Latest Posts
Another Skyllaney lens to recently pass through my hands was this wonderful restored Jupiter-3. My past experiences with Jupiter-3 lenses - at least apart from the Lomography on...
14 June, 2020
5 Frames with a Zeiss 35mm f/2.8 C Biogon, Leica M6 and T-Max400 at EI400 – by Phil Harrison
The lockdown has given people plenty of opportunity to buy stuff they can't afford and don't really need, I know, I'm one of them. I'd been thinking about replacing the 7Artisan...
When the novel Coronavirus pandemic began to spread like wildfire, state and municipal authorities in Hawaii were quick to act. A broad-based lockdown was ordered, and while it ...
13 June, 2020
Documenting the #BlackLivesMatter Protests – Some Thoughts and Images – By Dan Shapiro
I’ll preface this article by stating that street/documentary photography is neither a preferred genre of photography for me, nor is it one that I consider myself particula...
“I can’t breathe!”, “I can’t breathe!”, “I can’t breathe!"
As a black Latino American living in London, a member of a historically oppressed group, I still have some access, pr...
12 June, 2020
23 frames / A Whole Roll of Fujifilm Superia 400 in a Vivitar Ultra Wide & Slim – #FullRollFriday – by Charles Higham
No doubt like many, I've taken the enforced opportunity to tidy up photographic equipment and general detritus. There's an embarrassing number of old film compacts, SLRs and len...
Big sensor compact cameras are a special breed. In most cases, they are riddled with compromises which the end user ends up hating, or embracing. It is a love-hate relationship....
11 June, 2020
Discovering Bromide Drag and New Developers – My First Steps into Analogue – Part 6 – By Andrea Bevacqua
After a while I was using the Cinestill mono bath, I noticed some stripes on my negatives and I did not know what it was. I asked Hamish and he came back with the answer "bromid...
