In the past, I’ve tended to review some high-end 110 cameras. The release of Lomography’s recent 110 camera was a timely reminder that some quite decent ‘In...
For those unfamiliar with the Travelling Canonet project, you can read about it here. We have over 50 photographers on 4 continents taking/waiting to take part. Two Canonets are...
My last ‘5 frames’ was a thinly veiled opportunity to complain about the ergonomics and reliability of the Minox 35EL. Even then I remained entranced by its tiny (...
For those unfamiliar with the Travelling Canonet project, you can read about it here. We have over 50 photographers on 4 continents taking/waiting to take part. Two Canonets are...
Borders slow things down. For this film, the original Canonet had to cross a customs border. That delay is a good part of why this is only the third roll from this camera. The c...
Previously, I’ve waxed lyrical about the Zeiss Super Ikonta 532/16 – a top of the line, pre-war German camera. As well as the super-sophisticated, super-heavy Super ...
Following on from a recent posting by Tim Wainwright, we met up at Southwark’s Borough Market, along with another 35mmc contributor, Peter Roberts. The idea was to get to...
I’ve written before about the British camera industry. I've done a review of a medium format SLR from a company called 'Aeronautical General Instruments' (AGI). AGI were based i...