Brace of Olympi Pt. 2
• 5 Frames with a Ricoh XR-X and Vivitar Series I 28-105mm f2.8-3.8
• 5 Frames with Ilford Delta 100
• 5 Frames With an XA2 – A Brace of Olympi, Pt. 1
• 5 Frames with a Kiev 4a and Ilford FP4 Plus – A summer love story in Italy
• 5 Frames of the Granite Coast on Delta 100 in Rodinal
• 5 Frames with RETO Amber 800T, Contax G1 and 28mm f/2.8
• 5 frames with a Kodak Retinette type 030 Found in a Junk Shop
• 10 Frames from a Tour by Bicycle around New Haven
• 5 Frames through the Mamiya 6 with Kentmere Pan 400
• 5 Frames with a Rollei B35 and expired Orwo NP27
• 5 Frames with Foma Fomapan Retro 200 Black and White, Pentax 645N and FA 75mm f/2.8
• 5 Frames of trains with an Olympus Pen FV
• 5 Frames of X-Ray Damaged Kodak Vision 3 200T
• 5 Frames of Cinestill 800t with a Minolta x-300 and the MD 50mm f/1.7
• 5 Frames with CatLABS X FILM 100 Color, Pentax 645N and FA 75mm f/2.8
• 5 Frames with the Minolta X-370 in Las Vegas
• 5 Frames with FPP Low ISO 1.6, Pentax *ist and 50mm f/1.4
• 5 frames with Kodak Ultramax in a Konica Autoreflex T3
• 5 Frames Beta Testing an Alfie Tych
• A Few Frames Going Horizont-al
• 5 Frames with Retocolor Aqua 400, Konica Hexar RF and 7Artisans 35mm f/1.4
• 5 Portraits with Meopta Flexaret VI and Lomography Lady Grey
• 5 Frames with the Leica Summicron 50 Dual Range at closest focus
• 5 Frames with the Zeiss Ikon Contaflex II and Kodak Portra 400
• 5 Frames with a Pentax MX and AristaEDU
• 5 frames of Kodak Vision3 500T pushed to 1600 at home
• 5 frames of Mt Inari on ORWO Wolfen NC400 with a Pentax KX
• 5 Frames with the Auto Close-up Lens for the Mamiya 6: ‘Baroque’ and superfluous or compact and handy?
• 5 Frames with a Leica Minilux and Kodak 400NC
• 5 Frames of Kodachrome 25 and 64 – an unromantic retrospective
• 5 frames with an Olympus Trip – Sell or Keep?
• 5 Frames with Lomography Metropolis, an OM-2n on the central plains of Kansas – Ruralopolis
• 5 Frames from a 500mm – A Whole New World
• 8 Frames with the Canon Sure Shot Classic 120 – a Stress Test
• 5 Frames with JCH Street Pan in Saratoga Springs, NY
• 5 Frames with Holga 120N and Kodak Porta 160
• 5 Frames in West Norwood Cemetery with a Minolta SRT-101b and Rokkor 28mm f3.5
• 5 frames with Voigtlander Bessa L and Ilford XP2
• 5 Frames with a Tower Reflex 30 and a Kodak Polafilter Hood
• 5 Frames with my newly acquired Pentax 67
• 5 frames in Portland with an Olympus XA4 and Portra 400
• 5 Frames in the Grand Canyon with an Nikon FE, T-Max 400, and an Orange Filter
• 5 Frames from a Canon A35F – The Best Rangefinder
• 5 Frames with a Houghton Ensign Box 2¼B
• 5 Frames with Kodak Retina Ia crossing the wild Carpathians
• 5 Frames With Zenit-E On Ilford HP5
• 5 Frames with Contax RX and some old Detroit Iron – Regrets on one that got away!
• 5 Tri-X 400 test roll Frames, in an Olympus OM2n / my return to REAL photography
• 5 Frames in the Forest with a Pentax 6×7
• 5 Frames with a Moskva 5
• 5 Frames at Ontario Place with a Rolleiflex 2.8C
• 5 frames with Shanghai GP3 100 in a Mamiya RB67
• 5 frames with Fujica Half 1.9 – 33mm F1.9 Half Frame Camera
• 5 Frames of Chicago’s Union Station with a Yashica Mat 124G and Kodak Ektar 100
• 5 Frames in Italy With the Nikon FM2n and a Roll of Fujifilm Superia X-Tra 400
• 5 Frames in Crested Butte, Colorado With an Argus Model A and Ilford Delta 3200
• 5 Frames around Osaka Castle with a Minolta XD5 and Fujicolor 100
• 5 Frames with Rollei Ortho 25 Plus
• 5 Frames with a Friendly Deer
• 5 Frames with the Polaroid Now on i-Type Color Film
• 5 Frames with a Voigtlander 21mm Color-Skopar
• 5 Frames with a Dacora Digna up Pen Y Fan
• 5 Frames of Kodak Tri-X in Cornwall with a Mamiya RB67 and Sekor C 127mm f3.8 – by Arinola
• 5 Frames around Dublin with a Nikon F80 and Kodak Ektar 100
• 5 Frames of a Classic Cobra with a Leicaflex and Kodak Ultramax
• 5 frames of Berlin with my Ricoh 500G and Ilford HP5, Ilford FP4, Ilford XP2 and Fomapan 400
• 5 frames of cheap cheap cheap in the Far East. An Argus C3, caffenol and Kentmere Pan 100.
• 5 frames with the Voigtlander 35/2 Ultron II on M10-P in Hong Kong: The beginning of my Leica journey
• 5 frames with the Lomo Earl Grey 100 and the Nikon FE
• 5 Frames with a Fujica ST605n and Rollei Retro 400s
• 5 Frames with the Spinner 360°
• 5 Frames with the Kodak Retina 1a & Very Expired Ilford FP4
• 5 frames at Golden Hour in the Fall
• 5 frames in Villargordo del Cabriel, Spain on Adox Scala 160
• 5 Frames of Kodak T-Max 100 with a Minolta Hi-Matic F – By Robert Kapp
• 5 Frames at the Gallery with a Nikon FM – By Tony Joslin
• 5 Frames (and a Warning) with FPP’s ISO 6 Yeti film in a Nikon SLR – by Clifton Dowell
• 5 frames with Zenza Bronica SQ-A in Northern Zealand, Denmark – By Miłosz Cordes
• 5 Frames in Nottingham with a Yashica FX-D and Contax Zeiss 85mm f1.4 – By Ellis Thomas
• 5 frames with a Reto Ultra Wide and Slim – By Shaun Edwards
• 5 Frames of rural Australia on Velvia 100 and a Contax 139q with a 28mm lens – By Dylan Porter
• 5 Frames With a Bronica SQ-A – By Jon Broughton
• 5 frames with the Flea Market Find Yashica T2 – By Nico Hilbert
• 5 Frames with a Leica IIIa, Canon LTM 50mm f2.8 lens and Kentmere 400 – By Richard de Bulat
• 5 frames with the Voigtlander 15mm Super-Wide Heliar V1 on a Leica M10 – By Luke Kenny
• 5 Frames on the Kodak 66 Model iii and Portra 400 – By Stevie Keen
• 5 frames of Fomapan 100 with Dad’s second Ricoh KR10 Super on Jeju
• 5 Frames in Jelgava with Neopan 100 Acros II and Nikon FM – by Felix I Flores Rodriguez
• 5 frames with a lost Kodak ColorPlus 200, a Leica M3 & 40mm Summicron-C – By Hugo Munoz
• 5 Frames with a Voigtlander Bessa 66 and Lomography Berlin – By Ian Whitney
• Appreciating the Challenges of Photography in 1932 (5 Frames with a Leica II & Elmar 5cm f/3.5 Lens) – By Reed George
• 5 Frames in Sedona, Arizona on Kodak Ektar – By Kevin Montanaro
• 5 frames with Ilford Delta 100 and a Red 25 filter – By Gus
• 5 frames of low-light photography with an Olympus XA2 – by Shawn Granton
• 5 Frames in St Kilda, Melbourne with a Holga – By Paul Sutton
• 5 Frames from a Vintage 18mm T-Mount Lens on a Fuji X-Pro1 – By Dave Powell
• 5 Frames With a Nikon FM, Nikkor AF-D 35mm F2, and Film Washi X – by Stephen Fretz
• 5 Frames Simply Taken with a Konica TC-X and Sigma Mini-Wide II 28mm lens (No Batteries Required) – By Iain Paterson
• 5 Frames with Hasselblad 501c/Zeiss 80mm f/2.8 and Cinestill 400D – By Eric L. Woods
• 5 Frames on a roll of Ilford Delta 100 with Rolleicord Va 75mm – by Iksung
• 5 frames with my Rollei 35B and Ilford HP5 in Paris – By Alessandro Bellafiore
• Mission, Distraction, Epiphany in 5 Frames, featuring a Zeiss Ikon Contessa and Portra 160 – By Martin Misiak
• 5 Frames of old aircraft in Latvia with an Olympus OM-1, a Zuiko 28mm f/3.5 and Kodak Ektar 100 – By Michael Jardine
• 5 Frames with a Zeiss Contaflex Super BC & XP2 in ID-11 – By Peter Kay
• CLACK! 5 Frames with a Very Simple Agfa 120 Box Camera – By Stewart Waller
• 5 Frames on a Morning Walk with a Nikon F2A – By Stephen Hanka
• 5 frames with an Olympus XA and Agent Shadow Film – By Shaun Edwards
• 5 Frames In Croatia with a Zenit-E & Kodak 200 – By Andrew Hutchinson
• 5 Frames – Old Bikes, Old Camera, Old Film – By Eric Norris
• 5 Night Photography Frames with a Canon Eos 1V – Cinestill 800T – Marco Manuzzi
• 5 Frames on Ilford FP4+ with a Meopta Flexaret IV – By Tony Warren
• 5 Frames of ‘… And You Will Know Us by the Trail of Dead’ with a Leica M6 and Kodak Tri-X – by Neil Milton
• 5 Frames with a Contax G2, Zeiss Biogon 2.8 / 21 and Portra 160 – Images of a Monster – By Bill Brown — by William Brown
• 5 frames with Canon EOS 30 and Kodak Ektar 100 – By Paolo Lucente
• 5 frames with my Pentax MX and Ilford Delta 3200 on a Bright Summer Day – By Armando Caballero
• 5 Frames with a Leica M3 in the Singapore Botanic Gardens – by Sroyon
• 5 frames with Olympus XA2 and Ilford XP2 Super (and the wistful nostalgia of goodbyes) – By Mel
• 5 Frames with Rollei RPX400 – pushed one stop at SynthFest, Sheffield – By Ted Ayre
• Jazzing to Dave McKenna (in 5 Blurry Minolta AF-C Frames) – By Dave Powell
• 5 Yashica T4 “Rainy Day” Frames – By Dave Powell
• 5 Frames with Kodak Ektar 100 at RHS Gardens Bridgewater, Salford – By Ted Ayre
• 5 frames with Kodak Portra 160 and an Olympus XA – By Ted Ayre
• 5 Frames with a Bronica ETRS: Small Town Panoramas – By Lee Hiers
• 5 Frames on holiday in Beaufort, South Carolina with a Fujica Half and Kodak Ultramax – By Dan Smouse
• 5 Frames in Riga with the Nikon FE2 and Lomography Lady Grey 400 – by Felix I Flores Rodriguez
• 5 Frames of Washi F with my 1920 Ica Icarette – by Sonny Rosenberg
• 5 Frames with the Retina IIC and HP5 at Night – By Dave Roberts
• 10 Frames of Vintage Sailboats with a Zeiss Super Ikonta 533/16 – by LA Sousa
• 5 Frames with the Kodak Cresta II – By Richard de Bulat
• 5 Frames with a Sinar F1 in the local park – By Alasdair Mackintosh
• 5 Frames with Rolleiflex T – Still Life in an old house – by Costas Papageorgiou
• 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson
• 5 Frames with a Pentax IQ Zoom EZY and Lomography 400 Color Film – By Dee Dee Yelverton
• 5 Frames with a Bell & Howell Electric Eye 127 and Kodak Ektar 100 – by Stuart Jenkins
• [Another] 5 frames with Kodak Ultramax 400 & a Canon Sprint – By Michael Maliner
• 5 Frames with TMAX 100 – Learning to develop Black and White Film – by Alex Vye
• 5 Frames with a (possibly broken) Hasselblad 500cm – By Philip Ahlquist
• 5 frames with a Hasselblad on the Camino de Santiago – By Daniel Morales
• 5 Frames in Blaenavon with a Nikon L35AF – By Ellis Thomas
• 5 frames with Rolleicord Vb in Iran – By Kamil Leszczuk
• 5 frames with the Pentax Spotmatic and developed as Stand development – By Nick Ambrose
• 5 Frames with an FT-2 Soviet Swing Lens Camera – By Daniel Smith
• 5 Frames with Rollei 35S and Ilford XP2 – Bike Trips Around Singapore – By Tsang Tsang
• 5 Frames of fog falling over Cramond Causeway, Scotland with a Leica M6 on Tri-x 400 – by Neil Milton
• 5 Frames with my Favorite (Terribly Named) Camera – Pentax *ist, 28mm f/2.8, and Ilford HP5 Plus – Eric L. Woods
• The Whole Roll – 24 exp. HP5+, Minolta x-700, Minolta MD 50mm f/1.7 – By Robert Kapp
• 5 Frames in Bilbao with Leica M4-2, Voigtländer VM 35 mm f/1.4 Nokton Classic II MC, Kodak Tri-X pushed 2 stops (1600 ISO).
• 5 Frames with Kodak Ultramax 400 and a 1985 Canon Sprint – By Michael Maliner
• 5 Frames with Leica M3 and 50mm Summicron – By Rene Villaroman
• 5 Frames with a freshly serviced Yashicamat and Fomapan – by Phil Harrison
• 5 Frames with BCG PHC-50 (aka ORWO Tf12d) – By Don Goodman-Wilson
• 5 Frames of Rollei RPX 25 with a 1924 Kodak Folding Hawkeye No.2 – By Sonny Rosenberg
• 5 Frames in a Reclamation Yard with a Leica M3 and Summitar 50/2 – By Nik Stanbridge
• 5 Frames with the Exakta Varex IIa – By Glenn Bech
• 5 Digital Frames with the debated Pentax-M 40mm f/2.8 – by Roland Casselbrant
• 5 Frames of Lomochrome Purple With My Chroma Six:9 – By Sonny Rosenberg
• 5 frames with a Yashica AW-Mini and some Fomapan – BY Grégoire MBV
• 5 Frames of Close-up and Macro with an Olympus OM20, a Tokina 80-200 zoom and a Raynox DCR150 – By Richard Patterson
• 5 frames with the Polaroid Sun 660 in the East Side Gallery – by George Pavlopoulos
• 5 Frames with Ricoh XF30 Super Date – by Frankie Bina
• 5 Frames of Kodak Ektar 100 rendered thru a Minolta MC 58mm f/1.4 – By Robert Kapp
• 5 Frames with my Dad’s Pentax MX and Kodak Tri-X 400 – By Armando Caballero
• 5 Frames of (Extremely Expired) Kodak Gold 200 – By Don Goodman-Wilson
• 5 Frames With Bessa R, Jupiter-8 50mm and VC Color Skopar 35mm – By Eric Rose
• 5 Frames With Nikon FM2 and Ilford FP4+ – By Hans Gustafson
• 7 Frames from Inside the Salt Palace on Tmax 3200 (at 1600) – by Sonny Rosenberg
• 5 Frames/A Year With My Hasselblad SWC/M – By John A. Bennett
• 5 Frames on Portra 400 with the Best Lens in Medium Format – By Chip Greenberg
• 5 Frames of HP-5 Overdeveloped in Seaweed – by Sonny Rosenberg
• 5 Frames in Old California with an Old Leica – By Eric Norris
• 5 Frames with an IR-Converted Lumix ZS3/TZ7 in Iceland – By Dave Powell
• 5 Frames with the Som Berthiot 75mm French Cine lens on my Leica M3
• 5 Frames with the Lens that Changed Everything – By Iain Paterson
• 5 Frames with the Zeiss (Ikon) Contina 1 (522/24) – by Simon Foale
• 5 Macro Frames on Film with the Minolta MC Macro Rokkor 3.5/100mm – By Matthias Steck
• 5 frames with a Minolta SRT303 and Ilford FP4 – By Allysse Riordan
• 5 Frames with a Nikon AF600 & Fuji C200 in Venezia and Burano (Italy) – By Gregoire MBV
• 5 Frames of Reno Fever Dream… in Blue! – By Sonny Rosenberg
• 5 Frames with a Chinon 35EEii and Kodak Tri-X – By Richard de Bulat
• 5 Frames with the New 7artisans 28mm f/5.6 Lens – By Clive Shepherd
