It all began in the early summer months of 1966. We were still weeks away from England thrashing Germany to win the World Cup and change the course of history for ever. I was el...
The featured image shows a Zeiss Ikonta family gathering. Left to right: Super Ikonta 530/16, Super Ikonta 530/15, Moscow 4 (the dodgy East European cousin), and a baby, the Iko...
I was excited to bring my M3 to the recent No Kings protest in Manhattan in October. I don’t have a huge amount of experience shooting ‘documentary’ style to ...
After Scott Ferguson and David Hume’s posts a short while back and the comments within them, I was surprised to be asked to contribute. Surprised and terrified to be hones...
This photo was also part of a recent post I shared here on 35mmc. Apologies for sharing it twice in quick succession, but this image also fits the idea of my favorite photo of t...
Winter Sunlight, NYC, 2025. Rolleiflex 2.8F, Zeiss Planar f2.8, light yellow filter. Tri-X 400. This post is the final installment of a four-way conversation between Scott Fergu...
About 4 years ago I was looking for a medium format film camera. I went through all the choices and could not decide. Then I came across Anna Starr (anna.s.snapshots on Instag...
I’ve always felt a kind of disgust toward the trend of full automation and burst shooting. I call it spray and pray. The camera sets the exposure, detects a smile, locks on an e...