My forays into various types of film cameras usually go something like this: 1) Go to the internet and read/watch something that leads to a link to another link to yet another l...
As someone who grew up in the era of the digital camera, I never thought of film photography as anything other than old and inferior. At twenty one years old, the only experienc...
What makes a good portrait? Can we really expect a single image to reveal a person’s character? Or even a side of their character? And does the quality of the image matter - do ...
I live in the great white north (aka Michigan) so the arrival of Spring means two things
1. We go to Florida, because Spring really arrives around the middle of May, no...
I recently had a “Don’t be such a wanker” moment when re-reading something I wrote here on 35mmc about the Fuji X-Pro3.
“I don’t know if I’ll be able to use the X-Pro3 to make e...
22 March, 2020
5 Frames With Eastman 5222 at EI1600 – By Hern Tan
You already know the drill: Bulk loaded film in canisters of wildly varying DX codes, lack of markings anywhere on the back plate indicating the film stock born out of pure hubr...
15 March, 2020
5 Frames With the 7artisans 35mm f/2 on the Leica M10, for Photojournalism – by Simon King
My opinion on the 35mm focal length hasn't shifted much since my recent attempts to adopt it into my workflow. Despite being happy with a lot of the snapshots I've produced on m...
Revisiting the legendI recently succumb to my GAS and got the Fuji XPro3. But let me explain. I started my Fuji journey on March 2011, the day that the Fuji X100 launched. I was...
