20 October, 2026
Picturing Musicians Part 2
As mentioned in the ‘Picturing Musicians Part 1’, photos of live performances isn’t my long suit. There’s nothing about my photos of live gigs that look any different from anyon...
20 October, 2026
Rollei Retro 400S, Light Leaks, and Prague
I was hoping to share a clean set of photos from a recent trip to Prague. Instead, I am sharing a series plagued with light leaks. Yet I felt it was still worth putting out into...
18 October, 2026
House of Photography, Marrakech
The narrow streets and alleys of the historic Medina make for a very intricate and, for many, very confusing geography of the place. Even if a map would exist, one would get los...
16 October, 2026
5(ish) Frames with a Hasselblad Super Wide C
I got the Hasselblad Superwide C around 1977. It was built in 1954, so it was rather old at the time. Mine was well worn, but in the 40 years I used it, it never needed servicin...
16 October, 2026
Cemetery culture
Mourning, remembering, honouring, designing, maintaining, developing: a cemetery is first and foremost a place of mourning and remembrance, but also a significant cultural space...
15 October, 2026
5 frames with a Leica M4-2, Seagull M 35mm f1.7 and Kentmere Pan 400
The trouble with having an analogue Leica M – or any other film camera really – is that you need two. After all, what if you wake up and it’s a glorious spring day, ...
14 October, 2026
5 frames with a 85mm and a 75mm lens – Does it make a difference?
Recently, several 75mm lenses for full-frame cameras were presented by Chinese lens manufacturers. Only few 75mm lenses were produced in the past, like the Zeiss Biotar 75mm (a ...
A few years ago I decided to try and incorporate video into my workflow, for the sake of having some BTS for teaching, as well as to have an extra level of “evidence”...
