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Posts by category

• Category: Blog
  • You Never Know What You Might Find… (12/15/2024)
  • The Whole Roll: 100 TMax in an Ordinary Place, on an Ordinary Day, in an Extraordinary camera (the Rolleiflex 2.8F). (12/11/2024)
  • Dust and mud and the marbles (11/16/2024)
  • 5 frames Rediscovering my Pentax 67… and then another 5… (10/25/2024)
  • A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount (10/24/2024)
  • The Whole Roll – Kodak Portra 160 – Summer, New Orleans City Park. (10/11/2024)
  • 5 frames with a Canon SureShot Zoom XL in Croatia (07/25/2024)
  • The Cost of the Mamiya 7 (07/21/2024)
  • Canon 50mm Serenar f/1.9 – The Serene Beauty of the Japanese Summitar (07/08/2024)
  • Seeking Stefan – A One Shot Story (06/15/2024)
  • NEWS: Simera 35mm & 28mm F1.4 from Thypoch Arrive For Z, X, E, and RF Mounts (05/17/2024)
  • NEWS: Analogue Wonderland and Kodak To Host ‘The Big Film Photowalk’ on June 29th! (05/15/2024)
  • 5 Frames with the Micro-Nikkor 55mm f3.5 (05/15/2024)
  • NEWS: Kodak Professional B&W Chemistry is Available Now from Dupli and Cinestill (04/13/2024)
  • NEWS: Grainsplaining Returns with Print Sale March 29th – April 1st For Women’s Charities (03/25/2024)
  • 5 Frames of expired CineStill 800T with a Leica M4 and 7Artisans 35mm f/2.0 (03/07/2024)
  • NEWS: Film Photography News Round-Up – March 3, 2024 (03/03/2024)
  • NEWS: Analogue Showcase is Back at The NEC Birmingham Photography Show – March 16-19 (03/02/2024)
  • My Friend “Booper” – A One (+1) Shot Story (02/21/2024)
  • More fixes – feedback needed (02/19/2024)
  • NEWS: Film Photography News Round-Up – February 18, 2024 (02/18/2024)
  • NEWS: AstrHori Upgrades APS-C 18mm F8 Macro Periprobe Lens with 90-Degree Rotation Flexibility (02/07/2024)
  • NEWS: Reveni Labs Releases Second Generation Shoe-Mount Light Meter and Spot Meter (02/01/2024)
  • The Whole Roll – 8 frames through a Box Brownie and a mug of strong Coffee. (11/01/2023)
  • Olympus Trip 35 on Holiday – Part 2 – Getting Arty in Italy (10/19/2023)
  • Travelling from Tysvær to Lake Starnberg – Roll #4 from the Original Canonet (10/17/2023)
  • Canon T50 – Loving the unloved/ignored. (10/16/2023)
  • A Win/Lose Tale of Making a 120 to 16mm film slitter. (10/13/2023)
  • Sunset Story (10/12/2023)
  • Rollei RPX 100 and some comparisons to ADOX Silvermax. (10/11/2023)
  • Mamiya C220 – The TLR Itch (10/10/2023)
  • Nikon FM and How it Became my “Do Anything” Camera (10/09/2023)
  • My First 5 Frames on Large Format – And How it Took Me 9 Months to Get Here (10/04/2023)
  • Konica zUp 140 Super Review – Gratis Gratification (10/02/2023)
  • The Legends of Jazz and 5 Photography Masters (09/29/2023)
  • FOMA 100 Classic, and a Small Town in the Middle of Nowhere (09/28/2023)
  • Monastery of Varzaresti, Moldova – resistance through faith and tradition (09/27/2023)
  • NEWS: Street Candy’s ATM400 Returns Thanks to Flic Film (09/26/2023)
  • AgfaPhoto APX 100 in Furano, Hokkaido (09/26/2023)
  • NEWS: Tickets Available for Analogue Spotlight 2023 Community Event! (09/25/2023)
  • Developing and Shooting a 3D Printed Large Format Leaf Shutter (09/25/2023)
  • Photo-Flo: The ONLY Real Way To Use It (09/23/2023)
  • Praktica BX20 – Meeting my Old Friend after 30 years, a Happy Reunion or a Disaster? (09/22/2023)
  • NEWS: Newgrain Plans to Follow Official iOS Launch with Premium Features and Web/Android Versions (09/21/2023)
  • Two Photographers, One Camera, and the Crushing Disappointment of Film (09/21/2023)
  • Everyday Abstracts: A Frank Benson “Splatter-work” (One-Shot Story) (09/20/2023)
  • A Walk Through Western New York Wine Country (09/20/2023)
  • Minolta Dynax 9 – The 24 Year Wait for a Camera I had Put to the Back of my Mind (09/19/2023)
  • NEWS: Vintage Visual to Launch IndieGoGo Campaign October 3rd for Compact Automated Film Processor (09/18/2023)
  • Minolta AF50 Big Finder Review – a Wide Angle Compact to Use Close-up (09/18/2023)
  • 360º Migration – A Video Story (09/17/2023)
  • CineStill 400D – A Bittersweet Review (09/16/2023)
  • A Hike with Leica IIIC and Fomapan 400 (09/15/2023)
  • A One Shot Story For Battle Of Britain Day (09/15/2023)
  • Praktica MTL3 – Back to Film, with a Roll of Expired ‘SupaSnaps’ Film (09/14/2023)
  • 7Artisans 35mm f/1.4 Mark II Leica L-Mount Lens Mini Review (09/13/2023)
  • Leitz Thambar 9cm f/2.2 – Early Experiences (09/11/2023)
  • Olympus OM – 42 years, Full Circle Back to Where I Started (09/10/2023)
  • You VS FOMO – when to leave a film format behind (09/09/2023)
  • Travelling from Rochester to Vedevåg – the third roll from the Original Canonet (09/08/2023)
  • Investigating a 110 cartridge and film for possible re-use. (09/06/2023)
  • Rescue and Modification of a Ricoh Auto Half (09/05/2023)
  • Fujifilm Velvia and My Shallow and Shameless Dumping of Kodachrome (09/04/2023)
  • Fujifilm Neopan SS – My Last Rolls & When Not to Shoot Expired Film (09/02/2023)
  • A Pheasant Surprise (a One Shot Story) (08/30/2023)
  • Creating Abstract Landscapes with a Kaleidoscope Filter (08/29/2023)
  • Nikon FM2 Review – Its significance and modern appeal since 1984 (08/28/2023)
  • Drinking Districts in Japan VI: Sapporo, and a Gruesome Start (08/27/2023)
  • NEWS: Lomography LomoChrome Color ‘92 Now Available in 120 and 110 Formats (08/25/2023)
  • Brumberger – A fun camera with a Funny Name (08/25/2023)
  • NEWS: Develop + Fix Announce Next-Gen FilmLab 3 Desktop and Mobile App for Digitizing Film Negatives (08/24/2023)
  • Legoland Denmark – lines, dots and angles (08/24/2023)
  • Rollei RPX 25 in Budapest (08/23/2023)
  • A Point of Shoot Camera, and an old Roll of Film, Ties Together Canine Companions (08/22/2023)
  • The Water Battle – Carnival in Ponta Delgada (08/22/2023)
  • Zeiss Ikon Nettar 515/2 – A More Affordable Zeiss Camera (08/21/2023)
  • Punch Up Your Decor with Photographic LP Album Art! (08/20/2023)
  • Minolta 9000 – The First Professional Autofocus Camera. Let it bleed. (08/19/2023)
  • Komura 35mm f/2.8 in Nikon S mount – a Hidden Gem. (08/18/2023)
  • My First Time using Kodak Motion Picture Film – ENC-2 vs. C41. (08/17/2023)
  • NEWS: Film-based Art Exhibition by David Hume in South Australia Receives Recognition (08/16/2023)
  • Agfa ePhoto CL18 – A digicam from the year 2000 (08/16/2023)
  • NEWS: Kickstarter Launches Today for Photographer-Invented Quick Precision Tripod Head (08/15/2023)
  • Infrared Impressions of Southern California with a Converted Nikon D700 (08/15/2023)
  • NEWS: Weekly Round-Up Video – August 13, 2023 (08/14/2023)
  • Mamiya 6 Automat Mini-Review – A small, cheap 6×6 with a good lens! (08/14/2023)
  • NEWS: Down the Road by Jim Grey Updates Annual List of Film Photography Blogs To Follow (08/13/2023)
  • Olympus 35RC and a Couple Rolls of Kodak Ultramax – The Radical Retro Red Vacation (08/13/2023)
  • NEWS: NONS Camera Releases Instant Back for Hasselblad using Fujifilm Instax Square Film (08/11/2023)
  • Everyday Abstracts – From Italy’s Lake Region (08/11/2023)
  • NEWS: “Most Viewed” Photograph Taken On Fujifilm With A Mamiya RZ67 (08/10/2023)
  • NEWS: Pergear Releases Second Generation 60mm F2.8 Ultra-Macro Lens (08/09/2023)
  • Ilford Ortho 80 Plus for Documentary Photography: A Review (08/09/2023)
  • NEWS: TTArtisan Releases Bubble Bokeh 100mm F2.8 M42 Mount Lens (08/08/2023)
  • Dad’s Voigtlander Vitomatic II (08/08/2023)
  • Running With Cameras (08/08/2023)
  • Louise Post, a Shutterbug & the Importance of Tangible Things (08/07/2023)
  • Never Say Never – My Approach to Spiral Modification for 110 Film (08/06/2023)
  • In praise of Photowalks – three 35mmc contributors on the Thames Embankment (08/05/2023)
  • Zorki 1 Review – the Russian Leica (of sorts) (08/04/2023)
  • Recomposing Street Photography with Reflections (08/03/2023)
  • Minolta Pocket Autopak 460 Tx 110 – A Shooting Experience (08/02/2023)
  • Photographing Summer Solstice at Stonehenge on Expired Fujifilm Neopan 400 – by Simon King (08/01/2023)
  • Progress, Progress and more Regress? Analogue Photography and the Digital World. (08/01/2023)
  • NEWS: SIRUI adds 150mm Focal Length To 1.6X T2.9 Venus Anamorphic Lens Series (07/31/2023)
  • TTArtisan 35mm 0.95 for Fujifilm X Mount Review – Not Just for Bokeh! (07/31/2023)
  • NEWS: Weekly Round-Up Video – July 30, 2023 (07/30/2023)
  • Nikon D80 – Rekindling the Magic with a Nostalgic Homecoming (07/30/2023)
  • Greenlandic Moments (07/29/2023)
  • NEWS: Indie Publisher F2.8 Press Latest Zine Features Lisa Pavlova’s BLM Protest Project “They, Too, are America” (07/28/2023)
  • AGIMatic – an Innovative British 35mm Film Camera (07/28/2023)
  • NEWS: Lomography Brings Back Diana F+ Black Jack and CMYK Editions (07/27/2023)
  • Nothing New Except to Me – Another Leica Story (07/27/2023)
  • NEWS: MiNT’s New 35mm Film Camera Uses LiDAR Technology for Autofocus (07/26/2023)
  • Kodak Colorplus 200 Colour Negative Film Mini-Review (07/26/2023)
  • NEWS: Artist Simon Riddell Battles Mental Health in Cuillin Mountain with Wet Plate Collodion (07/25/2023)
  • NEWS: Reflx Lab Releases Affordable Shoe Mount Light Meter (07/24/2023)
  • NEWS: Fujifilm Reopens Domestic Orders for 35mm and 120 Film But Raises Prices (07/24/2023)
  • Minolta X-300 Review – The Last Manual Focus SLR (07/24/2023)
  • NEWS: Kolari Vision Launches Kolari Shades – Sunglasses for Photographers by Photographers (07/22/2023)
  • What my first portfolio review was like (07/22/2023)
  • NEWS: Negative Supply Launches the 4×5 Light Source Pro Upgrade at Lower Price (07/20/2023)
  • Making “Morandi’s” (07/20/2023)
  • Panasonic LX3 – 8 Months with a 14 Year Old Point and Shoot (07/20/2023)
  • The Drum Room (a One-Shot Story) (07/19/2023)
  • Goerz Tenax 6×9 – A Genius Design (07/19/2023)
