On a trip last year around the coast of France and along the Spanish foothills of the Pyrenees, I wanted to take along some film that had a slightly different character to my us...
When I first looked into getting a film Leica, one of the factors that would influence my yes/no decision was whether I could get a 50mm lens that would focus as close (or as ne...
I’ve written before about how important it is to me to see and experience my photographs in a printed form of some sort. Whether it's a darkroom or giclee print, in a photobook ...
I can't really remember the exact sequence of events and thoughts that led to my decision to buy a Leica. However, I think it was around the time that I posted more articles her...
I was a devoted and habitual attendee at Le Mans in the late 80s and early 90s, having discovered it in my youth when the start of the legendary race was a rare and short item o...
We’re all subject to influences whether we know what they are and/or acknowledge them or not. As visual artists we’re influenced by our environment, other artists and photograph...
I saw Michelangelo Antonioni’s Blow Up the other day for the umpteenth time and while it is a film that when I first saw it I did get excited about being a photograp...
Back in the early 1980s, in my 20s and in my formative photographic years, I read a lot of books about the craft and practice of photography. This obviously contributed enormous...