30 June, 2024
Rollei A110 – Bringing It Back From The Dead
I perked up listening to a recent podcast when one of the hosts mentioned he had owned 5 Rollei A110 cameras and none of them worked. I realized that I might have already ...
Working with Chris and Vita Andreyo to setup Omnar lenses has been one of the most enjoyable projects I have been a part of in my working life. It has been really exciting bring...
28 June, 2024
Olympus 35SP – A 5 Frame Mini-Review
I have always liked cameras. About 18 months after getting back into shooting film cameras, I have found that I keep returning to the Olympus 35SP. After reading an excellent ar...
24 June, 2024
Olympus E-1 Review – Down the Kodak CCD Rabbit Hole
To go down the Rabbit Hole: To enter into a situation or begin a process or journey that is particularly strange, problematic, difficult, complex, or chaotic, especially one tha...
I’ve been writing about film cameras for a long time now, but the release of a new film camera from a major brand like Pentax feels somehow more significant than most, if...
I decided to expose RPX 25 (two years past its use by date) at 100asa unfiltered. Why? Well (a) I am after all British, and that’s the sort of stupid thing we do sometime...
17 June, 2024
Adox CHS 100 II – First Impressions
Adox CHS 100 II is an orthopanchromatic film on a PET base. Orthopanchromatic? What is that? In brief, somewhere between ortho and pan, but the long and better explanation is as...
14 June, 2024
Adox CMS 20 II Pro – My First Roll
Adox describe their CMS 20II Pro film as “an orthopanchromatic and ultra-high resolution film based on silver halide material” and “the highest resolution, ...