  • Marshal Press – A 5 Frame Mini-Review with CineStill XX (07/18/2023)
  • Canon EOS 3 Review – The Good, The Bad, The Heavy (07/17/2023)
  • Local Heritage Recycled, Reused, Repurposed (07/16/2023)
  • Kodak DC3200 – Kodak’s Digital Automatic Box Camera (07/14/2023)
  • NEWS: Negative Supply Upgrades Basic Film Carrier 35 MK2 with Pro-Level Elements (07/13/2023)
  • Pentax LX – Shooting My Wife’s Camera (07/13/2023)
  • A Whole Month/Whole Roll – The Olympus 35RC and Ilford HP5+ (07/13/2023)
  • The “Blue Hour” from On High (a One-Shot Story) (07/12/2023)
  • The End of the Dream – Installing dystopian billboards throughout California (07/12/2023)
  • AI: The Beginning of The End of Photography (07/11/2023)
  • Fujifilm 400 (made in the USA) vs. Kodak Ultramax 400 – The Same, or Different…? (07/11/2023)
  • NEWS: MiNT Innovates With An All-in-One SLR670 (Type i) Camera (07/10/2023)
  • Rollei 35S “Art Machine” – My Early Experiences (07/10/2023)
  • Konica FS-1 and FT-1 review – The Shape of Things to Come (07/07/2023)
  • 5 Frames with a Helios 44-2 with the front element reversed (07/06/2023)
  • Olympus OM1 – Return of a Classic (07/06/2023)
  • The “Pheasant Whisperer” (a One-Shot Story) (07/05/2023)
  • NEWS: Lomography Announces 400 ISO LomoChrome Color ’92 in 35mm, 120, and 110 Format (07/05/2023)
  • Exakta VX Initial Experiences – A Camera for the 35mm Aficionado. (07/05/2023)
  • How I Became A Meme – Life With Generative AI (07/04/2023)
  • Rollei ATP 1.1 with Minox camera (07/04/2023)
  • NEWS: Susan and Jeff Bridges Revive the Widelux Camera with SilvergrainClassics (07/03/2023)
  • TTArtisan Tilt 50mm 1.4 Lens Review (07/03/2023)
  • Inspiring a Project Today by Referencing Images from the Past (07/02/2023)
  • Olympus Chrome Six – An Idiot’s Guide / A Trip to Helsinki (06/30/2023)
  • Ilford Ortho Plus – A good match for a Box Tengor 56/2. (06/29/2023)
  • NEWS: TTArtisan Releases LTM Mount Version of Compact 28mm F5.6 Lens (06/28/2023)
  • The Pop Up Herb Stall – A One Shot Story (06/28/2023)
  • Roundshot Seitz 65/70-220 – One (Long!) Frame (06/28/2023)
  • NEWS: TTArtisan Shoe Mount Light Meter II Upgrade Released (06/27/2023)
  • 5 frames at São Paulo with Fuji XT-1 and Pentax-M 35mm f2.8 (06/27/2023)
  • The Case for Photographing What You Know (06/27/2023)
  • NEWS: Affordable “No Cons” Viltrox 16mm F1.8 E-Mount Lens Receiving Unanimously Positive Reviews (06/26/2023)
  • NEWS: ONDU Eikan 4×5″ Large Format Camera Blows By Kickstarter Goals (06/26/2023)
  • Cyclopin: My Stereoscopic Pinhole Camera Made from a Cardboard Box (06/26/2023)
  • Funleader 18mm f/8 Cap Lens Pro Review (06/24/2023)
  • Samoca LE-ii Review – A Fantastic Little Rangefinder (06/23/2023)
  • Two rolls of Portra and a Packet of Crisps… (06/22/2023)
  • Ampro MC 28mm f/2.8 – A Few Frames with the Worst Lens Ever? (06/22/2023)
  • Yashica Lynx-14: The Camera that Came Home (06/21/2023)
  • Fitzrovia’s Last Remaining Bespoke Tailor (06/21/2023)
  • Photography as Play (06/20/2023)
  • Zeiss Box Tengor 56/2 – Pinnacle or SwanSong? (06/19/2023)
  • Rollei Superpan 200 Film Mini-Review (06/19/2023)
  • 8×11 film dev reel for Jobo tank (06/16/2023)
  • NEWS: Analogue Wonderland Aquires SilverPan Film Lab To Offer One-Stop-Shop For UK Film Photographers (06/15/2023)
  • Older than Dirt (a One-Shot Story) (06/14/2023)
  • Eastman Kodak 5222 Double-X with a Contax RTS II (06/13/2023)
  • Drinking Districts in Japan V: Asahikawa, with a Sony A7Riii, Zeiss Sonnar 55mm, and Leica iiig, 50mm f3.5 Elmar and Delta 400 (06/11/2023)
  • NEWS: Unique Medium Format Color Film Released By CatLABS (06/09/2023)
  • A Cautionary Tale about Scanning Negs with a Digital Camera (06/09/2023)
  • 3 Days in “Our Town” with a Retina IIa, T-Max 100, Wratten 23A and Caffenol (06/07/2023)
  • NEWS: Negative Supply Holds June Sale Event for Premium Camera Scanning Products (06/05/2023)
  • Sony Mavica Floppy Disk Camera and the Shitty Camera Challenge (06/05/2023)
  • PSA: Leica Acknowledges Batch of Faulty Pressure Plates in New Leica M6 Rangefinder (06/05/2023)
  • EVENT: Alan Marshall’s “Industrial Beauty” Exhibition in Sheffield Finds Humanity in the Extreme (06/04/2023)
  • Balancing the Environmental Impact of Photography (06/04/2023)
  • NEWS: Flashback Start-Up Blends Disposable Nostalgia and Digital Sustainability With the ONE35 Camera (06/02/2023)
  • “Digitalitis” and the Folly of the Pursuit for Perfection (06/02/2023)
  • Rolleiflex 2.8D – Getting to know a Classic – Three Years of Ownership (06/02/2023)
  • Not Fitting in a Photography Box (06/01/2023)
  • NEWS: Jollylook Launches Kickstarter Campaign for New SQUARE Pinhole Instant Film Camera DIY Kit (05/31/2023)
  • “Crystal City” (a One-Shot Story) (05/31/2023)
  • Pinsta & Full-Colour Instant 4″x5″ Pinhole Prints Without A Darkroom (05/31/2023)
  • NEWS: Leica’s Latest Compact Full-Frame Q3 Meets Mixed Reception (05/30/2023)
  • 35mmc Shop is Back (with a few bits of my gear on “sale”) (05/30/2023)
  • NEWS: Celebrating Analogue Wonderland’s 5th Birthday, New WonderPan 400 Makes Pushing Film Fun For All (05/29/2023)
  • Fuji Zoomdate 1300 – Is that a telephoto in your pocket or are you just happy to see me? (05/29/2023)
  • Drinking areas in Japan IV: Yurakucho with a Leica M3, Zeiss Sonnar and Portra 400… (05/28/2023)
  • NEWS: FOMA Releases Ortho 400 Medium Format Film (05/27/2023)
  • Of Camera Sensors and Mega-Pixels – A Screen Play (05/26/2023)
  • That Time I Shot with Ilford Multigrade RC as film. (05/26/2023)
  • The (my) Best Leica (05/25/2023)
  • A Tale of Two UFOs (a One-Shot Story) (05/24/2023)
  • A DIY shutter speed tester. (05/24/2023)
  • NEWS: Omnar Lenses NK35-25 M-Mount Conversion Available for Nikonos W Nikkor 35mm F2.5 (05/23/2023)
  • A Whole Roll of Ferrania P30 Black and White film. If it was an automobile… (05/23/2023)
  • NEWS: TTArtisan Releases 100mm F2.8 2X Ultra Macro Lens with Tilt, Shift, and Rotation Controls (05/22/2023)
  • Exakta VX Review – Through The Past, Brightly (05/22/2023)
  • Drinking areas in Japan III: Shinjuku with a Leica M3, Zeiss Sonnar and iiig, Elmar 50mm f3.5, Portra 400 and Ilford HP5 (05/21/2023)
  • Space Cakes, a Roll of Kodak Portra 160 and the Near-Death Experience of my Makina 67 (05/20/2023)
  • Ilford Advocate Lens – Bodge Mounted By The Geniuses at WYC (05/19/2023)
  • Durst Automatica – Overcoming Scale Focus Fears with an Italian Beauty (05/19/2023)
  • NEWS: Introducing Reto Project’s New 35mm Colour Films – GLOW and AQUA (05/18/2023)
  • The Flour Battle (05/18/2023)
  • Creating Trichrome Color Photos with Ilford HP5+ – My Experiences and Mistakes (05/18/2023)
  • Don’t Sleep with Yellow Lenses, Darlin’ (05/17/2023)
  • Is my Old Light Meter Reliable? A Little Test and the Results (05/17/2023)
  • NEWS: Pentax’s New Compact Fixed-Lens Film Camera Embraces Tradition with Mechanical Film Advance Lever (05/16/2023)
  • Shooting my first roll of expired film (05/16/2023)
  • NEWS: Fundraising Campaign Launches for East Texas-Based Community Darkroom (05/15/2023)
  • Omnar LT42-45 Barnack – Leitz Summar 42mm f/4.5 – Lens Review (05/15/2023)
  • A Repository for Memories: My Mother’s House (05/14/2023)
  • Olympus Pen F – The Walk to Paradise Garden and W. Eugene Smith. (05/13/2023)
  • NEWS: TTArtisan’s Autofocus 27mm F2.8 Lens Now Available for Sony E and Nikon Z Mount Cameras (05/12/2023)
  • Zorki 4K Review – Following the Wisdom of Tolstoy (05/12/2023)
  • Photographing a Butterfly Conservatory – Black and White, What Can’t It Do? (05/11/2023)
  • Shooting f/8 Until Sunrise – My Experiences and Methods (05/11/2023)
  • Canon VI-T (a Tale of a Treasured Camera) (05/10/2023)
  • AI Photography: My Journey Into A New Medium (05/10/2023)
  • NEWS: Zone Imaging Releases Rapid Alkaline Fixer Eco Zonefix (05/09/2023)
  • My Story of the Imperfect Perfection of Film in Wedding Photography (05/09/2023)
  • Je Suis Le Mal Aimé! – The One No One Likes (05/09/2023)
  • NEWS: Street Candy’s Return Brings MTN100 Back in Stock (05/08/2023)
  • PPP 35M Color-Minotar 35mm f2.8 Review (05/08/2023)
  • Age or Beauty? – 2: Hokkaido Barns, Glue Prints (05/07/2023)
  • Fujifilm Professional TX-2 – Seeing Panoramic (05/06/2023)
  • Fujifilm Professional GA645i and Velvia 50 in The Hindu Kush (05/05/2023)
  • NEWS: Dubblefilm Brings Back Analogue TV Distortion with Fun New Film GLITCH (05/04/2023)
  • The Case for Always Taking Your Camera (05/04/2023)
  • The Case for Not Always Taking Your Camera (05/04/2023)
  • Agfa Isolette L – I Dared to Repair… and Won! (05/03/2023)
  • Spectral Sensitivity of B&W Film – A Deep Dive into Orthochromatic, Panchromatic and All the Rest (05/02/2023)
  • Looking back at 10 Years of 35mmc (05/01/2023)
  • Nost•Algia and Film Simulations in Digital Photography (04/29/2023)
  • NEWS: Announcing Analogue Spotlight 2023 – Save the Date for October 14th & 15th! (04/28/2023)
  • Konica TC and T4 SLRs – The Last of the Steam Powered Trains (04/28/2023)
  • Canon Multi Tele – The Long Half-Life of a Canon Half-Frame Camera (04/27/2023)
  • An Overview of my 5 Artisans Lenses – 7 and TT (04/26/2023)
  • EVENT: Photo Oxford Festival Celebrates 2023 Theme: The Hidden Power of the Archive (04/25/2023)
  • Age or Beauty? – 1: Modern Art Painted by Nature (04/25/2023)
  • NONS SL660 Review – Exploring the World of Instant Film Photography (04/24/2023)
  • The Collection – An Accumulation of Film Canisters (04/22/2023)
  • Hasselblad (Zeiss) Distagon 50mm f/4 Review (04/21/2023)
  • 5 Frames with an Olympus OM1, a roll of HP5 and a Bridge (04/20/2023)
  • Making Flash Work for my Photography (04/20/2023)
  • Confessions of a “Windmill Hog” (a One-Shot Story) (04/19/2023)
  • So you want to get into Minox photography? (04/19/2023)
  • Heavens Above (04/18/2023)
