Adox describe their CMS 20II Pro film as “an orthopanchromatic and ultra-high resolution film based on silver halide material” and “the highest resolution, sharpest fine-grain f...
On a recent trip to Germany’s rustbelt along the Rhine and Ruhr rivers I carried in my bag a roll of SPUR UFG film that I wanted to try out shooting in a former steelworks just ...
As a teenager growing up in suburban New Zealand during the early 90’s, New York seemed like an urban outpost on a distant planet. I recall a school friend giving me a copy of t...
In my life, I’ve rarely been one to succumb to peer pressure. Whatever cool new thing everyone else has, you can be sure that Bob will find a different way. When I was a teenage...
In this article, I briefly discuss use of Ilford PanF 50 Plus in the studio for portraiture – specifically, mother and baby styled shoots I’ve been a photographer for a lo...
Ah, old film. A classic tale of unfilled potential, of a product brought back from near-death to (maybe) finally have its day in the sun. Expired, yes. Dead … not yet. I h...
Being new to film photography and the wonderfully complicated world of film stocks, I decided, like any semi-sane human male would, to dive really deep into the thick of things ...
The tantalising mysteries of microfilms (AKA ‘copy’ or ‘document’ films) grabbed my attention almost as soon as I re-entered the world of film a few short years ago, precipitate...