• 5 Frames at Catawba Falls with a Mamiya C3 and HP5+ – by N.S. Bucher
• 5 Frames Pedalling to York with a Voigtlander Vito II – Sam Knight
• 5 Sheets of Cámara Galletita Lumen Photos – By Sonny Rosenberg
• 5 Frames of Ilford Fp4+ with a Canon T-70 – By Guillaume Rabuel
• 5 Frames on Santa Rae 1000 with a Pentax K1000 – By Conor O’Brien
• 5 Frames with the Zero Image 6×9 Edition Pinhole Camera – By Rob Willox
• 5 frames with the Canon L3, Jupiter 12 lens, and Shanghai Light 400 in London
• 5 Frames With a Minolta XD7 and Vivitar 28-85mm f/3.5-4.5 – Riding Route 101 – By Peter Roberts
• 6 Frames of Architecture on Lomography Redscale – by Christian Schroeder
• 8 Frames Of The Deschutes River Trail With An Olympus 35 RD And Kodak Ektachrome 200 – By Shawn Granton
• 5 Frames with the Sigma DP2 Quattro in North Merchiston Cemetery
• 5 Frames of Adox Color Mission with a Zeiss 85 1.4 on a Nikon F2 – By Flo
• 5 Frames with a “Dreamy” Agfa Click II – By Gabriele Bozzi
• 5 Frames on Expired Kodak Gold 200 at The Carnival in Paris – By Benoit Arlet
• 5 Frames with a Zero Image 2000 and Fuji Acros 100 – By Iksung Nah
• 5 Frames With a Minolta XG1 in Not so Touristy Greenwich – By Peter Roberts
• 5 (of the) last frames with the Canon 35mm f/1.5 LTM – By Agata Urbaniak
• 7 Frames with a Nikon 28 Ti & Kodak Ektar 100 – By Matt Bigwood
• 5 Frames with a Bronica SQ-B, Zenzanon PS 80mm lens and HP5 plus – By Stelios Themelakis
• 5 Frames of Milan With a Mamiya Six Folder and Fuji Provia – By Rodrigo Verissimo
• 5 Frames in the Rain – Portra 160 in a Nikonos III – by David Hume
• 5 Frames With a Minolta XE1 on Ilford FP4 – By Conor O’Brien
• 5 Frames With a Surprisingly Good Tamron Zoom – By Roland Casselbrant
• 5 Frames with Expired Kodak Plus X and my Favorite Classic Manual Cameras – By Zheng Li
• 5 Frames Of A Wedding On Lomochrome Purple – By Holly Gilman
• 5 Frames with Expired Fujicolor Press 800 in a Nikon F4 – By David Hume
• 5 Frames With A Voigtlander VITORET And Expired Kodak Gold 200 – By Iksung Nah
• 5 Frames with the Beauty Super II F2 with Ilford FP4 – By Edward Steinerts
• 5 Frames with an Olympus MJU-I – By Kushal Karki
• 5 Frames with a Rolleicord VA and a roll of Ilford Delta 100 – By Iksung
• 5 Frames with a Nikkormat EL – By Stephen Curzon
• 6 Frames of Leibniz University Hannover – by Christian Schroeder
• 5 Frames with an Argus/Cosina STL and Fomapan 400 after the Season’s First Snow – By Dan Smouse
• 5 Frames with Babylon 13, Ilfosol 3 and a Petri 2.8 – A Slowly Developing Relationship
• 5 Frames with a Minolta Hi-Matic G – A Joint Effort – By Peter Roberts
• 5 Frames on FP4 and a Tamron 70-210 at Le Mans in 1993 – By Nik Stanbridge
• 5 frames with the original Olympus Pen – by Graham Spinks
• 5 Frames with a Rolleiflex 2.8E at the Hannover City Park – by Christian Schroeder
• 5 Frames with the Olympus Trip 35 – by Chantel Wakefield
• 5 Frames From a Trip to Sainsburys – Nikon F3 with HP5 – By Thorsten Wulff
• 5 Frames and Farewell with Kodak Ektachrome 160T (120 / EI 160 / Fuji GA645i) – By David Hume
• 5 Frames with Voigtländer Bessa R3a and Portra 800 – Tommaso Avati
• 5 Frames of Street Photography in Greenwich with a Minolta SRT-101b – By Peter Roberts
• 5 Frames with Delta 3200 and a Nikon FE – By Jamie Winder
• 5 Frames with a Leica 35mm f2.4 Summarit-M, Leica M6 and Fuji Pro400H at EI400 – by Phil Harrison
• 5 Medium Format Frames at the Happiest Place on Earth – By Eric Norris
• 5 Frames – Including a Homage to Henri – from a Trip to France – By Thorsten Wulff
• 5 frames with a Kodak ColorPlus 200 – The Jersey Shore – By Stephen Badolato
• 5 Frames with ‘The Worst Lens Minolta Ever Made’ – By Iain Paterson
• 5 Frames with a Gifted Nikon F and Ilford Delta 400 – By Dan Smouse
• 5 Frames of Canal Life with a Zeiss 35mm f/2.8 C Biogon T* ZM, Leica M6 and Fuji PRO400H – by Phil Harrison
• 5 Frames With a Voigtländer Vitomatic I – Not Bought “for Display” – By Alex Vye
• 5 Frames with Portra 800 in a Rain Soaked Minolta Dynax 5 – By Robert
• 5 Frames on an Argoflex – From Picture to Reality – By Charlie Bierwirth
• 5 Frames with a Rolleiflex 2.8F – A Lifetime Partner – By Floyd Takeuchi
• 5 frames with a Sigma DP1 – Classic Cars and Overcast Skies – By Wes Hall
• 5 frames with a Canon Sure Shot Supreme on Expired Fujichrome Sensia 100 – By Nige Fishwick
• 5 frames with a Holga (my First Film Camera) and some Expired Film – By Frankie Bina
• 5 Frames with Cinestill 800T and a Canonet QL17 Giii (No Gas Stations) – by Marcus Rivera
• 5 Frames with a Leica Summicron DR 50mm f/2 on a Leica M240 – By Steven Bleistein
• 5 Frames with the Nikon F3 and Portra 400 – By John Fromstein
• 5 Frames with a Ross Ensign Selfix 16-20 on Kodak Portra 160 – by Graham Spinks
• 5 Frames with a Zeiss Contaflex Super and Berlin Kino 400 – By Dan Smouse
• 5 Frames of Miniature Nostalgia with an Exa 500 – By Peter Roberts
• 5 frames on the Thailand Northern Railway with Nikon SLRs – By Sukrit Chomsawat
• 5 (x 2) Frames of the Columbia River Gorge on Kodak Elite Chrome 100 with an Olympus Pen EES-2 – by Shawn Granton
• 5 Frames in a Utah Park with an Olympus Stylus and Kodak T-Max 100 – By Dan Smouse
• 5 Frames with a Yashica T2 and Kodak Portra 400 – By Nathan Bobinchak
• 5 Frames of Oysterville, Washington on Portra 400 with an Olympus 35 RD – by Shawn Granton
• 5 Frames on Greenwich Beach with a Kiev 60, 50mm Flektogon and 30mm Macro tube, on Ektachrome 100 – By Michael Elliott
• 5 Frames with a Rolleiflex at the Skatepark – By Alex Solomon
• 5 frames with Fomapan 400 in a Nikon F2 in Dungeness, Kent – By Nigel Rumsey
• 5 Frames with Silbersalz Daylight Films in Berlin – By Thorsten Wulff
• 5 Frames with an Olympus Pen-S in a Fishing Village – By Alex Vye
• 5 Frames with LomoChrome Purple XR 100-400 and a Nikon F6 – By Isaac D. Pacheco
• 5 Frames on Frozen Lake Winnipeg with Rollei 25 RPX – By Christopf Rampitsch
• 5 Frames with a Bessa R3M, Nokton 40mm f/1.4 MC and Ilford PAN400 – By Dmitry Goloub
• 5 Frames in the Pandemic Autumn with a Nikon Lite Touch AF600 – By Nick Sweeney
• 5 Frames with a Olympus Trip 35 & Argenti Vario Scale-X – By Carlos Viejo
• 5 frames during the Pandemic with Fujifilm Provia 100F and a Contax NX – By Eric Jones
• 5 Frames with a Kiev 4M & a Helios-103 lens on Fuji C200 – by Chill_Grain
• 5 Frames of water taken on Fuji Reala with a Mamiya 6MF – By Keith Beven
• 5 Frames around Norwich with a Purma Special and Rera Pan 100 – By Stuart Jenkins
• 5 Frames Shooting the Birds in St James’s Park – by Simon King
• 5 Frames with a Minolta SR-T 101, Kodak Elite 100 Slide Film, Capturing Cherry Blossoms in Portland Oregon – by Shawn Granton
• 5 Frames with Kodak Verichrome Pan Film in Snowy Mississippi – by Andrew Morang
• 5 (10) Frames Discovering Silbersalz35 250D with a Minolta SLR – By Matthias Steck
• 5 Frames with a Rollei 35T & a Roll of Fuji Provia 400x Slide film pushed to 1600 – By Benjamin Amberg
• 5 Frames with a Minolta SRT 101b and a MC Rokkor-HG 35mm f/2.8 – By Peter Roberts
• 5 Frames with Lomography Fantôme 8 & a Canon EOS 300 – By Benoît Felten
• 5 Frames with a Yashica Mat 124 at The Painted Hills – By Elisha Zepeda
• 5 frames from Ecuador with a Nikon FM2n & Ilford SFX – By Jorge Carmigniani
• 5 frames of Delivering the Post with a Canon Prima Mini – by Tobias Eriksson
• 5 Frames with a Bencini Koroll S and KosmoFoto 100 – By Jeff Hicks
• 5 Frames with a Yashica-Mat TLR & Portra 400 on a road trip to Anchorage – Dan Smouse
• Halina 160 – 5 Frames Mini-Review with a Roll of Portra 400 – by James Greenoff
• 5 Frames with a Canon EOS 600 and Rollei Superpan 200 in Via del Porto Fluviale – by Fabrizio Ferretti
• 5 Frames with Kiro 400 in an Olympus MJU II – By Sammy Gunnell
• 5 Frames with a Pentax SP1000 / Zeiss Jena 50mm 2.8 and Expired FP4 – By Peter Roberts
• 5 Frames with a Zenit TTL on the top of a Welsh Valley in -5 Degrees C – By Toby Van De Velde
• 5 frames with the Leica CL in Syria – By Grant Rayner
• 5 frames with a Boots Multi AF Zoom and Ilford HP5+ – By James Mitchell
• 5 Frames with the Haynes Classic Camera Kit – By Alex Wilden
• 5 Frames with a Pentax ME Super & Kodak Pro Image 100 – By Kyle Klain
• 5 Frames From the Washington Square Park Snowball Fight, January 2021 – by Simon King
• 5 Frames of the “Ihme-Zentrum” on Expired Film – by Christian Schroeder
• 5 Frames with the Canonet QL17 GIII and Kodak Porta 400 – By Brian Feld
• 5 frames walking around with Lomochrome Metropolis in a Pentax MX – By Ben Killian
• 5 Frames with Ricoh XR-2s and Kentmere 400 – By Mihai Sictir
• 5 Frames with the Cheapest Leica I Could Find & a Roll of HP5+ – By Lawrence Pitman
• 5 Frames of Dinosaurs with a Nikon F801 and Fomapan 400 – By Lukas Meekers
• 5 Frames with a Nikon FE and Ektar 100 (A Walk in Canadian Woods) – By Alex Vye
• 5 Frames with a Canon EOS 600 in the Gazometro Area – By Fabrizio Ferretti
• 5 frames with the Yashica 200 AF in 1990s Tijuana – By Mirko Karsch
• 5 Frames From 2020 – a More Personal Retrospective – by Simon King
• 5 frames with the MS-Optics 24mm 2.0 Aporia on a Leica M10 – Lonely Forests – by Bastian Kratzke
• 5 frames on a day trip to Berlin with an Olympus OM-2N – By Robert Mangelmann
• 5 (Vertical) Frames with a Minolta Riva Panorama and Kodak ProImage 100 – By Victor Lopez
• 5 Frames with an Olympus OM-1 taken back in the 80s – By Nik Stanbridge
• 5 Frames with a Yashica AF-J and Fujicolor C200 – By Andrew Bogard
• 5 Frames with a Voigtlander Bessa-R, 35mm f/1.7 & Ilford XP2 in Paris – by Mark Harrison
• 5 Frames with Ilford HP5 400 in a Canon Snappy LX II – By David Hume
• 5 Frames with the Argus C4 in Michigan – by Sean Benham
• 5 Frames with a Yashica FX-3 & Kodak Ektachrome 100 – By Floyd K. Takeuchi
• 5 Frames with Expired Portra 160 NC 220 in a Bronica ETRSi – By Robert Launder
• 5 frames with Fuji 800 Disposable Camera Film and a Canon EOS 650 – By Michael Boffey
• 5 Frames with a Nikon EL2 & Ilford PanF in Old Town Kenai, Alaska – By Dan Smouse
• 5 Frames with a GB Kershaw 630 from a Car Boot Sale – By Amy Gotto
• 5 Frames with a Canonet 28 and Fuji C200 – By Andrew Bogard
• 5 Frames with the Canon AF35ML & Konica VX100 in Mexico City – by Michael Kowalczyk
• 5 Frames with a Minolta XG-9 & Ilford HP5 in Howley – By Andrew Lodge
• 5 Frames with a Nikon F and Kodak Tri-X – By Ian Patton
• 5 frames with Pentax MZ-3, Voigtlander 20mm in Panorama Mode with pushed Tri-X – By Aivaras
• 5 frames with a Minox 35EL & Agfa APX400 – By Bob Janes
• 5 Frames Cut from The Summer of ’20 – by Simon King / New Exit Group
• 5 Frames with a Rolleiflex 2.8F and Ilford HP5+ – By Michael Jardine
• 5 frames with a Leica M-A, 35mm Summilux and Ilford Delta 400 – A Walk in the City in Crazy Times – by Marc Wick
• 5 frames by an almost 3 year old – By Holly Gilman
• A Few Frames with Nikon FE, Micro-Nikkor 55mm f/2.8 & expired Lomo 400 film – By Alex Vye
• 5 frames with an Agfa Optima 1535 Sensor
• 5 Frames with a Leica M6, 7Artisans 50mm f/1.1 and Fantôme 8 Film – Darkworld – By Marco Diaz
• 5 Frames with a Konica Genba Kantoku and Kodak Portra – by Christian Schroeder
• 5 Frames with a Revueflex AC2 – By Andrew Bogard
• 5 Frames on Ilford SFX 200, Fuji TX-1 and PC-Nikkor 35mm lens – by Noel Roque
• 5 Frames in the Ocean with a Nikonos V on Kodak Portra 400 – By Luis Ortega
• 5 Frames With an Olympus AM-100 and Kodak Ektar 100 – By Tim Jamieson
• 5 Frames with a Canon Prima Zoom 85 – By Andrew Bogard
• 5 frames with an Olympus XA, Kodak Gold 200 and COVID-19 – By Davis Poon
• 5 Frames with an Olympus XA3 from a Car – Felix Tanjono
• 5 Frames with a Minolta V2 & Kodak Portra 400 – By Nigel Haycock
• 5 Frames with the Pentax MG – Provence in Black & White – by Richard Wilford
• 5 Frames with the Fuji GW690 III – By Phil Steelandt
• 5 frames with a Rolleiflex 3.5F & Ilford FP4+ – By Matthew Bigwood
• 5 frames with a Nikon F2 on Fujifilm C200 – Phong Nguyen
• 5 Frames in Hamburg with Kodak Ektar 100 & A Canon A-1 – By Frank Sternisha
• 5 Frames with an Olympus XA2 and Fuji Superia 400 – By Sam Larson
• 5 Frames with Ilford FP4 & a Zeiss Ikon Box Tengor 56/2 – by John Carlson-Zizic
• 5 Frames of Agfa CT Precisa in low light in an OM10 and Cross Processed – By Robert
• 5 frames with the Film Ferrania P30 and Konica Hexar RF – By Max Khokhlov
• 5 Frames with Pentax 645 (Ultrafine Xtreme 100 & TMAX 400) – By Christoph Traugott
• 5 Frames with a Canon Canonet QL19 GIII and Cinestill 50D in Ilfosol 3 – by Sacha Cloutier
• 5 Frames, Scale Focusing and a Voigtländer Vito C – By Marcus Harris
• 5 (7) frames in New York on Kodak Gold – By Holly Gilman
• 5 Frames with a Yachica-Mat – by Phil Harrison
• 5 Frames with the Fujifilm X-E2 – The Hybrid Photographer – by Sean Benham
• 5 Frames / A Whole Roll of Agfachrome R100S in an Agfa Isolette III – #FullRollFriday – by David Hume.