  • NEWS: Film Photography Project Releases Low ISO Color Film in 35mm and 16mm (04/17/2023)
  • Drinking districts in Japan II – Nagasaki with a Leica iiig, 50mm Summitar and Portra 400 (04/15/2023)
  • Fuji 100mm F3.5 AE Lens (6X9) adapted to Pentax (35mm) (04/14/2023)
  • Venice into Dreams – a Pinhole Photo Essay (04/13/2023)
  • Fujica GL690 with Fujinon S 100mm F3.5 & Fujinon SW 65mm F5.6 (04/13/2023)
  • NEWS: The Lomo School Opens in Celebration of Film Photography Day! (04/12/2023)
  • NEWS: FilmLab Desktop 2.5 Official Release Available as Beta Testing Concludes (04/11/2023)
  • NEWS: Negative Supply Introduces Second Generation Light Source Mini 97 CRI (04/11/2023)
  • Alpa 12TC and some Berlin Street Photography (04/11/2023)
  • NEWS: Film Ferrania Releases New 50 ISO Black and White Orthochromatic Film (04/10/2023)
  • Nikon D40 – an Ode to my First “real” Camera (04/10/2023)
  • The Whole Roll – 12 Exposures with 30 year Expired Kodak Ektar 100 (04/09/2023)
  • The Ricoh GRii in the Delivery Room – When Less is More Than Enough (04/09/2023)
  • Rolleiflex 3.5F and Agfa Ultra 50 – Taveling in Turkey and Pakistan (04/08/2023)
  • 35mmc Website Issues – Update 3 (04/07/2023)
  • Pentax 67 – Successfully Use With Wide Lenses (04/07/2023)
  • Bolívia: 12 Days with One Camera & One Lens – By Rodrigo Castro (04/06/2023)
  • 35mmc Website Issues – Update 2 (04/06/2023)
  • Rolleicord IIe 1949-50 – Lalage Bown’s Camera (04/06/2023)
  • The Film Noir Cake Stand – A One Shot Story (04/05/2023)
  • Horseman Convertible – Discovering a New and Rare Camera – By Art Meripol (04/05/2023)
  • 35mmc Website Issues (UPDATE) (04/04/2023)
  • 35mmc Website Issues (We Are Working On It) (04/03/2023)
  • Lomography Spinner 360° review – Analogue Panorama Shots on the Cheap (04/03/2023)
  • Searching for light in the Lister foundry – By Matthew Bigwood (04/02/2023)
  • Economies of Film (04/01/2023)
  • Konica Minolta Maxxum 7D – Nostalgic liaison with an old flame (03/31/2023)
  • From the Archives: Kodachromes from Athens, Greece, 1951 (03/30/2023)
  • Focus Adjustment and Other Considerations when Shooting Infrared (03/30/2023)
  • Fourteen Years in the Making! (A One-Shot Story) (03/29/2023)
  • An unexpected Yashica T4 and some unplanned snow (03/29/2023)
  • NEWS: 2021 LomoChrome Purple Pétillant Now Available to Pre-Order in Medium Format (03/28/2023)
  • Wirgin Edixa-Mat Reflex B – A Brief Look at a Camera I’d Never Heard of (03/28/2023)
  • Agfa Duoscan HID – Bringing a Cheap 24 Year Old High-End Scanner Back to Life – It’s Mind Blowing (03/28/2023)
  • Celebrating Ten Years of 35mmc – Ask Us Anything! (03/27/2023)
  • Polaroid Pathfinder – Shooting 120 Film In My Father-In-Law’s Essentially Obsolete Camera (03/27/2023)
  • Drinking districts in Japan I: Tokyo with a Leica iiig, 50mm Elmar f3.5 and Portra 400 – By Geoff Chaplin (03/26/2023)
  • Seeing the unexpected in the ordinary – a day in the life with my newest project: Peaceful Days – By Derek Lluisma (03/24/2023)
  • More California History with the Zeiss Ikon Super Ikonta – By Eric Norris (03/23/2023)
  • The Girl in the Picture-Frame Window (A One-Shot Story) – By Dave Powell (03/22/2023)
  • Help! I like Dirty Pictures! – By Alex Kreisman (03/22/2023)
  • NEWS: VALOI Launches IndieGoGo Campaign for “easy35” Making Quality 35mm Scanning Effortless and Compact (03/21/2023)
  • A Commuter’s Travelogue – by Leah de la Cruz (03/21/2023)
  • “Understanding Life Backwards” in Two Old Photographs – By Dave Powell (03/21/2023)
  • Solargraphy Cans – Going Homemade after Learning with Solarcan – By Antoine Carolus (03/20/2023)
  • Ilford XP2 – High Street Superhero – Film Review – By Ted Ayre (03/19/2023)
  • NEWS: A Kickstarter Campaign for The Rocketgirl Chronicles Brings Backyard Space Travel to Print (03/17/2023)
  • How do I put myself ‘out there’? – The next steps for an introverted photographer – By Tim Wainwright (03/17/2023)
  • The Polymer Photogravure Process – By Nik Stanbridge (03/16/2023)
  • The Jumping Bird (A One-Shot Story) – By Dave Powell (03/15/2023)
  • Photography Words in Other Languages (03/15/2023)
  • 5(+5) Digital-IR Frames from a Roving CoolPix 990 in Paris (03/14/2023)
  • EVENT: #SheHeartsFilm and LensFayre Partner for a Nottingham Photo Walk Celebrating International Women’s Month (03/13/2023)
  • Building a Darkroom with Little to no DIY skills – by Laura Cogan (03/13/2023)
  • Kodak T-Max 400 – Is it my cup of T-grain? – Quick Film Review – By Ted Ayre (03/12/2023)
  • Double Exposure, Double City – By Joshua Blevins Peck (03/11/2023)
  • Ranting about my Photographic Journey – By Alex Kreisman (03/10/2023)
  • A Little Trip to Borough Market with a Contax G2 – Part 2 – dubblefilm Cinema Film – By Joe Curzon (03/09/2023)
  • Film Friday, Saturday and Sunday – By Röd White (03/08/2023)
  • A Little Trip to Borough Market with a Contax G2 – Part 1 – Kosmo Foto Agent Shadow 400 – By Joe Curzon (03/07/2023)
  • NEWS: The Dunkbot from Reveni Labs Automates Processing Film At Home (03/06/2023)
  • Sony DSC-R1 Review – A Surprisingly Usable Vintage Digital Camera – By Matthew Bigwood (03/06/2023)
  • Analog Adventure at Space-X’s Starbase – By Jim Hofman (03/04/2023)
  • Ensign All Distance – A Box Camera from 1927 – By Tony Warren (03/03/2023)
  • 52 x 36 – A Whole Year of Film – Part One – By Jake Yorath (03/02/2023)
  • The Ones that Got Away (03/02/2023)
  • Mesopotamia, Ohio (A One-Shot Story) (03/01/2023)
  • Diffraction and its Impact on Sharpness – By Tony Warren (03/01/2023)
  • Anecdotes from the Analogue World Ep. 4 – By Nandakumar (02/28/2023)
  • Pentax KX – Mechanical Mastery, The Smoke, Sounds, and Nostalgia – By Jarrod Sams (02/27/2023)
  • Bromoil prints – Enduring Patience in ‘Painting’ a Photograph – By Tom Schulte (02/25/2023)
  • NEWS: Double the Fun with AgfaPhoto’s New 35mm Half Frame Film Camera (02/24/2023)
  • The Gratitude Project – By John Pemberton (02/24/2023)
  • The Pitfalls of Buying 2nd Hand… When 2nd Hand is all there is – By Chris Hooke (02/23/2023)
  • Kodak Technical Pan – Discovering the Joys of Expired Film – By Theo Swinscow (02/22/2023)
  • NEWS: Atlanta Film Co. Releases Limited Edition Koji 125T Colour Cine Film (02/21/2023)
  • That Time I “Half-Framed” a cute Kodak Flash Bantam camera (Part 2 of 3) (02/21/2023)
  • Meyer Optik Görlitz 58mm f/1.5 Biotar II (The New Version) Review (02/20/2023)
  • Quick Thoughts on Eight of the Nikkor Nifty Fifties – by David Hume (02/17/2023)
  • NEWS: Global Photography Competition Aimed At Raising Awareness of Canon’s Sustainability Practices (02/16/2023)
  • The Spoiled Negatives from a Spoiled Petri 7s – By Ana Sousa (02/14/2023)
  • That time I “Half-Framed” a cute Kodak Flash Bantam camera (Part 1 of 3) (02/14/2023)
  • Minolta XM Compared to the Nikon F2 – Between Myth and Market – By Alex Peter (02/13/2023)
  • The Role of Film Photography in an AI World – By Joseph (02/12/2023)
  • Cairo, Egypt with a Nikon FE, 20mm Lens and Cinestill 50 – By Felix I Flores Rodriguez (02/11/2023)
  • Declining Reno – 13 Frames Developed in Kompostinol – by Sonny Rosenberg (02/10/2023)
  • Chroma Double Glass Lens – My First Shots – by Sonny Rosenberg (02/10/2023)
  • NEWS: New Solarcan Puck Kickstarter with Limited GOLD and RED Editions (02/09/2023)
  • Rolleiflex 2.8F – Reflections on a Brief Period of Ownership – by Simon Foale (02/09/2023)
  • Buyers’ Guide – Tips for Buying Camera Gear Online – By Ted Ayre (02/07/2023)
  • Canon EF Camera review – The F-1’s Little Sibling – By Thomas (02/06/2023)
  • Kodak Junior No. 1A Autographic – Song of the Centenarian – from the 1920s to the 2020s – By Simon Foale (02/03/2023)
  • Website wobbles – let me know if you spot any issues. (01/30/2023)
  • Voigtlander Ultron 40mm f2 SL II for Pentax K Review – By Aivaras (01/30/2023)
  • A Year of Projects and Community Events (#TwentyTwentyDo) – by Billy Sanford (01/27/2023)
  • Development Notes: Ilford HP5+ & FP4+ in Rodinal – By Simon King (01/26/2023)
  • Development Note – 30ish Year Expired Black and White Film – by Simon King (01/26/2023)
  • NEWS: Call to Entry for 2023 STRAIGHT 8 Super 8 Film Competition (01/25/2023)
  • Lens Conversion – Nikon AF600 to LTM/L39 with a ‘Rod’s Gear’ Housing – By Andreas Mass (01/25/2023)
  • NEWS: Adolescent Eye Zine Released by Bristol Artist Matthew Broadhead on Welford Press (01/23/2023)
  • Digital Cameras & the Future of Home Scanning – By Arild Edvard Båsmo (01/23/2023)
  • NEWS: Atlanta Film Co. Adds Classic Double-X Cinema Film to Lineup (01/22/2023)
  • The Whole Roll – Nikon FE2 and Rollei S400 – By Felix I Flores Rodriguez (01/22/2023)
  • NEWS: Lomography Introduces New Discounted LomoChrome Purple 2021 Pétillant Edition (01/21/2023)
  • NEWS: Daily Mail Steals Photographer’s Images Without Permission, Pay, or Apology (01/20/2023)
  • Finding my ideal 6×9 folder – Largest Negative in a Compact Travel Format – by Zheng Li (01/20/2023)
  • NEWS: LomoChrome Turquoise Joins the Simple Use Reloadable Film Camera Series from Lomography (01/19/2023)
  • That Time I Built an “Air-Gap Meniscus” Lens – By Dave Powell (01/18/2023)
  • The Digital Rangefinder: an Endangered Species? – by Ailbíona McLochlainn (01/17/2023)
  • Lomography Turquoise 35mm Film Review (01/16/2023)
  • Travelling from Pittsburgh to West Hollywood : Canonet 28 roll #5 (01/15/2023)
  • Medium Format On A Budget – A Quick Comparison of Three, Low Priced, 120 format, 6cm x 6cm TLR Cameras – By James Hanes (01/13/2023)
  • A Rainy Day in Saltaire – By John Fontana (01/12/2023)
  • NEWS: Analogue Wonderland’s New Lab Print Service Reduces Waste and Increases Quality (01/11/2023)
  • Gear Theory – Shooting Film in the Rain – By Ted Ayre (01/10/2023)
  • NEWS: Big Updates for FilmLab’s Mobile and Desktop Standalone Scanning Apps (01/06/2023)
