This isn’t a technical review. There are no charts, no pixel peeping, and no scientific comparisons here. What follows are simply my thoughts and impressions after shooting a ro...
The launch of Leica Monopan 50 prompted me to buy the Adox HR-50 (the same film) and give it a try. Recommended ASA and developing time in PMK is not given so I decided to expos...
The purpose of this article is to lay to rest my nagging question as to whether there’s any point in me shooting slide film for holiday snaps in 2025. Spoiler alert – my answer ...
Despite being talked about a lot, there has not been much review about Lucky’s new color negative C200 in the western part of the world since its launch in July in China. ...
For anyone who doesn’t know, CineMot is a company based in Porto, Portugal, that takes spools of old Kodak Cine film and re-spools it into the typical 36-exposure rolls. They re...
In a market where 200-speed black-and-white films are rare (SFX 200 and Rollei options aside), Fomapan 200, and now Kentmere 200 stand out as both affordable and versatile. Over...
As I imagine many of you already know, in late 2023, Harman released a new colour film, which was the first colour film that they have produced; formerly only making black and w...
I recently reviewed my Zeiss Ikon Contessa S310 Here. It’s a gorgeous camera, so simple to operate and a pleasure to handle and to use. The cherry on the cake is the fact ...
