There are a couple of things I should preface before we get underway with my honest opinion regarding CineStill 400D, the latest colour film release by Cinestill. First off, I a...
I tried out my first ever 35mm roll of Fuji Velvia 50 (‘RVP’) in mid 1990, not very long after it became available in Australia. It totally blew my mind and I was ...
A few years ago, I was gifted a lot of film for a project I was working on which involved shooting a roll a day for two weeks and vlogging my journey. I was mailed so much that ...
Any film still in production today must have something going for it – almost a survivorship bias in effect. I don’t think there are any “bad” films, only...
Recently I thought I would give colour negative film a try again having used a great deal of this film type in the past, which I used to process myself in Neofin Colour chemistr...
With color films often in short supply and prices continuing to increase, it was sad news when Fuji “paused” Superia X-TRA 400 in April of this year. It’s re...
I became acquainted with Rollei ATP 1.1 while searching for an alternative to my usual slow film choices, Agfa APX 25 and Kodak Technical Pan. For a while, Efke 25/KB14 was a go...
A slightly outdated 120 roll of Ilford’s orthochromatic film left over from an earlier exercise seemed a good match for my recently purchased Zeiss Box Tengor. The Massiv...