  • Tokyo in Monochrome – Part 1 – by John Paul Menez (01/06/2023)
  • NEWS: Luminar 100 35mm Color Film Released by Popho Camera Company (01/05/2023)
  • One Page Zines – By Bill Thoo (01/05/2023)
  • Analogue Documentary Project Exhibited by Ed Worthington at Ffotogallery in Cardiff, Wales (01/04/2023)
  • The Most Read and Commented upon Posts Published on 35mmc in 2022 (12/31/2022)
  • Shooting infrared with a rangefinder camera, Rollei Infrared film and a Retina IIc – By Tony Warren (12/30/2022)
  • Nikon FM2 Camera Review – Joy in Simplicity – By Ted Ayre (12/28/2022)
  • Nikon F801 (N8008) Review – A Numbers Game – By Tony Warren (12/27/2022)
  • Kodak Six-16 Camera – A Gifted Camera Experience – By Kevin Montanaro (12/23/2022)
  • Cinestill 400D vs Kodak Portra 400 – Film Review – By Ted Ayre (12/21/2022)
  • Ricoh Imaging Ltd. Begins R&D for New Pentax Film Camera Series (12/20/2022)
  • NEWS: Belfast Exposed 2023 Exhibition – She / Her / Hers / Herself by Anthony Luvera (12/20/2022)
  • Scan and Destroy – My blasphemous quest to be free of my negatives – By Max Cooper (12/20/2022)
  • Nikon (Nippon Kogaku) W-Nikkor 3.5cm f/1.8 LTM Review – a GAS killer – By Agata Urbaniak (12/19/2022)
  • An Experimental Collage Project with the Instax Mini 90 Neo Classic – By Erin O’Leary (12/18/2022)
  • UK Airports to Install CT X-Ray Scanner Technology by 2024 (12/16/2022)
  • NEWS: Lomography Creates Free Film Scan Conversion Tool – The Lomo DigitaLIZA Lab (12/15/2022)
  • Storytelling with Three Lenses or Fewer – A Rangefinder Workflow – by Simon King (12/15/2022)
  • NEWS: 2023 Pixii Camera with World’s First 64-Bit Processor and True Monochrome (12/14/2022)
  • NEWS: Dream Team Dubblefilm and Revolog Launch New Medium Format Specialty Films (12/12/2022)
  • Praktica BX20 – End of the line for Pentacon – By Bob Janes (12/12/2022)
  • The Humble Strap: From Shoelace to Salvation – By Tim Snow (12/11/2022)
  • Mamiya C330F, and How I Turned it into a Swan – By Rene Villaroman (12/09/2022)
  • NEWS: A New 35mm Color Film TREAT from Dubblefilm (12/08/2022)
  • Starting to Learn Flash – Hurdles and Discoveries So Far – By Aivaras (12/08/2022)
  • NEWS: The Cinestill CS-LITE – A Compact Scanning Light Source with Temperature Control (12/05/2022)
  • New TTArtisan APS-C 35mm F0.95 Lens for E/X/EOS-M/Z/RF/L Mount Systems (12/04/2022)
  • I Couldn’t Photograph a Watch If You Paid Me – By Ailbíona McLochlainn (12/04/2022)
  • Next Generation Intrepid Camera Updates: Cameras, Website, and Logo (12/03/2022)
  • My Second First Roll of Film – By Reyazul Haque (12/03/2022)
  • Pergear releases 35mm F1.4 Full Frame for E/Z/EOS-R/L Mount for $129 (12/02/2022)
  • Anecdotes from the Analogue World Ep. 3 – By Nandakumar (12/02/2022)
  • Ilford Launches Kentmere Film in Medium Format (12/01/2022)
  • Ilford Kentmere 120 – A Review in Paris – By Molly Kate (12/01/2022)
  • Lomography Turns 30 with New LC-A, LC-A+, and LC-Wide Anniversary Editions + More! (11/30/2022)
  • Super Ikonta 532/16 Review – An Ikon – By Bob Janes (11/28/2022)
  • Shooting Mum’s Agfa Silette with a Roll of Kodak Gold 200 – By Stuart Watchorn (11/24/2022)
  • Limited Edition 24K Gold SX-70 Available Now from Retrospekt (11/18/2022)
  • Fujichrome 64T II Slide Film Cross-Processed – by Christian Schroeder (11/18/2022)
  • Unstable Lights: A Unique Analogue Photography Exhibition Planned for December (11/17/2022)
  • First Experiments with Classic Lenses and 102-megapixels of Fuji GFX 100 – By Tudor Stanescu (11/17/2022)
  • Repairing & Revisiting a Voigtländer Vito CL – Here there be Dragons – By Has Gustafsson (11/15/2022)
  • Rollei Infrared Film – An Introduction – By Tony Warren (11/11/2022)
  • My First Shots with the Pan-Holga 360 – by Sonny Rosenberg (11/10/2022)
  • Fixing an Ailing Zeiss Ikon Contaflex Super B SLR – By Dave Powell (11/09/2022)
  • Baby’s in Black – Swapping Body Plates on the Autoreflex T3 – By Bob Janes (11/08/2022)
  • Pentax 645N and Pentax 645D – From Analog to Digital – By Eric L. Woods (11/07/2022)
  • Travelling from Conneticut to Georgia: The Travelling Canonet 28 roll #4 (11/06/2022)
  • Atlanta Film Co Euphoric 100 – A Film Review – By Molly Kate (11/04/2022)
  • World’s First Tiktok Exhibition at Belfast Exposed (11/03/2022)
  • Farewell to a Friend – Nearly a Whole Roll – By John Pemberton (11/03/2022)
  • Film Never Die Release New Semi-Automated Rotary Drum Film Processor (11/02/2022)
  • Digital-Infrared Workflow Begins Before You Leave Home – By Dave Powell (11/02/2022)
  • NONS Kickstarter Launches for New Instax Mini Camera SL645 (10/31/2022)
  • Voigtländer Vito IIa Review – Going Full Circle – By Tony Warren (10/31/2022)
  • Olympus Trip 35 on Holiday – Part 1 – Keeping it Simple in New Zealand – by David Hume (10/28/2022)
  • Low Light Photography on the Morning of “Vaikasi Visakam”, with Ilford Pan F 50 – by Simon King (10/26/2022)
  • TTArtisan Releases 6-bit M-Z Adapter for Greater Functionality of Non-Native Lenses (10/26/2022)
  • Solarcan Puck Success Story – Kickstarter and NEC Birmingham TPS 2022 (10/25/2022)
  • Leica’s New Film Camera Announcement: Re-Releasing the Popular M6 (10/24/2022)
  • Canon 1Ds Review – Happy 20th Birthday to One of the First Full Frame DSLRs – By Brian M Cox (10/24/2022)
  • Lightning in Bottles, 5 Cámara Galletita Lumen Still Lifes – by Sonny Rosenberg (10/23/2022)
  • Popping off a Roll of Colour Negative – Portra 400 pushed +2 – By Phil Harrison (10/23/2022)
  • Atlanta Film Co. Releases Color Reversal Cine Film Euphoric for Still Photographers (10/21/2022)
  • 5 Frames in Ilskile Church with Nikon FM and Kodak Tri-X – by Felix I Flores Rodriguez (10/21/2022)
  • Boffin’s Bower Revisited – The First Chapter of an Ongoing Project – By Peter Roberts (10/20/2022)
  • Anecdotes from the Analogue World Ep. 2 – By Nandakumar (10/19/2022)
  • Dusty True Blue – Cyanotype Fabric Printing Project from Jess Jones (10/18/2022)
  • TTArtisan New Tilt 50mm 1.4 Lens Release (10/17/2022)
  • Pentax 50mm f/1.2 SMC lens on Film with a Pentax LX – by Aivaras (10/17/2022)
  • How I made a focus-free lens for Micro 4/3 – by Tobias Eriksson (10/14/2022)
  • Grainsplaining – Fresh and Hilarious New Feminist Podcast by Alex Heron and Emma Lloyd (10/14/2022)
  • CatLABS Releases New Black and White Film with Unique Emulsion (10/13/2022)
  • Introducing the LomoApparat – Lomography’s New Experimental Film Camera (10/12/2022)
  • Low Cost Bulk Film Loading for Skinflints – By Robert Wilcox (10/11/2022)
  • My Last 17 Rolls of Bulk Rolled Polypan F 50 ISO Black & White 35mm Film – by Sina Farhat (10/08/2022)
  • New Santa Color 100 Film Update: First Shipments Sent (10/07/2022)
  • Nikon Pronea 6i – Retired & Expired: Experimenting with APS film – By Isaac D. Pacheco (10/07/2022)
  • Lomography Brings Back the Fisheye Baby 110 Camera (10/06/2022)
  • The Whole Roll – Pentax Spotmatic SP1000 and Kodak Colorplus 200- By Royce (10/06/2022)
  • SAHAR Exhibition in London by Sirkhane Darkroom’s Young Artists (10/05/2022)
  • Voigtänder Skopagon 40mm f2 – a Vintage Lens with Modern Performance – By Oliver Toth (10/03/2022)
  • Youtube. Where I Find Inspiration in a World Where Everyone is a Photographer… – By Royce (10/02/2022)
  • Voigtländer Vito CL – The Dad Cam – By Hans Gastafsson (10/01/2022)
  • Holga Week Event and Competition Starts October 1st (09/30/2022)
  • Minolta Hi-Matic 7s – My Gateway Drug into the World of Camera Collecting – By Markus Hainz (09/30/2022)
  • New Caffenol Printing Workshop by Darkroom London (09/29/2022)
  • For Quick Film Scans, Try an Olympus C-8080WZ! (09/29/2022)
  • Limited Edition Release: Gold & Titanium TTArtisan M-mount 28mm f5.6 and Titanium 50mm f0.95 (09/28/2022)
  • Revisiting Glimpses and Opening a Door – By John Pemberton (09/28/2022)
  • Successful Kickstarter for Jollylook’s DIY Pinhole Instant Film Camera: Pre-order Available Now (09/27/2022)
  • Atlanta Film Co. Offers New Cinema Film and ECN-2 Processing in Same Lab as Major Motion Pictures (09/26/2022)
  • Nikon F2AS Review – The Camera That Filled The Void – By Chris Barrett (09/26/2022)
  • The Whole Roll: Around (the Other) Durham with a Modified Sabre 620 and a Roll of HP5 Plus – By Clifton Dowell (09/25/2022)
  • Some Rolling-Shutter Fun… From a Moving Bus – By Dave Powell (09/24/2022)
  • A Tease from Polaroid Falls Short: Community Disappointment for Polaroid Music (09/23/2022)
  • Hasselblad H1 – An Accidental Journey into Phase One P Series Digital Backs – By Bill Thoo (09/23/2022)
  • New 35MM Compact Film Camera in Development from MiNT (09/22/2022)
  • Nikon L35AW AF & Lomography Babylon – When it all goes wrong but still goes places – By Marinka Stam (09/22/2022)
  • Foveon Color and Infrared Black & White Back to Back Comparison w/ SIGMA dp2 Quattro and sd Quattro – By Eric L. Woods (09/21/2022)
  • Chroma Cameras Double Lens 24mm f/11 Prototype Sneak-Peek Preview and Interview (09/20/2022)
  • Alfie Cameras Update: Kickstarter Campaign Goes Live at The Photography Show (09/17/2022)
  • Hasselblad XPan and its Fabulous 30mm f/5.6 Lens in Mississippi – by Andrew Morang (09/16/2022)
  • Analogue Showcase Returns to the Photography Show (09/15/2022)
  • Give Memories a Chance – By Ash Scott-Lockyer (09/15/2022)
  • Argenti Noa Noa B&W Traffic Surveillance Film Review – by Sroyon (09/13/2022)
  • 5 Frames with the Zorki 2C (S) & Retropan 320 Soft – By David Hoult (09/08/2022)
  • New Low-ISO Black and White Film from Argenti – Docemasuno (09/07/2022)
  • Up and Down the Old Lincoln Highway in Reno – By Sonny Rosenberg (09/07/2022)
  • Reto Project’s New Film and Camera Offerings (09/05/2022)
  • Asian Archives First Exhibition to Uplift US-based AAPI Artists and Stories (09/04/2022)
  • New Fresh Kodak Vision3 and ECN-2 Chemistry from FlicFilm (09/03/2022)