• 5 Frames with a Leica M6, Lomochrome Purple, and a Lomography Minitar-1 Art Lens – By Marco Diaz
• 5 Fast-Paced Frames with the Nikon 70-210 f/4 Series E – by Simon King
• 5 Frames, 2 Rolls of Film, and 1 Mamiya Press Super 23 – By Floyd K. Takeuchi
• 5 Frames with a White Slim Angel – Then and Now – By DeeDee Yelverton
• 5 frames with a 360 degree Lens – By Dan Cuny
• 5 frames of St Ives with my Zeiss Ikon Nettar & Ilford FP4 – by Graham Spinks
• 5 Frames with Fujifilm Neopan 1600 – by Simon King
• 5 Frames Of Kodak Tri-X in An Empty West Edmonton Mall – By Nick Colburn
• 5 Frames with the Mamiya 6, 150mm F4.5 lens, and Fuji Provia – by Simon Foale
• 5 Frames with Konica Auto S2 and Ilford FP4+ – By Kevin Ortner
• 5 Frames with my Yashica Electro 35 GT – The Trials and Tribulations – by Sacha Cloutier
• 5 Frames with a Leica M2 & 35mm Summilux on Adox Silvermax – By Florian Schmidt
• 5 frames of Kentmere 100 on a Pentax P30n Developed in DF96 – By Mike Boffey
• 5 Frames with the Fujifilm X100V – By Thorsten Wulff
• 5 Frames with a Minolta Alpha Sweet – By Ian
• 5 Frames with Halina Pocket 2000 ‘Auto-Kameraset’ – By Jordi Fradera
• 5 Frames from a Night Shift Medic on Tri-X at 1600 in a Canon New F1 – By Cody Thompson
• 5 frames with a Minolta Hi-Matic 7S & Ilford HP5+ – By Steve Phillips
• 5 frames with Pentax MZ-3 and Voigtlander 20mm in Panorama Mode – By Aivaras
• 5 Frames in Porto with 1927 Leica 1A & Kodak Tri-X – By Ian Patton
• 5 Frames with Outdated Film and an Olympus XA From the Junk Drawer – By Vicky Ballas
• 5 Frames with the Zenit E – Built in the USSR – By Sacha Cloutier
• 5 (7) Frames with a Leica M6, Zeiss 35mm f/2 and Kodak Ultramax 400 – A Double First – By Benoît Felten
• 5 frames with the Kilfitt Makro Kilar E 40mm f3.5 Lens – By Nigel Haycock
• 5 Frames with an Olympus Trip 35 – Lockdown, Faces & Places – by Bertie Holloway
• 5 Frames with an Olympus OM-10 and Ilford HP5 Plus – By Sam Larson
• 5 frames with a Centon DF-300 & Miranda 24mm f/2.8 MC MACRO – by Charles Higham
• 5 frames with a Pax M4 and Fujicolor C200 – By Steve Phillips
• 5 Frames with (Early Version 24 exp) DubbleFilm BubbleGum and my Minolta X-700 – by Kate Johnson
• 5 Frames with a Leica M2, 50mm Summicron V5 and 35mm Zeiss Biogon f2 – By Giles Barratt
• Recreating the past: 5 frames with a Lomo LC-A – by Jamie Winder
• 5 Frames with Yashica Electro 35 GS & Kodak Gold 200 – By Salman Rameli
• 5 Frames at 5 in the Morning With Even More Ludicrously Pushed APX 100 – By Hern Tan
• 5 Frames with a Lomo LC-A & Ilford XP2 – Athens in the run up to lock-down – By Mark Harrison
• 5 Frames Locked-down and loaded – By Dave Whenham
• 5 Frames with a Zeiss 35mm f/2.8 C Biogon, Leica M6 and T-Max400 at EI400 – by Phil Harrison
• 5 Frames with a Nikon N90s and Cinestill BWXX – By Floyd K. Takeuchi
• 5 frames with a Leica M6 and an Elmarit 28mm on Kodak 400TX (at EI800) – By Michael Palmer
• 5 Frames with a Kodak Six-20 ‘Brownie’ C – By Dale Rogers
• 5 Frames with the Olympus OM-2N – by Matt Krajewski
• 5 Frames With a Pentax LX in New York – By Yohan Kim
• 5 Frames Composed in Layers, with a 35mm Lens – by Simon King
• 5 Frames with Ilford HP5+ developed in the Ars Imago Lab-Box – by Andrea Armando
• 5 Frames with an AGFA Isolette – By Rock
• 5 frames on the Anacapa Islands with the Nikon FM2 – By Srinidhi Aithal
• 5 Frames With a Leica M3 & 90mm f/2.8 Elmarit – By Wyatt Ryan
• 5 Frames with the Pentax 645N and Kodak T-MAX 100 – By Malcolm Myers
• 5 Frames with Minolta Dynax SPxi & expired Kodak Royal Gold 400 – by Matt Krajewski
• 5 Frames of Berlin in springtime (with a Nikkor 15mm and FM2) – By Thorsten Wulff
• 5 frames with a Ricoh Auto 35 – by Tobias Eriksson
• 5 frames with a Nikon FG & Fujifilm Pro 400H – By Ivan Mendez
• 5 Frames with the Fuji GW690ii – By Josh Sitoh
• 5 Frames With Mamiya C220: A Love and Loss Story – By Ivan Mendez
• Covid-19 Essential Services with a Kiev 10 and Mir 20 Lens – by Peter Schafer
• 5 Frames of North London Locked Down with a Voigtlander Bessa L- By Michael Scott
• 5 Frames in Barcelona with Leica M3 and Lomography Potsdam – By Steve Karsten
• 5 Frames with an Olympus OM2-N and Ilford HP5+ at EI1600 – By Marius Balayn
• 5 frames with Olympus AF-10 Super & Kodak Color Plus- By Maurizio Palumbo
• 5 Frames with Fuji Venus 800 and a Canon AE1-P – by Robert / London Camera Project
• 5 Frames with a Canon EOS Rebel XS and Kodak Ultramax – By Simone Kuo
• 5 Frames with Rollei Retro 100 Or Agfa APX 100 – By Rock
• 5 Frames With the Nikon 70-210mm f/4 Series-E – By Simon King
• 5 Frames with a 35mm Summicron-R Lens at the Botanical Garden – by Christian Schroeder
• 5 Frames with a Toyoca-S whilst moving country – By Shaz
• 5 Frames Shot From the Hip (with the 7artisans 35mm f/2) – by Simon King
• 5 Frames with a Rolleiflex 3.5F and Ilford XP2 film in a Quarantined San Francisco – By Dan Shapiro
• 5 Frames with a Yashica FX-3 Super 2000 (and an 8 year old) – By John Scott
• Leica 50mm f/2 Summicron DR – Plum Blossoms – By Steven Bleistein
• 5 Photos with the Cheapest Rollei TLR I Could Find – By Eric Norris
• 5 Frames With Kodak Gold 200 / My Analog Photography Process – By Leo Lukens
• 5 Portraits with Silvermax and the 60mm Leica Elmarit-R – by Michael Scott
• 5 Frames with a Leica M4 and Rollei Infrared 400 – by Steve Karsten
• 5 Frames with a Leica D-Lux 3: Paris on a small-sensor compact – By David Hume
• 5 Frames With Eastman 5222 at EI1600 – By Hern Tan
• 5 Frames With the 7artisans 35mm f/2 on the Leica M10, for Photojournalism – by Simon King
• 5 Frames with a Fuji XPro3 and 7Artisans 50mm f/1.1 – by John Scott
• 5 frames with Delta 400 and a circular polarizer – By Jim Sangwine
• 5 Frames with Ferrania P30 – By Peter Schafer
• 5 Land of the Dead frames with Portra 400 at EI1600 with a Maxxum 7 and a 85mm f/1.4 lens – By Victor Lopez
• 5 frames with a Voigtlander Color-Skopar 20mm f/3.5 SL Asperical for Pentax – By Aivaras
• 5 Frames with the Fuji GF670W from the Polynesian Islands – By Dominique Pierre-Nina
• 5 frames with Kodak Gold pushed to 400 – By Ivan Studynskyi
• 5 Frames With Fomapan 400 “Action” at EI1600, Developed as 3200 – by Simon King
• 5 frames with Pentax 110 and adox HR50 – By Victor Doroshenko
• Re-Acquainting with Adox Scala B&W Slide Film – By Ken Davis
• 5 Frames with an Olympus 35RC on Lomography 800 in Bogotá – by Bob Witteman
• 5 Frames with the “Last Roll” of Ferrania Solaris 100 – by Andrea Armando
• 5 Frames in hoarfrost wonderland with the Minolta XD-7 & Kodak Portra 160 – By Matthias Steck
• 5 frames with CineStill 800T at night in Taipei – By Jim Sangwine
• 5 frames with Santa Rae 1000 and a Nikon EM – by Charles Higham
• 5 frames in Winter Wonderland with a Leica 111F – by Michael Scott
• 5 Frames with a Contax T3 on Fuji Superia 400 – By David Marshall
• 5 Frames With Tri-X Pushed to 1600 – by Simon King
• 5 Frames with 5 Chinons and 5 Films in One Graveyard – By Rock
• 5 frames with a Fuji X100 / a reminder of an annoying conversation I had with some Fuji reps
• 5 Frames With CineStill 800T and a Yashica T5 – By Kevan Wilkinson
• 5 frames with an Asahi Pentax K1000 – By Oscar Capdevila
• 5 Frames With FujiFilm Venus 800 – By Simon King
• 5 frames with Kodak Vision3 in Medium Format – by Tim Lebedin
• 5 Frames with the Film Washi S – By Odair Fortes
• 5 frames with a Leica M5 and Zeiss Biogon C 35mm f/2.8 – By Charles Morgan
• 5 Frames with Nikon F2 + 50mm F2 Nikkor H-Auto – By Josh Sitoh
• 5 Frames with Kodak 2238 in a M4 with a Canon LTM 50/1.4 – By Bill Thoo
• 5 frames in London’s Docklands with a Voigtlander Bessa 1 – By Michael Scott
• 5 frames with a Kiev 4A and Lomography 400 – By Steve Phillips
• 5 Frames with a 35mm Curtagon Shift Lens – by Christian Schroeder
• 5 Frames with the Zeiss Ikon Super Ikonta 533/16 – By Eric Norris
• 5 Frames with the Yashica 635 and Kodak Portra 400 – By Lee Butterley
• 5 Frames with Fujifilm Neopan Acros 100 II, Minolta CLE & Leica Summicron-C 40mm f/2 – Steven Bleistein
• 5 Frames Skiing with a Zeiss Ikon Nettar – Andy Larner
• 5 Frames With the runt of the litter: The Olympus XA1 – Brian Nicholls
• 5 Frames by Candlelight: 0.5-4s Exposures on Ilford HP5+ at EI 800 – by Simon King
• 5 Frames With FPP Retrochrome 400 – by Simon King
• 5 frames of the Extinction Rebellion with a Leica R5 – by Michael Scott
• 5 Frames with Fomapan 400 “Action” at EI200, Developed Normally – by Simon King
• 5 Frames with the Pentax Spotmatic F and Kodak Gold 200 – By Jérémie Schuler
• (First) 5 Frames With Kodak Tri-x 400 – By Jake Yorath
• 5 Frames with the Nikon L35AF and Kodak Portra 800 in the german woods – By Martin Holman
• 5 Frames with the Bronica ETRsi + 500mm f/8 EII – By Wyatt Ryan
• Rolleiflex SL35 mini-review- A Gorgeous Under-The-Radar SLR – By Recky Reck.
• 5 frames with 5 cameras and 5 films in one graveyard – by Rock
• 5 frames with a Franka Solida IIE – by Michael Scott
• 5 Frames rediscovering film with a Nikon FE2 – By Shaz
• 5 Frames with Fomapan 400 “Action” (@ EI1600) – by Simon King
• 5 Frames with the Canon SureShot / Autoboy 2 – By Wyatt Ryan
• 5 Frames at an Airshow with the OM-1n and the Zuiko 300mm – By Ed Lara
• 5 frames with 5 Leicas – by Per Wilhelmsson
• 5 Frames with a 1950’s Envoy Wide Angle 6×9 – By Paul Elcock
• 5 Frames with the Nikon F100 and Kodak ColorPlus 200 – By Dhanesh R.
• 5 frames from Mo’orea with a Nikonos III – by Marc Gabor
• 5 Frames with an Olympus XA4 – with Wen Zeng
• Yashica Electro 35 – A mini review at The Mission Inn – By Eric Norris
• 5 Frames with a Nikon F4 (and lots of tears and too much booze) – By Luis Barros
• 5 Frames with a Nikon F80 from Eastern Europe – by Daniele “Cappe” Cappelletto
• 5 Frames with a Praktica FX3
• 5 Frames with the Bronica SQ-A, my first (working) medium format camera – By Lukas Walter
• 5 Frames with an Olympus Trip 35 and expired Kodak 400 Ultramax – by Tiago Meirelles
• 5 Frames with Leica IIIg with Fuji Sensia 100 and Superia 400 – By Rob MacKillop
• 5 Frames with Rollei Infrared 400, a Leica M7 and Voigtlander Color Skopar 21mm f/4 – Steven Bleistein
• 5 frames with the Kodak 66 model III – by Michael Scott
• 5 Frames in Paris with an Agfa Half-Frame Flea Market Find – By Eric Norris
• 5 Frames with Kodak T-Max 400 – by Simon King
• (First) 5 Frames with the Leica Monochrom and 7Artisans 50mm f/1.1 – By Rob MacKillop
• 5 frames with an Olympus XA and XP2 Super at the Pet Parade – By Alex Solomon
• 5 Frames With An Olympus OM1 MD (Again) – By Julian Higgs
• 5 frames with Kodak Ektachrome E100 in low light – By David Narbecki
• 5 frames with the Mamiya 35 ‘Executive’ – By Nigel Haycock
• 5 Frames in My Garden with a Minolta XD-11 and Ilford HP5 ISO 400 – by Kate Johnson
• 5 Frames with a Wondering Mind and a Leica M3 – By Ong Sien Hong
• 5 Frames with Kodak Portra 400 on a Zorki 4. Or: Down a Rabbit Hole – By Lawrie Conole
• 5 Frames with Vivitar V3000s: A more-than-expected Result – By Ris Sukarma
• 5 frames with a Kodak Tele-Instamatic 608 – By Will Hopkins
• 5 Frames with a Holga 120 GFN and Ilford Delta 3200 – By Bill Thoo
• 5 Frames with the Mamiya 6 and the 75mm f3.5 – by Aloysius Chow
• 5 frames with a Canon Demi 28 – By Steve Karsten
• 5 Frames with a Hasselblad 503CX – By James Greenoff
• 5 Frames with a Nikkor 50mm F1.4 on the Olympus Pen-FT – By Tiffany Perez
• 5 frames with Kodak Instamatic 500 – By Sergio Palazzi
• 5 frames with an Industar-61 L/D 55mm f/2.8 – By Dan Dodd
• 5 frames of Cinestill 800t in Two Londons – By Robert
• 5 Frames With Far Too Much Alcohol (and a Lomo LC-A) – by Ken Hindle-May
• 5 Frames with the Olympus XA3 – By Martin Holmann
• 5 Frames and a Movie during the Morning Rush with a Leica M240 and First Generation Summilux 35mm f/1.4 – By Steven Bleistein
• 5 frames with a rather dumb push: FP4 @800 & Neofin Blau – By Virgil Roger
• 5 Frames from New York, on Cinestill 50D with the Olympus XA – by Simon King
• 5 Frames with the 7Artisans 75mm f/1.25 – By John Scott
• 5 Frames With the Konica Hexar AF – By Louis A. Sousa
• 5 Wider-Open Frames with the 7Artisans 75mm f/1.25 & a Leica M10-P
• 5 Rural Japan Frames with a Leica M6J, a Summilux 50mm f/1.4 pre-asph., on Kodak T-Max 100 – Steven Bleistein
• 5 Frames on the Beach with a Yashica Electro 35 GSN – by Lee Webb
• 5 Frames with an Ilford Obscura and Direct Positive Paper – By Ellsworth Bell
• 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
• 5 Frames from Dog Green, Omaha, and a Leica M6 – By Torsten Wulff
• 5 Frames with a Konica A4 and Expired film – By Florian Hofmann
• 5 Frames With EOS 3 and Kodak P3200 TMAX – By Matthew Harry
• 5 Frames on the Angels 5K with the Olympus XA – by Tiffany Perez
• 5 Frames with Fuji Velvia 100 (35mm / EI 100 / Nikon F4) – By David Hume
• 5 frames with a Meikai EL/Harmony – A 35mm box camera with a rangefinder face – by Tobias Eriksson
• 5 Frames with Ilford Pan F on the Olympus XA – by Tiffany Perez
• 5 Frames with Kentmere 400 – by Simon King
• 5 frames with a Pentax Auto 110 – by Martin Connolly
• 5 frames with Minox B and HR50 – by Victor Doroshenko
• 5 Frames with a Leica M6 and Pro Image 100 – By Greg May
• 5 Frames with a Hasselblad 500C and Kodak Portra 160 – By Christian Schroeder
• 5 Frames with a Canon EOS 1 – By James Greenoff
• 5 Frames with the Olympus XA2 – Wyatt Ryan
• 5 Frames with my new Zorki, pushing Ilford Delta 400 to 1600 – By Gavin Bain
• 5 Frames with a No.2 Kodak Hawkeye Folding Camera Model C – By Jochen Utecht
• 5 frames with a Yashica Mat 124 and Ektar 100 – by Hugo
• 5 Frames with Ilford Delta 3200 (at EI8000-ish) – by Simon King
• 5 Frames with the Olympus XA & Ektar 100 (at EI400) – by Simon King
• 5 frames with a Canonet QL17 G-III – by Gandhi Cabañas
• 5 frames with Kodak Ektar 100 and a Hasselblad 503cx – by Peter Samson
• 5 Frames With A Yashica 35 – By Nigel Cliff
• 5 Frames with a Leica M6 and Voigtlander 35mm f/1.4 – By Nigel Cliff
• 5 Candid Portraits in Paris with a Leica M3, Summicron 50mm f/2, and Kodak T-MAX 100 Film – By Steve Bleistein
• 5 Frames with a Ricoh FF90 Super and a TC-9 Teleconverter
• 5 Frames with Ricoh FZ-70 and Boots film – by Matt Krajewski
• Contax S2 – A mini-review – by Aivaras
• 5 Frames with a First-Gen Leica Summilux 35mm f/1.4 Wide Open and a Leica M240 – by Steven Bleistein
• 5 Frames with Kodak Ektar, My Dream Film, on the Nikon F3 – by Tiffany Perez
• 5 Frames with a 7Artisans 28mm f/1.4 – By John Scott
• 5 Frames with a Voigtlander Nokton Aspherical 40mm f/1.2 – By John Scott
• 5 Frames With Ilford Delta 100 (expired 2006) – by Simon King
• 5 Frames With CineStill 800T and Orange Filters on a Leica M6 – By Christian Schroeder
• Frames with the Mighty Hasselblad XPAN – By Yul Vazquez
• 5 Frames with Fuji Velvia 50 and an Olympus OM-1 – By Ben Kepka
• 5 Frames with Olympus IS-1000 and the film it came with – by Matt Krajewski
• 5 Frames with a Nikon FE (and a return to film photography) – By Thorsten Wulff
• 5 Frames with the Nikon One-Touch Zoom 90 – By Mike Caputo
• 5 frames with a Canon A-1 and TRI-X – By James Mitchell
• 5 Frames in Ferrari Heaven with an Leitz 50mm Elmar – By Terry B
• 5 frames with a Konica Auto S3 (And a tiny bit of a Tbilisi travelogue) – By Linda Terstad
• 5/10 Frames with my Olympus Pen-FT (Sophie) in the Poppy Fields – by Tiffany Perez
• Leica 35mm f/2 eight-element Summicron and Leica M240 – Candid Portraits – By Steven Bleistein
• 5 Frames With CineStill 800T and a Yashica T5 taken in Broad Daylight – By Kevan Wilkinson
• 5 Frames on the Run to Remember LA with the Olympus XA – by Tiffany Perez
• 5 Frames with a Pentax MX and SMC Pentax-M 50mm f/1.7 – by Andrea Armando
• 5 Frames with Kodak Ektachrome on the Nikon F3 – by Tiffany Perez
• 5 Frames with Minolta Dynax 500si Super – By Matt Krajewski
• 5 frames with a Canon Sure Shot Classic 120 – by Matt Evans
• 5 Frames with a Canon A-1 and Ilford FP4 – Alessia Becheri
• 5 Frames with a Konica K-Mini – By Dominic Leung
• 5 Frames with the new Ricoh GRIII – by Stuart Andrews
• 5 Frames with a 7Artisans 35mm f/2 Lens – By Ong Sien Hong
• 5 Five frames with a Canon EOS Rebel K2 – by Gandhi Cabañas
• 5 frames with Alfo 100 and the Fujifilm Zoom Date 1000 – by Ivan B. Palli
• 5 Frames With an Olympus XA – By Julian Higgs
• 5 Frames with Lomography 400 on the Nikon F3 – by Tiffany Perez
• 5 frames with a Leica M6 and Voigtlander 40mm f/1.4 – by Dean Vuksanovic
• 5 frames with a Minolta Dynax 7000 – By Dorian Farrimond
• 5 frames with the Olympus 35SP and Fomapan 200 (I have a lot to learn) – by Giacomo Zema
