My TLRs Over the Years

By Tony Warren

Geoff Chaplin’s recent article about his newly acquired Rolleicord Va triggered a huge burst of nostalgia for my all-time favourite camera type. I have used a number of them over the last 50 years so I looked out my favourites in response to Geoff’s invitation to share results.

In an article on the Emulsive web site a while back I called the TLR a Goldilocks camera because it is just right for a great number of photographic tasks. The Mamiya C series in particular fits this description. I used a C33 for many years as my main camera with my XA back-up always in my pocket. A point I often make is that it was always recommended to look at an image in a mirror or upside down before deciding on a crop, so the laterally reversed screen image of the TLR could be said to improve your photography as a bonus.

My feature image above was made with my first TLR, an MPP Microflex, on the banks of the Nene in Peterborough, UK in the ‘70s. Taking long walks with it was easy, light and compact and near silent in operation so as not disturb the subject in this case.

So from oldest to most recent, here are a selection of images from the many TLRs I have owned.

This is another MPP Microflex image in Peterborough and my first to make me some money – 10/- or 50p in a Photo News Weekly competition – anyone remember that newspaper style publication?

MPP Microflex
MPP Microflex

Next came a Yashicamat that went everywhere with me. This is in the London tube, probably Holborn station.

Yashicmat.
Yashicmat.

Then came the Mamiya with interchangeable lens capability. I had the 55mm and 105mm, plus a loaned 250mm at one point. This is taken with the 55mm in Grimsby’s docks, the graving dock.

Mamiya C33 - 55mm lens.
Mamiya C33 – 55mm lens.

My musician daughter and her flute using the extremely sharp 105mm.

Mamiya C33 - 105mm lens.
Mamiya C33 – 105mm lens.

Again in Grimsby’s docks, the 250mm was perhaps the sharpest lens I have ever used.

Mamiya C33 - 250mm lens.
Mamiya C33 – 250mm lens.

I just had to try a Rolleiflex but good as the results were, the hand to hand shuffle between exposures to wind on made me lose interest, especially after having used the Mamiya, focus being possible with either hand.

Rolleiflex Automat.
Rolleiflex Automat.

The Flexaret Va that replaced the Rollei had the radial lever below the lens for focus which allowed the right hand to wind and press the shutter release, mounted high up alongside the viewing lens, and the left hand supporting the camera and focussing. The Belar lens was pretty good too.

Flexaret Va.
Flexaret Va.

Next was a very clean and fully operational Minolta Autocord with exposure meter with the same focus arrangement as the Flexaret. The shutter release was in the more usual position so the left hand had to operate that also but it fell nicely to hand.

Minolta Autocord.
Minolta Autocord.

After selling the Minolta I felt I needed a TLR again so bought another Flexaret, a model IV this time which had several failings. It only works on the marked speeds, many bits being absent from the shutter but still can produce some good images. A close up lens was used here, parallax corrected by raising the tripod after composing. Memories of the Mamiya’s red bar that came down from the top of the screen as focus came closer helps me visualise by how much.

Flexaret IV.
Flexaret IV.

At the end of the day, I should have kept the Mamiya I think, but all the examples after that came to me in the first and second decades of this century when film equipment prices took such a dip and I was so easily seduced. Kid in a candy store syndrome. But I do like to see my cameras used so I don’t really regret their passing on. I have enjoyed making their acquaintance and producing some images that give me a lot of pleasure along the way.

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About The Author

By Tony Warren
In my 60 or so years of serious involvement in photography I have seen the demise of the viewfinder, the rise of the SLR and the eclipse of them all with the meteoric development of the digital camera. Through it all, however, and above all else, the image is what it is all about so I now use film alongside digital. Whatever is the most appropriate or practical. My contributions will hopefully be useful for anyone interested in using film and also how a died-in-the-wool antique like me is continuing his life-long addiction in the digital age, using both platforms. The major benefit of an extended retirement is that I can spend most of my time nowadays with photography and writing about it.
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Comments

Bob Janes on My TLRs Over the Years

Comment posted: 25/10/2024

Your images are wonderful and the processing immaculate. I really must break out my TLRs....
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John Squillace replied:

Comment posted: 25/10/2024

Bob took the words right out of my mouth!

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Tony Warren replied:

Comment posted: 25/10/2024

Thank you Bob - definitely worth a go.

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Tony Warren replied:

Comment posted: 25/10/2024

Thanks John.

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Karen McBride on My TLRs Over the Years

Comment posted: 25/10/2024

Thanks for the great recap on several TLRs. Lovely photos.
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Tony Warren replied:

Comment posted: 25/10/2024

Thank you Karen.

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Art Meripol on My TLRs Over the Years

Comment posted: 25/10/2024

Beautiful images that truly express what a TLR does so well. I used a friends Yashica Matt 124 in the early 70's but stuck with my 35mm cameras throughout my years as a journalist. Later I moved to the Mamiya 7 II when I worked as a travel photographer which gave me the medium format but not the TLR system. Some years ago I picked up a Mamiya C3 with a 180 but put it on a shelf and never used it. Recently I tried to fix that and did some portraits with it only to discover the shutter on the 180 wasn't working. Of course I KNOW those were wonderful portraits. Ha! I need to get the lens fixed and give it another shot. Thanks for the inspiration.
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Tony Warren replied:

Comment posted: 25/10/2024

Thanks Art. Glad to have stirred up some interest. My 105 had to be repaired - a gear had stripped and spares were available fortunately. Hope you get your 180 going again.

