The Plaubel Makina 67 is a camera that I’ve long struggled to justify, but that simultaneously has on multiple occasions, given me the worst cases of gear acquisition syndrome I...
Compact cameras - or pocket cameras, call them what you will - we all know what that means. We all know what they are, and to a degree what we expect them to look like. Of cours...
11 August, 2018
Kodak P3200 & Happiness found in my (lazy) Hybrid 35mm Workflow
A little while ago I loaded a roll of Kodak P3200 into my Leica M4-P and proceeded to shoot a few frames one evening down the pub. I then forgot I’d loaded P3200 and thought I’d...
5 August, 2018
Canon 50mm f/2.2 Leica thread mount lens review
I’ve had this little Canon 50mm f/2.2 for a while now - I bought it attached to a Canon P. Both camera and lens were items I’d eyed up on eBay a few times, so when I saw the com...
4 August, 2018
Zenit E Review – My Father’s old camera – Johann Wahlmüller
This post is about the unlikely camera that accidentally got me into film photography – my dad’s old Zenit E.
My father bought his Zenit E in the early 70s and mostly used it o...
Canon is the one photography brand that has continually had the distinction of inspiring me the least. There's nothing wrong with Canon. Canon makes great cameras that make grea...
2 August, 2018
Kodak Portra 400 – My First Roll – by Simon King
Until recently my film photography had more or less been exclusively shot on either AGFA Vista 400 for colour, or XP2 for black and white. I've played around with Fujifilm and o...
Rear Window is a great movie, and taking photographs is the main character’s essential trait. Francois Truffaut, whose book turned director Alfred Hitchcock the man into one-nam...