• 5 Frames With A Konica Auto S3 – By Marcus Harris
• 5 Frames with a Contax G1 – by Mitchel Gordon Brauns
• 5 Frames With Olympus AF10 (aka Infinity Jr) and the roll of film it came with – By Matt Krajewski
• 5 Frames with a Mamiya C220 and Portra 160 NC – By Trenton Trammell
• 5 Frames with an Olympus XA2 – By Filipa Leite Rosa
• 5 Frames with My Thrift Store Olympus XA – by Tiffany Perez
• 5 Frames with Film Never Die IRO200, a Leica M3, Leica Summicron-M 50mm f/2 – By Steven Bleistein
• 5 Frames with Kodak T-MAX P3200 (Pushed to 6400), a Leica M3 and v1 35mm Summicron – By Steven Bleistein
• 5 Frames on Skiddaw with an Olympus XA and T-MAX P3200 – By Chris Pattison
• 5 Frames with Canon F-1 – By Ben Kepka
• 5 Frames with Kodak Pro Image 100 – By James Greenoff
• 5 Frames with a Zorki, Industar-61 & Expired Kodak Gold – By Lori Brooks
• 5 frames with Minolta AF-S and well expired Kodak Ultra 400 – By Matt Krajewski
• 5 frames with a Fuji Discovery 90 – by Gandhi Cabañas
• 5 Frames With a Canon Sure Shot Sleek – By Charlie Thom
• 5 frames with Fuji HD-M and Cinestill 800t – By Linda Terstad
• 5 frames with a Chinon CG-5 and Vivitar 19mm & Ilford Delta 3200 – by Charles Higham
• 5 Frames with Kodak Ektachrome E100 in Morocco – by Simon King
• 5 frames with a Canon Prima AS-1 – By Linda Terstad
• 5 frames with an Olympus AF-1 & Revolog Snovlox – By Allysse Riordan
• 5 Frames with a Leica M4 – by Jochen Utecht
• 5 Frames With An Olympus OM1 MD & Ilford HP5+ – By Julian Higgs
• 5 frames with the Nikon FM2 & Agfa APX 400 in my Paris – By Martina Rigotti
• 5 Frames With an Aires 35-IIIL – By Arran Saunders
• 5 frames with a Minolta Weathermatic 35 and Portra 400 – By Linda Terstad
• 5 Frames with a Olympus Mju II DLX – By Howard Dale
• 5 Frames with a Fuji GX680 – By Sergio Moura
• 5 Frames with a Nikon L35AF – By Christian Diehlmann
• 5 Frames with the Voigtländer Vito C – By Nigel Haycock
• 5 frames in Kolkata with a Leica M3 and Voigtländer 28mm f/1.9 – by Sroyon Mukherjee
• 5 Frosty Frames with Vivitar 55mm 2.8 macro
• 5 Frames with a Nikon FM2n and Ilford HP5+ 400 – By Cristian Geelen
• 5 Frames with the Olympus 35RC – by Barry Carr
• 5 Frames With A Rolleiflex 2.8F & Ilford Delta 3200 – by Floyd K. Takeuchi
• 5 Frames with the new Voigtlander Color-Skopar Vintage Line 21mm f/3.5 – By John Scott
• 5 Frames with FujiFilm Provia 100f, My First Roll of Slide Film – by Simon King
• 5 Frames with an Olympus XA Rangefinder – by Forrest Rogers
• 5 Frames With an Olympus OM10 and F.Zuiko 50mm 1.8 & Expired Fuji Superia Xtra – By Gavin Bain
• 5 Frames with a Voigtlander Bessa R2 – by David Marshall
• 5 Frames with a Ricoh TF-500 – By Adam Kendall
• 5 frames with a Yashica Electro 35 GS – By Gavin Bain
• 5 Frames with a Leica M4-2 and Zeiss ZM 50mm f2 Planar – By Thomas Inman
• 5 Frames With The Rollei XF35 and Agfa APX 400 – by Anil Mistry
• 5 Frames with the Konica C35 – By Sam Hainsworth
• 5 Frames with a Fuji DL-510P Date – By Ashley Hall
• 5 Frames with a semi-broken Contax T on Neopan 400 – By Xiaosu Han
• 5 Frames With A Contax G2 – By Floyd K. Takeuchi
• 5 Frames With An Olympus OM10 – Gavin Bain
• 5 Candid Portraits in Tsukiji Pushing T-Max 100 with a Leica M6J and Summicron 50mm f/2- By Steven Bleistein
• 5 Frames with a Canonet QL17 G-III – By Wen Zeng
• 5 frames with a Smena Symbol – by Matt Evans
• 5 Frames with a 90mm Summarit on a Leica M8 – By David Evans
• 5 frames with the Minolta TC1 – By Isa Maidan
• 5 frames with an Agfa Silette I and Ilford HP5+ – By James Mitchell
• 5 Frames With A Zeiss Ikon Nettar 517/16 6×6 Folding Camera – By Julian Higgs
• 5 frames from the first roll with Leica M4-P 7artisans 50 1.1 and Delta 100 – By Victor Doroshenko
• 5 frames with the Voigtländer Bessa R2M and 35mm f/2.5 Classic – by Andreas Kaczmarek
• 5 Frames with the Mamiya M645 1000s and Mamiya-Sekor C 55mm f/2.8 – By Wyatt Ryan
• 5 Frames With An Olympus OM2n SLR & Ilford HP5- By Julian Higgs
• 5 Frames with a Yashica Zoomtec 70 – By Daniel Kastner
• 5 frames with a Nikon Nikkor HC 5cm f/2 ltm on a Sony A7RII – By Aivaras
• 5 Frames with the Nikon F3HP & Minolta 55mm f/1.7 – by Simon King
• 5 Frames with a Contax 167MT & Carl Zeiss Planar 50mm f/1.7 – By Brett Franklin
• 5 Frames with the SureShot and Ektar 100 – by Nathanaël Fournier
• 5 Frames on Ferrania P30 Alpha (with a Leica M6 and Nokton 35mm) – By Son Pham
• 5 Frames with a Rollei B35 (and a little intro to “Analogue United”) – By Mariya Todorova
• 5 Frames with Konica Hexar AF – by Louis Sousa
• 5 Frames With A Yashica T5 and Ektachrome E100 – By Kevan Wilkinson
• 5 Frames with Minolta CLE and Rokkor 40mm f/2 – by Florent Pinsault
• 5 Frames with the Canon Rebel G and 50mm f/1.8 – by Wyatt Ryan
• 5 Frames With the Petri 7s – by Barry Carr
• 5 Frames with a Mamiya Sekor 45mm f/2.8 N & Mamiya 645 1000S – By Aivaras
• 5 frames with a Rollei 35SE – By Pierre-Alix Favillier
• 5 frames with my dear Nikon F and Nikkor 28mm f3.5 – by Jano Urda
• 5 Frames with an Olympus Zuiko 55mm f/1.2 – by Thomas Risberg
• 5 Frames travelling with a Mamiya 6 MF – By Faraz
• 5 Frames with the Olympus OM Zuiko 100mm f2.8 – By Sandeep
• 5 Frames with a Leica M4-P on a Whisky Pilgrimage – By Nick Holt
• 5 Frames with my Leica M2 and 7 Artisans 50mm f/1.1 – by Tim Dobbs
• 5 frames with a Canon 7, 35/2 lens and Rollei RPX400 – by Anthony Chatain
• 5 Frames with a Lomo LC-A – by Pjotr Eijkenboom
• 5 frames with a Minolta Panorama Zoom 28 – by Charles Higham
• 5 Frames with a Leica M5 – by Petros Katradis
• 5 Frames with the Minolta 24mm f/2.8 MD W.Rokkor – By Steven Starr
• 5 Frames with a Fed 50mm f/3.5 LTM lens (Industar-10) – By Christian Irving Cayetano
• 5 Frames with a Takumar 50mm f/1.8 on a Spotmatic (with 11 year old film) – By Nigel Cliff
• 5 Frames With A Leica Tele-Elmarit 90mm f/2.8 – by Aukje
• 5 Frames with a Mamiya Sekor 80mm f/1.9 and Mamiya 645 1000s – By Aivaras
• 5 Frames With a Fujica GL690 – by Denys Trofimchuk
• Konica Tomato – Five Frames – By Kevan Wilkinson
• 5 Frames with a Canon A-1 – By Ollie Lattin
• 5 Frames with a Leica R8 and 28mm f/2.8 – by Dominique Collard
• 5 Frames with a Leica M4 and Voigtlander 35mm f/2.5 – By Dan Smith
• 5 Frames With A Fed 4 Russian Rangefinder – By Julian Higgs
• 5 Frames with an Olympus 35RC, A Centon FG20 Flash, and a 24 Frame Roll of Kodak Gold Ultra 400 – By Toby Van De Velde
• 5 Frames with a Pinhole Works Driftwood Camera – by Amy Davis
• 5 Frames With a Hanimex 35FX – By Richard Williams
• 5 frames with a Steinheil 50mm f/2.8 Cassar S lens – by Tobias Eriksson
• 5 Frames With A Minolta 700si And A Roll Of Dubblefilm Monsoon – By Nigel Cliff
• 5 frames with the Canonet QL17 GIII in Glacier National Park – By Brady LaVigne
• 5 Frames with a Yashica T4 and a roll of Ilford FP4 – By Dave Donnelly
• 5 frames with a Praktica MTL5 – By Ioana Trifu
• 5 Frames with a Schneider-Kreuznach Xenar 50mm f/2.8 Lens – By Cheyenne Morrison
• 5 Frames with a Konica Big Mini F – By Kamburger
• 5 Frames with a Ricoh GR1s – by Steven Bleistein
• 5 Frames With An Olympus OM2 SP – By Julian Higgs
• 5 Frames with a Yashica Half Frame 17 Rapid – by Denis Savinov
• 5 frames with a Yashica Samurai X3.0 and Fuji Superia 400 – By Dan Marinelli
• 5 frames with a Fujica GW690 and a roll of Cinestill 50D – By Irv Bartlett
• 5 Frames with a Nikonos V – by Dirk Marwede
• 5 Frames from my First Roll of Kodak Portra 160 – By Stu Myers
• 5 Frames with a Smena Symbol
• 5 Frames With A Chinon 35EE – By Nigel Cliff
• 5 Frames with the Pentax 67 – By Louis Sousa
• 5 Frames with a Nikon F4S and Nikkor 35mm f/2.8 AI and Adox CMS II – By Toni Skokovic
• 5 Frames with a Konica Hexar AF – By James Nguyen
• 5 Frames with the Summishica – By Andy Karlson
• 5 Frames with an Olympus mju-i – By Gregoire Huret
• 5 frames with an Olympus XA1 – By Howard Hurd
• 5 Frames with an Olympus OM-2N – By Chris Johnson
• 5 frames with an Auto Yashinon 1:2 50mm lens – by Tobias Eriksson
• 5 Frames with a Nikon FE2 and a roll of Fuji Reala 500D – by Tim Dobbs
• 5 frames with an Olympus Infinity Stylus Zoom 140 DLX – by Kyle McMurphy
• 5 Frames With a Pentax Spotmatic F – By Ray Goodwin
• (A few more than) 5 frames with a Zeiss Ikonta B 522/24 – by Sergio Palazzi
• 5 Frames With A Voigtlander CLR Rangefinder Camera – By Julian Higgs
• 5 Frames With Fujifilm Klasse W – By Ricardo Kalaidjian
• 5 frames with a Canon P and Canon 50mm f/1.4 lens
• 5 Frames with a Ricoh 500G – by Martin Connolly
• 5 Frames with An Olympus 35SP Rangefinder – By Julian Higgs
• 5 Frames with an Agfa Optima 335 electronic – by Dave Donnelly
• 5 frames with a Kodak Retina IIIc – by Thomas Merk
• Shooting a roll of Kodak HIE infrared film with a Nikon F-301 – by Charles Higham.
• 5 Frames with a Leica M6 and Fuji Pro 400H – By Khalid Ibrahim
• 5 frames with a Konica C35 – by Dale Willetts
• 5 Frames With a Minolta Dynax 800Si – By Simon Forster
• 5 Frames with an Exa 500 – by Dale Willetts
• 5 Frames with a Nikon F100 by Adam Laws
• 5 Frames with a Sigma SD14 / Helios-44-2 – by Bernd Runde
• 5 frames with an Olympus 35 LE – By Tobias Eriksson
• 5 Frames with a Zeiss Otus 55mm and Canon EOS 1V – By Bent_Brent
• 5 frames with an Olympus Pen F – By Tobias Eriksson
• 5 Frames with a Zorki 4K – By Dale Willetts
• 5 Frames with a Pentax ME – By Oliver Clarke
• 5 Frames with a Zeiss Ikon Contessa – by Thomas Bell
• 5 Frames from My First Year as a Photographer [with a Leica M240] – by Simon King
• 5 frames with my Leica M6 & Zeiss 50mm f1.5 C Sonnar – By Rick Davy
• 5 Frames With A Holga 120FN – by Dev Samaddar
• 5 Frames With a Leica M6 and Kodak Portra 800 – By Martin Smith
• 5 Frames With Refilled Disposable Cameras – By Skyler Adams
• 5 Frames with a Nikon F80 – by Chris McPhee
• 5 frames on the road with expired film from 1998 – by J.F. Pritchard
• 5 Frames With An Olympus 35 RC – by Julian Higgs
• 5 frames with a Nikon F3 – by Eduardo Ribeiro
• 5 Frames with a Miranda Sensorex – by Nigel Haycock
• 7 Frames with a Ricoh GR Digital IV – By Yul Vazquez
• 5 Frames with a Kodak Vest Pocket – By Dan Smith
• 5 Frames with a Polaroid Originals One Step 2 – By Ed Worthington
• 5 frames with a Leica M6 TTL and 7artisans 35mm f/2 Sonnar – by EMULSIVE
• 5 Frames with the Minolta Maxxum 7000 – By Chris McPhee
• 5 frames with a Nikon FM3A and Nikkor 28-70mm 2.8 D – by John Whitmore
• 5 frames with Pentax SuperA – By Aivaras
• 5 Frames with a Contax G1 – by Carlos Albisu
• 5 Frames with the Lomography Minitar Art Lens – by Barnaby Nutt
• 5 Frames with the 7Artisans Prototype 35mm f/2 m-mount lens
• 5 Frames with a Kodak Retina IIc – By Howard Dale
• 5 Frames with The Contax RTSii – by Anil Mistry
• 5 Frames with a Leica M6 & Cinestill 800t – by Christoph Ackermann
• 5 Frames With An Olympus Trip 35 – By Julian Higgs
• 5 Frames with a Rolleicord IIA – by Tom O’Neill
• 5 Frames with an Olympus Trip 35 – By Huy Le
• 5 Frames with a Canon AT-1 and a Roll of Redscale – by Toby Van de Velde
• 5 Frames with an Olympus OM-2N – by Shameer Yaqin
• 5 (6) frames with a Hasselblad in Mississippi – by Andrew Morang
• 5 Frames with a Vivitar 35ES – By Howard Dale
• 5 Frames with a Nikon F80
• 5 Frames with a Fujica GS645 Pro by Son Pham
• 5 Frames with a Zenit EM – By Greg May
• 5 frames with a Canon AE-1 Program – By Greg May
• 5 Frames with a Nikonos IV-A – By Ivan Mendez
• 5 Frames with a Nikkormat – By Greg May
• 5 Frames with a Polaroid SX-70 – By Simon King
• 5 Frames with a Nikon F100 by Carlos Llamas
• 5 Frames with a Leica MP, Portra 400 & Lots of Sun – By Nelson M
• 5 Frames with a Olympus OM-1n – By Paulius Gailiunas
• 5 frames with a the Olympus mju-II – by Francisco Varone
• 5 Frames with a Leica Mini – By David Felix
• 5 frames with a the Minolta Dynax 3000i & Minolta AF Zoom 35-80mm f/4-5.6 – by Charles Higham
• 5 frames with a Bessaflex and CZJ Flektogon 2.4/35mm – by Son Pham
• 5 Frames With a Leica M7 – by Adam Laws
• 5 Frames with an Olympus E-M10 by Vlado Ondrejovic
• 5 Frames with Bell & Howell Fixed Focus Camera – By Howard Dale
• 5 Frames with a Samsung AF Slim
• 5 Frames with a Pentax Spotmatic – By Wesley Fortin
• 5 Frames With a Calumet C1 – BY Erik Henderson
• 5 Frames with a Samsung ECX-1
• 5 Frames with a Hasselblad XPan – By Simon King
• 5 Frames with a 7Artisans 50mm f/1.1 – Barnaby Nutt
• 5 (4 underexposed) frames with a Leica M-A and 7Artisans 50mm f/1.1
• 5 Frames with a 135 adapted Holga – By Lucas H
• 5 Frames with a Pentax Spotmatic and Kominar 28mm/3.5 – By Toni Skokovic
• 5 Frames with a Leica Standard & Voigtlander 28mm f/3.5
• 5 Frames with a Leica CL and Jupiter-8 – By Simon King
• 5 Frames with a Nikon FM3A and Nikkor 50mm f1.2 AIS – by Anil Mistry
• 5 Frames with a Leica M typ 262
• 5 frames with a Canon Av-1 and a Elicar 28mm f2.8 – A.K.A. “Don’t think, React” – by Gael Berthon
• 5 frames with a Leica M2 & 35mm Summicron – by Maximilian Selim
• 5 frames with a Leica M3 & Zeiss 50mm Sonnar
• 5 frames with a Yashica Minister II – by Malcolm
• 5 Frames with a Canon F1 with a 55mm f/1.2 – James Greenoff
• 5 frames with a Ferrania Condor II – Francesco Melis
• 5 frames with a Pentax Espio 35-70 AF Zoom – By James Cockroft
• 5 Frames with an Olympus Trip 35 – By Chris McPhee
• 5 frames with a Lomo LC-A+ – By Etienne Despois
• 5 frames with a Leica M-A – By Björn Berings
• 5 Frames with a Leica CL – By Dan Castelli
• 5 Frames with a Minolta M-Rokkor 90mm 1:4 – By Rollin Banderob
• 5 Frames with a Plaubel Makina 67 – By Adam Laws
• 5 Frames with a Minox B Subminiature Camera – By Wayne Pinney
• 5 frames with an Intrepid 5×4 Field Camera and Schneider APO-Symmar 5.6/150 lens – By Richard Pickup
• 5 Frames with a Nikon FE2 – Ryan Jones
• 5 Frames with a Olympus Mju – by Frederick Maurice Lim
• 5 Frames with a Ricoh ZF – By James Cockroft
• 5 Frames with a Minolta CLE & M-Rokkor 40mm – By Dan Diaz
• 5 Frames with a Nikon F301 – by Ed Worthington
• 5 frames with a Contax T – By Gavin Maxwell
• 5 frames with a Zeiss Ikon ZM and its 35mm Biogon – By Alexis
• 5 Frames with a Leica M6 and 28mm Elmarit – by Daniel Avery
• 5 frames with a Pentax MZ-3 and SMC-F 50mm 1.7 lens by Aivaras
• 5 Frames with a FED 5B with Industar 61 L/D by Mark
• 5 frames with a Fuji Tiara ii – by Eddy
• 5 frames with a Canon Canonet QL17 by Tobias Eriksson
• 5 Frames with a Rollei 35S – by Jack Johnson
• 5 Frames With a Leica M Monochrom (Typ 246) – By Nick Holt
• 5 Frames with a Minolta CLE / M-Rokkor 40mm 1:2 – By Steven Starr
• 5 Frames with a Canon FTb and 50mm 1.4 lens – by Rob Davie
• 5 Frames with an Olympus OM-1 with Zuiko 50mm/1.8 – by Toni Skokovic
• 5 Frames with a Pentax ME Super – by Anil Mistry
• 5 frames with a Leica M4-P + 35mm Summilux by Marco North
• 5 Frames with an Olympus Auto Eye – by Ed Worthington
• 5 frames with a Voigtlander Vito B – by Richard Williams
• 5 frames with a Zero 2000 Pinhole Camera

One Shot Stories

A series that tells the story of single images. That story can be about a bit of kit, the photo, or something else altogether.

• Tripcock Ness – A One Shot Story
• Stray or street dogs of Istanbul – One-Shot Story
• “The Puffin Inspectors” – One-Shot Story
• The Dancer – A One Shot Story
• In a Haunted Antiques Shop – One-Shot Story
• TLR Challenge: 2 – The Spirit in the Sky (A One Shot Story)
• Breaking the Bank for a Bubble — A One-Shot Story
• Autumn Emerging – One-Shot Story
• My Father’s UFO – a One Shot Story
• The Director – A One Shot Story
• A Painterly Puzzle – One-Shot Story
• Beyond the Frame – One Shot, Six Stories
• That Time I Played Art Detective — One-Shot Story
• The Power of a Pinecone — A One-Shot Story
• The Tranmere Cross – A One Shot Story
• Folk Art on Wheels — One-Shot Story
• The Accidental Double Exposure: A Virtual Architectural Vision – a One Shot Story
• Friday Night Lights – The Catch – A One Shot Story
• Bilbao in November rain (A One-Shot Story)
• How Hercule Poirot Helped Me to Find a 6×6, or is the Voigländer Perkeo the Moka Pot of Cameras – A One Shot Story
• Father, Son and a Texas Star – A One Shot Story
• An Accidental Living-Room – A One Shot Story
• Shooting LF – Trying the Ultimate Inanimate Subject First – A One Shot Story
• Crete, a Welcome – A One Shot Story
• Wind from northwest – One shot Story
• The Kids Are Alright – A One Shot Story
• The World is Freshly Washed – A One Shot Story
• Melbourne 1996 – A One Shot Story by David Hume
• FOMO – Taking my Favourite Image of the Year
• On the Common – a One Shot Story
• The Cat and His Boy – A One Shot Story
• A One Shot Story from New Zealand’s South Island.