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Terry Tsang on My TLRs Over the Years

Comment posted: 25/10/2024

Great write and photographs, Tony! The Peterborough is incredibly unique!
I recently bought a Mamiya C330 Professional F; it'll be my first TLR and medium format camera I've bought. It didn't come with a waist level finder or a lens. I'm tempted to go for the 80mm, as I've read it'll give me something close to 50mm on 35mm format. How did you find shooting with the 120mm? I
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Tony Warren replied:

Comment posted: 25/10/2024

Thanks Terry and good luck with the C330. It had a few improvements over my C33 and is the one I would go for if I bought another one. I think you mean the 105mm lens, which was the first one I had. Very sharp and near to a 60mm 35mil equivalent I think. The 80mm is like a standard focal length in 35 but again if going for one again I might look at the 65mm - just that bit wider. Anyway, each to his own and I hope you enjoy the camera as much as I did.

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Paul Quellin on My TLRs Over the Years

Comment posted: 25/10/2024

Enjoyed that Tony and the images are just superb. Seeing images from TLRs always makes me want to put another roll in my Mamiya C220. It had a troubled start in my collection, but is working just great now. I like the discipline involved and the Mamiya can punish you for forgetting something. I recently lost part of a roll to light resulting from a lens change in which I was convinced I had used the lock, only to find it engaged when I turned the knob to, as I thought, disengage it. The parallax sequence has also cost me a closeup frame or two when I have forgotten. I very often shoot on a tripod whether I need it or not; it just seems right and makes setting up the greater part of the process. I know then that it doesn't matter if the image isn't great, I will have enjoyed routine.
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Tony Warren replied:

Comment posted: 25/10/2024

Thank you Paul. The Mamiyas do require some thought as you say and can catch you out but rewarding when it comes right.

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Alexander Seidler on My TLRs Over the Years

Comment posted: 26/10/2024

Very beautiful images tony !
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Zheng Li on My TLRs Over the Years

Comment posted: 26/10/2024

Excellent photos Tony! They capture both the quality of TLRs as well as its usability in waist level unobtrusive photography.

I'm partial to TLR as well, probably because Rolleiflex was my first "serious" camera. Over the years, I accumulated a few of them and enjoy most of them. Right now the Rolleiflex and Autocords are my favorites. I still need to try out either the Flexaret or the illusive Microflex.
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Tony Warren replied:

Comment posted: 26/10/2024

Thank you Zheng. The unobtrusiveness is very well demonstrated in Vivian Meyer's work of course. The Flexaret is very like the Autocord apart from the shutter release and the lenses are well up to Rokkor standard. The Microflex was a short lived product of Britain's austerity measures after WWII so are hard to find these days.

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Steviemac on My TLRs Over the Years

Comment posted: 26/10/2024

I thoroughly enjoyed this post, and your images are exceptional. I fear, however, that it may trigger my GAS. Ah well, now I can simply blame you Tony.
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Tony Warren replied:

Comment posted: 26/10/2024

Sorry about that - I have a thick skin though so lay it on if you succumb. And thank you for the kind comments.

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Marco Andrés on My TLRs Over the Years

Comment posted: 26/10/2024

Enjoyed your « trip » recalling the TLRs you’ve enjoyed over the years. And with images that show your skill and artistry. Made me want to make images with my 3 TLRs:: Ricoh Diacord, Minolta Autocord and Rollei 3.5F. Find square format puts things in a different perspective .
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Tony Warren replied:

Comment posted: 26/10/2024

Thank you Marco and you are right about the square format. I think it encourages you to consider the subject, lighting etc without worrying too much about the final crop. I often retain the square, as here, but there is enough detail to crop how you want later. Nice collection you have. I think, after the Mamiya, the Autocord has been my favourite but I haven't used a Diacord.

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Gary Smith on My TLRs Over the Years

Comment posted: 26/10/2024

Those are some beautiful shots Tony!
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Tony Warren replied:

Comment posted: 26/10/2024

Thank you Gary.

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Geoff Chaplin on My TLRs Over the Years

Comment posted: 27/10/2024

Tony, many thanks for your response. The images are superb and text informative and interesting, probably some effort in collecting the images from your files. Well done! Apologies for not replying sooner, I've been off grid and my phone didn't work.
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Tony Warren replied:

Comment posted: 27/10/2024

Thank you for your kind words Geoff. It was a pleasure to be prompted to put it together.

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Jeffery Luhn on My TLRs Over the Years

Comment posted: 27/10/2024

Tony, those are stellar shots, by any measure. My favorite is of your daughter playing flute. It's really difficult to nail the focus like that with a TLR! I have a C-33 that I adore, and a newly acquired Rolleicord. I was planning on posting some recent shots, but that flute shot is sending me back to the drawing board! Keep posting your stuff, Brother!
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Tony Warren replied:

Comment posted: 27/10/2024

Thank you Jeffery. These are the keepers from many hundreds of exposures and motivate me to keep trying too. Look forward to seeing your images and comments on the cameras.

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Louis A. Sousa on My TLRs Over the Years

Comment posted: 01/11/2024

Hi Tony, what is your issue with the process of using a Rolleiflex? How does it differ from the others? Very nice images. I owned a great Autocord, but the failing of that one is the focusing lever can fail since it was made of aluminum. Wonderful lens on that one. Louis.
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Tony Warren replied:

Comment posted: 01/11/2024

Hi Luis. Many Rollei models and quite a few of their imitators, e.g. the Microflex and the Yashica, have the focus and wind knobs on opposite sides so you have to change hands between exposure and wind on. It didn't bother me until I had the Mamiya which has focus knobs both sides and there is no need to change grip between shots. A minor niggle I know but it tends to break my concentration. The Autocord and Flexilette both avoid the problem which I appreciated. I was lucky with the Autocord which had a very smooth focus action. Very unusual for Minolta to use such brittle metal for the arm when everything else is such top quality. The ergonomics aspect is why I am so intrigued by the 110 form factor which is so near perfect with the block shaped ones. Agree with you about the Rokkor lens.

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