When I first looked into getting a film Leica, one of the factors that would influence my yes/no decision was whether I could get a 50mm lens that would focus as close (or as ne...
I’ve written before about how important it is to me to see and experience my photographs in a printed form of some sort. Whether it's a darkroom or giclee print, in a photobook ...
I can't really remember the exact sequence of events and thoughts that led to my decision to buy a Leica. However, I think it was around the time that I posted more articles her...
I was a devoted and habitual attendee at Le Mans in the late 80s and early 90s, having discovered it in my youth when the start of the legendary race was a rare and short item o...
We’re all subject to influences whether we know what they are and/or acknowledge them or not. As visual artists we’re influenced by our environment, other artists and photograph...
I saw Michelangelo Antonioni’s Blow Up the other day for the umpteenth time and while it is a film that when I first saw it I did get excited about being a photograp...
Back in the early 1980s, in my 20s and in my formative photographic years, I read a lot of books about the craft and practice of photography. This obviously contributed enormous...
In the olden days, before domestic computers, sharing images shot on neg film was all about physical artefacts. In order to share your work you had to produce something tangible...