  • The Rumour Mill Spins On New Leica Camera (09/02/2022)
  • K.I.S.S Photography – By Ash Scott-Lockyer (09/01/2022)
  • The Souls of Burning Objects – by Sonny Rosenberg (08/31/2022)
  • Travelling from Woking to Worcester (via Belgium and Austria) – Original Canonet roll #2 (08/28/2022)
  • Nikon Micro-NIKKOR 55mm f/2.8 AI-S – Now, then and always? – By Clifton Dowell (08/26/2022)
  • Analog News – A New Site for Analogue Photography Blog Readers (08/25/2022)
  • You’re Invited! Glasgow Independent Film Lab, Gulabi’s 3rd Birthday Party (08/24/2022)
  • Anecdotes from the Analogue World Ep. 1 – By Nandakumar (08/24/2022)
  • AE-1 vs. OM4 – A Viable Alternative to Usual Recommendations – By Michael Allan-Wood (08/22/2022)
  • Multiple Exposure Experiment with a Compact Camera that Cannot Take Multiple Exposures – by Puttipong Nipat-u-tit (08/19/2022)
  • Dubblefilm Launches Special Edition SHOW Camera KEIKO and Donates 20% of Profits (08/17/2022)
  • Sirkhane Darkroom Fundraiser: Mobile Darkroom School for Children near Turkish-Syrian Border and Iraq (08/15/2022)
  • Ricoh Mirai & Olympus AZ-4 Zoom Review – Fraternal Twins – By David Tellet (08/15/2022)
  • Travelling from Lexington to Rhode Island – Canonet 28 roll #3 (08/14/2022)
  • The Lost Art of Film Street Photography – By Armando Cabellero (08/13/2022)
  • Breezy Beachy Fun with New Lomography La Sardina and Fisheye No.2 Editions (08/12/2022)
  • The Nikon F2, some Nikkors, and a Roll of Ektar 100 – By Sam Westenskow (08/12/2022)
  • New Color Film from Film Washi Launches in Europe (08/11/2022)
  • Making Artemisianol, My Search for Big Sagebrush – By Sonny Rosenberg (08/11/2022)
  • Céu in Oslo on a Small Rangefinder Camera – By Hugo Vasconcelos (08/10/2022)
  • Leica Digital-Modul-R Review – ‘R’ You Ready for This? – My Passion Camera System – By Jarrod Sams (08/08/2022)
  • Kodak Ektar H35 Review – Cheap Thrills with a Very Simple Camera – By Eric L. Woods (08/05/2022)
  • Truth and Beauty in Film – By John-Paul Menez (08/04/2022)
  • New Half-Frame 35mm Film Camera from Alfie Cameras – Call for Beta Testers (08/03/2022)
  • 5 Largely Unknown Digital-Infrared Gems – By Dave Powell (08/03/2022)
  • Camera M Project – A Retro Game Boy Pocket Turned into Modern Rangefinder (08/01/2022)
  • Nikonos V as Rugged Travel Camera – a Retrospective By Simon Foale (08/01/2022)
  • Why I Prefer to use Film for my Street Photography – By Armando Caballero (07/31/2022)
  • NINM Lab Releases New Generation in I’M-Fine Single-Use Camera Series (07/30/2022)
  • Hanalogital Releases New Pre-exposed Color Film HALO (07/29/2022)
  • Shooting the “Callahan” Way – By Dave Powell (07/28/2022)
  • A Brief Introduction to Digital Infrared Photography – By Matthew Patey (07/27/2022)
  • Konica EE-Matic 260 & Ilford Sportsman C – Reviving two Instamatic Cameras
 – by Tobias Eriksson (07/26/2022)
  • Stereoscopic Singapore: Making of a 3D Photography Project – by Sroyon (07/25/2022)
  • Film Photography Project: 2022 Releases of 35mm and 16mm Low ISO Films – Blue Ultra and Yeti (07/22/2022)
  • Fujifilm X-Pro1 – Digital Infrared Zone Focus Viewfinder Camera – First Outing – by Agata Urbaniak (07/22/2022)
  • New Summer Community Photo Competition and Pantastic Vol. 2 Zine Update from Matt Loves Cameras (07/21/2022)
  • TTArtisan 35mm F/2 APO ASPH Review – By Vincent Bihler (07/21/2022)
  • Sustainable Darkroom Launches Re·source Book – Blueprint for a Better Future (07/20/2022)
  • Analogue Wonderland Launches Club AW Loyalty Program for Customers (07/19/2022)
  • Godox Getting in the Retro Game with the New Lux Junior & Senior Flashes (07/18/2022)
  • TTArtisan Adds to Full-Frame Lens Lineup: 35mm F2 APO ASPH M-Mount & 50mm F2 Mirrorless (07/15/2022)
  • Kyoei W.Acall 35mm LTM (on Fujifilm X-Pro3) Review – A Delightful Daily Walkaround Lens on APS-C – By Don Goodman-Wilson (07/15/2022)
  • Travelling from Washington State to Long Island – Canonet 28 Roll #2 (07/14/2022)
  • Update from Orwo on New Colour C41 Cine Film! (07/11/2022)
  • Sigma DP1 Merrill – Finding perspective in the Mojave Desert – By Brian Cox (07/11/2022)
  • B.B King on a Canon AE1 – By Ron Duda (07/10/2022)
  • Ilford’s Ultra Large Format Campaign Back for Another Year (07/08/2022)
  • Yashica Electro 35 GT – Finding a Rangefinder – By Francois Marlier (07/08/2022)
  • Exciting Announcements from SilvergrainClassics Meetup in Germany (07/07/2022)
  • Film Photography and a Political Studies Course – By Milosz Jeromin Cordes (07/07/2022)
  • Cyanotype Music Video “Wounded Angel” – By Paulina Blažytė (07/06/2022)
  • Hasselblad and the Bronica – Comparing an Icon with a Forgotten Gem – By Dave Palumbo (07/04/2022)
  • Making 4×5 Slides using a Sepia Toner Kit – By Andrew Smale (07/02/2022)
  • Lomography 110 Tiger Film – My First Roll of 110 since the 90s (07/01/2022)
  • Planning of a Project: Large Format Portraits in the Wild – By Gunnar Misund (06/30/2022)
  • Shooting Film And Digital in Athens – By Charles Higham (06/29/2022)
  • Photographer Captures 2022 Lunar Eclipse on One Sheet of Large Format Film (06/27/2022)
  • Sigma dp2 Quattro – Out of Left Field – An Opinionated Review (06/27/2022)
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  • My First Two Rolls of Film – HP5+ in a Trip 35 – By Stevenson Gawen (06/15/2022)
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  • Grocery Store Development – Part 3: Fixing Film with Pool Chemicals and Fertilizer – By Josh Vickers (06/10/2022)
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  • Grocery Store Development – Part 2: Developing with Caffenol (and Salt) – By Josh Vickers (06/03/2022)
  • 5 Frames of Photographic Comfort Food with Film Washi S and a Voigtlander 15mm Lens – By Sonny Rosenberg (06/02/2022)
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  • How Many Cameras to Take on Holiday? – by Sroyon (05/30/2022)
  • The Healing Process of Getting Back into Photography after 15 Years – By Grégoire MBV (05/29/2022)
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  • Nikon Df – Thoughts From a Film Shooter – by David Hume (05/23/2022)
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  • M-Mount Lens Conversions Now Available from Omnar Lenses and Skyllaney Opto-Mechanics (04/25/2022)
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  • The Joy of Small Prints – by Sroyon (04/12/2022)
  • TTArtisan 28mm f/5.6 Review – by Vincent Bihler, Dave Young and Hamish Gill (04/11/2022)
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  • Leitz Elmar 10.5cm f/6.3 – The Berg – Pt 3 – By Agata Urbaniak (04/07/2022)
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  • Mirror Mirror – The Fuji Instax Mini Evo and its Mirror Filter – By John Sullivan (03/29/2022)
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  • The Rise of the Vintage Digital Camera (03/21/2022)
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  • Lomography Daguerrotype Achromat Mini Review – Street Portraits – by Anil Mistry (03/14/2022)
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  • 3 Days, 3 Rolls of Film in the American Southwest: Pt 2 – By John Pemberton (03/05/2022)
  • My First Forays in Stereoscopic (3D) Photography – by Sroyon (03/03/2022)
  • An Introduction to Stereoscopic (3D) Photography, and the Stereoscopy Blog – By Rebecca (from Stereoscopy Blog) (03/02/2022)
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  • Saving Glass Plates From WW1 – By Michell Boysen (02/27/2022)
  • The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton (02/26/2022)
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  • Sabatier Effect with a B&W Negative and Color RA4 Process – by Séverine Chauveau (02/24/2022)
  • The Leica for a Year Project – By Patrick Medd (02/22/2022)
  • Zeiss Ikoflex III (1939) – Atoning For GAS By Doing A History Project – By Stefan Wilde (02/21/2022)
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  • Photographing Run-Down Places – By Christian Schroeder (02/18/2022)
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  • All Analogue: a Digital-Free Experience of Film Photography – By Ailbíona McLochlainn (02/16/2022)
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  • A Few Thoughts on how Analogue Photography Helped me Settle in – By Milosz Jeromin Cordes (02/13/2022)
  • Olympus OM-2n – You Wait 6 Months For An OM And 3 Come Along – By Bob Janes (02/11/2022)
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  • Contrast and Tonality Part 3: Characteristic Curves for Film and Paper – By Sroyon (02/07/2022)
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  • Positive Memories – Creating Positive Images Inspired by the Photobooth Process – By Andy Smale (02/01/2022)
  • Kodak Retina IIIC – Back into Film with a Charity Auction Find – By Stewart Waller (01/31/2022)
  • The Benefits of (B&W) Polyester Film – By Emanuel Hentes (01/30/2022)
  • Ilford XP1 – Explorations with 28 Year Old Film – By Bob St-Cyr (01/29/2022)
  • “I am Lonely” Said Vinnie the Voigtländer Vito BL – by Andrew Morang (01/28/2022)
  • Building a Darkroom From the Ground Up – By Katie Cooper (01/26/2022)
  • 3D Printing For My Photography Projects – By Andrea Bevacqua (01/25/2022)
  • Latent Postmodernism and The Act of Photography: Deconstructing the Yashica Y35 – By Michael Kaplan (01/24/2022)
  • LomoChrome Metropolis in the Philippines – by Yameen (01/23/2022)
  • Canon EF – Shooting in a Castle – By Jordi Fradera (01/22/2022)
  • 28mm Point & Shoot Showdown – The plot widens… – By Daniel Rider (01/21/2022)
  • A Year in Slide Film Part 2 – Developing – By Holly Gilman (01/20/2022)
  • Photographic Nostalgia and the Myth of Soulfulness – By Ailbíona McLochlainn (01/18/2022)
