The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024

By Simon

Sometimes I can complete a roll quickly, sometimes it’s a painstaking process; a few exposures here and there even though I want to try and pressure myself and accomplish more. I recently shot the first few frames of a roll across a few days, followed by the remainder, and a full following roll within the space of a few hours. Both of these rolls went through my Leica M2, with a 50mm lens. The first is a roll of Fomapan 400, developed at 1+50 in Rodinal for 11 minutes, and the second is Kodak Tri-X, stand developed for an hour. Both rolls were exposed at EI400.

Fomapan 400

The first image on this roll is a portrait, made in a local community space near where I live during an open community event.

Then, a few days later, just a single image to show for half a day in Central London doing street photography.

The third I’ve redacted because it was an image of my desk at home, and has personal information visible. The next six frames were shot in Southall during their Vaisakhi celebration. I’ve photographed this procession a few times now, and I wasn’t seeing much I don’t already have a half decent photograph of. In the past I’ve been able to shoot multiple rolls at this event, but this time I left with only that handful of frames – and I think you can tell that I was trying to force things to work that just didn’t.

A day or so later, two images of a tent set up in a corner of Wanstead Flats during a early morning walk.

From Wanstead Flats I went to Green Street where preparations for an Eid celebration were ongoing, with street vendors, and a huge number of mehndi (henna) stalls lining the edges of the pavement. I took another six frames here, the last two of which were of a scene I pass by regularly but had never bothered to capture until now.

Honestly no idea why I took this one.

After this, and until the end of this roll and the next, are a documentation of the morning Eid prayers in Little Ilford Park, which saw hundreds of local Muslims gather together in worship and celebration for the holiday.

I think the frame didn’t advance fully here, but it isn’t an issue which has happened before or since, so just an anomaly. Luckily I don’t think either of the images were any good, as you can sort of tell.
Technician working on the sound system.
Annoyed that I couldn’t figure a higher angle to photograph this, so that the column of people in the background didn’t pass through the heads of those in the foreground. If I cover this again I will take my collapsible stool, which Ill offer me some better coverage.
After the previous image this man called me over to ask to have his portrait made.

 

Kodak Tri-X

 

After reloading, some of the prayer tarpaulin settings and sound systems were being packed away, which are the first few frames of this roll.

Then three portraits of a lovely guy who I was speaking with for a bit. The first one worked out the best, and the final one he blinked which is annoying, but I’m glad I tried some different things even though I did basically get it on the first try.

A second community started their prayer after the conclusion of the first, and I took a few images of this before they finished, and I moved onto more general community documentation.

Very happy with this frame, one of the best of the day for sure, especially with the shoes in the foreground.
I’m glad I took this one, I don’t know many who think of men with flowers behind their ears as the face of East London Islam.

Thanks for reading! I am down to my final few copies of the works I released over Winter 2023, which are available for purchase here. You can follow me on Instagram.

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About The Author

By Simon
Simon is a documentary photographer. This means narrative projects, told via long form photo-essays, and publications. Follow him on Instagram for a rolling feed of his work: www.instagram.com/simonking_v. His personal blog can be found at: streetdances.wordpress.com
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Comments

Gary Smith on The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024

Comment posted: 30/05/2024

Hi Simon, I also find that sometimes a roll goes quickly and other times it stays in the camera so long I've forgotten what's on the first exposures.

Can you characterize what the strengths and weaknesses are of the two film stocks you discussed above? I'm 70. I cut my teeth on shooting, developing and printing Tri-X but I've never encountered Fomapan. Probably due to location?
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Simon replied:

Comment posted: 30/05/2024

Honestly that kind of comparison would be an entire article in and of itself! The Tri-X is a classic for a reason, and Fomapan has a sandier, less nuanced feel to it overall - if I had to put it in just a sentence! Both great films in my opinion.

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Geoff Chaplin replied:

Comment posted: 30/05/2024

I'm a big fan of Fomapan 100 but the 400 film is a very different beast - I find the images dull compared to the Tri-X images here (not a comment on your photography!!). Out of the two 400 speed films I'd pick Tri-X unreservedly. Interesting reportage work and some impressive portraits.

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Simon replied:

Comment posted: 30/05/2024

They did come out a little dull here, although it may be a flatter scan than usual due to trying something a bit different with them this time! I find the negatives very easy to work with, and more contrast could definitely be achieved if required. And thank you! :)

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Daniel Castelli on The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024

Comment posted: 31/05/2024

Hi Simon,
I ended up shooting the second half of a roll of Kentmere 400 and a full roll of HP-5 at a Memorial Day ceremony. I had my M2/Voigtlander 35mm f/2.5 pan II. Beautiful sunny day. Zoned focused the 35mm. Used the sunny 16 exposure rule. 1/500 @ f/16. Since it was contrasty, I opened up a stop to f/11 to beef up shadow detail. I used Adox D-76, 1:1. Rolls developed independently. Normal development. The Kentmere 400 came out dead on. Good contrast, good highlight & shadow detail. The HP-5: a bit lower in contrast and looking slightly under developed. Both will be easy to print, but there is a difference. BTW, fresh film, just got it from B&H about 3 weeks ago. I thought I’d respond because of the similar situation you write about in your article.
I also am going through a slow period for shooting film, it seems like pulling teeth. Maybe it’s the time of the season? Who knows. Thanks, Dan
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Simon replied:

Comment posted: 31/05/2024

I hope you got some frames you are happy with from the day!

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