When it comes to choosing film I am not the most adventurous person, I tend to stick to Kodak Ektar and Portra 400 with the occasional Velvia. Last year I decided to try Portra ...
A couple of weeks ago I went down to Cornwall for the day to shoot some video for Fowey Shellfish. The job for the day was to capture some content of their new boat, the Mytelus...
A little while ago now I shot a roll of Ektachrome E100 in a camera that turned out to be broken. The camera itself feels pretty irrelevant to this story, other than the fact th...
My first exposure to Neopan 400 (Professional/Presto) was in the work of one of my favourite film photographers; Walter Rothwell. When I first discovered his work I wasn't too i...
Some people may remember Hamish’s post back in November 2018, about the Agfa Optima 1035 camera that was so nearly something he liked, but not quite there: The Agfa 1035 and a C...
A couple of weeks ago I went down to Bristol to meet Duncan Gammon from SilverPan Film Lab. We’d met briefly at the photography Show in March, but since then I’ve started using ...
Earlier today, I posted a 5 frames post documenting a recent experience shooting a slightly crappy teleconverter mounted to a Ricoh FF90 Super - you can find that post here. I w...
A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. Exposed at EI8...