  • Chroma Snapshot mini-review – Fun with a 3D printed large format customized camera – By Oleg (Boris) Dyachenko (01/11/2022)
  • Is Bulk Loaded Cine Film a Panacea for Rising Film Prices? – By Matt Wright (01/07/2022)
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  • The Most Read and Commented upon Posts Published on 35mmc in 2021 (12/31/2021)
  • Color Photography with the Leica M10 Monochrom – By John Ricard (12/30/2021)
  • The Influence of Other Artists on my Work – By Nik Stanbridge (12/29/2021)
  • Trying Concert Photography on Film – By Billy Sanford (12/28/2021)
  • Comparing the Zeiss Icon Voigtländer 500 SE Electronic and the 1000 SR – By Nigel Haycock (12/27/2021)
  • Capturing Desert Wildflowers on Kodak Ektar – By Cameron Wheatley (12/26/2021)
  • A Whole Roll of (Mostly Failed) Experiments with a Minolta Autocord TLR – by Sroyon (12/24/2021)
  • The Influence of Movies on my Work – By Nik Stanbridge (12/22/2021)
  • An Open Invitation to the Travelling Canonet project – By Bob Janes (12/19/2021)
  • Fall Leaves with Five Cameras – By Dave Palumbo (12/18/2021)
  • Rebecca – Women Hold Up Half The Sky – By Gerard Exupery (12/17/2021)
  • Breaking Digital Habits and Relearning Film With a Leica IIIf – By Christopher DellaCorte (12/14/2021)
  • “I am Lonely” said Spottie the Spotmatic – by Andrew Morang (12/13/2021)
  • Montserrat Underground – Two visits 25 years apart – By Jordi Fradera (12/12/2021)
  • Toy Camera Share Project – The First Three Photographers – By Holly Gilman (12/11/2021)
  • Pixii (A1571) Review – New Upgrades and Some Personal Experiences (12/10/2021)
  • A Year in Slide Film Part 1 – Shooting – By Holly Gilman (12/09/2021)
  • Getting the Shot: A Hybrid Workflow Odyssey – By Jamie Winder (12/07/2021)
  • Ernst Leitz (Leica) Elmar 9cm f/4 Collapsible – The Near Perfect Slow Lens – By Agata Urbaniak (12/06/2021)
  • Carbon: A Photographic Project – By Dan Zorg (12/05/2021)
  • Street Protests on Film: Leica M2 and Rolleiflex 2.8F – By Exphotog (12/04/2021)
  • Continuing to Learn C-41 Developing – A Learning Journey By Holly Gilman (12/02/2021)
  • Self-Portrait in Hotels – by Michiko Ohashi (12/01/2021)
  • The Pentax MZ-M (ZX-M) Review – The Ultimate Beginner’s 35mm SLR? – By Iain Paterson (11/30/2021)
  • Iceland on Mamiya RB67 – by Ľubomír Drápal (11/27/2021)
  • Nikon D2H – Bidding On an Old Pro – By Wes Hall (11/26/2021)
  • “Scanning” Film with a Digital Camera and a Slide Copier – 5 Mins for a Whole Roll! – By Christof Bircher (11/25/2021)
  • The Film Community has a Math Problem. Not a Film Price or Kodak Problem – By Matt Wright (11/24/2021)
  • Ten Years Gone: The Ricoh GXR (11/23/2021)
  • Nikon (Nippon Kogaku) Nikkor-Q.C 5cm f/3.5 Review – An Odd Duck in the Sea of 50mm Lenses – By Agata Urbaniak (11/22/2021)
  • 1 Street, 48 Hours and 50 Disposable Cameras – By Frankie Bina (11/20/2021)
  • Fuji Discovery 875 Zoom Plus: Attention Kmart Shoppers, or a Discount Department Store Photographic History – by Shawn Granton (11/19/2021)
  • Experimenting In My C-41 Developing – Dance Developing – By Holly Gilman (11/18/2021)
  • The Challenges (and Joys) of Travelling with Film – Reflections on Vanuatu – By Ali MC (11/17/2021)
  • Industar-50 LTM (on Fujifilm X-Pro3) Review – The Joy of Flawed Lenses – By Don Goodman-Wilson (11/16/2021)
  • NEWS: Intrepid 4×5 Limited Run Hardwood Cameras (11/15/2021)
  • TTArtisans 90mm 1.25 Review – Bonkers, Extreme, but Exactly what you Should Expect! (11/15/2021)
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  • LensFayre Snap LF35-M – A Sustainable, Customisable & Reusable Camera (11/12/2021)
  • Road Trip Without an End – A Photographic Diary – By Zachary Gastin (11/11/2021)
  • A John Whitmore Dedication – Photography Through The Pandemic Book Update (11/10/2021)
  • Interesting Industry Insights from the Tetenal UK Dealer Day (11/10/2021)
  • Chiyoko Super Rokkor 45mm f/2.8 – Early Experiences – By Agata Urbaniak (11/09/2021)
  • Konica Auto S3 – Small and Perfectly Formed – By Bob Janes (11/08/2021)
  • Searching for 1950s Motion Picture Aesthetics in my Own Photos – By Ian Do Carmo (11/07/2021)
  • Photographer or Photographic Artist? – by Billy Sanford (11/05/2021)
  • NEWS: LomoChrome Turquoise is Back! (11/04/2021)
  • Olympus Pen EE-3 – Shooting Film in Barcelona – By Jordi Fradera (11/04/2021)
  • What do you do with all the photographs you take? Who actually sees them? – By Nik Stanbridge (11/03/2021)
  • Nikkormat EL Mini Review – A Trip To The Seaside with Fuji Provia 100F – By Clive Williams (11/02/2021)
  • Canonet Review – 43 Years in Preparation – By Bob Janes (11/01/2021)
  • The Field of Flags – by Simon King (10/30/2021)
  • “Blur is a Part of Life” – A Collaborative Project (10/29/2021)
  • An Experiment with Sprocket-Hole Panoramas – By Joris Koolen (10/28/2021)
  • Ensign Selfix 820 with One Roll of Fomapan 100 – by Steve Phillips (10/27/2021)
  • Minolta AF Reflex 500 Review – Letting the Cat Out of the Bag – By Bob Janes (10/26/2021)
  • Contrast and Tonality Part 2: The Curves Tool, and What We Talk About When We Talk About Contrast – By Sroyon (10/25/2021)
  • The Hyde Park South Carriage Drive Manège – by Simon King (10/24/2021)
  • NEWS: Pinsta – Instant Pinhole Camera, Micro Darkroom and Negative Enlarger – Launches on Kickstarter (10/22/2021)
  • Samsung Slim Zoom 1150 Review: Good Results, Frustrating Experience – by Shawn Granton (10/22/2021)
  • Pentax Auto 110 Review – By Bob Janes (10/19/2021)
  • A Cinematic Photographer Discovering New Horizons by – Nicola Armento (10/17/2021)
  • Omnar Lenses CN26-6 – 26mm f/6 – My First Lens Coming to Market! (10/15/2021)
  • Pentax IQZoom 928 Review – My Superzoom of Choice – By Shawn Granton (10/14/2021)
  • How Minimal Can You Go? How Minimal Is Too Far? – By Nik Stanbridge (10/13/2021)
  • NEWS: Analogue Wonderlab, AW’s New Lab, Launches Today! (10/12/2021)
  • Wet Collodion Geekery – Some Tips and Tricks – By Markus Hoffstätter (10/12/2021)
  • Nikon (Nippon Kogaku) W-Nikkor.C 2.5cm f/4 LTM – Nikon’s Tiny Gems, pt 3 – By Agata Urbaniak (10/11/2021)
  • Found Film: A Peek into Someone Else’s Past – By Shawn Granton (10/10/2021)
  • Pajtás: A Hungarian Box Camera – by Zsuzsa Szabó (10/09/2021)
  • Pinsta – Shoot, Develop, Enlarge – Analogue for Everyone – By Oliver New (10/08/2021)
  • Nikon (Nippon Kogaku) W-Nikkor.C 2.8cm f/3.5 LTM – Nikon’s Tiny Gems, pt 2 – By Agata Urbaniak (10/04/2021)
  • Photos from the Circus, 1956 – By Jordi Fradera (10/03/2021)
  • Kodak KE60 (Easy Load 35) Review – Concealed Greatness Among the Compact Craze – Thang Nguyen (10/01/2021)
  • Spring Blossom in the Churchyard – a Mini-Project in Black & White – By Philip Ahlquist (09/30/2021)
  • Leica IIf Red Dial: Nostalgia, or Tool for Serious Storytelling? – By Exphotog (09/28/2021)
  • Nikon (Nippon Kogaku) W-Nikkor.C 3.5cm f/2.5 LTM – Nikon’s Tiny Gems, pt 1 – By Agata Urbaniak (09/27/2021)
  • Reportage at the Rodeo – By Cody Allen (09/25/2021)
  • The Analogue Spotlight at The Photography Show – A Success! / What Did You think? (09/24/2021)
  • Sustainable Darkroom Launch UK’s First ‘Photographic Garden’ – By Edd Carr (09/24/2021)
  • 36 Photos of Filipa, And How I Found My Way To Portrait Photography – By Fernando Martins (09/23/2021)
  • The Pipes Man and Me – By Merik (09/22/2021)
  • The Leica IIIF RD – My First Impressions – By Alyssa Chiarello (09/21/2021)
  • Contrast and Tonality Part 1: Histograms of Famous Photographs and What They Can Teach Us – By Sroyon (09/20/2021)
  • My First Time Discovering Film – By Bananciat (09/19/2021)
  • Lomography Purple and Metropolis Films: Goin’ Weird – by Christian Schroeder (09/17/2021)
  • A Tale of Two Compacts – Emotion and Camera Choice – By Octavia Vans (09/16/2021)
  • Aperture Zero 10. The Champ (09/14/2021)
  • Aperture Zero 09. Proper Etiquette (09/12/2021)
  • The Birth of The NoColorStudio Experimental No.5 High Contrast Film – By Arnas Špaka (09/11/2021)
  • Aperture Zero 08. Toad (09/10/2021)
  • Aperture Zero 07. Bug Eyes (09/09/2021)
  • Voigtländer Bessamatic DeLuxe Review – Best of the 60s – By Madeleina Schwantes (09/07/2021)
  • Aperture Zero 06. Pawallax Lines (09/06/2021)
  • Fujifilm GF670 Review – My Medium Format Rangefinder Of Choice – By Steve Kars (09/06/2021)
  • Chasing a Hot Dog with a Leitz-Minolta CL – By Dan Castelli (09/04/2021)
  • Aperture Zero 05. Oil (09/03/2021)
  • Texet TX-500 review – Fake Autoexposure Compact ? – by Rock (09/03/2021)
  • Aperture Zero 04. A Counterpoint (09/02/2021)
  • Jena BM 80mm f/2.8 – Fixed and Adapted to a Sony for Shooting Beautiful Roses – By Jordi Fradera (09/02/2021)
  • Empty Paris – Covid 19 & Parisian Walks with a Minox 35ML – Angèle Fourteau (09/01/2021)
  • Aperture Zero 03. GAS (08/30/2021)
  • Sony A7iii Mini-Review – Finding the Darkside (08/30/2021)
  • Aperture Zero 02. Glazed Youth (08/29/2021)
  • Juggling Parenting and Film Photography – by Richard McKenzie (08/29/2021)
  • Aperture Zero 01. The Pipes Man (08/27/2021)
  • Panasonic GF1 & 7Artisans 18mm – My Analog Point & Shoot Experience Digital Camera – By Frankie Bina (08/27/2021)
  • Pergear 60mm f/2.8 Prototype (Fuji X mount) – Review by Iurii Zvonar (08/24/2021)
  • Façades of Kolkata, and the Value of “Boring” Projects – by Sroyon (08/23/2021)
  • Montoggio – A Chronicle of an Absence – By Salvatore Da Cha (08/22/2021)
  • Shooting Film on the Trip for My Mother’s Funeral – By Jim McConnell (08/21/2021)
  • Zeiss Distagon 50mm CF f/4 FLE – The Most “Manual” Lens I Know – By Marco Fantin (08/20/2021)
  • Olympus OM10 – It’s Not You, It’s Me – By Jay Ridsdale (08/19/2021)
  • Joys and Challenges of Publishing Zines – By Floyd K. Takeuchi (08/18/2021)
  • Cannonmate AE 808 – Shooting a very fake “Canon” – By Karl Gustavsson (08/17/2021)
  • Picking your Color Negative Film Stock – An Alternative Approach – By Matt Wright (08/16/2021)
