A 2 Year Journey Across California with Kono Monolit ISO 3 film

By Nader Bishara

In the era of ever-advancing digital technology, where cameras boast mind-boggling specs and lenses are constructed with precision engineering, there remains an enchanting allure to the analog world and back to the basics of photography.  The availability of old antique lenses with rare or defunct lens mounts has found new life with the introduction of mirrorless cameras with their short flange distance. I started photography at the age of 8 with a Kodak Ektalite 10 (which I still have) that my father gifted me. When the digital wave swept through the photographic world, film cameras were placed sold and I was all into zeros and ones. The allure of film, however, proved persistent. Within two years, a small collection of film cameras found their way back into my hands. Curiosity drove me to experiment with modern lenses on the timeless medium of film, seeking to bridge the gap between past and present.

Fast forward to 2022, and a visit to a local photographic supply store in Los Angeles opened a new chapter in my film journey. There, amidst shelves catering mostly to film enthusiasts, I stumbled upon the Kono Monolit 3 film—a rare emulsion with an ISO of 3. I have never heard of this film before. I was used to 100 to 400 and that was it. The lowest to my knowledge was ISO 25. Intrigued, I purchased a roll without a clear purpose in mind. The first five frames of this ISO 3 film found their way into my Canon EOS 3 in the heart of downtown Los Angeles. With the EOS 3’s metering capabilities reaching down to ISO 6, I compensated with a stop of exposure. Little did I know that this roll would accompany me on journeys to Sequoia National Forest and along the picturesque US 395 highway, capturing moments in the aftermath of forest fires and basking in the renowned light of this iconic stretch of road in the Sierra Nevada mountains of California.

Development Notes

Back in the darkroom, with minimal guidance on the massive dev chart, a recommendation to develop for 5 minutes in D76 offered a starting point. Upon development, the film was overexposed by at least a stop to 1.5 stops with relatively high contrast.  It seemed that the ISO of the Kono Monolit 3 film hovered around 6-8.Despite the unexpected exposure challenges, scanning the film with a Canon R5 unveiled the organic qualities and remarkable resolution that continue to define the magic of film photography. Most of the blown highlights were easily recoverable with plenty of details, which would have been impossible with a digital camera. 

Union Station – Downtown Los Angeles

Union Station Rotunda, downtown Los Angeles. Canon EOS 3- Rokinon 12mm/2.8 FE.

Union Station is the main train station in down town Los Angeles.  The structure combines  Mission Revival and Art Deco and the Streamline Moderne style with elements of Dutch Colonial Revival architecture. The area around the station is  bustling and people from all walks of life are to there. However, with an ISO 3 film, people photography was out of the question.

Sequoia National Park – Sequoia, CA

In 2020 and 2021, California had a very active fire season. The 2020, Castle Fire has impacted sequoia groves where as estimated 10-15% of the entire Sierra Nevada population of sequoia trees over 4 feed in diameter were destroyed. In 2021, the KNP fire complex which was the result of lightning ignited more than 88000 acres of the Sequoia National Park and Forest further extending the damage that occurred the year prior. Here are some of the burned areas.

US Highway 395

US 395 is a major north–south highway serving the inland regions of the West Coast states as well as northwestern Nevada. The route starts in Southern California, close to the Mexico border and goes through Orgeon and Washington to the Canadian border. A rather well traveled section of this highway is in Southern California along the Sierra Nevada Mountains which straddle the road to the west and White Mountains to the east is well known amongst photographers. The national beauty of the mountains with incredible cloud formations and storms provides ample opportunities for those who are patient and probably brave to weather the weather. Here are a few shots from various points along this beautiful stretch of road. The first image is from the ghost town of Randsburg in the southern part of the road.

 

Randsburg Ghost Town, Randsburg, California

The second image is alongside the Owens Dry Lake with remnants of abandoned factories dotting the landscape. Moving north along Big Pine along White Mountain Road, to the Ancient Bristlecone Pine forest. The Brislecone pine trees are very unique in their shape and the harsh environment that they flourish in. The Great Basin bristlecone pines grows in only three locations, Utah, Nevada and California. They are known to be the oldest living trees with some exceeding 4000 years.

 

Pittsburg Plate Glass Company plant on the western shores of Owens Lake at Bartlett, CA. Canon EOS 3 – Canon EF 24-70/2.8II

The tree that is photographed in image 3 (also at the top) is known as the Sentinel Tree along the Schulman Grove at an altitude of 10,500 feet. Heading north into Bishop Creek is North Lake which is know to have gorgeous fall colors (I missed them by a week).

Ancient Bristlecone Pine Forest – Big Pine California. Canon EOS 3 – Canon EF 24-70/2.8II.
North Lake before sunrise.

This last image is further north into Mammoth Lakes is the Hot Creek Geological site. When you get to the level of the creek you can appreciate the boiling water bubbling up from the creek bed, fumaroles with the smell of sulphur permeating the cold morning air and periodic geyser eruptions especially with earthquake activity.

Hot Creek Geological Site – Mammoth Lakes, CA. Canon EOS 3 – EF 24-70/2.8II.

