Grant Haist claimed some time ago that you could develop film in almost anything, including pee. His words echoed across the internet and IRL when I shared the project details t...
24 March, 2024
How (not) to Reticulate
I was developing film away from my darkroom. I had assembled the essential equipment and, because I knew that untreated tap water in Brussels used to be very hard, I had made up...
13 March, 2024
A Note on the Concept of “Correct” Exposure
“My camera just nails the exposure”. How often have you heard that or a similar comment from someone praising the technical abilities of their new digital camera? Bu...
14 February, 2024
The Black and White Paper Reversal Process
I recently wrote about my adventures in RA4 colour reversal and the Pinsta pinhole camera. Once I had a workable method, I got to wondering about how difficult it might be to pe...
2 February, 2024
F-Stop Printing in the Darkroom
Although I scan all my negatives so that I can share photos online, I prefer to make prints in the darkroom. I find it to be an engaging technical craft that provides endless th...
12 December, 2023
116 Cameras – Shooting Wide Aspect Ratio on a Shoestring
The standard aspect ratio of 35mm film is 1.5:1 (36mm x 24mm). In contrast, wide aspect negatives range up to the ultra wide, and pricey, Hasselblad XPan, with an aspect ratio o...
5 December, 2023
How to Refill an Ilford Disposable Camera
So… you’ve just finished to shoot all around the city (or wherever you’d like) with your brand new BW disposable camera, what’s next? Chances are that yo...
2 December, 2023
Development Tests, Part 2: Adox Rodinal 400:1, Fomapan 100 Classic and TTArtisans 50mm f1.4
I rephotographed some earlier images in good sunlight (versus cloudy dull before). The same film stock was shot on a Leica MP with a TTArtisans 50mm f1.4 lens and film developed...
