Part 3 is the most (only?) technical part of my ongoing series about darkroom technique. If you like technical, you’re in for some fun. If you dislike technical, maybe skip the ...
In Part 1 of my ongoing series about darkroom technique, I talked about how to set up a fully-functional darkroom for black-and-white printing – for less than £100, and in a sma...
I’ve been shooting film since the late 90s; my father bought me a quirky little National 35 when I was thirteen. But I started darkroom printing just a year and a half ago, in a...
I’ve thought about covering off some of the basic principles of photography a few times on this website, but often find myself coming to the conclusion that someone else will ha...
For more than 40 years, taking photographs has been more than a hobby for me. It’s how I react to the things I see around me as I go about my day. I can’t explain why I react to...
I was asked recently my opinions around what I think is the best way to scan a large collection of slides? I replied by suggesting that they should have a lab scan it and not to...
Pretty much every person we meet has been told somewhere that developing black-and-white film at home is reasonable, but that developing colour film is just too tricky. But this...
This post has been a long-time coming, I think I’ve lost count of the number of times Hamish has trolled me about writing about shooting 35mm pinhole cameras.