• There’s a Shadow in My Shoes! – A One-Shot Story
• Found Out – A one shot story
• How Privacy Hysteria Killed Street-Photography
• Terrorists in the Swat Valley – A One Shot Story
• Home Run Towards Happiness – One Shot Story
• Tracking Down My Very First Home (One-Shot Story)
• 410 East 65th Street
• Everyday Abstracts: A Frank Benson “Splatter-work” (One-Shot Story)
• A One Shot Story For Battle Of Britain Day
• A Pheasant Surprise (a One Shot Story)
• The Drum Room (a One-Shot Story)
• The “Blue Hour” from On High (a One-Shot Story)
• The “Pheasant Whisperer” (a One-Shot Story)
• The Pop Up Herb Stall – A One Shot Story
• Older than Dirt (a One-Shot Story)
• Plainclothes Angels (a One-Shot Story)
• “Crystal City” (a One-Shot Story)
• A Tale of Two UFOs (a One-Shot Story)
• The Haunting on Sunset Hill (a One-Shot Story)
• Confessions of a “Windmill Hog” (a One-Shot Story)
• The Eyes of Venice (a One-Shot Mystery Story)
• The Film Noir Cake Stand – A One Shot Story
• Fourteen Years in the Making! (A One-Shot Story)
• The Girl in the Picture-Frame Window (A One-Shot Story) – By Dave Powell
• The Jumping Bird (A One-Shot Story) – By Dave Powell
• Money from Mars (A One-Shot Story)
• Mesopotamia, Ohio (A One-Shot Story)
• What the Hell did I do? – A One Shot Story – By Gerard Exupery
• It’s Interesting Because It’s Old – A One Shot Story – By Gerard Exupery

Found Photos

Posts that tell the story of photos and negatives found in cameras, attics and flea markets. Found the next Vivian Maier, this is the place to tell the world… It’s also the place to tell the world about that box of your Grandad’s negs you found in a shoebox in his wardrobe.

• The Whole Roll: Harman Phoenix 120 in Minolta Autocord MX
• Ricoh KR10 Super – I have a debt of gratitude to this camera
• Tripcock Ness – A One Shot Story
• 5 Frames of Kodak Tri-X @3200
• Spectacular Vernacular. Memory and Legacy.
• Pentax 67II – The Perfect Travel Camera
• One Man’s Journey in Seven Photos
• The Gigapixel Image
• Dust and mud and the marbles
• 5 Frames with a Minolta Dynax 9 & Harmon Phoenix 200
• 5 Frames with a Kodak Easyshare DX7630
• Hasselblad X1D II 50C – A Week of Trying Digital Medium Format
• Portraits in Skating
• Enjoying the 110 format
• 5 Frames with a Yashica Mat 124
• Minolta Maxxum 7000 – Putting a €30 Camera Through Its Paces at Belgium’s Toughest Cycling Race
• 5 frames with an Instax Mini 99
• Thypoch 50mm 1.4 Simera review – A high spec rangefinder lens!
• 5 Frames with my Canon A1 and a roll of Ilford Pan F
• 5 Frames With the Leica M8 in Providence, Rhode Island
• 5 Frames with Contax T and Fomapan 200
• Kodak Tourist – The Most “Transformable” MF Folder?
• 5 frames with a Rolleicord Va on Lomography Purple
• 5 Frames in Berlin on a Leica M5 with CineStill 50D
• Nikon F2 Photomic – The game changer
• Polachrome Polapan CT – A short-lived introduction from Polaroid
• Approaching Reportage Photography
• People’s Park Chengdu with an Olympus XA3 and expired Rollei RPX 400
• Shooting a Roller Derby Bout
• Rollei XF 35 – First Impressions
• Stray or street dogs of Istanbul – One-Shot Story
• My Square Story – Making my own 24×24 35mm Cameras
• TLR Challenge: 3 – Night Shots
• Rolleiflex SL35 – Why use an unloved camera?
• Becoming an Honorary Newfoundlander
• 5 Frames with a Canon Canonet QI17 GIII and Fujifilm 400
• “The Puffin Inspectors” – One-Shot Story
• 5 Frames with a Voigtländer Vito B
• Young Band Rocks at a Youth Rock Concert
• Fuji STX-2 – A Love Affair with a Much Hated Camera. Simple Refinement
• The Dancer – A One Shot Story
• In a Haunted Antiques Shop – One-Shot Story
• Don’t be afraid to experiment and test before tossing stuff out
• Ilford Advocate Camera – A wonderful street camera
• Padua, a photographer’s goldmine
• What does a perfect camera need?
• 5 Frames with a Minolta XGM at Go Your Own Way
• TLR Challenge: 2 – The Spirit in the Sky (A One Shot Story)
• Tele Rolleiflex Review – I will not be separated from this camera
• Washi E – A Very Peculiar Film
• 5 Frames of Kodak 5219T film with Contax Aria for Cantonese Opera
• A walk round Portland, Oregon with a Leica M3 and Voigtländer 21/4 Color-Skopar
• 5 frames Rediscovering my Pentax 67… and then another 5…
• My TLRs Over the Years
• A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount
• Vivitar 19mm f3.8 – Exactly What it Should Be
• 5 Frames with a 1D MkII and a 35mm F1.4L
• Canon 110 ED Review
• 5 Frames from the Ultramax Challenge
• LightPix Labs FlashQ M20 – Hitting the street with a new flash
• From a 50 to a 35 – How I Changed My Perspective
• Konica IIIM – Caves, Fog, and Review
• The night Venice talked to me
• 5 Frames with a Canon G1 – a Little Known Classic
• Shooting Fast Alfa Romeo on a Race Track
• Shooting Cinestill 800T at My Neighbor’s Gallery Exhibition
• Running with cameras
• Nikkor-H Auto 2.8cm f/3.5 – Wakimoto’s Triumph and Nikon’s Hidden Legacy
• Leica R3 – a camera I was never expecting to buy!
• TLR Challenge – My Response
• 5 Frames With a Nikon S3 — a Camera That Will Make Your Heart Flutter
• NEWS: Jagglé Berlinova – Live on Kickstarter!
• Minox 110S review
• Can a Polaroid pack camera shoot 4×5?
• Keks KMQ – a new answer to the need for tiny light meter?
• Yashica D – Diving into Medium Format
• Minolta Hi-Matic S2 – The One I’ll Never Part With
• Fuji Eterna 250D – My first step into cine film stock
• 5 frames with Petri 7s using Kodak Gold 200
• The Whole Roll – Kodak Portra 160 – Summer, New Orleans City Park.
• Boots 35AF – This Boots is made for shooting
• Soho (Needless To Say)
• The good, the bad, and the grainy – exploring Czechia with an untested Pentax 170SL
• Hope in Creativity
• Capturing a Friend’s Celebration of Life on Film
• Breaking the Bank for a Bubble — A One-Shot Story
• “A day in the life of a” – 83 and counting
• Sekonic Twinmate L-208 – A very versatile little light meter
• Zeiss Ikon SW – First Impressions of this “blind” camera
• The FA Cup: Capturing the Magic Through Film
• Autumn Emerging – One-Shot Story
• Elegy in a Country Churchyard
• From Negative to Positive in Colour – My Experience & Workflow
• Marchand Fischer Baby Camera
• More Adventures with C-Mount Marble Macros
• 5 Frames with an IR Converted Nikon D300
• Nikons SB-104 – A Substantial Battery Upgrade
• TLR Challenge: 1 – User Errors
• 5 Frames with a Minolta 16MG and Rollei RPX 25
• Just like riding a bike
• Expired Kodak Technical Pan – a Cornucopia of Contrast
• Nikonos V – My Thoughts and Experiences – Is it really indestructible?
• My Father’s UFO – a One Shot Story
• 5 Frames, 40 Years, 1 Camera
• A Full Roll of Flowing Water with a Moscow 4
• Balda Super Matic – Quirky but fun
• 5 Macro Frames with a Canon EOS 30 & MP-E 65mm
• Viltrox 28mm f/4.5 Pancake Lens Review and Indigogo Launch
• 5 Frames with Pentacon F and Agfa APX 100
• A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography
• 5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM
• 4×5 reborn, or “What are those things?”
• NEWS: Intrepid Launch I-0 Shutter and 150mm f6.3 Lens on Kickstarter
• How to shoot Kodak Vision Color Print (2383) in colors
• NEWS: Ilford Photo Celebrating 145 years History with Limited Edition Retro Packaging
• Ilford FP4 Type 517 Cine Film Review
• Sony F828 Review – More than Meets the Eye
• A Glossary of Photographic Terms
• How I achieve Good scans with a DIY rig
• 5 Frames with a Kodak Retina Ib (Model 19) and a roll of Kodak ColorPlus 200
• Free Fuji Neopan 400 for a good cause – and some for sale too!
• 5 frames with a Canon EOS IX7 APS camera
• 35mm Film Pot Pinhole Camera
• A DIY 35mm Film Stripper
• Kodak 66 II – a refreshingly simple 6×6 folding camera
• 5 Frames with a Retinette 1B and Lomochrome Metropolis – Patina at Lullingstone Castle
• Chinon Auto 3501 – Ugly, Noisy and Quite Capable
• The Director – A One Shot Story
• Jagglé – Introducing my Daylight Enlarger
• Nikon 500mm Mirror Lens – The short fat cheap deal!
• 5 Frames with A Few Minolta X-300s
• 5 Digital Frames Transferred to Film (An Experiment)
• Weegee Returns – A photographic tribute to a legendary cult photographer!
• Minolta 7000 – Finding an eBay Bargain
• The Boat Graveyard
• Negatives from the Original 1888 Kodak Camera
• Shooting Kite Surfing
• Barnack to Barnack – my Thread Mount Leica Journey so far
• A Painterly Puzzle – One-Shot Story
• Kodak Ektramax Fireworks and a Cool 110 Tip
• Pentax K100D – The only digital camera that I have any affection for
• Kamera with a K – An ode to a love of Kamera: Shooting Seoul with a long missed Zeiss Ikon ZM
• Holga Micro-110 – How low(fi) can you go?
• Beyond the Frame – One Shot, Six Stories
• Harman Phoenix 120 – My First Few Rolls
• Harman Phoenix – Now Available in 120 – My First few Rolls
• Early Auto Exposure – Three Different Approaches
• When Kitsch Becomes Collectible
• Returning to home developing – an expired roll of FP4 and perhaps a Pen EE
• That Time I Played Art Detective — One-Shot Story
• My Asylum Years
• Zhiyun Molus G300 Review – Incredibly Compact and Bright LED Light
• 5 Frames with a Hasselblad 501 C – ZEISS 80mm f/2.8 and Kodak Gold 200 – By Eric L. Woods
• 5 Frames with Three Cameras in the Woods
• The Power of a Pinecone — A One-Shot Story
• 5 Frames with a 20-40mm f/2.8 Pentax 110 lens on an OMD-EM5 MKII
• The Tranmere Cross – A One Shot Story
• Nikon F3 – The Professional Simplicity
• The Stupidity of Being Stubborn
• Burning the midnight oil with Ilford HP5 at 1600 ASA
• Folk Art on Wheels — One-Shot Story
• A Collector’s Journey From Microscopes to Cancer to Cameras
• Light Lens Lab Eight Element 35mm f/2 review
• The Whole Test Roll – Hasselblad 503CX and Ilford XP2 Super
• 5 Frames with a Leica M6 and Slide Film
• The Accidental Double Exposure: A Virtual Architectural Vision – a One Shot Story
• Maximizing Garage Sale And Thrift Store Finds
• Thornton Pickard Rubyette No. 2 – So now what?
• 5 Frames with a Widelux F7 at The Louvre
• Friday Night Lights – The Catch – A One Shot Story
• Flaybrick Memorial Gardens
• Fixing the Leica 14405 handgrip for film cameras.
• Discovering some Photos Taken by my Grandfather with his Leica
• AGO Film Processor – An honest review of Vintage Visual’s Film Processor
• 5 Frames of Kodak VISON3 5219T on a Leica M6 with Nokton 35mm F1.5 in Cantonese Opera Backstage
• The beginning of a TLR Challenge
• 5 Frames With A Le Clic Fun Shooter Panoramic Conversion
• Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens
• PPP Cameras Leatherette For Pentax 17 Review.
• Bilbao in November rain (A One-Shot Story)
• Shooting Historical European Martial Arts (HEMA)-like Events
• How Hercule Poirot Helped Me to Find a 6×6, or is the Voigländer Perkeo the Moka Pot of Cameras – A One Shot Story
• 5 Frames in Old San Juan On a Mamiya 6 with Fujichrome
• Father, Son and a Texas Star – A One Shot Story
• Shooting Sheet film in a Polaroid Pack Camera
• The Camera that Launched my Career… and Nearly Devastated me.
• 5 Frames with a Minolta X-700 and Harman Phoenix in Krakow, Poland
• 5 Frames Going Square with 35mm Film in a Minolta 24 Rapid
• An Accidental Living-Room – A One Shot Story
• Retina IIc and the Kodak Retina system
• 5 Frames with Ilford Ortho Plus
• Adventures in C-Mount 110-Film Scanning
• Shooting LF – Trying the Ultimate Inanimate Subject First – A One Shot Story
• That time I sent a letter to the president of Canon, and got a reply.
• Agfa APX 400 pushed to 1600 – When Needs Must
• 5 Frames with a Fed-2 – New aspects, old subject
• Leica CL – A Vindication
• 5 Frames of Iceland (on Portra 400 and HP5+)
• A Few Musing on Theatre Photography
• 5 Frames Around the University of Minnesota
• 5 Frames with a Voigtlander Bessa L – Broken in Just the Right Way
• Ghost Town Photography in Colorado
• Hasselblad SWC vs. Mamiya 7 with 43mm lens – A Personal Wide-Angle Medium Format Showdown
• A Few of my Stereo .GIFs
• Voigtlander Vito CLR – Early Experiences with little Stips
• 5 Frames with Contax T2 and Kodak Tri-x 400
• Instant Arctic – Emulsion Lifting on the Edge of the World
• Olympus OM2n – Best of Both Worlds?
• Ihagee Kine Exacta 1936 Round Window – Accidentally Discovering a Camera Brand I’d not heard of
• 5 Frames with a Sony DSC R1 bridge camera – from Commute to Salsa.
• Shrovetide in Lazarim
• Sony NEX-7 from 2011 Revisited – Sony and APS-C – part 3 of 3
• 5 frames with a Canon SureShot Zoom XL in Croatia
• Shooting Vintage with Vintage – Classic Cars through Leitz Thambar and Dallmeyer Dalrac
• Learning to Shoot Fashion Shows on Film
• Adventures in C-Mount Macro Land
• Agfa Copex Rapid – Development Tests
• Zeiss Ikon Ikoflex II – Falling in love with an ancient TLR.
• Rollei B35 – the German Cousin from Singapore
• The Cost of the Mamiya 7
• Is the Revolution Here Again? (I’m really serious about this.)
• Rodinal Tests – Temperature, Grain and Contrast
• Sony a700 from 2007 Revisited – Sony and APS-C part 2 of 3
• Visiting Algeria with My Olympus XA
• Minolta AL-F – Getting to know ALF
• 5 Frames with ‘a’ Kodak Autographic № 3.
• How to Make Tea… PC-TEA that is
• 5 Frames of Sunsets in Black and White
• Controlling the shutter on an automatic Polaroid pack camera
• Chinon CE-4 and Pentax SMC 50mm f1.7 – Think Different
• A Second Outing with the Pentax Auto 110 with Fomapan 400.
• 5 Frames with a Mamiya C330 and Rollei Infrared film
• Rockmount Ranch Wear – an American Legend
• Sony R1 – the Original from 2005 revisited – Sony and APS-C part 1 of 3
• 5 frames with a Canon AE-1, shooting a professional football (soccer) game
• Polaroid Swinger – Modification for use with 120 Film
• Save those negatives. You never know…
• 5 Frames with a Nikon FE and a Stroke of Luck
• 4 Frames (and an error) with a Zeiss Ikon Nettar 518/16
• Bi-Pack Bi-Chromes: or How I learned to love making color pictures on black and white film in a single exposure
• Canon 50mm Serenar f/1.9 – The Serene Beauty of the Japanese Summitar
• Polo in The Karakoram – Hockey on Horseback with a Contax G2 and Velvia 50
• 5 frames with Nikon FM2 and Kodak Gold 200
• Certo Dollina 2 – Otherwise Unwanted Cameras № 5
• 5 Frames with the Ilford Sporti
• Pentax Auto 110 – My First Experiences
• 5 Frames with Rollei Superpan 200 and a Minolta 460Tx 110
• 5 Frames with a Leica M3, TTArtisan 50/1.4 and Tri-X
• How to Shoot Stand-up Paddle Competitions
• Holga Tips from a Holga Nut
• Crete, a Welcome – A One Shot Story
• I Tried the Cheapest Film on the Internet – Here’s What Happened
• Godox Lux Elf Review – the Cute New Retro Flash
• Wind from northwest – One shot Story
• Rollei A110 – Bringing It Back From The Dead
• One camera, One Lens – Testing the Photo Adage in Japan
• Omnar/Skyllaney Converted Carl Zeiss Jena Biotar 40mm f/1.4 – Mini Review
• 5 Frames with an Olympus OM-1N
• Olympus 35SP – A 5 Frame Mini-Review
• My First use of Caffenol
• 5 Frames with a Panasonic Lumix G100
• 5 Frames with a Pentax MZ5 at the Beach
• A Classic Car meet with XP2 Super and a bit of help from a Leica 111a
• The “Troytsa” – a Religious Resistance Symbol in Bessarabia
• 5 Frames of Kodak Double XX 5222 on a Pentax Espio 24EW in Madrid
• The Kids Are Alright – A One Shot Story
• Olympus E-1 Review – Down the Kodak CCD Rabbit Hole
• 5 Frames with expired Agfa CNS in a Rollei A110 and processed in expired chemicals.
• In praise of ‘cheap’ lenses for ‘pro’ works
• The World is Freshly Washed – A One Shot Story
• How to Take a 3-D Photo with Almost Any Camera
• 5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160
• Perfecting the 110 re-load
• Easter Night Vigil in an Orthodox Community
• My First Five Rolls of Film (Ever)
• Melbourne 1996 – A One Shot Story by David Hume
• 5 Frames with a Fujifilm GA645
• Pentax 17 Comprehensive Review – The New Half-Frame Point & Shoot
• Rollei RPX 25 at 100 ASA stand developed in Rodinal 100:1
• Adox CHS 100 II – First Impressions
• London Tube Riders Having the Time of their Lives, or Perhaps Not
• Seeking Stefan – A One Shot Story
• One Photographer and Two Cameras for Spares & Repairs
• Modifying and Shooting a Sprocket Rocket in Oxford
• Adox CMS 20 II Pro – My First Roll
• On Composition – Or: the eye sees what the mind is prepared to comprehend
• Grain, Glorious Grain! – T-Max 3200 pushed to 6400
• How to (Unconventionally) Shoot Track and Field Competitions
• Converting a 50mm lens meant for 35mm film to large format
• Cleaning a Classic Canon f/1.2 LTM Lens
• What does it take to be a Photographer?
• 5 frames with a Nikon FM2 & Kentmere 400 pushed to 3200
• Pearl River 4 – A Chinese TLR camera
• Pentax K-3 Mark 3 Monochrome Vs… – In Search of a Monochrome Option
• 5 frames with the Olympus XA that were ruined by the addition of my finger
• 5 Unintended frames with Agfa APX100 (and an OM4-Ti)
• Leica M8 – A “Better” Alternative to Shooting Film Rangefinders?
• Rolleicord Vb, a roll of Portra 400 and the Reggia di Venaria
• Astrhori XH-2 Shoe Mount Light Meter Mini-Review
• FOMO – Taking my Favourite Image of the Year
• 5 frames with Nikkormat FT3 in Meidling, Wien
• 5 frames in Ouro Preto with Ilford Delta 400 and a Nikon 35Ti
• Creekside with a Leica M3
• My Homemade 6×12 Format Camera.
