I love shooting with cameras in the 35mm format, and the Olympus OM1 is undoubtedly my favorite. Its compact size and ergonomic design appeal to me immensely, providing a seamless blend of functionality and comfort. The model I have is exactly my age, which makes my connection with this camera even more special. I bought my OM1 on an auction site about seven years ago. I won it in the closing seconds of the auction, and then had to wait anxiously for a few minutes for the confirmation email from the seller. Those moments were filled with anxiety and fear that I might not have won.
In the twelve years since, we have captured countless moments together—travel scenes, landscapes, portraits—all with the sharp precision of Olympus lenses. If the OM1 is my preferred camera, then the 35mm Zuiko lens is undoubtedly my favorite. It perfectly complements the photographic themes I love most, delivering exceptional clarity and depth in every shot.
One of the aspects I cherish in analog photography is the selection of the third element in the equation: the film. With so many possibilities and combinations of color, graininess, and light sensitivity, there are always surprises. Sometimes these surprises are delightful, and sometimes they present challenges. Mistakes can happen, especially when using older cameras like the OM1. The film might not load correctly, the camera could have light leaks, the light meter might be inaccurate, focus issues might arise, or there could be problems with an aging shutter. Everything needs to be done manually, which can lead to unexpected results.
For me, all these factors make the process of shooting film with these vintage cameras fascinating. It showcases the mastery we have over our equipment, photometry, focus, and ultimately, the ability to combine all these elements into a unique photographic language. Each photograph becomes a testament to the meticulous effort and skill involved in capturing that perfect moment.
In the twelve years of using my OM1, almost everything I’ve learned about analog photography and photography itself has been through this camera. It has brought me immense satisfaction and a hobby that brings me joy. The OM1 has been a faithful companion, teaching me the nuances of film photography and deepening my appreciation for this art form.
These five frames exemplify this partnership, each one a fragment of the countless memories we’ve created together. The OM1 isn’t just a camera; it’s a bridge to the past, a tool that connects me to the essence of photography, and a constant reminder of why I fell in love with this craft.
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Art Meripol on 5 Frames with an Olympus OM-1N
Comment posted: 28/06/2024
Comment posted: 28/06/2024
Gary Smith on 5 Frames with an Olympus OM-1N
Comment posted: 28/06/2024
Comment posted: 28/06/2024
Marllon Cristian Alves on 5 Frames with an Olympus OM-1N
Comment posted: 28/06/2024
Comment posted: 28/06/2024
Marcus Gunaratnam on 5 Frames with an Olympus OM-1N
Comment posted: 28/06/2024
from color negs,,paired with a metz CT4 Flash it was a cinch.I developed my B&W Photos myself from memory, I usedFP3Ilford rated 200ASA on the Pen FT with an electronic flash mounted on top powered by a lantern battery.I had a 'business card' on 1st frame of the colour neg film.in case they ended up interstate.
Comment posted: 28/06/2024
Comment posted: 28/06/2024
Comment posted: 28/06/2024
Alasdair J Mackintosh on 5 Frames with an Olympus OM-1N
Comment posted: 29/06/2024
The skateboarding shot is my favourite, with a perfect combination of blur and sharpness.
Comment posted: 29/06/2024
Daniel Castelli on 5 Frames with an Olympus OM-1N
Comment posted: 30/06/2024
Comment posted: 30/06/2024
Nathan on 5 Frames with an Olympus OM-1N
Comment posted: 03/07/2024
Comment posted: 03/07/2024
JC on 5 Frames with an Olympus OM-1N
Comment posted: 09/07/2024
Great camera. My favourite is the wide angle 28mm pic from the Paulista Avenue/São Paulo.
But the fusca isn't that bad too.
Cheers , Jens
Comment posted: 09/07/2024