I think I may have mentioned once or twenty times that I shoot a huge proportion of my work on two focal lengths, the 50mm and 28mm. Now, the thing is that over the years my kit...
I have never really gotten along well with reflex cameras. No, this is not some grudge borne out of spite from my quest to reattain my 20/20 vision of yesteryear, and subsequent...
My very first barn-find Yashica T5 had proven itself to be a stinker. First it made a heck of a racket every time it took a picture, and the lag between pressing the shutter but...
I’m down to my last nine rolls of Ilford HP5+ at the time of writing, and postal services seem to be rather iffy about their availability amid this global pandemic. With avoidin...
I got home and flopped onto the couch, regarding my newest folly with apprehension and growing regret. A flipping 21mm lens sat in its box in my lap. A lens some would place int...
You already know the drill: Bulk loaded film in canisters of wildly varying DX codes, lack of markings anywhere on the back plate indicating the film stock born out of pure hubr...
Instax. For many, that word would conjure up images of kitschy, bulky cameras with plastic lenses, or some slightly better glass-equipped offerings from Lomography and MiNT, if ...
Speed. For many, this quality has been edging down the list of priorities when it comes to purchasing a lens, especially in an era where sensors have got so good that them produ...