Frequent readers may remember my struggle around the discontinued FujiFilm Neopan 400, and the compromises I had to make. I now have reason again to be frustrated with FujiFilm ...
I don’t know much about movie production in general, let alone moviemaking using film. How do the cameras work, how do they process the film, the color grading, etc. etc. Its al...
I used the Olympus Om-2n equipped with a 35 mm lens for those 5 shots. But I am not here to talk about the camera, instead I want to talk more of the film itself. This article i...
Ever since I returned to film photography (with a Rolleicord bought from street photographer and Ilford artisan partner Keith Moss – now a friend) I have concentrated on exposin...
I was recently asked the question, “what camera would you not sell?” As the proud owner of a tiny collection, my response was immediate and succinct. “My Nikon F2 and 50mm f2.”
I am no Kodak 2238 expert. In fact, I was introduced to Kodak 2238 by Michael Bartosek when I was lucky enough to be included in his project to shoot this film. The Kodak 2238 P...
Having used a couple of 1950s 6x6 folders (see my earlier posts) and been impressed with the results, I thought I would give a 6x9 folder a try. A bit of research on eBay landed...
It’s funny how these things happen. A chance encounter with my old Olympus XA3, hidden in a drawer for about twenty years, prompted me to put fresh batteries in it, find a film,...