  • Ilford HP5 and a First Experiment at 3200 – by Jonathan Slater (08/15/2021)
  • My First Attempt at Colour Developing – a Learning Journey Update from Holly Gilman (08/13/2021)
  • Shooting Stardust with Ilford Delta 3200 and a Minolta SRT 100 – By Stephen Badolato (08/12/2021)
  • Kodak Brownie Vecta and Following in Fox Talbot’s Footsteps – by Charles Higham (08/10/2021)
  • A Calculator for Pinhole Camera Design – by Sroyon (08/09/2021)
  • A Glimpse into My Photo Hoarding – By Larissa Almeida (08/08/2021)
  • Bringing Textures to Life with Ilford Delta 3200 – By Daniel Boklage (08/07/2021)
  • Three Rolls of Foma at the Fairground With a Minolta Autocord – By Charles Cave (08/06/2021)
  • More Portraits Please – Making Opportunities to Photograph People – By Peggy Marsh (08/04/2021)
  • Yashica Elite 70 Review – No Zeiss No Problem – By Sean Benham (08/03/2021)
  • Vintage Lenses in Cinema vs. Photography – Finding that “Secret Source” (08/02/2021)
  • How to use a Modern Flash Gun with a Leica M3, M2 and M1 – By Phong Nguyen (08/01/2021)
  • 3 Canon Compacts Compared – ‘Supreme’ doesn’t mean Best – By David Hume (07/30/2021)
  • NEWS: Analogue WonderLAB – AW’s New Sustainability-Focused Lab Coming Soon!! (07/29/2021)
  • Being a 1950s Movie Star – In Cambridge with Ferrania P30 – By Iain McGlinchey (07/28/2021)
  • Minolta Hi-Matic 7s and A Sentimental Journey Discovering True Optical Prints – by Shawn Granton (07/27/2021)
  • Pergear 25mm f/1.8 Review – A Brand New Lens for my Sony for ~£50! (07/26/2021)
  • Caffenol for Breakfast – My First Experiments with Homemade Developer – By Steven Bleistein (07/25/2021)
  • Ilford HP5+ at Adventurous ASAs – By Kieran Newman (07/23/2021)
  • Returning to Film with a Canon, a Nikon and a Touch of GAS – By Simon Rikowski (07/22/2021)
  • 16mm Film – Shooting Subminature Film in 2021 – By Bob Janes (07/20/2021)
  • NEWS: Negative Supply Light Meter LM1 – Kickstarter launch (07/20/2021)
  • ‘Cool Retro Cameras’ – The Nikon Z Fc – Just ‘Cool’? Or Something More? (07/19/2021)
  • Accidental Film Soup with a Canon Sureshot A1 – By Rob Orchard (07/18/2021)
  • SEM-KIM (1947) – An Amazing Old Camera Shot in B&W and Color – by Jordi Fradera (07/17/2021)
  • How I Loaded and Shot a Univex Mercury with 35mm Kodak Ektar 100 – by Stuart Jenkins (07/15/2021)
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  • Mamiya 7ii, Rollei RPX25 and an Old Datsun 120Y – By Filip Wawer (05/01/2021)
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  • The Whole Roll and Nothing but the Roll – Kodak E100 in Iceland – A Journey into Colour – by Laura Cogan (04/23/2021)
  • Repairing & Shooting a Nikon EM & 50mm f/1.8 – By Jordi Fradera (04/22/2021)
  • Designing a 3D Printed Scanning System for Cut Strip Negatives – By Stuart Jenkins (04/22/2021)
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  • Minolta Freedom Zoom 160 Date Review – A Highly Sophisticated Focusing System – By Thang Nguyen (04/20/2021)
  • A Conversation between Film Soupers Amy Berge and Jen Stamps – By Holly Gilman (04/16/2021)
  • Shooting Praktica MTL 5 B Found in a “Mine” with Expired Tri-X – By Jordi Fradera (04/15/2021)
  • Finding Our Way Into A New World – A Single Photo a Day Project – By Dustin Neikirk (04/15/2021)
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  • The Young Farmers of Milton Keynes – By Sagar Kharecha (04/12/2021)
  • Meyer Optik Görlitz Primoplan 75mm f/1.9 II (The New Version) Review (04/12/2021)
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  • Puzzlewood With an IR Modified Sony NEX-5N – by Charles Higham (04/07/2021)
  • Hunting for Compact Film Cameras – What to Look For / $5 Diamonds – by David Hume (04/06/2021)
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  • ‘Musing’ about a 35mm Film Photography Series – By Tamara Masa (04/03/2021)
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  • How I Lost the Washington Monument – by Simon King (03/11/2021)
  • Minox 110S Mini-Review of a Clever Cassette Camera – By Bob Janes (03/11/2021)
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  • Remembering what it is to be a “Novice” & Reflecting on the Arrogance of Experience (03/08/2021)
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  • Canon Sure Shot M Mini-Review & Auto-Flash Disable Modification (03/01/2021)
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  • Chinon Auto 2001 & Kodak VR35 K14 Review – Vision of the Future From the Past – By Thang Nguyen (02/23/2021)
  • Bokeh as the Subject (in Photos and Writing) (02/22/2021)
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  • Endangered Hawaii / Wild Waikiki – by Susan Polanco de Couet and H.Gert de Couet (02/19/2021)
  • GAF Versapan (135) – Another Expired Film Treasure – by Andrew Morang (02/19/2021)
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  • Reflecting on G.A.S and Finding other Distractions – By Holly Gilman (02/15/2021)
  • Ghosts of Covid – A Photography Project – By Mike Beard (02/14/2021)
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  • A Digitisation Rig with a Nod To Mr H Robinson and a Surprise Along The Way – by Ralph Turner (02/05/2021)
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  • My Personal Favourite Photography Experiences of 2020 (01/25/2021)
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  • Nikonos 15mm f/2.8 Lens Mini Review – Shooting Fuji Velvia & Provia 100 – by Simon Foale (01/18/2021)
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  • Ricoh Shotmaster Ultra Zoom Super Review – A Practical Camera for Flash Photography – By Thang Nguyen (01/15/2021)
  • Epaper Photo Printing – My Steampunk Photo Paper – By Marco Dughera (01/14/2021)
  • Fuji GW690iii – Hands on Review of the Texas Leica – By Benoît Felten (01/12/2021)
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  • Pergear 12mm f/2 lens in Fuji X Mount – Mini-Review – by Iurii Zvonar (01/08/2021)
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  • Olympus AF-1 Mini review – The Hunt for a Hidden Gem – By Temoor Iqbal (01/05/2021)
  • Yasuhara T981 & Nikon 50mm f/2 – My Impressionist kit – By Aivaras (01/04/2021)
  • Photography vs. Cameras and a Full Spectrum Fuji X100 In the Mist (01/04/2021)
  • Tokyo XPan – A Cinematic View of Japan – By Mike Amos (01/03/2021)
  • “Ride Slow, Take Photos” – 1200 Miles on a bicycle with a Speed Graphic – By Erik Mathy (01/02/2021)
  • Samsung Fino 70s – Experiences with a Bewitched Camera – By Jordi Fradera (01/02/2021)
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  • The Most Read and Commented upon Posts Published on 35mmc in 2020 (12/31/2020)
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  • FujiFilm E-550 Review – A Balancing Act – By Adam Kendall (12/28/2020)
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  • Brean Sands, A Leica M4-P and a Roll of Kosmo Foto Mono 100 (12/26/2020)
  • Moment Anamorphic Lens Review – Another take on Shooting Wide – By Aivaras (12/24/2020)
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  • Panasonic C-3000ZM (Zoom 28) Review – A No Thrill Camera with Brilliant Optics – By Thang Nguyen (12/22/2020)
  • Kodachrome 64 – Digitising for the “Look”? – By David Hume (12/21/2020)
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  • Stand development Follow Up – My First Steps into Analogue – Part 8 – By Andrea Bevacqua (12/14/2020)
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  • Kodak S1100XL Review – Chinon 3001 in Kodak Clothing – By Thang Nguyen (12/11/2020)
  • Memories Lost, Memories Created, Memories Kept – By Jim Grey (12/10/2020)
  • Olympus XA and Fujicolor Pro 400H – A Favorite Camera/Film Combo – By Phil Calvit (12/09/2020)
  • Yashica Rapide Half Frame Camera – History and Review – By Dan Cuny (12/08/2020)
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  • Canon Sure Shot EX – A Mini-Review of a Very Basic Camera (12/07/2020)
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  • Agfa Selectronic 2 Review – The Best of Both Worlds – By Rock (12/04/2020)
  • The Influence of Film on Film – ‘Preserve’ – By Lucinda Lewis (12/03/2020)
  • My First Rolls of Ektachrome – A Tropical Thunderstorm – By Aukje (12/02/2020)
  • Microcord & Rolleiflex – A Comparison of two TLRs – By Bob Janes (12/01/2020)
  • Found Photos: Dry Glass Plates taken by Dallas R. Sweney – By Christoph Traugott (11/29/2020)
  • 22 Frames / A Whole Roll(ish) 0f Kodak T-Max 100 – A Garbage Idea – #FullRollFriday – By Charlie Bierwirth (11/27/2020)
  • Agfa Optima Sensor Flash Review – By Bal Camp (11/27/2020)
  • Midtone Machines – Introducing my Automatic Film Processor – By Andrew Burns (11/25/2020)
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  • A Lifetime of Photography – An Interview with Gerard Exupery (11/23/2020)
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  • Canon Sure Shot Z155 Review – Fine Workmanship for a Small Price – By Thang Nguyen (11/20/2020)
  • Pergear 35mm f/1.2 Lens in Fuji X-Mount Review – by Iurii Zvonar (11/17/2020)
  • The 40th London Arba’een Procession 2020 (HP5+ @800) – by Simon King (11/16/2020)
  • Found Photos: Romaine Oberer Franzgrote Photo Archive – By Christoph Traugott (11/15/2020)
  • Analogue Portraits – Behind the Viewfinder – by Dila Binkanat (11/14/2020)
  • Stand Development – My First Steps into Analogue – Part 7 – By Andrea Bevacqua (11/13/2020)
  • Shooting Darkroom Paper In-Camera – a Beginner’s Guide – By Aloy Anderson (11/13/2020)
  • NEWS: Film Furbish Launches Range of Refurbished Rollei 35 Cameras – Also Available on the 35mmc Shop (11/12/2020)
  • Naniwa; A City Without a Face – By Akiti Dezem (11/12/2020)
  • Girls’ Hostel – My Teenage and University Years (2005-2016) – By Sumaiya Tazin (11/11/2020)