• Pentax 645 – A Review of a Budget Medium Format Workhorse
• 5 Frames of Macrophotography with a Pentax 645D and Pentax-A 120mm f/4
• 5 frames with a Canon EOS 30 – A return to film
• Seeing in Black and White
• King Dominant or Regula Sprinty BC300
• The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024
• SPUR UFG – The Quest for Finest Grain – An Aviation Film used for very Down-to-Earth Photography
• On the Common – a One Shot Story
• Fuji DL-300 & Pentax Espio 140 – Jungle Duel – Point and Shoots
• Into the Wayback Machine – More Adventures with Severly Expired Film
• Expired Film – My Hows and Whys
• My Early Experiences 3d Printing – New Life for Old Cameras
• Nikon S3 Olympic – A Piece of Treasure Found in the Junk Section
• The Surface of Water, Grain, and the Search for the Perfect Scan.
• 5 Frames with a Fujica ST605N and a Vivitar 35mm f2.8
• 5 Frames testing two Rollei A110 cameras
• Thypoch Eureka 50mm f/2 M-Mount Lens Review
• 5 frames with a Canon EOS-1V, the glorious Fifty and a Roll of Tri-X 400
• BlackBox 135 Digitisation Tool Review
• 5 Frames with a Leica iiic, Summicron 50/2 and Ilford HP5+
• Some of my thoughts and experiences with Point & Shoots
• The Cat and His Boy – A One Shot Story
• Adapting a Yashinon-DX 45mm f1.7 for a Corfield Periflex
• Minox CD70 – A Mini-Review on Kentmere 400
• Kyoto, farewell
• Looking Back at my First Roll of Film
• NEWS: Simera 35mm & 28mm F1.4 from Thypoch Arrive For Z, X, E, and RF Mounts
• Bowman Leather Camera Straps Review – Affordable Quality from the Edge of the Lake District
• Conflicted Beauty – Photographing Charleston South Carolina
• Park Life with a Ihagee Exa 1A
• NEWS: Analogue Wonderland and Kodak To Host ‘The Big Film Photowalk’ on June 29th!
• 5 Frames with the Micro-Nikkor 55mm f3.5
• Agfamatic Pocket 4008 – a P&S of Yesteryear
• A One Shot Story from New Zealand’s South Island.
• 5 Frames inspired by Georges de la Tour
• TTArtisan 27mm f/2.8 AF Fuji X mount (a manual lens shooters) review
• Visiting an old ‘friend’ – Lisbon
• Recreating Historic Images
• Olympus Promaster Infinity TWIN Review – It’s got the POWER!
• Olympus XA4 has a day out in Scarborough
• 5 Frames with a Nikon D800 and the Voigtlander f1.4 58mm Nokton
• Shooting Analog in the Italian Alps (my new Rolleicord and the first b/w roll)
• Learning to Shoot Boxing Matches
• 5 Frames with a Free Olympus OM10 and Optomax 35mm Lens
• Karni Mata, Deshnoke
• Lomography Nour Triplet V 2.0/64 Review – Beyond The Blur – My Time With The Bokeh Control Art Lens
• Évora, Portugal with a Leica MP & Foma 100
• 5 frames with Orwo Wolfen NC500 and a Yashica Electro 35 CC
• A brief encounter with a (Zeiss) Ideal camera.
• 5 Frames with a Minolta XD, 85mm f/2.8 Varisoft lens and Ilford HP5+
• Accessory rangefinders – the Watameter and others.
• Whole Roll of Expired Arista Through North County San Diego
• Sigh, Gone – Shooting in Ho Chi Minh City
• 5 frames with Fomachrom D II 20
• 5 frames with a Pentax Q7 & Fisheye lens in the library
• Leica C (Typ 112) – A Capable Compact (by Panasonic)
• The Yashica Mat 124G and Me
• Going Analog on Okinawa – Part IV – DSLR Scanning
• Lomomatic 110 Camera Review: Lomography’s New Tiny Format Treat
• Lower than the Angels: Chinatown in February 2020 and 2023
• 5 frames with Harman Phoenix 200 and Olympus Pen D – A match made in heaven
• 5 frames with a Minolta 700si
• 5 Frames with an Intrepid 4×5 – Famous For Quality.
• 5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2
• Godox Lux Cadet – Retro Flash Review
• Thypoch Simera 28mm f/1.4 ASPH review
• Kodak Portra 400 – Recreating 90s New York Style
• Cannabis, pig’s blood, pee, and EpiPen: can these things develop film?
• Cascais, Portugal, by Day and Night
• NEWS: Silver & Light – An Analogue Photographic Exhibition
• Leidolf Lordomat – Capturing Light and Shade
• Going Analog on Okinawa – Part III – Scanning Misadventures
• Film Folders – Pure nostalgia, with a few tips from long, long ago
• 5 frames with Sony Mavica MVC-FD200, and a lesson in trusting your equipment
• Another YAWDISF Post
• 5 (+2) Frames with a Pentax Q7 & Nikon 85mm 1.8 AFD (~400mm equivalent)
• Minolta Maxxum 7 – The Best for when you really have got to get that shot (on a budget)
• 5 frames with Kodak Shellburst 346 – the UFO film
• NEWS: Kodak Professional B&W Chemistry is Available Now from Dupli and Cinestill
• A Custom Tailored Shirt
• Olympus C2000Z – A new life for an early digital compact
• 5 Portraits of… my Girlfriend in Rome with a Pentax ME Super
• Going Analog on Okinawa – Part II – The First Roll
• Cycling Slow is what I do Best
• Nikon TW20 5 Frame Review – Two lenses; two perspectives
• Krauss Rolette Luxus – an old timer’s story
• Rollei AFM35 – A Regular Companion Once More
• Pentax Q7 – A Black and White Holiday Workflow
• Photography and the Importance of a Proper Training
• Shooting Contre-Jour
• 7Artisans 60mm 2.8 Macro Lenses – A Comparison of Two Lenses for Film Scanning
• Leica M3 and Portra 400 at 6000 Feet (1828 meters)
• Going Analog on Okinawa – Part I – The Decision
• There’s a Shadow in My Shoes! – A One-Shot Story
• Gongoozeling Experiences Along England’s Canals
• McKeown’s Price Guide to Antique and Classic Cameras – Catalogues, Histories and Price Guides
• 5 Frames with a Nikon F3 HP and Portra 400
• Konica Minolta Dimage X1 – It’ll put you off Photography for life
• 5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto
• My Return to Film – More than Nostalgia
• HassyPB Review – It Makes Photos That People Want To Take From You
• 5 Frames with a Praktica MTL5B, a Pentacon 50/1,8 and a Roll of Portra 400 (expired in 2011)
• 5 Frames from a Seaside Town with a Nikon F4
• 5 frames with Ilford Delta 3200 and Canon EOS 7
• Give Broken Ones a Chance – Shooting a Damaged Leica CL
• Found Out – A one shot story
• Kodak Retina IIc – My Journey and Discovery
• NEWS: Grainsplaining Returns with Print Sale March 29th – April 1st For Women’s Charities
• KEKS KM-Q – A Sugar Cube-Sized Light Meter Review
• Konica Minolta Maxxum 7D in Walthamstow Marshes – Unleashing the CCD Kraken
• How (not) to Reticulate
• Historical Records in Family Photographs
• Compact Formation: Shooting Football with a Superzoom
• Carl Zeiss 38mm Sonnar / Omnar CX38-28 for use on Hasselblad XCD and Fuji GFX
• AI or not AI? or: on authenticity and photography
• Lonely in Korea (Yes, the Southern One)
• Portable Light Box For Free – A Quick Tip
• Nikon F4 Review – A Design Revolution
• What Does ‘Professional’ Mean in Photography?
• 5 Frames with the Sony DSC-V3 – In Search of Lost CCD Sensors.
• Contax RTS II and a roll of Expired Provia
• 5 frames in Venice with the Leica 50mm Summicron V4 on a Leica M10
• 7Artisans 50mm 1.8 AF – A Brand New Budget Auto Focus Lens
• The Whole Roll: Ilford FP4+ at the London New Years Day Parade (2024)
• Orwo Wolfen NC-500 – A Contrarian’s Perspective
• How Privacy Hysteria Killed Street-Photography
• 5 Frames with a Minolta X-700 and Tri-X
• A Note on the Concept of “Correct” Exposure
• A Roll of Delta 400 and the Walk to ICP
• 5 Frames with Lomography Orca 110 monochrome film.
• Documenting Shanghai’s Modern Architecture
• Richomatic 35 – Two Contrasting Examples of a 1960s Quality Point & Shoot Camera.
• 7Artisans 9mm f/5.6 Review
• 5 Frames with the Mamiya 6 IV-S Folding 6×6 Camera
• 5 Frames with a Voigtlander Vito II
• An eBay Bargain and Impulse Bought Tale of Woe
• Minolta 16 MG sub-miniature camera.
• 5 Frames with Agfa APX 400 in the Midwinter
• 5 Frames of expired CineStill 800T with a Leica M4 and 7Artisans 35mm f/2.0
• Finding War and Peace in London – reflections after shooting London’s grand demonstration for Gaza
• 10 Botanical Frames in Black and White – Why on Earth Would You Do It?
• Thoughts on the Question: Why Do You Still Shoot Film?
• 5 Frames with a Voigtlander Bessa I – My Gateway into Medium Format
• Agilux Agifold – Buying British
• NEWS: Film Photography News Round-Up – March 3, 2024
• A Versatile Adaptation of the Leitz Wetzlar F/2.5 Colourplan
• NEWS: Analogue Showcase is Back at The NEC Birmingham Photography Show – March 16-19
• A Weekend Getaway to Nagiso with Ricoh GR1v and Kodak Gold 200
• Festivity of the Goat and “Canhoto”
• Soligor 35mm f/3.5 – A Cheap and Cheerful Softie
• (森林浴) Shinrin-Yoku or Forest Bathing Might Be the Best Thing for You and Your Photography
• That Time I Built an X-Pro1/Monitor-Six-20 “FrankenFuji”
• Defining Environmental Automotive Portraiture
• Canon EOS A2 – An Odd Little GAS Journey.
• Terrorists in the Swat Valley – A One Shot Story
• 5 Frames with a Voigtländer Vito CLR
• Do we need to take a step back in film photography?
• Ansco’s “Super Memar f/2” – A Simple High-Quality Camera
• 5 Frames with a Leica M3 & Ilford HP5 pushed to 3200
• 5 Frames on the road in Morocco with Bronica RF 645
• 5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI
• Modifying an Olympus Trip 35 for Shooting ISO 3200 Film
• Creativity vs Originality
• Surviving two Leica fails on a motoring trip down to the Balkans
• 5 Frames with an Omnar Lenses CX38-28 – Contax T/T2 M-Mount Lens Conversion – on a Leica M10-P
• My Friend “Booper” – A One (+1) Shot Story
• 5 Frames with JCH Streetpan 400 and a Leica M4-P
• 5 Frames with Fujichrome Fortia SP and Yashica FX-3
• A 2 Year Journey Across California with Kono Monolit ISO 3 film
• More fixes – feedback needed
• Kodak EasyShare Z730 – Jankuary – The Best Camera is the One You Get for Free
• Thypoch Simera 35mm ASPH review
• NEWS: Film Photography News Round-Up – February 18, 2024
• A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar
• 5 (square) frames with a Zeiss Ikon Tenax I and Ilford XP2 Super
• Trying Darkroom Printing for the First Time
• 5 Frames with Five Fifties and a Leica SL (Typ 601)
• 5 Frames in Greece with the Contax T3
• 5-ish Frames with a Kodak Tourist II
• Home Run Towards Happiness – One Shot Story
• The Black and White Paper Reversal Process
• Pentax – In Praise of Usability of Cameras and Lenses
• Exploring Urban Exploration Photography
• Astrhori AH-M1 Shoe Mount Light Meter Review
• Leica M4-P vs. Leica CL – and a Tale of Loss and New Experiences
• 5 Frames with a Yashica 35 Rangefinder
• Minox Photographs Smuggled from a Soviet Camp
• Thirteen Ways of Looking at a Blackbird
• A couple of website issues fixed
• 5 Colour Frames with a Yashica Mat TLR
• Chinese Photo Product Silent Upgrades – A Public Service Announcement
• Olympus E-300 and Fuji FinePix Z10fd – Jankuary Roadtrip – Battle of the CCDs
• Falling in Love with Film & Promising to not buy a Leica M3 – Part One
• NEWS: AstrHori Upgrades APS-C 18mm F8 Macro Periprobe Lens with 90-Degree Rotation Flexibility
• 5 Frames with the MiniCam 100k – My Jankuary project
• Ilford PanF 50 Plus in the Photography Studio
• Self-Publishing Books of Your Photography for the Skint Neophyte
• Drinking Districts in Japan VII: Obihiro
• Fuji MX-500 – 5 Frames for Jankuary with my first digital camera
• Intrepid 4×5 – One Year of Traveling – a Review, Thoughts, and Photos
• 5 Frames with a Kodak Medalist II and Ektar 100
• Shooting “Super-Macros” with a Contaflex Super B SLR (Part 2)
• Polaroid’s PDC-700 – A little old digicam with a big secret (Shot for Jankuary)
• F-Stop Printing in the Darkroom
• NEWS: Reveni Labs Releases Second Generation Shoe-Mount Light Meter and Spot Meter
• Kiev 60 in Paklenica National Park
• Resurrecting a beloved Minolta A1 during some snowy Jankuary isolation
• Traveling. Light? 4 days, 4 Cameras
• Travelling from Germany to Northern Italy, taking in Denmark and Austria on the way: Original Canonet roll #5
• 5 frames of 40-years expired Kodacolor II
• Nikon S4 Rangefinder – The Antithesis to Digital Drudgery.
• How to Bring Back the Visual Editor (A Note to 35mmc Contributors)
• 5 Frames with a Leica 111a
• 5 frames in Los Angeles with a Kodak S1100XL and Ilford HP5+
• Kodak DX6340 – A Day With a 2003 Digicam for Jankuary
• Fixing the Fujica SLR lens compatibility problem
• Yashica Mat 124G – First Roll Experiences
• New Website Update (the adverts are back…)
• Fujica Half – the Revival of a Half Frame Camera
• Shooting “Super-Macros” with a Contaflex Super B SLR (Part 1)
• 5 Frames Testing a Long Since Used Olympus 35 ECR
• Bronica ETRSi and 135W – First Whole Roll Experiences
• Klito no. 2 hand camera – That time when I revived a camera from 1906.
• 5 Frames with a Minolta XD7 and Kodak Vision 3 250D
• 5 frames with Zebra Dry Plate Tin Types
• New website – Live! (now help me find the weird stuff)
• Casio EX-ZR800 – My Cheapo Companion
• Pentax Q 11.5mm Shield Lens on the Beach – A Jankuary Lens that Blurs
• Olympus Camedia C2020Z – Vintage Digital/Antique Shop “Jankuary’ Find – 2MP from 1999.
• Polaroid SX-70 – An Early Experience Shooting a Pack of Colour film at Pollock Light Rock
• NEWS: Bi-weekly News Round-Up – January 14, 2024
• 5 Frames with a Mamiya Press Super 23 – or how I got (back) into film photography.
• Ancient ORWO film, ancient Agfa Rodinal, ancient camera, lens and… photographer?
• NEWS: BlackScale Lab Releases BlackBox 120 for Medium Format Film Scanning After 35mm Success
• Breaking Out A 19-Year Old Digicam for ‘Jankuary’: The 4MP Olympus FE-100
• Turning A 35mm Lens Into A 150mm – Jankuary Lens Adapting
• NEWS: 25th Anniversary of STRAIGHT 8 Goes Big on IMAX in 2024
• Ride Options in Vienna
• The End of the Line
• Pentax Optio S12 – Jankuary Camera that Meows
• Agfa Super Silette Automatic Review
• Forthcoming Major Overhaul of 35mmc
• NEWS: Kickstarter for Kolari Shades Launches Today: Sunglasses Made By Photographers For Photographers
• 5 Frames with a Fuji GS645S that wasn’t quite as advertised
• Kodak Verichrome Pan – Adventures Shooting a Roll of Film from 1976
• NONS Instant back review
• ROUND-UP: Camera Reviews from the Film Photography Blogosphere
• 5 frames of Fomapan 100 with my Father-in-Law’s Canonet on Jeju
• 5 Frames with a Rollei 35 and Kodak Tri-X
• Fujifilm Finepix S3100 – Kicking off Jankuary
• Tracking Down My Very First Home (One-Shot Story)
• 6 rolls, 6 days, 600km, one misplaced drop of oil: Nikon FM on the Second City Divide
• Getting it Wrong and Portra 160 in the Autumn
• 5 Frames with a Canon EOS 600 in Berlin after many years
• Blur as protagonist: an attempt to take the pulse of the city
• NEWS: Bi-weekly News Round-Up – December 31, 2023
• The Most Read and Commented upon Posts Published on 35mmc in 2023
• 5 Frames with a Canon EOS 5D & 50mm f/1.8 EF STM – The Hunt for a Daily Carry Camera.
• 5 Frames with my Nikomat FTn in Milan
• Review of the Crown + Flint Mobile App for Film Photographers: Simple, Intuitive, and Helpful
• If Your Vintage Camera Lacks Strap Lugs, Try This!
• 5 Frames with “WP-Tech 100” and a repaired XA2
• Life-like Finders and Photo-like Finders Part 1: The L–P spectrum
• A Bout of GAS, and a Rediscovered Pentax Q7
• Minolta Dynax 9xi – That difficult second ‘Pro’ AF SLR
• NEWS: IUTD Studios Transparent 35mm Film Camera with 28mm Lens Now Available
• The Whole Roll – Weekend in Northern Quebec
• Rene Selection 5207 – Trying out an Incredible film for my #filmstocktryouts project
• Some Cool Books for 35mmc Readers (Part 2)
• NEWS: The Sustainable Darkroom’s Documentary Shares Eco-Friendly Vision for Photography’s Future
• 5 Frames With a Trip 35 – A Brace of Olympi Pt. 2
• NEWS: RETO Releases KODAK Multi-Purpose Camera Strap With Quick-Detach System
• 5 Frames with a Ricoh XR-X and Vivitar Series I 28-105mm f2.8-3.8
• NEWS: TTArtisan Releases Affordable Ultra-Wide 10mm F2 Aspherical Lens for E, X, Z, RF, and MFT Mounts
• PAM Britar 105mm f/4.5 – An American Triplet Review
• A Curious British Institution, and the Tale of an Agfa Isolette II
• ROUND-UP: Camera Reviews from the Film Photography Blogosphere
• 5 Frames with Ilford Delta 100
• Email links don’t work – please access the website directly
• Jankuary – Janky Camera January
• Home on Mamiya RB67
• Developing film at home for the first time
• Agfa Copex Rapid developed in H&W Control
• 5 Frames With an XA2 – A Brace of Olympi, Pt. 1
• 116 Cameras – Shooting Wide Aspect Ratio on a Shoestring
• The Short Telephoto – My Preferred Carry-Everywhere Lens
• NEWS: Bi-weekly News Round-Up – December 10, 2023
• AI, TV, VHS, IC, CD, DVD, EV, ICV and all the rest.
