Capturing San Sebastián with Experimental Film

By Jens

Around ten years ago, I sold my Contax T2 because I kept having issues with its retractable zoom lens. Even during the warranty period, it had to be repaired multiple times, so I was relieved when I finally managed to sell it. When I rediscovered analogue photography, I started looking for a suitable replacement and came across both the Contax TVS and the Fujifilm Klasse W. I ended up buying both second-hand, but the shots here were taken with the Fujifilm Klasse W – I won’t go into too much detail about the camera itself, except to say that it’s a highly compact, robust, and reliable piece of kit. Not once have I regretted buying.

Whenever I travel, I always take one of these compact cameras with me, and I enjoy experimenting with unusual films. In this case, I used the LomoChrome Turquoise 35mm film. My wife and I took a culinary trip to Bilbao in the Basque Country, Spain, and also visited nearby San Sebastián. The city not only boasts a beautiful sandy beach in a horseshoe-shaped bay but also an incredible selection of restaurants in all price ranges, making it well worth a visit for the food alone.

San Sebastián sits on the Atlantic coast, and there are always plenty of surfers out on the water, even in the rather chilly autumn months. Somehow, the place feels more like a small town in Cornwall than a typical Spanish city. The Lomography film creates extreme colour shifts, with blues and greens becoming particularly vivid, while the sky takes on a dramatic red hue. This results in striking, intense images—without any need for post-processing.

I love the direct, unfiltered results and rarely edit my photos. It’s always exciting to see what kind of effects this type of film can produce, and I’ve grown very fond of it. I also find it amusing when I drop the rolls off at a regular drugstore for development, only to be told that the film is “expired” and they apologise in advance for the unpredictable results.

Share this post:

Find more similar content on 35mmc

Use the tags below to search for more posts on related topics:

Contribute to 35mmc for an ad-free experience.

There are two ways to contribute to 35mmc and experience it without the adverts:

Paid Subscription – £2.99 per month and you’ll never see an advert again! (Free 3-day trial).

Subscribe here.

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.

Sign up here.

About The Author

By Jens
I am a surgeon in my early 50s, living south of Munich near the foothills of the Alps. In my free time, I pursue my passion for photography, working with both analogue and digital formats, primarily using Leica, Ricoh, and Fuji cameras. My favourite place to capture moments is New York City, where the vibrant streets provide endless inspiration. You can explore my work on Instagram at nyc_streetphotograph or bnw_by_jr. I would be delighted if you stopped by!
View Profile

Comments

Ibraar Hussain on Capturing San Sebastián with Experimental Film

Comment posted: 22/03/2025

I used to have TVS I, III and T2 - the one I enjoyed the most was the TVS III (I wrote about it here once https://www.stevehuffphoto.com/2013/12/13/friday-film-ii-contax-tvs-iii-plus-rollei-retro-80s-and-rollei-cr200/)

And thank you for the memories - I visited San Sebastián several times but the very last time was in 1998 and haven’t been back since.

The film FX are striking, like something out of a Sci Fi movie! Thanks again
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jens replied:

Comment posted: 22/03/2025

Hey Ibraar, thanks so much for your lovely comment! Funny coincidence – I’ve just arrived today for a few days in Bilbao and San Sebastián. In my camera bag: eight experimental 35mm films, two Contax TVRs (I and III, just like you!) and a Minox 35. I’m really looking forward to seeing what kind of results come out this time – especially the Lomography Turquoise, which already looks almost too cyber-ish, like something from another world. San Sebastián has surely changed a bit, but the magic is still very much there. Maybe the thought will tempt you back sometime? Thanks again for sharing your memories and the link – I’ll have a proper read in a bit! All the best, Jens

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Gary Smith on Capturing San Sebastián with Experimental Film

Comment posted: 22/03/2025

Thanks Jens! I may need to shoot a roll of LomoChrome Turquoise. Your shots look very cool.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jens replied:

Comment posted: 22/03/2025

Cheers, Gary! You should absolutely give LomoChrome Turquoise a go – it’s a wild ride of a film. The colours can be totally surreal, but that’s part of the fun. I’d love to see what you capture with it!

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jeffery Luhn on Capturing San Sebastián with Experimental Film

Comment posted: 23/03/2025

Jens,
The color effects you're getting are fascinating. Parts of the image seem to be colorless, while other areas have really strange colors. Have you found the results to be at all predictable? Do slight changes in the time of day make everything a surprise? It seems like flesh tones are either gray or blue, even in the same lighting. What happens with night exposures? I assume this film is processed in C-41?
Very interesting!
Jeffery
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Jens replied:

Comment posted: 23/03/2025

Hi Jeffery, Thanks – and yes, I was totally surprised by that selective colour shift too! I still haven’t quite figured out the logic behind it – if there even is one. It’s definitely not predictable. One moment you’ve got a deep blue tone, the next it’s gone all copper – especially the sky, which seems to flip from blue to this dramatic bronzy hue. Other areas just go full-on deep blue for no obvious reason. It really does feel like stepping into a sci-fi or action film set. I’ll definitely be trying out a few more rolls of this film to see what else it throws at me. And yep, it’s processed in C-41, so at least that part is straightforward! Cheers, Jens

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Mark Ellerby on Capturing San Sebastián with Experimental Film

Comment posted: 23/03/2025

Interesting photos with a strange beauty from the Turquoise film. I love the blue skin tones. I have used this film too, and also Metropolis and Purple which I recommend you try; I'm sure you'll enjoy them.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Michael Keppler on Capturing San Sebastián with Experimental Film

Comment posted: 23/03/2025

Hello Jens,
absolutely fascinating images - not only but of course also thanks to the special film. Makes me want to experiment and I will order a few films myself! I'm sure you can use it to find something new even in everyday and frequently photographed motifs. Thank you for sharing and for the exciting inspiration!
Michael
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *