Rollei A110 – Bringing It Back From The Dead

By Neal Wellons

I perked up listening to a recent podcast when one of the hosts mentioned he had owned 5 Rollei A110 cameras and none of them worked.  I realized that I might have already solved the problem that converted the beautiful, capable cameras into paperweights.

Back in January 2024 I bought a nice-lookin Rollei A110 on the Bay for $35, untested.  I looked it over and everything seemed to work fine, except the shutter.  Quickly deducing that it has an electronic shutter, I found the correct battery was the Mallory PX27. Unlike the 1970s, the nearest  battery is now the PX27M.  I bought the new PX27M battery, placed it in the battery carrier, snapped it into the camera and still there was no shutter action.

It appeared camera was dead with a possible electronics problem.  But like Miracle Max said in Princess Bride,  “It just so happens that your friend here is only mostly dead. There’s a big difference between mostly dead and all dead. Mostly dead is slightly alive.”

Max was right.  The camera was slightly alive and just needed resuscitation.

I tested the battery and found it fully charged, then spent an hour or two looking and thinking about the situation.  I noticed the battery carrier is quite thick on the ends where the battery terminals should protrude.

Fitting the battery made me think that there is no way the now slightly recessed battery terminals can contact the camera battery contacts.  I decided to snap the battery in without the carrier, tested the camera and the shutter came to life.  I decided that, as the battery was revised over the years, the PX27M must have electrodes that don’t protrude as far as the original PX 27.  Now that the camera worked without the carrier, I had an open space in the top of the camera that would be normally covered with the carrier top.  Since the whole thing was made of plastic, I used side cutting pliers to cut away the carrier, leaving the cover that still snapped into place easily.  The only downside it that it is harder to remove the battery for replacement but it is easy enough with tools like two small screwdrivers.

So how does it work?  I’ve only shot three rolls through it so far but operation has been flawless.

I first shot it with a roll of expired (2018) Fukkatsu 400 film as a test.

 

Things looked good for expired but then I tried a roll of my favorite 110 format film, Lomography B&W Orca film. Wow, I was blown away.

 

If you have a dead Rollei A110, I hope you have the same problem as it is very easy to fix and costs nothing.  Good Luck.

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About The Author

By Neal Wellons
I am a photography addict who also collects cameras. I started shooting adjustable cameras in 1960 and now I have about 250 cameras in my collection. I have shot most of them. I shoot and develop about 150 rolls of film a year. My internet presence is on Flickr. You can find me at Neal Wellons or neal3k.
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Bob Janes on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

Bravo!
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James Billings on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

Nice work bringing it back to life, and quite a simple fix it appears!
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Mike on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

That's awesome - I'll resurrect my Rollei with this method - I think it must be the same issue. Hopefully this article will get more if these awesome little cameras back into aervice
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David Tan on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

My A110 only exposed two shots out of the whole roll - and the entire length of the negative was "pinpricked" with spots of light - not sure what to make of that. Tempted to give this a try, as inconsistent battery contact could explain only two non-sequential shots being exposed.

Well done! Your examples look wonderful.
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Neal Wellons replied:

Comment posted: 30/06/2024

It is possible your battery went out after two shots. That would be the easy thing but the pinpricks sound like different problem. If you used a really old roll of film, the backing paper may have reacted with the film. Hopefully a new battery and fresh film will put you back in business.

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David Tan replied:

Comment posted: 30/06/2024

Like in the Rollei 35SE, I usually tape together 3x LR44 and 1x LR43 - never had issues with that arrangement there but I think you may be right as the A110 draws more current. I have some Orca 110, will try that. Definitely worth it to try this! Maybe I'll write an article about this whole process! Thank you for the inspiration.

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Gary Smith on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

Three cheers for Miracle Max!
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Dave Powell on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

Wonderful tip Neal! I may just have to try a third A110 (since ages ago, I thought two copies I'd bought were truly dead... as opposed to almost surely dead!
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Neal Wellons replied:

Comment posted: 30/06/2024

Remember what Miracle Max said "There's a big difference between mostly dead and all dead. Mostly dead is slightly alive".

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Tony Warren on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

If you are using Lomo film the pinpricks could be the famous glden orbs of Tiger fame. Tiny spots of ight make it past the backing paper which is the usual culprit. A lot to be said for the KISS principle and you seem to have proved it here.
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James Evidon on Rollei A110 – Bringing It Back From The Dead

Comment posted: 30/06/2024

A contrarian opinion:

110 film was a cute idea at the time and designed for infrequent camera users who were all thumbs when it came to loading film. All of the cameras were mediocre in quality when compared to other cameras made by the same manufacturer. This was especially so with Rollei. None of the 110 cameras were built to last and compared to what was available in the relatively inexpensive 1/2 frame offerings of, for example Olympus, the lenses were quite poor. While the 110's were very small and pocketable, so were the FF and 1/2 frame offerings by Ricoh, Petri, Oly, Yashica and too many others to mention.

Since the readers of this exceptionally excellent website are presumably real photographers who either know how to load a 35mm camera, or are at least interested and competent enough to learn how in a short period of time, why don't we let a below standard curiosity like the 110 camera simple remain in the grave for which its manufacturers intended for its relatedly short life span.

OK, I expect the slings and arrows of probable outrage to fall upon my comments, but that aside, I felt like someone ought to say it.

Be of good cheer and keep shooting whatever you fancy.
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David Campbell replied:

Comment posted: 30/06/2024

I don't remember ever actually owning a 110 camera at the time they (briefly) became all the rage, though I used a borrowed one several times in the early 1970s just before I became much more knowledgeable about photography and was still a rank amateur. But even then I was completely unimpressed with the high level of graininess in the finished photos. I at least, even then, had a gut appreciation of fine grain photography, and 110 just didn't cut it for me. Even now, I can only see one possible use for it, which is for some art-photography application when one is trying to create a certain effect that purposely blurs and pointillizes the image. Is pointillize a word? OK, how about create an image mimicking a pointillist painting? I guess that's one of the draws of the lomography movement in photography. I don't yet embrace it!

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Neal Wellons replied:

Comment posted: 30/06/2024

Expecting slings and arrows is correct when you get into comments on a camera in which you have no interest. I understand your comments but don't agree as many manufacturers made high quality 110s. Regardless of quality, to me the fun is seeing what kind of images I can get out of small film sizes; I have even, even shot a disc or two. I have a collection of Holga 110s that many would truly hate as far as results go but they are fun for me. If I wanted easy to use and perfect quality, I would go back to digital. I'll let my 43+ year old beautifully functioning A110 speak to the short life span, and my Pentax auto 110 echo that. Thank you for your comments as they can help people frame why they might want to shoot the tiny cameras, or not. It is always good to thank about why we use the equipment we have chosen.

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James Evidon replied:

Comment posted: 30/06/2024

That's ok. Among my collection of shooters and shelf queens, I even have a Minox B, speaking of grain, not to mention my Tessina 35, both of which demand either a near grainless ISO 20 to 50 film or all shots look like they were shot in a snowstorm. Still and all, anything smaller than a 35mm half frame is a needless challenge IMHO. These days I don't go smaller than 35mm FF and 120 up to 6x9, but most of the time I shoot digital APSC and FF. Different strokes, right?

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Michael on Rollei A110 – Bringing It Back From The Dead

Comment posted: 01/07/2024

Wow!!! Now I have to go grab my Rollei's and give this a test!! Thanks for the pointer. I think these are cool little cameras, I just want my E110 and A110 to work!
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