• Where is the Heidelberg? – with Canonet GIII QL17 and Fomapan 400
• NEWS: Analog Cafe Founder Creates Edible Instant Pinhole Camera from Gingerbread
• The Cirkut-Holga: A toy slitscan panorama camera
• Dream Grieving, Photograph Weaving
• Film Ferrania P30 in Finland with a Leica M3
• NEWS: AstriHori Announces Full-Frame 28mm F13 2X Macro Lens with a Waterproof Periscope Probe
• You don’t know what you’ve got till it’s gone
• The 110 Saga Continues – Post Mortem Discoveries
• How to Refill an Ilford Disposable Camera
• NEWS: A 2023 Holiday Gift Guide for Film Photographers
• Nikon Zoom 700 VR Mini-Review
• ROUND-UP: Camera Reviews from the Film Photography Blogosphere
• 5 Frames with a Kiev 4a and Ilford FP4 Plus – A summer love story in Italy
• NEWS: “What The Film?!” Challenges Photographer’s to Identify Black and White Film Stocks
• Development Tests, Part 2: Adox Rodinal 400:1, Fomapan 100 Classic and TTArtisans 50mm f1.4
• Harman Phoenix 200 – First Roll Review & Experiences
• NEWS: HARMAN Photo Introduces Phoenix ISO 200 Colour Film Made from Scratch in the UK
• 410 East 65th Street
• Phytogram Experiments in Weeds – What Pushes Through
• A Roll of My Grandfather’s Film – Agfa Isopan on his Leica I
• NEWS: The Latest on MiNT’s Compact 35mm Film Camera Project with Disparafilm Blog
• 500mm Mirror Lens with Film – by Simon King
• Making a No-Sew Belt Pouch from an Old Denim Jacket
• NEWS: Kickstarter Launched for the Jollylook Eye – A Mechanical Instax Mini Film Photo Printer
• 5 Frames of the Granite Coast on Delta 100 in Rodinal
• NEWS: Viltrox Releases Compact Affordable Full-Frame 20mm F2.8 Lens for Sony E Users
• Mr.Ding Noxlux 50mm f1.1 review – by Vincent Bihler
• NEWS: Bi-weekly Round-Up – November 26, 2023
• Some Cool Books for 35mmc Readers (Part 1)
• Development Tests: Rodinal 200:1 and re-used 400:1
• NEWS: Supersense Launches Cheaper ONE INSTANT DIY Peel-Apart Instant Packfilm Kit
• Huaxia 822 – Jumping into the Analog Deep End – My First Foray into Film
• NEWS: December 1st Open Lab Event to Celebrate Merger Between Barcelona Film Labs – Dubblelab and Amigou
• Pentax SF1n, Pentax-A 35-135mm and Kodak Vision 3 250D – My Personal Recipe for Photographic Nirvana
• 5 Frames with RETO Amber 800T, Contax G1 and 28mm f/2.8
• Saving my vacation photos from a faulty development
• BERGGER Pancro 400 – Small Scenes Up a Mountain in Seoul
• NEWS: TTArtisan Releases APS-C 35mm F1.8 Autofocus Lens for Fujifilm X, Sony E, and Nikon Z Mount
• Great Wall DF4 / Export – The beauty of simplicity.
• ROUND-UP: Camera Reviews from the Film Photography Blogosphere
• Website issue: Emails not working
• 5 frames with a Kodak Retinette type 030 Found in a Junk Shop
• 10 Frames from a Tour by Bicycle around New Haven
• For Sale: A Load of my Personal Collection
• Mint InstantFlex TL70 Plus Instax Square TLR Review
• 5 Frames through the Mamiya 6 with Kentmere Pan 400
• 5 Frames with a Rollei B35 and expired Orwo NP27
• EVENT: Intrepid Studios to Host Three Free Open Days in November and December
• Confessions of a Failed Camera Flipper
• 5 Frames with Foma Fomapan Retro 200 Black and White, Pentax 645N and FA 75mm f/2.8
• NEWS: I’m Back Partners with Yashica on Digital Back Kickstarter for Film Cameras
• Kodak-Anastigmat Ektar 5cm f/3.5 – Retina Lens Mini Review
• 5 Frames of trains with an Olympus Pen FV
• 5 Frames of X-Ray Damaged Kodak Vision 3 200T
• Kodak Star, 60 and S30 – One City, One Film, Three 110 Cameras
• Camera Manuals, Coffee, and a Big Duh Moment
• EVENT: Rio’s 2nd Carioca Analog Photography Festival is Accepting Exhibition Submissions Until November 11th
• Bay Area Photo Walkabout with a Selection of Camera
• 5 Frames of Cinestill 800t with a Minolta x-300 and the MD 50mm f/1.7
• Veliko Tarnovo – a Glimpse into its Past
• Nikon D700 – a 2023 Review of a Classic Full Frame DSLR
• 5 Frames with CatLABS X FILM 100 Color, Pentax 645N and FA 75mm f/2.8
• 5 Frames with the Minolta X-370 in Las Vegas
• Ricoh Mirai as a Semi-Professional Task Camera – Back to See “the Future”
• Worth the Upgrade? Reviewing the Kodak Ektar H35N’s Hip New Features: Glass Lens, Star Filter, and Bulb Shutter
• Hotel Darkroom: Developing Film on the Road
• The Whole Roll – 8 frames through a Box Brownie and a mug of strong Coffee.
• Documenting Berlin, 2022-2023
• The End of a Summer with Nikon F4
• Nikkormat FT Mini-Review – Back to Basics
• 5 Frames with FPP Low ISO 1.6, Pentax *ist and 50mm f/1.4
• Ilford Delta 3200 – a challenge accepted
• Reflx Lab Light Meter Review
• Traversing The Cowboy Trail (Part two)
• 5 frames with Kodak Ultramax in a Konica Autoreflex T3
• NEWS: Recently Published Photo-Audiobook “H – A Love Story” Raises Awareness About Heroin and Homelessness
• Godox AD100 Pro Review – The Perfect Off-Camera Flash For My Needs
• NEWS: Reveni Labs Launches Kickstarter Today for Pro-Grade Camera Tester
• The Meaning in the Making – Mini Book Review
• NEWS: Fundraiser for New Small Town Inertia PC After Motherboard Fried
• 5 Frames Beta Testing an Alfie Tych
• Digitisation – a tale of a film scanning options rabbit hole
• Traversing The Cowboy Trail (Part One)
• How to Make a Digital Contact Sheet
• Olympus Trip 35 on Holiday – Part 2 – Getting Arty in Italy
• NEWS: Lomography Declares 120 An Endangered Species and Offers Significant Price Reductions
• Behind the People of Chicago
• A Few Frames Going Horizont-al
• Travelling from Tysvær to Lake Starnberg – Roll #4 from the Original Canonet
• 5 Frames with Retocolor Aqua 400, Konica Hexar RF and 7Artisans 35mm f/1.4
• Canon T50 – Loving the unloved/ignored.
• 5 Portraits with Meopta Flexaret VI and Lomography Lady Grey
• That Time I Hacked a Canon AF35ML to Make a Loupe
• Your 2024 Film Challenge
• NEWS: 7Artisans Launches Ultra Wide Aspherical 9mm F5.6 Full Frame Lens for E, RF, Z, and L Mounts
• 35mmc, Adverts, Website Issues, and a Path Forward
• A Win/Lose Tale of Making a 120 to 16mm film slitter.
• NEWS: The Battle Over 800T – Straight Answers on the CineStill Trademark Story
• Sunset Story
• 5 Frames with the Leica Summicron 50 Dual Range at closest focus
• Rollei RPX 100 and some comparisons to ADOX Silvermax.
• Mamiya C220 – The TLR Itch
• Nikon FM and How it Became my “Do Anything” Camera
• My First Major Development Fail
• Falcon Dust-Off: An Unsung Hero of Film Photography
• Voigtlander Vitomatic ii: from paperweight to family heirloom
• EVENT: Filmstock 2023 – A New Analogue Photography Event Heads to Atlanta, GA This Weekend
• 5 Frames with the Zeiss Ikon Contaflex II and Kodak Portra 400
• 5 Frames with a Pentax MX and AristaEDU
• NEWS: Lomography Launches Kickstarter for the Nour Triplet F2.0 Bokeh Control Art Lens
• My First 5 Frames on Large Format – And How it Took Me 9 Months to Get Here
• Ago Film Processor by Vintage Visual – Product Review
• The Roll Of Film That Changed My Photographic Life
• Konica zUp 140 Super Review – Gratis Gratification
• Easing into Home Development
• Canon Sure Shot 130u II Date: One of Canon’s Last Film Cameras
• NEWS: Kamerastore and Analogue Wonderland Partner to Bring Certified Vintage Film Camera Shop to UK Community
• The Legends of Jazz and 5 Photography Masters
• FOMA 100 Classic, and a Small Town in the Middle of Nowhere
• 5 frames of Kodak Vision3 500T pushed to 1600 at home
• Monastery of Varzaresti, Moldova – resistance through faith and tradition
• NEWS: Street Candy’s ATM400 Returns Thanks to Flic Film
• AgfaPhoto APX 100 in Furano, Hokkaido
• NEWS: Tickets Available for Analogue Spotlight 2023 Community Event!
• Developing and Shooting a 3D Printed Large Format Leaf Shutter
• 5 frames of Mt Inari on ORWO Wolfen NC400 with a Pentax KX
• Photo-Flo: The ONLY Real Way To Use It
• Praktica BX20 – Meeting my Old Friend after 30 years, a Happy Reunion or a Disaster?
• NEWS: Newgrain Plans to Follow Official iOS Launch with Premium Features and Web/Android Versions
• Two Photographers, One Camera, and the Crushing Disappointment of Film
• Everyday Abstracts: A Frank Benson “Splatter-work” (One-Shot Story)
• A Walk Through Western New York Wine Country
• Minolta Dynax 9 – The 24 Year Wait for a Camera I had Put to the Back of my Mind
• NEWS: Vintage Visual to Launch IndieGoGo Campaign October 3rd for Compact Automated Film Processor
• Minolta AF50 Big Finder Review – a Wide Angle Compact to Use Close-up
• 360º Migration – A Video Story
• CineStill 400D – A Bittersweet Review
• A Hike with Leica IIIC and Fomapan 400
• A One Shot Story For Battle Of Britain Day
• Praktica MTL3 – Back to Film, with a Roll of Expired ‘SupaSnaps’ Film
• 7Artisans 35mm f/1.4 Mark II Leica L-Mount Lens Mini Review
• 5 Frames with the Auto Close-up Lens for the Mamiya 6: ‘Baroque’ and superfluous or compact and handy?
• Leitz Thambar 9cm f/2.2 – Early Experiences
• Olympus OM – 42 years, Full Circle Back to Where I Started
• You VS FOMO – when to leave a film format behind
• Travelling from Rochester to Vedevåg – the third roll from the Original Canonet
• TTArtisan Lightmeter II Review – Gradual Improvements
• 5 Frames with a Leica Minilux and Kodak 400NC
• Investigating a 110 cartridge and film for possible re-use.
• Rescue and Modification of a Ricoh Auto Half
• Fujifilm Velvia and My Shallow and Shameless Dumping of Kodachrome
• The Negative Space – a Portrait of a Local Film Lab
• Fujifilm Neopan SS – My Last Rolls & When Not to Shoot Expired Film
• NEWS: Reto Project Expands Creative Options with the Upgraded 35mm Half-Frame Kodak Ektar H35N
• SmallRig Free Blazer Review – A decent video tripod for under £400?
• 5 Frames of Kodachrome 25 and 64 – an unromantic retrospective
• 5 frames with an Olympus Trip – Sell or Keep?
• A Pheasant Surprise (a One Shot Story)
• 5 Frames with Lomography Metropolis, an OM-2n on the central plains of Kansas – Ruralopolis
• Creating Abstract Landscapes with a Kaleidoscope Filter
• Nikon FM2 Review – Its significance and modern appeal since 1984
• Drinking Districts in Japan VI: Sapporo, and a Gruesome Start
• 5 Frames from a 500mm – A Whole New World
• NEWS: Lomography LomoChrome Color ‘92 Now Available in 120 and 110 Formats
• Brumberger – A fun camera with a Funny Name
• NEWS: Develop + Fix Announce Next-Gen FilmLab 3 Desktop and Mobile App for Digitizing Film Negatives
• Legoland Denmark – lines, dots and angles
• 8 Frames with the Canon Sure Shot Classic 120 – a Stress Test
• Rollei RPX 25 in Budapest
• A Point of Shoot Camera, and an old Roll of Film, Ties Together Canine Companions
• The Water Battle – Carnival in Ponta Delgada
• Zeiss Ikon Nettar 515/2 – A More Affordable Zeiss Camera
• Punch Up Your Decor with Photographic LP Album Art!
• Minolta 9000 – The First Professional Autofocus Camera. Let it bleed.
• Komura 35mm f/2.8 in Nikon S mount – a Hidden Gem.
• My First Time using Kodak Motion Picture Film – ENC-2 vs. C41.
• Crown + Flint: The digital companion for analog photography
• NEWS: Film-based Art Exhibition by David Hume in South Australia Receives Recognition
• Agfa ePhoto CL18 – A digicam from the year 2000
• 5 Frames with JCH Street Pan in Saratoga Springs, NY
• NEWS: Kickstarter Launches Today for Photographer-Invented Quick Precision Tripod Head
• Infrared Impressions of Southern California with a Converted Nikon D700
• 5 Frames with Holga 120N and Kodak Porta 160
• NEWS: Weekly Round-Up Video – August 13, 2023
• Mamiya 6 Automat Mini-Review – A small, cheap 6×6 with a good lens!
• NEWS: Down the Road by Jim Grey Updates Annual List of Film Photography Blogs To Follow
• Olympus 35RC and a Couple Rolls of Kodak Ultramax – The Radical Retro Red Vacation
• 5 Frames in West Norwood Cemetery with a Minolta SRT-101b and Rokkor 28mm f3.5
• NEWS: NONS Camera Releases Instant Back for Hasselblad using Fujifilm Instax Square Film
• Everyday Abstracts – From Italy’s Lake Region
• NEWS: “Most Viewed” Photograph Taken On Fujifilm With A Mamiya RZ67
• One of the Last Technicians in Stockholm – a reportage by Daniel Morales
• NEWS: Pergear Releases Second Generation 60mm F2.8 Ultra-Macro Lens
• Ilford Ortho 80 Plus for Documentary Photography: A Review
• NEWS: TTArtisan Releases Bubble Bokeh 100mm F2.8 M42 Mount Lens
• Dad’s Voigtlander Vitomatic II
• Running With Cameras
• Louise Post, a Shutterbug & the Importance of Tangible Things
• Never Say Never – My Approach to Spiral Modification for 110 Film
• In praise of Photowalks – three 35mmc contributors on the Thames Embankment
• Zorki 1 Review – the Russian Leica (of sorts)
• Recomposing Street Photography with Reflections
• Minolta Pocket Autopak 460 Tx 110 – A Shooting Experience
• Photographing Summer Solstice at Stonehenge on Expired Fujifilm Neopan 400 – by Simon King
• Progress, Progress and more Regress? Analogue Photography and the Digital World.
• NEWS: SIRUI adds 150mm Focal Length To 1.6X T2.9 Venus Anamorphic Lens Series
• TTArtisan 35mm 0.95 for Fujifilm X Mount Review – Not Just for Bokeh!
• NEWS: Weekly Round-Up Video – July 30, 2023
• Nikon D80 – Rekindling the Magic with a Nostalgic Homecoming
• Greenlandic Moments
• NEWS: Indie Publisher F2.8 Press Latest Zine Features Lisa Pavlova’s BLM Protest Project “They, Too, are America”
• AGIMatic – an Innovative British 35mm Film Camera
• NEWS: Lomography Brings Back Diana F+ Black Jack and CMYK Editions
• Nothing New Except to Me – Another Leica Story
• 5 frames with Voigtlander Bessa L and Ilford XP2
• NEWS: MiNT’s New 35mm Film Camera Uses LiDAR Technology for Autofocus
• Kodak Colorplus 200 Colour Negative Film Mini-Review
• Free Photo Editing Apps – A Comparison and some Personal Experiences
• NEWS: Artist Simon Riddell Battles Mental Health in Cuillin Mountain with Wet Plate Collodion
• 5 Frames with a Tower Reflex 30 and a Kodak Polafilter Hood
• Death and Film Photography
• NEWS: Reflx Lab Releases Affordable Shoe Mount Light Meter
• NEWS: Fujifilm Reopens Domestic Orders for 35mm and 120 Film But Raises Prices
• Minolta X-300 Review – The Last Manual Focus SLR
• 5 Frames with my newly acquired Pentax 67
• NEWS: Kolari Vision Launches Kolari Shades – Sunglasses for Photographers by Photographers
• What my first portfolio review was like
• Contax G2 – The Finest Camera Ever to See my Minds Eye
• NEWS: Negative Supply Launches the 4×5 Light Source Pro Upgrade at Lower Price
• Making “Morandi’s”
• Panasonic LX3 – 8 Months with a 14 Year Old Point and Shoot
• The Drum Room (a One-Shot Story)
• Goerz Tenax 6×9 – A Genius Design
• 5 frames in Portland with an Olympus XA4 and Portra 400
• Marshal Press – A 5 Frame Mini-Review with CineStill XX
• Canon EOS 3 Review – The Good, The Bad, The Heavy
• Local Heritage Recycled, Reused, Repurposed
• 5 Frames in the Grand Canyon with an Nikon FE, T-Max 400, and an Orange Filter
• Kodak DC3200 – Kodak’s Digital Automatic Box Camera
• NEWS: Negative Supply Upgrades Basic Film Carrier 35 MK2 with Pro-Level Elements
• Pentax LX – Shooting My Wife’s Camera
• A Whole Month/Whole Roll – The Olympus 35RC and Ilford HP5+
• The “Blue Hour” from On High (a One-Shot Story)
• The End of the Dream – Installing dystopian billboards throughout California
• AI: The Beginning of The End of Photography
• Fujifilm 400 (made in the USA) vs. Kodak Ultramax 400 – The Same, or Different…?
• NEWS: MiNT Innovates With An All-in-One SLR670 (Type i) Camera
• Rollei 35S “Art Machine” – My Early Experiences
• 5 Frames from a Canon A35F – The Best Rangefinder
• 5 Frames with a Houghton Ensign Box 2¼B
• Konica FS-1 and FT-1 review – The Shape of Things to Come
• 5 Frames with a Helios 44-2 with the front element reversed
• Olympus OM1 – Return of a Classic
• The “Pheasant Whisperer” (a One-Shot Story)
• NEWS: Lomography Announces 400 ISO LomoChrome Color ’92 in 35mm, 120, and 110 Format
• Exakta VX Initial Experiences – A Camera for the 35mm Aficionado.
• How I Became A Meme – Life With Generative AI
• Rollei ATP 1.1 with Minox camera
• NEWS: Susan and Jeff Bridges Revive the Widelux Camera with SilvergrainClassics
• TTArtisan Tilt 50mm 1.4 Lens Review
• Inspiring a Project Today by Referencing Images from the Past
• 5 Frames with Kodak Retina Ia crossing the wild Carpathians
• Olympus Chrome Six – An Idiot’s Guide / A Trip to Helsinki
• 5 Frames With Zenit-E On Ilford HP5
• Ilford Ortho Plus – A good match for a Box Tengor 56/2.
• NEWS: TTArtisan Releases LTM Mount Version of Compact 28mm F5.6 Lens
• The Pop Up Herb Stall – A One Shot Story
• Roundshot Seitz 65/70-220 – One (Long!) Frame
• NEWS: TTArtisan Shoe Mount Light Meter II Upgrade Released
• 5 frames at São Paulo with Fuji XT-1 and Pentax-M 35mm f2.8
• 5 Frames with Contax RX and some old Detroit Iron – Regrets on one that got away!
