5 Frames with a Widelux F7 at The Louvre

By Dan Cuny

Panoramic photography and the cameras that take them have always been one of my favorite kinds of photography. As your eyes see the world and your mind conveys the images, it’s frustrating for me to see such a narrow view in so many different photos.

I have several different wide-angle or panoramic cameras in my collection and want even more. I regularly shoot with my early Kodak Panoram No.1 camera because it can use 120 film, similar to the Al-Vista Baby camera. Both are early versions of panoramic cameras dating back to the early 20th century.

When the opportunity to purchase a Panon Widelux F7 at a very reasonable price, I bought it and sent it to a highly regarded technician in the US to have the camera overhauled to bring it back to factory specification as well as adding a different rewinding knob to make the film rewind a bit easier. This whole process took around six months due to the timeline of the camera servicing.

My wife and I were planning a two-week trip to Germany, Holland, Belgium, and France, and the one camera I wanted to bring with me on this holiday was the F7, along with about ten rolls of 35mm film, mostly B&W.

Before going on the trip, I had shot a few rolls to get used to how the camera handled and talked to a few friends who have the Widelux camera; they gave me some pointers on the correct ways to hold the camera so my fingers didn’t get in all the images. These were helpful, and I’m glad I got many bad habits out of the way before going on this trip.

Since this article is limited to just five frames, I brought the Widelux F7 to the Louvre with me to see what kind of images I could achieve with such a wonderful camera. I did get many wonderful images with the camera, but the most striking to me were the ones I took at the Louvre.

My Widelux F7 Camera

To give you a little bit of background on the Widelux F7, the camera is limited to just three different shutter speeds: 1/250, 1/125, and 1/15 sec. The aperture ranges from f2.8 through F11. These are both set with dials on the top of the camera. There’s also a bubble level on top of the camera to adjust how accurately the camera is level to the ground, which helps to avoid crooked horizon lines for scenic images.

Note the Aperture wheel, The Shutter speed dial, and the bubble level.

I don’t want to take away from the images, but the first roll of film I didn’t load correctly. If you do or are interested in purchasing a Widelux in the future, the loading process is different from that of other cameras and something you should practice before shooting.

We had 11:00 am reservations for The Louvre, which was good because by the time we arrived, the line to get in, even with reservations, was pretty long, which we anticipated. Once in, the crowds in the museum were significant, but I still had to take advantage of the situation and get some images with the Widelux F7.

The crowd under the glass pyramid inside The Louvre.

The first area we visited was a room with several larger-than-life statues. I took some images in that room, which could have been pretty good. The light coming into the room was good enough for me to use 1/125 sec at f5.6 as I was shooting with Ilford SFX 200 film. Of course, while at the Louvre, you always need to see the, or attempt to see, The Mona Lisa. My wife and I visited The Louvre a year earlier and didn’t stop by to see the famous painting, and the other time we were at it was probably ten years earlier. At that time, maybe we got to the museum a bit earlier as it was pretty easy to get very close and possibly right in front, but this time the crowd was madness.

Larger than life statues made for a great photo.
The columns add to the visual presence of the room.

I wanted to take a photo with the F7 inside the Mona Lisa room, but it was too hectic, so I chose to take a few in the hallway outside the room where the famous paint was housed. Due to the lower light conditions, I had to use a 1/15 shutter speed and F4, but I propped the lens onto a ledge of a column to keep the camera steady when the lens whirled around the camera to capture the image.

The hall outside the Mona Lisa room. You can see the line and crowd on the far right.

There were a few others that I took at 1/15 of a sec. To keep the camera steady, I had the strap around my neck, pulled down on the strap, and pressed the shutter, which actually worked out pretty well in many of the images.

One of my favorite image from the the dat at The Louvre. So many people using cell phones to capture images.

Overall, the images turned out wonderful, and I plan on taking the camera with me on all trips and just shooting around town. The images turn out sharp, and you always get the wide, expansive view I desire in a photo.

I write a weekly camera collecting blog and show other images on my website, www.dancuny.com

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About The Author

By Dan Cuny
A little background on me, and my interest in anything photographic. I’ll begin to add posts on my collection, my interests, and items in my collection. I can still remember the day that my uncle gave me my first camera when I was 9 years old. It was a Univex twin lens camera and I was mesmerized looking down through the waist level finder. Everything was backward, but my brain quickly figured out left was right, and right was left. I took that camera on a vacation to Alaska shooting 620 film and still have the negatives and photos. Fast forward a few years to when I’m 16. I find myself in the front row at concerts like Traffic, Humble Pie, David Bowie, Led Zeppelin, Queen, and all the classic bands of the ’70s. My 3 friends and I went to see bands at least a couple times a month and where I first was published in Rolling Stone, Musician Magazine, Guitar Player, and other publications. In later years, we published a blog on the shows we saw and also have images on my website. I’m in the process of writing a book on my experiences and images from this time period. My passion for all things cameras and photographic started when I turned 18 and started working at the local camera store. Having worked there for almost 20 years, I sold all the classic cameras of the 1970s and ’80s like Canon AE-1, Nikon F, Minolta SRT, Pentax Spotmatic, Topcon Super D, and many large and medium format cameras. To this day, I can tell these camera cameras even from the outline they have. This is where I started to collect anything photographic, but the true passion is for cameras and lenses. I’ve had a great career in the photo industry which has lead in many different directions, from Professional Photo Lab Manager to PrePress and high-end scanner sales to repping for Sinar and Broncolor, to Leaf Digital back representative, and onto the most recent where I was the Profoto Rep for the US, West Coast for almost 15 years. During these times, I’ve had the opportunity to travel where I always found some time to seek out cameras or photo items in the town I’ve traveled to. I’ve also had the opportunity to meet and work with some fascinating photographers over my career. From Mary Ellen Mark, Jim Marshall, Dan Winters, Annie Leibovitz, and many, many others.
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Comments

Jeffery Luhn on 5 Frames with a Widelux F7 at The Louvre

Comment posted: 22/08/2024

Dan,
Interesting article and background. Back in the film days I used a Widelux for a while for interiors, but clients objected to the distortion. I liked it, but they didn't. Magazines really objected. I used a 65mm 4x5 camera built from a Cuban cigar box and that satisfied everyone. And the camera smelled good too! Question: Have you had luck getting the lines parallel in Photoshop? I do that with panorama shots on my cell phone for current clients, and it works well. Or are you interested in preserving what the camera sees and keeping things unaltered?
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Dan Cuny replied:

Comment posted: 22/08/2024

Hello Jeff, Thank you for your comment. I love hearing from others about the article and the cameras I use. To answer your question, I only use Photoshop to crop to the film lines as I enjoy the "curved" nature of the images. I used their big brother, The Panon, when my wife and I went to Manchu Picchu a few years back, as you can see on my website. As I said, I love panoramic and use from the old Kodak Panorama to the newest acquisition, the Widelux F7. I recently picked up a Widelux FV, which I'm debating on selling since the F7 is in such good shape mechanically.

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Gary Smith on 5 Frames with a Widelux F7 at The Louvre

Comment posted: 23/08/2024

Wow, you sure have a unique collection in your blog! I have to say that your Macha Picu shots are among the best that I've seen given the fact that 99% of the rest are not nearly as wide which gives yours a better sense of place!
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Dan Cuny replied:

Comment posted: 23/08/2024

Hello Gary, Thank you for taking the time to look over the website, and I really appreciate your comments. I did the oddest looks from people when I was shooting with the Panon, but I liked the results too. Regards, Dan

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Gary Smith replied:

Comment posted: 23/08/2024

Seems as if there's soon going to be a new film panorama camera?

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