29 March, 2023
An unexpected Yashica T4 and some unplanned snow
In the summer of 2022 I experienced some health issues that needed time and attention, so I applied for a treatment. There was a waiting period. So in the middle of November I f...
26 March, 2023
Drinking districts in Japan I: Tokyo with a Leica iiig, 50mm Elmar f3.5 and Portra 400 – By Geoff Chaplin
My photography is about people but often without people – stories in objects and surroundings about their lives and lifestyles.
Japan probably conjures up many thoughts – crowd...
24 March, 2023
Seeing the unexpected in the ordinary – a day in the life with my newest project: Peaceful Days – By Derek Lluisma
Within one month in Arizona and one week in Florida, I spent my free time photographing everyday surroundings in an increasingly directed manner—strategically targeting specific...
Today's post is part of my continuing effort to show my British 35mmc colleagues that California is not all freeways and rapidly built neighborhoods. There are pockets of histor...
22 March, 2023
Help! I like Dirty Pictures! – By Alex Kreisman
Yes I do! But maybe not in the way you might think! A couple of years ago, I had the chance to post an essay on one of my visits to an extermination camp in these very pages. I ...
21 March, 2023
A Commuter’s Travelogue – by Leah de la Cruz
During my daily commute, I realised that I know nothing about the many stations that I pass and don’t alight at. Are the takeaway shops nicer than at my station? Which has a caf...
14 March, 2023
5(+5) Digital-IR Frames from a Roving CoolPix 990 in Paris
Before Kate and I went to Paris in 2010, a good friend visited one of my digital-infrared exhibits and-- the following Christmas-- gave me a Nikon CoolPix 990 that he’d converte...
11 March, 2023
Double Exposure, Double City – By Joshua Blevins Peck
I love multiple exposures. There’s something freeing about letting go and having fun with a camera to create a layered, abstract image. When I’m making doubles, triples, and qua...
