Dear 35MMC readers, I am a dreamer. I keep hoping I will be able to buy some Kodak Ektar 25 (or Royal Gold 25 – the same emulsion) which has been frozen all these years and will respond perfectly, as if it was fresh. In my previous post, I showed some examples of 120 Ektar 25 and concluded that it was too late and was time to move on. Ha, I can’t keep my own advice. A seller on eBay claimed that three rolls of 135 Ektar 25 had been stored frozen in an old photography studio. The price was reasonable, so I bought them.
Much of west central Mississippi is still inundated by Mississippi River floodwaters and local runoff, so there is plenty of interesting subject matter this spring and summer (2019). Here are some examples that I took with my wife’s 1971-vintage Pentax Spotmatic camera (which she bought new in Cambridge, Massachusetts).
This first roll of expired 135 Ektar 25 surprised me:
The good: some of the frames are superb, like the poster of Trump and the pumps.
The bad: On many frames, the colors are definitely off. Blue was not recording correctly and many scenes were too green. However, that is not completely unexpected because here in summer, there is so much forest and wetland, the green light bounces back down from the humid summer sky. I noted this many years ago when I started a roll of Kodachrome in Greece and finished it in Mississippi. The Greek scenes were quintessential blue and glowing with light; the Mississippi scenes were green and muted – same roll of film, same Leica and lenses.
Scanner issue: I scanned this Ektar 25 with a Plustek 7600i scanner controlled by Silverfast Ai software. The Ai does not have an Ektar 25 profile. The closest appears to be the Ektar 100 profile (the modern emulsion), so this may account for some of the color issues. But I am sure the Ektar 25 is just too old now. I corrected the color on many frames by using the neutral grey dropper on pavement, concrete, or metal roofing.
Camera motion: I also experienced some camera movement, so I am not being quite stable enough when hand-holding. And I slightly mis-focussed the 35mm Super-Takumar lens several times. The old Spotmatic has a rather grainy finder screen. I have had excellent results from the 35 before, so my copy is not damaged.
Grain: This Ektar 25 seemed to be coarser grain than I remember. Possibly something happens to the emulsion when it is old, but I do not know for sure. Maybe I am romantically remembering how fine-grain it was in the old days.
Thank you all for reading. Keep supporting 35MMC and keep photographing! You can follow my wanderings and experiments at: https://worldofdecay.blogspot.com
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Steven Bleistein on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
Terry B on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
Always a pleasure to see your images of urban decay. And thanks for the captions which add immeasurably to them. For an international viewing audience, the pumps image would make no sense at all. I was musing, cheaper to build the pumps than a wall, and for a more worthwhile cause?
Your reference to the green cast is interesting. In the mid-1960's when I first started using slide film (K25/Ektachrome) I was sometimes plagued with a slight green cast when shooting in summer with fields and trees illuminated by strong sunlight. This was particularly so with very fresh Kodachrome. Our eyes can not determine the colour of the light; they adjust. We see a nice green countryside and are oblivious to the colour of the light reflected off the trees and grass.
I was reminded of this when I recently submitted a post to Hamish's site "Five Frames in Ferrari Heaven". The digital image of my M3 with the Elmar was taken with the camera positioned near a window. Immediately outside and very close was a large tree in the full glare of the sun. The M3 was thus mainly illuminated by the light reflected off the tree and this can be seen. I find the effect not unpleasant, but the shot would not be acceptable for advertising purposes!
Comment posted: 21/08/2019
Comment posted: 21/08/2019
david hill on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
Love the dogs. They look really pissed off.
Roger B. on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
Comment posted: 21/08/2019
Kurt Ingham on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
Comment posted: 21/08/2019
Martin Cutrone on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 21/08/2019
achancesw on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 12/09/2019
Comment posted: 12/09/2019
Kodak Ektar 25 - Urban/Rural Decay in the Texas Panhandle - by Andrew Morang - 35mmc on 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
Comment posted: 19/05/2020