15 April, 2026
The Battle for Minneapolis
I arrived in Minneapolis on January 9, 2026, two days after Renee Good was killed by US ICE agents. What I saw shocked me. It was not the city’s reaction that stood out, b...
14 April, 2026
Taking Photos in Museums: A Meditation
I. Observing On a trip to the world’s busiest museum last fall, my husband and I were rudely jostled by a determined fellow museum-goer, a middle-aged Parisienne who shuffled fr...
9 April, 2026
Tokyoites 2007~2009
The 28mm has always been my favourite lens for capturing crowds. It lets you frame plenty of action without introducing too much distortion. During my years living in Tokyo I re...
7 April, 2026
Kodak Gold 200 – Photographing Museums
After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200. The film was developed by bildskanning.com, and digitized using a Valoi ea...
5 April, 2026
Nikon FM2N & Nikkor 16mm – A Fisheye in French Canada
In 2025 I was fortunate enough to travel quite a bit. A Nikon was with me for almost all of those adventures. In March, my girlfriend and I spent a week and a half in Florence, ...
4 April, 2026
If Trains Could Talk
There’s something timeless about trains. Maybe it’s the scale—the sheer size of a locomotive—or maybe it’s how they’ve always been there, quietly shaping our lives and landscape...
2 April, 2026
The Photographer as Subject: Ethan Hill
One of the joys of living in a city like New York is its abundance of creative artists, many of whom also devote some portion of their time to teaching. So it is with the subjec...
28 March, 2026
Double Exposures with a Rollei 35B
New Year comes and goes. By February, I’m feeling the creative doldrums—that post-holiday flatness where nothing seems to spark. So I decide to shake things up and try som...
