I decided to write this post after having stumbled across the next ethusiast review of a smartphone published on a reputable magazine, claiming that the device can deliver ‘DSLR-like’ photos. In fact, as is often the case with ‘camera experts’ who work for a magazine or earn money by posting videos making funny faces on social networks, it was just a rewrite of the manufacturer’s product specifications and promotional material.
There are few things, in photography, I dislike more than than these ‘DSLR-like’ claims made in the advertising of smartphones and compact cameras because ‘DSLR-like’ is the archetype of a meaningless statement made to lure people into using an arbitrary benchmark to purchase something that give them a ‘status’ or the illusion of taking ‘better photos’.
Exactly which DSLR are they talking about in the first place? A cheap entry-level APS-C? A flagship full-frame beast? And why should I use as a benchmark a 24×36 camera and not a medium format? And why do these ads never mention lenses?
And here comes another batch of questions about the second word of the claim: what is the ‘like’ in the ‘DSLR-like’? Where is the point of reference to tell if A is ‘like’ B? And what does ‘like’ mean in the first place?
Another example, often found in the smartphone and camera sectors, is claiming that a gimmick is ‘the best XYZ ever’. This statement simply means that XYZ is (perhaps indeed) ‘better’ than its predecessor, but it does not provide any information about how well XYZ is rated among its peers. So XYZ may really be ‘the best XYZ ever’, but if it is rubbish, it will remain rubbish no matter what.
In short, these are well-known marketing trick: make a statement that seems easy to understand, but in fact needs to be ‘interpreted’ according to personal beliefs, prejudices or delusions.
Personally, when I use a smartphone to take a picture, I don’t feel the need to apologise or point out that, yes, it’s not a real camera, but it delivers ‘DSLR-like’ quality nonetheless. There may have been many reasons for this choice, perhaps the real camera ran out of power or space, perhaps it suddenly broke down, or simply because a smartphone was all I had at the time.
This what happened with the photograph featured in the header of this post, taken in Tokyo’s Judo Kodokan museum. It was taken with a smartphone simply because I ran out of film in my main camera so switching to the smartphone was the only option. Apart from the composition, from a technical point of view (also thanks to post-processing) the picture it is of decent quality, but it is not a DSLR ‘like’. Simply as that, and it doesn’t actually matter.
In the end, it doesn’t matter what the ‘final quality’ will be, it doesn’t matter what ‘proprietary AI algorithm is used, it doesn’t matter how much the marketing people want to massage the words, because there is no such thing as ‘DSLR-like’ quality in the first place. This is why every time I see a product advertised as ‘XYZ-like’, I look elsewhere for a more honest marketing strategy, perhaps one based on the old McCann-Erickson adage that advertising is ‘truth well told‘.
Post Scriptum: I don’t mention the brand of the smartphone I used to take the picture because it is not relevant to the purpose of this post. As John writes in 8:7, let him who is without sin among you cast the first stone…
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Gary Smith on DSLR-like…?
Comment posted: 21/03/2025
Graham Orbell on DSLR-like…?
Comment posted: 21/03/2025
The thing is iPads and cellphones are better for people like that woman and thousands of others who just want to share their scenics and selfies on Facebook on small screens.
Me I like to shoot RAW and print A3+ on my Canon Pro300 printer. I have occasionally printed from my 48 megapixel Samsung Galaxy cellphone but the images fall apart.
But I don't need to explain that to readers of 35mmc who already know this or to some nice young lady with an iPad trying to help me, who started photography in 1948 with her kind advice.
Ibraar Hussain on DSLR-like…?
Comment posted: 21/03/2025
I only use mine to take snaps of necessary stuff or incidences .
The good thing is the video which I use more often - though never for anything serious
Tony Warren on DSLR-like…?
Comment posted: 21/03/2025
Comment posted: 21/03/2025
Comment posted: 21/03/2025
Comment posted: 21/03/2025
Michael Keppler on DSLR-like…?
Comment posted: 21/03/2025
Of course that's rubbish. Better photos take a lot of practice, studying the work of other photographers, planning, time, opportunities and practice again and again and again. I started taking analogue photos again about two years ago. My best pictures during this time were taken with cameras that are between 40 and 90 years old. Or with cheap plastic cameras. The pictures I like are good because I put a lot of effort into them and because I try to get better through practice and constant learning. It's not the camera that makes the picture, it's the photographer.
But we don't like to hear that a good result requires time, effort and constant learning. We'd rather be told that all we need is the latest smartphone.
Steviemac on DSLR-like…?
Comment posted: 21/03/2025
The old adage that the best camera is the one that you have with you, still holds true. I have several images taken on my mid range smartphone, which, allowing for it's camera's limitations, I am very proud of. To respond to your biblical post scriptum, with another from Matthew 10:16: "Be ye therefore wise as serpents and harmless as doves." Not only the sacred gives such warnings, the profane can do so with 'Don't believe the hype' by Public Enemy.
Comment posted: 21/03/2025
Jeffery Luhn on DSLR-like…?
Comment posted: 22/03/2025
Jeffery Luhn here. You folks know me. I've been a commercial photographer since 1969 and taught photography at the college level since 1981. Currently I teach several courses at two colleges. Three digital classes, one film class, and many cell phone photography courses. You know that I post articles on this site accompanied by photos I shoot on film. Film is my passion. I love every aspect about it: The difficulty of shooting, processing, and printing is a joy. So, I want you folks to read and consider what I have to say about cell phone photography.
When digital photography first started being used commercially, I was resistant. The quality was poor, but my clients wanted digital images, so I jumped in and year after year I purchased the best cameras I could. By 2005 my business was totally digital. My expenses declined and my profits went up. I was a convert. Unfortunately, clients started getting good results from employees using digital cameras. By 2015 most of my bread and butter jobs had disappeared. I began teaching more classes and shooting less.
Then came decent cell phone cameras. What? A phone with a camera? That seemed like having a trombone welded to the handlebars of a bicycle. It was stupid. The college I taught at closed down the film classes, went totally digital, and asked me to teach a cell phone photography course. The response was robust, and now my most popular courses are cell phone photography. Portraiture, night shooting, travel, architecture, and forensics. All on cell phones. Why is the response so good? Because those handy cameras are the tools that do the job. Multiple lenses, lots of depth of field, consistently good exposures, and high dynamic range. Simply put, cell phone cameras are the best tool for the majority of jobs. Period.
I judge at least one photo contest a year, and most of them are big with great submissions. Two years ago, the premier show I judge had a great photo of a candle-lit funeral ceremony in a dark church in Serbia. A 12" x 18" gorgeous color print. It was a super dramatic shot and it won best of show. First place from over 400 good quality entrants. After the three judges agreed on the shot, we found out it was taken with a cell phone. We were horrified and considered changing our choice, but we decided that the tool is irrelevant in the hands of a master artist.
We are in an age of technical advancements. None of us could have predicted that processing power would skyrocket as devices got so much smaller. As the Borg stated on Star Trek, "Resistance is futile." So I suggest that we avoid the temptation to cast dispersions at new photo technology and concentrate on the aspects of photography that we find most rewarding. For me, that's film. Fortunately, young folks are rediscovering film and I'm teaching a film class again. But I have no illusions about film displacing digital. The genie is out of the bottle.
If cell phones allow more and more people to enjoy taking family photos and shots for commercial purposes, I'm okay with that. It doesn't get in the way of me shooting my Zeiss Ikonta and processing the film in Pyro CMK.
Respectfully,
Jeffery Luhn
Comment posted: 22/03/2025
Geoff Chaplin on DSLR-like…?
Comment posted: 22/03/2025