7 Frames with a Rollei XF 35 and Kodak Gold 200 in the Bavarian Alps

By Jens

I bought the Rollei XF 35 second-hand about five years ago because I was looking for a simple point-and-shoot camera with a high-quality lens for 35mm film. I must admit, I don’t use it very often, but whenever I do, I’m always impressed by the image quality. It’s easy to handle and compact, but it doesn’t feel particularly high-end. Perhaps that’s one reason why I tend to reach for other cameras in my collection instead.

On this occasion, I used Kodak Gold 200, a film that produces a fantastic retro look and instantly transports me back to the 1970s and 80s just by looking at the images. I was fortunate enough to stock up on it before the prices skyrocketed, and it’s always a pleasure to receive the developed results from the lab. The photos are not entirely clear in color and some have slightly muddy shadows – the cause may be that the film remained in the camera for several months before it was developed, but I don’t dislike the effect.

My photos are taken about 40 kilometres south of my home in Bad Tölz, in the Bavarian Alps – specifically in Vorderriss and around the Oswaldhütte. Vorderriss is located at 808 metres above sea level, where the Rißbach flows into the Isar, at the foot of Schürpfeneckberg. This small settlement, home to only nine buildings and 30 residents, includes a guesthouse, a state forestry office, a forestry station owned by the Grand Duke of Luxembourg, and a former customs house.

Four kilometres further south lies the inlet structure of the Rißbach diversion, where, since 1949, much of the Rißbach’s water has been redirected to the Walchensee to supply the Walchensee hydroelectric plant. Here, you will also find the Oswaldhütte (844 metres above sea level), a serviced alpine hut that serves as a starting point for hikes, such as the ascent to the Schafreuter (2,102 metres above sea level). My photos capture the Oswaldhütte and its stunning surroundings, including the mountains and streams. The alpine hut is open from spring to autumn and serves typical Bavarian, simple dishes and good beer. In the past, cows and pigs were also kept in the adjacent barn and looked after by the innkeepers. Just a few hundred metres further, the Austrian border begins.

I love arriving at the hut on a Saturday or Sunday morning around 10:00 as the first guest, enjoying the peace and seclusion. It’s a wonderful destination for a drive in my English HMC Roadster.

Share this post:

Find more similar content on 35mmc

Use the tags below to search for more posts on related topics:

Contribute to 35mmc for an ad-free experience.

There are two ways to contribute to 35mmc and experience it without the adverts:

Paid Subscription – £2.99 per month and you’ll never see an advert again! (Free 3-day trial).

Subscribe here.

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.

Sign up here.

About The Author

By Jens
I am a surgeon in my early 50s, living south of Munich near the foothills of the Alps. In my free time, I pursue my passion for photography, working with both analogue and digital formats, primarily using Leica, Ricoh, and Fuji cameras. My favourite place to capture moments is New York City, where the vibrant streets provide endless inspiration. You can explore my work on Instagram at nyc_streetphotograph or bnw_by_jr. I would be delighted if you stopped by!
View Profile

Comments

Gary Smith on 7 Frames with a Rollei XF 35 and Kodak Gold 200 in the Bavarian Alps

Comment posted: 20/03/2025

Greetings Jens! Thanks for your review. I have to say that the colors/contrast/clarity of the example shots seems to be all over the place. Did you edit the scans you received from the lab? In your headline shot and the shot of the tank trailer near the fence the color/contrast looks fine however the shot of your black roadster looks flat. I'm assuming the exposure is fully automatic?
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jens replied:

Comment posted: 20/03/2025

Greetings Gary, Thank you for your comment! So far, I’ve only shot three black-and-white films with this camera and this one roll of Kodak Gold 200. Unfortunately, since I own several analog cameras, I have the habit of not always finishing a roll in one day. Sometimes, a film stays in the camera for weeks or even months. With black-and-white film, I always had the impression that the camera’s automatic exposure works well. However, with this color film, some shots turned out way too dark. Even though I usually avoid post-processing, I had to adjust those images, and as a result, they look quite flat. That said, I actually enjoy the imperfect look—it has a certain retro charm. The subjects and the overall feel seem like they’re from another time, even though the shots were taken not too long ago. Best regards, Jens

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Ibraar Hussain replied:

Comment posted: 20/03/2025

I think It’s always essential to post process color negative film scans as the color tone and contrast is always off by a country mile In fact I’d say it’s essential to post process E6 scans to make them appear the same as the slide on a light table This is even more important when publishing the images

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Ibraar Hussain replied:

Comment posted: 20/03/2025

But would like to add that I enjoyed reading this and seeing your photos Makes me want to visit !!! Thank you my friend

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jens replied:

Comment posted: 20/03/2025

Thank you for your message. I think there are two different approaches. One is to scan an analog image and optimize all the components to produce a flawless photo. But that's not my approach. I use an old camera with all its advantages and disadvantages and use analog film, which is sometimes older or over-aged. This may not produce perfect images, especially when the lighting conditions are difficult, but it conveys a certain charm that I love so much about old photos. As I already mentioned, the coloration of the photo does not reflect reality; it appears as if these shots are very old, even though they are not. For me, that is the appeal of analog photography. It is interesting for the eye to capture these unusual color combinations and the imperfections. I had a Leica M10 and sold it because the coloration of the photos was far too childish for me. I still use my Leica M8, which has a certain color cast due to the old sensor, which I love very much and which reminds me of analog photography. But everyone has a different point that is important to them.

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *