Canon F1-n in front of Dallas skyline print of longhorn cattle drive

5 Frames, 40 Years, 1 Camera

By Bill Brown

With 1984 in full swing I was starting to get more commercial photography work and I wanted to purchase a professional camera. Since I owned a Canon ftb and an A-1 I decided to stay with the Canon line. Los Angeles, California was hosting the summer Olympics so Canon released an Olympic Edition of their new F1. This was the camera I purchased. Now here I am in 2024 and the F1-n and I are celebrating our 40th anniversary together. I can honestly say I’ve gone places and into situations that were just because of this camera. It has always given me the confidence to know I’m going to get the shot.

Over our 40 years together we have photographed an eclectic collection of scenes and moments both personal and commercial. We even traveled to Bogota, Colombia in 1992 to do stills for a group of men on a Missions trip. These 5 frames barely scratch the surface of all we’ve experienced but these images are personal favorites from each decade since our collaboration first began that summer of 1984.

1980’s

This first photo is part of what has now become my longest running personal photo project which began in 1978. I call this series ‘People, places and moments of Dallas County’. Dallas was the host city for the Republican National Convention in 1984 and Ronald Reagan was being nominated for a second term. In conjunction with this event the Texas Longhorn Cattle Association trailered in 100 to 150 longhorns and a cattle drive took place each afternoon for the conventioneers. With my F1-n in hand I photographed the midday cattle drive in the August 100+ degree heat. I ran along the levee bank just ahead of the drive and for one brief moment I ran down next to the cowboys and cattle to grab a few shots. I eventually photographed the longhorns at sunrise and sunset over several days with the skyline as my backdrop.

Longhorn cattle drive with Dallas, Texas skyline in background
Canon F1-n 1984 Olympic Edition_Kodachrome 64

1990’s

Frame 2 is from another personal photo project titled ‘Harvest Festival Memories’. For more than 75 years the West Texas town of Brownfield has been celebrating every October with a parade and festival. From 1986 to 2022 I photographed eight different years. Since that time in 1986 most of this work has now become a photographic historical record of the festival and the town. In 2023 I exhibited a small selection of this work at the Terry County Heritage Museum located in Brownfield. This is the town where I grew up and graduated high school so the 2023 exhibit was a way of honoring my classmates and hometown. The exhibit opening was the kick off to our class reunion. This image was shot during the 1996 festival and is titled ‘Sweepstakes Winner’. The Terry County Fair and the building where this photo was taken, the Armory, are no longer part of the festivities.

Terry County Fair Sweepstakes winner in 1996
Canon F1-n 1984 Olympic Edition_Royal 200

2000’s

My wife and I had been married for eighteen years ( see my post “The Honeymooners” ) when we got the exciting news that she was expecting a baby! To say the birth of our daughter changed our lives forever would be an understatement. So many photography projects were created because of this little bundle of joy who became my muse. One of those projects was photographing her on the first and last day of school from Pre K to graduation. In May 2024 she graduated from college and I just photographed her in front of the Montessori school where she started her new job as a teacher. This image from 2002 is our daughter in a family heirloom christening gown. I added a slight warm tone.

Baby in family heirloom christening gown
Canon F1-n 1984 Olympic Edition_T-Max 400

2010’s

Back to my longterm project of Dallas. I began my skyline reflection series in May of 1979 on my Canon ftb and Ektachrome 64. Normally the Trinity River is contained within it’s banks and is unseen. May of 2015 saw record rainfall for the region so the river was at flood stage. During this outing the F1-n experienced what I thought may be the end to our time together. The mirror mechanism was not functioning properly so most of my shots were not correctly exposed. This is one of the keepers cropped to a panoramic.

Trinity River at flood stage with Dallas, Texas skyline in background
Canon F1-n 1984 Olympic Edition_Portra 160

2020’s

The initial diagnosis for my beloved F1-n was not good but I eventually found a repair tech in 2022 who was able to get everything working properly again.YEA! My 5th frame is from this past April 2024. April 8th to be exact. Dallas was in the path of totality for the solar eclipse and my beloved F1-n and I were in the Trinity River basin to document this once in a lifetime (for me) event. I photographed forty minutes prior to totality and forty minutes after at six minute intervals. This is one of the four shots I took during the 3 minutes and 47 seconds of total darkness. One more piece of history for my Dallas series which now spans forty-six years.

Dallas, Texas skyline at 1:42 p.m. on April 8, 2024 during total solar eclipse
Canon F1-n 1984 Olympic Edition_Portra 160

Epilogue

As my F1-n and I celebrate our fortieth anniversary together I wanted to raise my glass in a toast to a wonderful mechanical companion. Thank you for all the wonderful places you’ve taken me. May we share many more years together. Salute!

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About The Author

By Bill Brown
Bill Brown has been a retoucher and freelance professional artist in Dallas, Texas since 1976 and an avid film shooter since 1978. Besides creating original pencil works on paper he also stays busy in the Dallas photo community as a digital darkroom and photo restoration specialist.
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Comments

Geoff Chaplin on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Well done for keeping and using the camera for so long - a lifetime companion! I've had my M6 (now donated to my wife) for 30 years and its been faultless - so far - but I don't have the same attachment to that as you do to your Canon.
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Bill Brown on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Geoff, Photography in general has played such a strong role in my life and this camera has been at the heart of it. In 2023 I had a new eyecup 3D printed for the speed finder. The original one had reached it's end of useful service and I wanted to replace it before it was torn. Seemed the least I could do since the repair had given new life to this old workhorse. This F1-n is just part of the family and everyone is accustomed to seeing us together. My wife has long since resigned herself to our companionship. Thanks for reading and commenting
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Bill Brown replied:

Comment posted: 29/09/2024

I forgot to say I actually have another camera that I've owned longer, a Canon ftb, that I purchased in 1977. It accompanied me on my big motorcycle tours back in the day. I had it refurbished by the same tech who got my F1-n working again and I shoot with it every once in awhile. It's built like a tank and the match needle metering makes it all so easy.

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Gary Smith replied:

Comment posted: 29/09/2024

I purchased my FTb in 1972. I knocked it off the table of a Bridgeport milling machine at one point with no negative consequences. I purchased a working replacement in 2021 or so. Batteries these days are a slight inconvenience although the Wein cells work. The match needle was a better method of exposure setting than I had with my Voigtländer VITO CLR and although I only ever owned the nifty fifty 50 years ago, I just picked up a 75-200 for the one I now own (I probably would have gotten one in 1972 had I been able to pay what I just paid for it).

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Miguel Mendez on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Hermosa historia. Coincido que uno despues de tanto tiempo con una camara ya la hace parte de su vida y le toma un cariño especial a esos aparatos que están tan bien faficados ,tan duraderos que nos permiten hacer lo qie nos gusta durante mucho tiempo . Un saludo desde Buenos Aires.
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Jeffery Luhn on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Bill,
What an engaging article! Great photos! I bet it was difficult to choose the ones you wanted to include.
I wrote about a camera, Exa 1a, here on 35mmc that was my first 35mm camera. I feel it.
There can be an emotional bond to a machine that's both illogical and real. Musicians, motorcyclists, cooks, artists....all of us experience it.
You did a good job describing it!
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Bill Brown replied:

Comment posted: 29/09/2024

Thanks for those nice comments Jeffery. It was incredibly difficult. Ultimately it boiled down to those images that represented high points for me personally. I've said this before but when that camera is in my hand it seems as if it's an extension of my body. It just feels natural. I was a touring enthusiast in the 1970's and early 80's and I still miss that Yamaha 750 2D. We logged over 86,000 miles together. You said it perfectly, illogical and real.

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Gary Smith on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Assuming you own something digital these days, what % of your shots per year get taken with your F1?
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Bill Brown replied:

Comment posted: 29/09/2024

Gary, I still have never made the leap to owning a digital camera. I don't own a smart phone either. I borrow a digital from time to time as the need arises but in a years time I would say the percentages look something like this: 2% digital_10% F1-n_ 50% Contax G2_ 35% Rollei Prego 90_ 2% Canon ftb_ 1% Other film cameras. Much of the choice is dictated by whether I'm on a specific project ( lean more towards F1-n) or everyday camera shots where I want a more compact camera kit and auto focus (G2 & Rollei Prego 90). The percentages show most of my shooting is more everyday driven. I'll admit to being entranced by those Zeiss lenses on the G2 and as I get older the impact on my wrist from holding the camera is greatly reduced. The F1-n with my FD 80-200 gets pretty heavy after just 30 minutes. As the adage goes " Don't work harder, work smarter ". It's all in transition though because our 15 year old beloved family pet passed away recently and my daughter doesn't live at home anymore. Those two subjects were probably 75% of my shooting, maybe more. Most of my time these days is dedicated to scanning, prepping and printing work from my archive. If I'm going to do all those digital books I've talked about I better get busy.

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Gary on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Wonderful article. Thank you.
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Bill Brown replied:

Comment posted: 29/09/2024

You're most welcome. Thanks for taking time to read my post. My life and many others around me have been impacted by this camera. I for one will always be grateful for all the unknown streets, complete strangers, glorious sunrises and sunsets that I've been driven to photograph. It changed my life and I wanted to write about that.

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Tony Warren on 5 Frames, 40 Years, 1 Camera

Comment posted: 29/09/2024

Great story Bill with images to match. 1984 was fortunately not how George Orwell portrayed it and saw the arrival of the Macintosh of course, without which Bill Gates would have become even richer. The Canon was proving itself a very capable camera and yours certainly lived up to that. Love the ecstatic old guy with his monster vegetable.
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Bill Brown replied:

Comment posted: 29/09/2024

Thanks Tony. That's right! I had forgotten about that TV commercial that aired during the Los Angeles Olympics. I was a latecomer to the game with my first Mac not being till 2006. I was aware of the Nikon / Canon wars. No mirror lockup on my F1-n for one thing. The Canon wasn't a real pro photographers camera, blah, blah, blah. The choice was pretty simple for me. I could use all my existing lenses and I didn't really see myself as ever shooting for Sports Illustrated or National Geographic. All my commercial clients were totally happy with my properly exposed and in focus images. They never asked me what camera brand I was shooting. As far as durability is concerned I experienced this cameras build quality in 2010 during a 16 month project I was working on. I had just finished taking some shots where I had adjusted the legs on my tripod shorter on two legs so it could fit into a tight space. As I moved the tripod someone walked up behind me. In that instant as I turned to see who it was the tripod and camera, with my 80-200 attached, fell forward from a height of about 4' smashing straight into the concrete walkway. The lens was crushed and I was unable to remove it from the camera body. When I got home and worked on it the lens came free and the body / lens mount ring was completely unscathed. I always wondered if this event was the cause of my cameras eventual malfunction until the repair tech told me the two were totally unrelated. That old guy with his monster pumpkin is straight out of Wallace and Gromit's " The Curse of the Were-Rabbit". One of my personal all time favorites. Not just the movie but my photo also.

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