Closing Notes

The Kono 3 film reminds me of the unpredictable, yet fascinating, nature of film photography. In a world dominated by digital precision, the organic qualities of film persist in surprising and delighting photographers. The medium of film still continues to impress even when digital cameras have so much more capabilities and latitude that could only be dreamed of a few years ago.

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Comments

Ibraar Hussain on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

ISO 3!! I did see this advertised somewhere and thought that would be for some particular subjects in good light.
I wonder how this film would develop in Diafine ?
Fantastic photographic journey and photography and you can see the resolving power of this film!
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Nader Bishara replied:

Comment posted: 20/02/2024

I believe it is originally manufactured by Svema under the Kono brand. I bought it from freestyle photographic supplies in Los Angeles and it was a limited supply film. I was just checking their website and its not available. I stuck with D76 in all my film photography but would love to know more about Diafine and other developers.

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Ibraar Hussain replied:

Comment posted: 20/02/2024

Diafine is excellent - same times at room temp for all films! So if you have a new strange film it’s the go to dev. Check out Martin henson’s review on YouTube

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fleetwoodler on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

The photo of the "big pine" is fantastic! Keep up the good work and thanks for sharing your experience.
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Nader Bishara replied:

Comment posted: 20/02/2024

Thank you fleetwoodler.

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Reed George on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

Wonderful, Nader! The Hot Creek image stands out amongst your many other excellent images, at least to me. I’ve never tried this slow film, either, with iso 25 (Ilford Delta F pulled one stop) being the lowest I’ve tried.

Thank you for sharing! A nice morning read.
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Nader Bishara replied:

Comment posted: 20/02/2024

Thank you Reed.

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Julian Tanase on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

Excellent images, really beautiful. Looks like this film was handled quite well in both camera and processing stage. You did use a tripod, I believe? I am attracted to the big tree, with the second the Hot Creek as my preferred ones from this series.

Thank you, really god pics and writing !
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Nader Bishara replied:

Comment posted: 20/02/2024

Thank you Julian. All the photos were shot on a tripod since exposures varied from 1/10 to 2 seconds for most of them. Trees are magnificent for sure.

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Max Tiraquon on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

Fantastic article and photos, is there any where else I can see your work
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Nader Bishara replied:

Comment posted: 20/02/2024

Hello Max Thank you so much for the kind comment. I only have a small instagram page. https://www.instagram.com/naderbishara/.

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Reinhold on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 20/02/2024

Beautiful images you made
This image ‘before sunrise’ with ISO 6 is not the only stunning one.
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Nader Bishara replied:

Comment posted: 20/02/2024

Thank you Reinhold for the kind comment.

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Paul Trantow on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Randsburg! I used to go there regularly to burn film back in the early 90s. I still have a pile of chromes someplace-Gotta get them out! How was it looking? Did you also pop into Johannesburg? Beautiful work, by the way.
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Nader Bishara replied:

Comment posted: 21/02/2024

Thank you Paul. I haven't been to Johannesburg. I know it's pretty close but had 2 really tired kids with me that day!

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Tony Warren on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Wonderful images Nader, thank you for sharing them. A shame this film is so elusive. It really intrigues me with such depth and detail it produces.
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Tony Warren on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Quick postscript:- Apparently not elusive down here in New Zealand. Splendid Photo list it for sale. Will definitely give it a try. Thanks again Nader.
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Nader Bishara replied:

Comment posted: 21/02/2024

Thank you Tony. It's marketed under the Svema name as well. Give it a shot and let me know what you think.

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Alasdair Mackintosh on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

The bristlecone pine is stunning. I love the tonality of the tree trunk, plus the detail in the sky. Did you use a filter? Or is this film just good at separating clouds and sky?
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Nader Bishara replied:

Comment posted: 21/02/2024

Yellow filter. I was going around this tree for about an hour taking multiple digital shots to assess the light and really just before sunset as the sky was getting darker and the last ray of light was hitting the trunk that when I took the film shot

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terry johnson on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Great work,I love the Bristlecone pines . I haven't been there since the 70 s.
Recently I've been using a two bath D23 formula and it's quite good with expired film. The formula has been around forever and is documented in the zone system manual. Keep up the good work.
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Nader Bishara replied:

Comment posted: 21/02/2024

Thank you Terry. Those trees are a category by them selves. Truly magnificent. Do you make the D23?

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Geoff Chaplin on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Some fabulous images here! Excellent article, thanks. I do like slow films but have never ventured below Adox CMS 20 - having seen your article I try to find some Kono Monolit.
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Nader Bishara replied:

Comment posted: 21/02/2024

It's all about the experimentation and the anticipation when that film is cooking in the developer.

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Gary on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Great shots, especially the Bristlecone Pine and Hot Creek. Tell me, did you see any advantage in using this very slow film?
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Nader Bishara replied:

Comment posted: 21/02/2024

Honestly no. Having to use a tripod on every shot limits the subject matter to still images. I think it has more resolution than a 100 film.

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Paul Quellin on A 2 Year Journey Across California with Kono Monolit ISO 3 film

Comment posted: 21/02/2024

Great article, really enjoyed the images, they have an usual look as though they were prints that have been aged. Like it... wonder if I can find some... certainly saves on carrying ND filters around.
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