• The Case for Photographing What You Know
• NEWS: Affordable “No Cons” Viltrox 16mm F1.8 E-Mount Lens Receiving Unanimously Positive Reviews
• NEWS: ONDU Eikan 4×5″ Large Format Camera Blows By Kickstarter Goals
• 5 Tri-X 400 test roll Frames, in an Olympus OM2n / my return to REAL photography
• Cyclopin: My Stereoscopic Pinhole Camera Made from a Cardboard Box
• 5 Frames in the Forest with a Pentax 6×7
• Funleader 18mm f/8 Cap Lens Pro Review
• Samoca LE-ii Review – A Fantastic Little Rangefinder
• Two rolls of Portra and a Packet of Crisps…
• Ampro MC 28mm f/2.8 – A Few Frames with the Worst Lens Ever?
• Yashica Lynx-14: The Camera that Came Home
• Fitzrovia’s Last Remaining Bespoke Tailor
• 5 Frames with a Moskva 5
• Photography as Play
• Zeiss Box Tengor 56/2 – Pinnacle or SwanSong?
• Rollei Superpan 200 Film Mini-Review
• 5 Frames at Ontario Place with a Rolleiflex 2.8C
• VSGO Electronic Air Blower Review
• 8×11 film dev reel for Jobo tank
• 5 frames with Shanghai GP3 100 in a Mamiya RB67
• 5 frames with Fujica Half 1.9 – 33mm F1.9 Half Frame Camera
• NEWS: Analogue Wonderland Aquires SilverPan Film Lab To Offer One-Stop-Shop For UK Film Photographers
• Older than Dirt (a One-Shot Story)
• 5 Frames of Chicago’s Union Station with a Yashica Mat 124G and Kodak Ektar 100
• 5 Frames in Italy With the Nikon FM2n and a Roll of Fujifilm Superia X-Tra 400
• Eastman Kodak 5222 Double-X with a Contax RTS II
• Godox AK-R21 Projection Attachment and AK-S Slide Set – Lighting Gear Review
• Drinking Districts in Japan V: Asahikawa, with a Sony A7Riii, Zeiss Sonnar 55mm, and Leica iiig, 50mm f3.5 Elmar and Delta 400
• 5 Frames in Crested Butte, Colorado With an Argus Model A and Ilford Delta 3200
• NEWS: Unique Medium Format Color Film Released By CatLABS
• A Cautionary Tale about Scanning Negs with a Digital Camera
• Canonet QL17 GIII – This camera almost has it all
• 5 Frames around Osaka Castle with a Minolta XD5 and Fujicolor 100
• 5 Frames with Rollei Ortho 25 Plus
• Plainclothes Angels (a One-Shot Story)
• 3 Days in “Our Town” with a Retina IIa, T-Max 100, Wratten 23A and Caffenol
• 5 Frames with a Friendly Deer
• 5 Frames with the Polaroid Now on i-Type Color Film
• NEWS: Negative Supply Holds June Sale Event for Premium Camera Scanning Products
• Sony Mavica Floppy Disk Camera and the Shitty Camera Challenge
• PSA: Leica Acknowledges Batch of Faulty Pressure Plates in New Leica M6 Rangefinder
• EVENT: Alan Marshall’s “Industrial Beauty” Exhibition in Sheffield Finds Humanity in the Extreme
• Balancing the Environmental Impact of Photography
• 5 Frames with a Voigtlander 21mm Color-Skopar
• NEWS: Flashback Start-Up Blends Disposable Nostalgia and Digital Sustainability With the ONE35 Camera
• “Digitalitis” and the Folly of the Pursuit for Perfection
• Rolleiflex 2.8D – Getting to know a Classic – Three Years of Ownership
• Not Fitting in a Photography Box
• 5 Frames with a Dacora Digna up Pen Y Fan
• NEWS: Jollylook Launches Kickstarter Campaign for New SQUARE Pinhole Instant Film Camera DIY Kit
• “Crystal City” (a One-Shot Story)
• Pinsta & Full-Colour Instant 4″x5″ Pinhole Prints Without A Darkroom
• NEWS: Leica’s Latest Compact Full-Frame Q3 Meets Mixed Reception
• 35mmc Shop is Back (with a few bits of my gear on “sale”)
• 5 Frames of Kodak Tri-X in Cornwall with a Mamiya RB67 and Sekor C 127mm f3.8 – by Arinola
• 5 Frames around Dublin with a Nikon F80 and Kodak Ektar 100
• NEWS: Celebrating Analogue Wonderland’s 5th Birthday, New WonderPan 400 Makes Pushing Film Fun For All
• Fuji Zoomdate 1300 – Is that a telephoto in your pocket or are you just happy to see me?
• Drinking areas in Japan IV: Yurakucho with a Leica M3, Zeiss Sonnar and Portra 400…
• NEWS: FOMA Releases Ortho 400 Medium Format Film
• 5 Frames of a Classic Cobra with a Leicaflex and Kodak Ultramax
• Of Camera Sensors and Mega-Pixels – A Screen Play
• That Time I Shot with Ilford Multigrade RC as film.
• 5 frames of Berlin with my Ricoh 500G and Ilford HP5, Ilford FP4, Ilford XP2 and Fomapan 400
• The (my) Best Leica
• A Tale of Two UFOs (a One-Shot Story)
• A DIY shutter speed tester.
• NEWS: Omnar Lenses NK35-25 M-Mount Conversion Available for Nikonos W Nikkor 35mm F2.5
• Seasons of East Van, 2022 – Book Review
• A Whole Roll of Ferrania P30 Black and White film. If it was an automobile…
• NEWS: TTArtisan Releases 100mm F2.8 2X Ultra Macro Lens with Tilt, Shift, and Rotation Controls
• Exakta VX Review – Through The Past, Brightly
• Drinking areas in Japan III: Shinjuku with a Leica M3, Zeiss Sonnar and iiig, Elmar 50mm f3.5, Portra 400 and Ilford HP5
• Space Cakes, a Roll of Kodak Portra 160 and the Near-Death Experience of my Makina 67
• Ilford Advocate Lens – Bodge Mounted By The Geniuses at WYC
• Durst Automatica – Overcoming Scale Focus Fears with an Italian Beauty
• NEWS: Introducing Reto Project’s New 35mm Colour Films – GLOW and AQUA
• The Flour Battle
• Creating Trichrome Color Photos with Ilford HP5+ – My Experiences and Mistakes
• Don’t Sleep with Yellow Lenses, Darlin’
• Is my Old Light Meter Reliable? A Little Test and the Results
• NEWS: Pentax’s New Compact Fixed-Lens Film Camera Embraces Tradition with Mechanical Film Advance Lever
• Shooting my first roll of expired film
• 5 frames of cheap cheap cheap in the Far East. An Argus C3, caffenol and Kentmere Pan 100.
• NEWS: Fundraising Campaign Launches for East Texas-Based Community Darkroom
• Omnar LT42-45 Barnack – Leitz Summar 42mm f/4.5 – Lens Review
• A Repository for Memories: My Mother’s House
• Olympus Pen F – The Walk to Paradise Garden and W. Eugene Smith.
• NEWS: TTArtisan’s Autofocus 27mm F2.8 Lens Now Available for Sony E and Nikon Z Mount Cameras
• Zorki 4K Review – Following the Wisdom of Tolstoy
• Photographing a Butterfly Conservatory – Black and White, What Can’t It Do?
• Shooting f/8 Until Sunrise – My Experiences and Methods
• Canon VI-T (a Tale of a Treasured Camera)
• AI Photography: My Journey Into A New Medium
• NEWS: Zone Imaging Releases Rapid Alkaline Fixer Eco Zonefix
• My Story of the Imperfect Perfection of Film in Wedding Photography
• Je Suis Le Mal Aimé! – The One No One Likes
• NEWS: Street Candy’s Return Brings MTN100 Back in Stock
• Real Photographers Forum – Help Give the Old Place a Boost!
• PPP 35M Color-Minotar 35mm f2.8 Review
• Age or Beauty? – 2: Hokkaido Barns, Glue Prints
• Fujifilm Professional TX-2 – Seeing Panoramic
• Fujifilm Professional GA645i and Velvia 50 in The Hindu Kush
• NEWS: Dubblefilm Brings Back Analogue TV Distortion with Fun New Film GLITCH
• The Case for Always Taking Your Camera
• The Case for Not Always Taking Your Camera
• Agfa Isolette L – I Dared to Repair… and Won!
• Spectral Sensitivity of B&W Film – A Deep Dive into Orthochromatic, Panchromatic and All the Rest
• Looking back at 10 Years of 35mmc
• 5 frames with the Voigtlander 35/2 Ultron II on M10-P in Hong Kong: The beginning of my Leica journey
• Nost•Algia and Film Simulations in Digital Photography
• NEWS: Announcing Analogue Spotlight 2023 – Save the Date for October 14th & 15th!
• Konica TC and T4 SLRs – The Last of the Steam Powered Trains
• 5 frames with the Lomo Earl Grey 100 and the Nikon FE
• Canon Multi Tele – The Long Half-Life of a Canon Half-Frame Camera
• The Haunting on Sunset Hill (a One-Shot Story)
• An Overview of my 5 Artisans Lenses – 7 and TT
• EVENT: Photo Oxford Festival Celebrates 2023 Theme: The Hidden Power of the Archive
• 5 Frames with a Fujica ST605n and Rollei Retro 400s
• Age or Beauty? – 1: Modern Art Painted by Nature
• NONS SL660 Review – Exploring the World of Instant Film Photography
• 5 Frames with the Spinner 360°
• The Collection – An Accumulation of Film Canisters
• Hasselblad (Zeiss) Distagon 50mm f/4 Review
• 5 Frames with an Olympus OM1, a roll of HP5 and a Bridge
• Making Flash Work for my Photography
• Confessions of a “Windmill Hog” (a One-Shot Story)
• So you want to get into Minox photography?
• Heavens Above
• That time I “half-framed” a cute Kodak Flash Bantam camera (Part 3 of 3)
• NEWS: Film Photography Project Releases Low ISO Color Film in 35mm and 16mm
• darktable Mini-Review – A Quick look at my Favorite Software
• 5 Frames with the Kodak Retina 1a & Very Expired Ilford FP4
• Drinking districts in Japan II – Nagasaki with a Leica iiig, 50mm Summitar and Portra 400
• Fuji 100mm F3.5 AE Lens (6X9) adapted to Pentax (35mm)
• Venice into Dreams – a Pinhole Photo Essay
• Fujica GL690 with Fujinon S 100mm F3.5 & Fujinon SW 65mm F5.6

The Whole Roll

A series of articles that show entire rolls of film; every image, warts and all. Authors who submit these articles often talk through the roll, where/why it was taken etc.

• The Whole Roll: Harman Phoenix 120 in Minolta Autocord MX
• The Whole Roll – Kodak Portra 160 – Summer, New Orleans City Park.
• A Full Roll of Flowing Water with a Moscow 4
• The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024
• Whole Roll of Expired Arista Through North County San Diego
• The Whole Roll: Ilford FP4+ at the London New Years Day Parade (2024)
• Bronica ETRSi and 135W – First Whole Roll Experiences
• The Whole Roll – Weekend in Northern Quebec
• The Whole Roll – 8 frames through a Box Brownie and a mug of strong Coffee.
• A Whole Month/Whole Roll – The Olympus 35RC and Ilford HP5+
• A Whole Roll of Ferrania P30 Black and White film. If it was an automobile…
• The Whole Roll – 12 Exposures with 30 year Expired Kodak Ektar 100
• Leica Mini Zoom – A Whole (Test) Roll with Kodak Gold 200
• The Whole Roll – Nikon FE2 and Rollei S400 – By Felix I Flores Rodriguez
• The Whole Roll – Pentax Spotmatic SP1000 and Kodak Colorplus 200- By Royce
• The Whole Roll: Around (the Other) Durham with a Modified Sabre 620 and a Roll of HP5 Plus – By Clifton Dowell
• The Whole Roll – Shanghai GP3 220 film in a Yashica Mat124G – By George Griffin
• A Whole Roll of (Mostly Failed) Experiments with a Minolta Autocord TLR – by Sroyon
• 24 Frames / Whole Roll of 110 Fujicolor in an Agfamatic Pocket Camera on a Countryside walk – By Rock
• The Whole Roll and Nothing but the Roll – Kodak E100 in Iceland – A Journey into Colour – by Laura Cogan
• 38 frames / A Whole Roll of Fujicolor C200 in a Canon Snappy LXII – #FullRollFriday – by David Hume
• The Whole Roll from a Trendy Halloween Photoshoot – By Chase Taylor
• Entering Solitude, or helping myself publish with a #FullRollFriday post – By Theo Swinscow
• 36 Frames / Whole Roll Tilting & Shifting with a Canon 24mm TS-E – #FullRollFriday – By Kevin Ortner
• 38 Frames / A Whole Roll of Rollei Retro 400S – #FullRollFriday – by Simon King
• 22 Frames / A Whole Roll(ish) 0f Kodak T-Max 100 – A Garbage Idea – #FullRollFriday – By Charlie Bierwirth
• Giving a “Faulty” Camera Another Chance – #FullRollFriday – by Holly Gilman
• 16 Frames / A Whole Roll of Ilford HP5+ in a Box Tengor 54 – #FullRollFriday – by Steve Phillips
• 36 frames / My 3rd Whole Roll of HP5 – #FullRollFriday – By Andrea Bevacqua
• 13 frames / My first self developed roll of 120 film – #FullRollFriday – By Holly Gilman
• 36 Frames / A Whole Roll Fujichrome Velvia 100 in an Olympus XA2 – #FullRollFriday – by David Hume.
• 9 frames / Or should it be 12? – #FullRollFriday – By Holly Gilman
• 5 Frames / A Whole Roll of Agfachrome R100S in an Agfa Isolette III – #FullRollFriday – by David Hume.
• 36 frames / My First Whole Roll of Film – #FullRollFriday – By Holly Gilman
• 39 Slides / A Whole Roll of Fujichrome Sensia 100 (expired 2006) – #FullRollFriday – by Simon King
• 32 Frames / A Whole Roll of Lomography 800 – #FullRollFriday – By Gavin Bain
• 25 frames / a whole roll developed by me for the first time in 30 years – #FullRollFriday – by Rock
• 36 Frames / A Whole Roll with a Leica iiif, Voigtlander Color Skopar 21mm f/4 ltm & Ilford FP4 Plus (metered at iso 400) – By Duncan Gruer
• 24 Frames / The Whole Roll of Ilford HP5+ in an Olympus Trip 35 – #FullRollFriday – By Hilary Clarke
• 34 Frames / A Whole Roll of Ilford HP5, Contax 139Q C/Y & Sonnar 85mm – #FullRollFriday – By Victor Doroshenko
• 23 frames / A Whole Roll of Fujifilm Superia 400 in a Vivitar Ultra Wide & Slim – #FullRollFriday – by Charles Higham
• 36 Frames / A whole roll of Fuji Neopan 400 – #FullRollFriday – By Sandeep
• 36 frames / A Whole Roll of Kodak Portra 400 – #FullRollFriday – by Lee Webb
• 23 frames / A Whole Roll of panoramic images with the Horizon 202 – #FullRollFriday – By Thodoris Markou
• 24 Frames / The Whole Roll of Expired Gold 200 in an Agfamatic 200 – #FullRollFriday – by Rock
• 29 Frames / A Whole Roll (Almost) of Rollei Retro 400s – #FullRollFriday – by Gary Quinn
• 36 Frames / A Whole Roll of Fomapan 100 (at EI400) – #FullRollFriday – By Anthony Chatain
• 25 Frames / A Whole Roll of Kodak Ultramax 400 in a Canon Snappy LXII – #FullRollFriday – by David Hume.
• 36 frames / A Whole Roll from the Early Days of my Film Photography – #FullRollFriday – By Ed Worthington
• 22 Frames / A whole roll of JCH400 shot on the Horizon 202 – #FullRollFriday – By Captain Badbeard
• 36 frames / A Whole Roll of Rollei RPX400 – The first #FullRollFriday – By Jeremy Strange

The Travelling Yashica

A project that started in the early days of 35mmc when I sent a Yashica T5 travelling around the world. You can find the posts from the people who got to use the camera here. Since then other cameras have been sent traveling, you can find stories of their travels here:

• Travelling from Germany to Northern Italy, taking in Denmark and Austria on the way: Original Canonet roll #5
• Travelling from Tysvær to Lake Starnberg – Roll #4 from the Original Canonet
• Travelling from Rochester to Vedevåg – the third roll from the Original Canonet
• Travelling from Pittsburgh to West Hollywood : Canonet 28 roll #5
• Travelling from Conneticut to Georgia: The Travelling Canonet 28 roll #4
• Travelling from Woking to Worcester (via Belgium and Austria) – Original Canonet roll #2
• Travelling from Lexington to Rhode Island – Canonet 28 roll #3
• Travelling from Washington State to Long Island – Canonet 28 Roll #2
• The Travelling Canonet – Canonet 28 Roll #1
• The Travelling Canonet – Original Canonet Roll #1
• My Time With The Travelling Yashica – Paul Rice – Chatham, Ontario Canada
• Diversity and the Traveling Yashica in Dubai, UAE
• Portraits with the Traveling Yashica, Dubai, United Arab Emirates
• I wanna grow up to be Terry Richardson – The Travelling Yashica in Ottawa, Canada
• Yeg with the Travelling Yashica – Edmonton, Alberta, Canada
• The Traveling Yashica: Morten (Denmark)
• The Traveling Yashica: Duncan Waldron (Camira, Australia)
• The Traveling Yashica: Sergio Novo (Aranjuez, Madrid, Spain)
• The Traveling Yashica: Angelina Hue in Brussels & Istanbul
• The Traveling Yashica (Vácszentlászló, Hungary)
• The Traveling Yashica: Matt Jacques (Vancouver, Canada)
• The Traveling Yashica: Dave Wolanski – Delaware (USA)
• The Traveling Yashica: Alex Yates – Norwich, UK
• The Traveling Yashica: Austin Beeman – Ohio, USA
• The Traveling Yashica: Daniel VanDurmen – Tulsa, OK. USA
• The Traveling Yashica: Jonas Lundström in Gothenburg, Sweden
• The Traveling Yashica: Moni Smith, Portland, Oregon U.S.A.
• The Traveling Yashica: Antonella Guarracino, Dublin
• The Traveling Yashica: Mark Buckley, Cheltenham
• The Traveling Yashica: Bryan Tyler, Kentucky
• The Traveling Yashica: Alex Redman, England
• The Traveling Yashica: Julián Péter, Slovakia
• The Traveling Yashica: Amanda Raney, Mississippi
• The Traveling Yashica: Ben Jennings, Reading, England
• The Traveling Yashica: Susan Clement, Memphis, Tennessee.
• The Traveling Yashica: Hamish Gill, A trip to Huddersfield
• The Traveling Yashica: Dominik Mrzyk, Upper Silesia, Poland.
• The Traveling Yashica: Brendan, Dublin, Ireland
• The Traveling Yashica: Inge van Leipsig, Rotterdam, The Netherlands
• The Traveling Yashica: Dominic Clarke, London, England
• The Traveling Yashica: First stop in Munich, Germany
• The Traveling Yashica

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