If you shoot monochrome film, you don’t have to make do with shooting at box speed if it is a higher speed that you want, and if that is the case for you, you should not hesitat...
I am sure to get some grief about this piece given that my last article on the analog Ricoh GR1s ended with my resolution that I was not interested in buying a digital GR. Well,...
No worthwhile art ever escapes at least some controversy of some kind from some people at some time. Even Ansel Adams, whom no one would likely consider controversial, was no st...
The Ricoh GR cameras have had a kind of cult following as a street photographer’s tool of choice going back to the days when Daido Moriyama was roaming the streets of Kabukicho ...
I shoot film, but I am no analog zealot. For me, shooting film is rarely about the film. It is always about the experience shooting with some of the best cameras the world has e...
Neopan Acros 100 had always been one of my favourite film stocks, right up until it was discontinued about two years ago. Acros 100 was contrasty, rendering rich blacks and acce...
Infrared film photography has always intrigued me as a way of getting some unusual effects. I had a roll Rollei Infrared 400 which I had been wanting to try out for a while, but...
If nothing else, Japan where I make my home, is wet. The rainy season lasts from mid-June to the end of July, typhoons regularly lash the archipelago from August to October, and...