A few months back I visited John Whitmore (@thedarkshed on Twitter). A the time, I was in the depths of my photography funk, so decided it might be nice to try and snap myself out of it by doing something a little bit outside of my usual shooting habits. The plan was to make a bit of a video of the two of us going out shooting some large format film then developing and printing it in his darkroom. We did exactly that too, but we also filmed a little bit of a conversation we had about the value I attribute to my photography… including a little bit of a chat about why I throw away my negatives.
Since that particular subject seems to cause a few people to feel a little bit faint/distressed/angry when I talked about it in a recent post about me owning my personal film workflow, I thought it might be interesting to share the conversation as a discrete video to the actual shooting/printing experience.
I must admit, listening/watching this back, I can detect just a touch of the grump I was in about photography at the time. For a start, John hardly gets a word in compared to my ranting/stream-of-consciousness waffling… And that’s not just a product of the edit. The unedited conversation went of for about 40 minutes and had all sorts of ranty-tangents from me. Anyone who’s met me, seen me in videos or heard me on podcasts is probably familiar with this trait of mine, but I mention it purely to prepare the uninitiated.
That said, as ineloquently as I articulate myself, I do manage to go into some detail about the parts of my photographic experience that I value and some that I don’t. With me being a “hybrid” photographer and John being a fully signed up and committed darkroom aficionado, he does manage to provide a useful counterpoint to my waffling too. I’m certain this isn’t going to convince many people that throwing away negatives is a good idea, but hopefully it might enlighten a few people a little bit more as to why I personally don’t see the value in keeping them.
The conversation starts with me talking about how the photography I value the most is the shots I take of my kids. This builds up to me breaking it to John that I bin my negs. If you don’t watch the full video, seeing his face and reaction when I do break it to him makes it worth watching that much of the video at least.
From there I then go on to talk about how I feel that as photographers there is a little bit of arrogance in the idea that believing there is innate value in our own work, and how I feel it has been beneficial to me to avoid that way of thinking. The topic of film being the ultimate backup, and how I feel that’s meaningless to me, of course, comes up too.
We then get onto the topic of ‘process’ and there is value inherent in the processes we undertake as well as the outcome itself. The need for value and if indeed there really is a need is next, then quite a bit about how me and John differ in the way we think despite the fact that we both shoot film. We then talk about some of the unnecessary ways we sometimes try and justify the things we do, and then ultimately, we come back to the idea that the value in what I do is, for me at least, often more in the experience than the outcome itself.
The latter point is quite interesting for me to reflect on now, as actually once I found myself less distracted by a feeling of grumpiness toward my work, it was indeed remembering how much I just needed to enjoy myself that has seen me clear of all that grumpiness… which was indeed the point of my recent post that started the conversation about binning negs in the first place. In short, as is usually the case, I had the answer to my problem all along, I just needed the chance to reflect on it/rediscover it.
But anyway, here’s the video:
(If you’re really keen, I have also released the 40-minute version to my patrons here)
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Okiman on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Comment posted: 24/02/2020
Comment posted: 24/02/2020
Comment posted: 24/02/2020
Comment posted: 24/02/2020
Comment posted: 24/02/2020
Dave Walker on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Comment posted: 24/02/2020
DALE Willetts on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Seriously though it's interesting to listen to why you do what you do, can't say I'd ever throw my negs away even if I didn't have a darkroom. But that's me and I'm not you and I guess that's the point.
Also Johns a lot bigger than you and you almost made him faint at least twice. You wouldn't have been able to catch him and could have done him a serious injury mate ;)
Comment posted: 24/02/2020
C Thompson on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Once the painting is over, they run off to experience something else.
Kevin on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Mike Hinkleman on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
After reading some not all of your recent posts, it seems that you need a long break from photography including 35mmc. Try something different. Life is not work flow.
Mike
Comment posted: 24/02/2020
sj on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
David Alexander-Watts on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
LASousa on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 24/02/2020
Dan J Castelli on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 25/02/2020
I've been crawling uphill from a photography funk myself...I hit bottom about 3 years ago. Lots of self-evaluation, a whole lot of reading, and looking at what I suppose I could call 'my style.' I'm not fully out of it, but I'm closer to leveling out than I was a few months ago. Tougher on me because I'm 68 and you guys are a bit younger. I don't have lots of wiggle room to futz about. But, and it's a big but, I never stopped shooting/developing/printing. I shot lots of crap but there were some gems. Lower output, but more 'keepers.' Because everyone's demon is different, everyone's way out is different. Keep moving forward. Your work will be better when you're done.
I look forward to your continued articles/photographs and the contributions the photographers post.
May I suggest a book? "Celebrating The Negative" by John Loengard, former editor of LIFE Magazine. He gives an interesting point of view on negatives and their worth.
Thanks for letting me share my two cents.
Dan
Comment posted: 25/02/2020
Brett Stewart on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 25/02/2020
Ben Felten on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 25/02/2020
I find the subject of the intrinsic value of an image fascinating though. Putting aside the truly personal stuff (family, places that mean something specific to you) shooting an image that has universal appeal is really hard (and I'd argue, in most instances happy accidents). You examples of waterfalls is a really good one. I love doing long exposure shots, and I've shot some that I think are really good, but each and every one of them has been done over and over. I'm wondering if that's not part of the unconscious appeal of street for a lot of photography enthusiasts : whatever you shoot, there's a good chance no one ever did that exact shot ever before. But that's the satisfaction of the photographer, doesn't make the pictures any more universally appealing.
I think the crazy enthusiasm I have for my current photography project (the textures double exposures) is that I've seen very little out there that looks like what I'm doing. And the response of people looking at the photos has been very polarized : a lot of enthusiasm, and a lot of WTF is that.
Comment posted: 25/02/2020
JamesW on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 25/02/2020
And there's the rub.... My values are mine, not anyone else's. I operate within my framework, not anyone else's. Hamish's values might be different, outlandish to some, but we all live according to our own values. Let all march to the drumbeat they hear, they might be hearing a different drummer. (Thoreau.)
Gary Stefano on The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
Comment posted: 26/02/2020
So it's like discussing whether I should sleep with my beard over the blanket or under it.
Comment posted: 26/02/2020