3 April, 2026
Neofin Blue – A Developing Emergency
A practical test of Neofin Blue in 35mm and 120 sizes and varying dilutions.
31 March, 2026
Wollaston Meniscus 125mm f1.6 Review
One of my favorite parts of film photography is experimenting with new-to-me gear, processes, and formats. Large format photography is a particularly good venue for this since i...
30 March, 2026
Minolta Dynax 9 and 7 – A Comparison
Although these cameras were known in eastern markets as Alpha and in American markets as Maxxum, the copies I’m dealing with are the European Dynax versions – so I w...
There’s something quietly addictive about panoramic film photography. The way it stretches time and space across a single frame feels very different from shooting standard forma...
27 March, 2026
Kodak Duaflex – Toronto-made – Fun or Fad?
Close to my birthday near the end of 2024, a friend of mine gave me box full of “old photography stuff” he had lying around, asking me if I would have use for it. Ne...
25 March, 2026
Nikkor AF 85mm 1.8 D – A Rediscovery
If you’ve read any of my posts on 35mmc, you’d think I was a strictly a B&W film shooter. There are times, however, when I fall off the film wagon and shoot digital for two ...
24 March, 2026
Harman Switch Azure
I’m a little late to the party with the release of Harman Azure – it was launched a few weeks back, but I was out of action in the run-up so I only had a chance to shoot o...
23 March, 2026
Leica D-Lux 8 in India – Part One
The Leica D-Lux 8 has been reviewed to death, so this is not a review. It’s personal observations about how I came to buy this camera, how I didn’t bond with it at first, and ...