  • How I Make Three Rolls of Film From One – By Eric Norris (11/11/2020)
  • Minolta Autocord CDS – History & Review – By Dan Cuny (11/10/2020)
  • Exploring an Ice Factory in Mississippi with Panatomic-X Film in a Hasselblad – by Andrew Morang (11/09/2020)
  • Meyer Optik Görlitz f/2.8 100mm Trioplan II (The New Version) Review (11/09/2020)
  • My Journey to Infrared Photography – By Markus Hofstätter (11/08/2020)
  • Pentax-A 70-200/4 & K1000 – The Accidental Pentax Kit – By Clive Williams (11/07/2020)
  • Giving a “Faulty” Camera Another Chance – #FullRollFriday – by Holly Gilman (11/06/2020)
  • Agricultural Landscapes Reloaded – by Christian Schroeder (11/06/2020)
  • NEWS: ‘VALOI’ Film Holder Coming to Kickstarter Next Week (11/05/2020)
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  • The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 2 – by Ricardo Andrade (11/04/2020)
  • Skyllaney 50mm f/1.4 Planar – Zeiss (C/Y) to M-mount Modified Lens Review (11/03/2020)
  • Katie Melua on Shooting the “Album No.8” Cover with Film – Interview by Sroyon Mukherjee (11/02/2020)
  • NEWS: Art Meets Education – Educating Underprivileged Children Through Photography – Crowdfunding Campaign (10/31/2020)
  • Canon Serenar 50mm f/1.8 Repair – Hazy solution to a hazy problem – By Boon Kiat Lim (10/30/2020)
  • The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 1 – by Ricardo Andrade (10/30/2020)
  • PF Micro 110 – High-Tech 110 Camera and some Fresh Film – By Jordi Fradera (10/28/2020)
  • Pentacon Six Mini Review – Getting to Know the Camera – Part 2 – By Holly Gilman (10/27/2020)
  • Shooting Diptychs with the Olympus Pen FT – by Noel Roque (10/26/2020)
  • Making, Measuring and Testing the “Optimal” Pinhole: Pinhole Adventures Part 3 – by Sroyon (10/26/2020)
  • Found Photos – Sam Hyde’s Photography Adventures, 1898-1904 – by Christoph Traugott (10/25/2020)
  • Using an Hybrid Camera to let Subjective & Objective Visions Coexist – By Mario Cipriano (10/24/2020)
  • Inside the Mind of Minolta – an Investigation of the Internals of Minolta’s SRT 303 – By Bob Janes (10/23/2020)
  • NEWS: Brian Griffin ‘Black Country Dada’ Book Kickstarter Campaign (10/23/2020)
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  • Lens versus Pinhole – Battle of the Isolettes – By Rock (10/21/2020)
  • Zero 2000 Pinhole Camera, a Camel and an Elephant – By Scott Gitlin (10/21/2020)
  • Canon AE-1 Review – The Hater’s Guide – By Rich Stroffolino (10/20/2020)
  • Digitising Film – My Adventures So Far – By David Hume (10/19/2020)
  • Goodman Scura 35mm 3D Printed Panoramic Pinhole Camera Review (10/19/2020)
  • Found Photos – Glass Slide Collection of John Voss, Ph.D. (1895 – 1948) – By Christoph Traugott (10/18/2020)
  • Better Together – A City with a Complicated Past – By Billy Stanford (10/17/2020)
  • That time I shot 35mm film in a Rolleicord – by Teemu Matilainen (10/16/2020)
  • Experimenting with analog in Iran with an Olympus OM-2n – by Théo Lefort (10/14/2020)
  • Rolleiflex 2.8C Review – Making Friends with a Legend – By Phil Calvit (10/13/2020)
  • CAMERADACTYL Mongoose – Automation for you 35mm Digitisation Workflow (10/12/2020)
  • Found Photos – Lake Lugano, 1945/46 – By Christoph Traugott (10/11/2020)
  • Rediscovering 28mm – With the Aid of an External Viewfinder – By Tauseef Khan (10/10/2020)
  • 16 Frames / A Whole Roll of Ilford HP5+ in a Box Tengor 54 – #FullRollFriday – by Steve Phillips (10/09/2020)
  • Olympus mju-V Metal Review – Not So Famous Last Words – By Octavia Vans (10/09/2020)
  • It’s Dead Jim – A Dissection of an Old Rangefinder Camera – By Bob Janes (10/08/2020)
  • MiNT SLR670-S Review – a Timeless Time Machine – by Andrea Armando (10/07/2020)
  • When You Pray, Be Specific – By Gerard Exupery (10/06/2020)
  • Nikon F6 Review – Never borrow a camera from a friend – by Marc Wick (10/06/2020)
  • Seascapes and Stories You Can’t See (10/05/2020)
  • Making and Using a Cardboard Camera: Pinhole Adventures Part 2 – by Sroyon (10/05/2020)
  • Found Photos – The Field Trip – 17 Never-Before Seen Images from the Mid 1960s – By Dirk Fletcher (10/04/2020)
  • KW Reflex Box Camera History & Review – By Dan Cuny (10/03/2020)
  • 36 frames / My 3rd Whole Roll of HP5 – #FullRollFriday – By Andrea Bevacqua (10/02/2020)
  • Minolta Dynax 5 & Dynax 60 Review – Late Model Budget Gems – By Bob Janes (10/02/2020)
  • Overcoming Creative Block – A Few Tips – By Daniel Sigg (10/01/2020)
  • A 4×5 Portrait with a Toyo 45A, Schneider 210mm f/5.6 & Fuji Acros – By Louis A. Sousa (09/30/2020)
  • Minolta SRT 101 Review – My Funny Valentine – By Bob Janes (09/29/2020)
  • My Camera Goes Where I’d Rather Not – By Gerard Exupery (09/28/2020)
  • Found Photos – Henry N. Mudge – A Suitcase of Negatives, 1916 to 1925 – Christoph Traugott (09/27/2020)
  • 13 frames / My first self developed roll of 120 film – #FullRollFriday – By Holly Gilman (09/25/2020)
  • Minolta Riva Zoom 110 Mini-Review – The Perfect Camera for a New Dad – By Or Sachs (09/25/2020)
  • The Wet Side – My Early Career in NYC Darkrooms – By Gerard Exupery (09/24/2020)
  • Social Distance – A Covid Inspired Photography Project – By Mattias Johansson (09/23/2020)
  • MS-Optics Converted Yashica T4 35mm f/3.5 Tessar – The Hunt for the Commute Camera pt.1 – By Hern Tan (09/22/2020)
  • Nine Homemade Cameras: Pinhole Adventures Part 1 – by Sroyon (09/21/2020)
  • Found Photos – “Pictures from Japan and Elsewhere” Occupied Japan (1947-1949) – By Christoph Traugott (09/20/2020)
  • 36 Frames / A Whole Roll Fujichrome Velvia 100 in an Olympus XA2 – #FullRollFriday – by David Hume. (09/18/2020)
  • EVENT: Analogue Spotlight – The Photography Show Virtual Event – This Weekend (09/18/2020)
  • NEWS: “Analogue Wonderbox” – AW Launch Film Subscription Service (09/18/2020)
  • Vivitar PZ3815 DB – It Gets the Job Done – By Thang Nguyen (09/18/2020)
  • Disposable Camera Holiday Snaps – Moments of Truth (Part Two) – By Brian Nicholls (09/17/2020)
  • Olympus Mju-mini Digital – The OTHER Mju – By Orkhan Abbasov (09/16/2020)
  • NEWS: The CAMERADACTYL MONGOOSE Fast Automated 35mm Film Scanner Launches on Kickstarter (09/15/2020)
  • Asahi Pentax Spotmatic F Review – A Class Act – By Bob Janes (09/14/2020)
  • Pentax 77mm Limited Review – The Joy of a Short Tele Lens (09/14/2020)
  • 9 frames / Or should it be 12? – #FullRollFriday – By Holly Gilman (09/11/2020)
  • Canon Top Twin & MC Review – Comparing Two Mid-80s Compacts – by Tobias Eriksson (09/11/2020)
  • Sony 135mm STF ‘Smooth Trans Focus’ – A Bit of Lens GAS Come Good – By Vincent Ferrier (09/10/2020)
  • NEWS: dubblefilm launch ‘SHOW’ – A 35mm analogue camera (09/10/2020)
  • Brooks-Plaubel Veriwide 100 Mini-Review – By Dan Cuny (09/09/2020)
  • How to Get Started Developing Black & White Film for £25 (or Less) – by Sroyon Mukherjee (09/07/2020)
  • Rollei Prego 125 Review – Shooting a Should-be-Cheap Camera Expensively (09/07/2020)
  • A Spectacularly Failed Mui Wo Photo Trip – By Benoît Felten (09/06/2020)
  • NEWS: Lomography introduces the LomoGraflok 4×5 Instant Back! (09/04/2020)
  • Olympus Quick Shooter Zoom – 5 Frames Mini-Review of a $900 Point & Shoot – By Eric Norris (09/04/2020)
  • How I Successfully Developed 60+ Year Old C22 and B&W Film – by Sina Farhat (09/03/2020)
  • Analog Iran – A Project Shooting B&W Film Documenting Iran – By Ali MC (09/03/2020)
  • Adding Color to Cyanotype – By John Isner (09/02/2020)
  • Cyanotype Printing with Pre-Coated Paper – By Benoît Felten (09/02/2020)
  • Searching for Relevant Difference in a Digital Commercial World – By Tim Cole (08/31/2020)
  • Pentax SFX Review – 1980s First-Gen AF SLR Joy! (08/31/2020)
  • Fight of the Fifties… – By Bent_Brent (08/28/2020)
  • Lomography Fisheye 2 Camera Review – Family Vacation – By Alex Vye (08/28/2020)
  • Fake Soviet Impressionism – By Ben Garcia (08/27/2020)
  • Pentacon Six Mini-Review – The grass isn’t always greener – By Holly Gilman (08/27/2020)
  • My Friend Jim – By Gerard Exupery (08/26/2020)
  • Monkeying Around with Focal Length and Perspective – by Sroyon Mukherjee (08/24/2020)
  • Film Photography – A Realisation That Cheap Thrills Can Still Be Had! (08/24/2020)
  • Six of my Best Freebie Cameras – Part2: The Others – By Rock (08/23/2020)
  • My first 3 rolls of home developed film – By Holly Gilman (08/22/2020)
  • 36 frames / My First Whole Roll of Film – #FullRollFriday – By Holly Gilman (08/21/2020)
  • FujiFilm E-900 Review – a Sublime Paradox – By Adam Kendall (08/21/2020)
  • Hasselblad 500CM – Sometimes objects of desire do match expectations – By David Mitchell (08/20/2020)
  • Kodak Jiffy VP Art Deco Camera – My Pre-1940’s Camera Project – By Kate Johnson (08/18/2020)
  • Polyphenol Developer Alternatives – A World full of Options – By Daniel Keating (08/18/2020)
  • Skyllaney Zeiss 50mm f/1.5 Single Coated Sonnar Review – Exploring Classic Sonnars pt.12 (08/17/2020)
  • Always the Sun – In Admiration of the Selenium Cell Compact Camera – By Chris Pattison (08/17/2020)
  • Seeking Sharpness on a 15-year-old Flatbed Scanner – By Nathan Bobinchak (08/16/2020)
  • Kodak Panoram No.1 – Photographing Yosemite with my 120 year old Panoramic Camera – By Dan Cuny (08/15/2020)
  • 39 Slides / A Whole Roll of Fujichrome Sensia 100 (expired 2006) – #FullRollFriday – by Simon King (08/14/2020)
  • Fed 2 Russian Rangefinder Mini-Review – By Julian Higgs (08/14/2020)
  • Hanimex VEF Mini Camera Mini Review – by Tobias Eriksson (08/13/2020)
  • Six of my Best Freebie Cameras – Part1: The SLRs – By Rock (08/13/2020)
  • Artefacts of a Laboratory – Adapting an enlarging lens to a Sony DSLR – By Jordi Fradera (08/12/2020)
  • Sprocket Rocket 2.0 Review – A Day at the Fair – By Alex Vye (08/11/2020)
  • Disposable Camera Holiday Snaps – Moments of Truth (Part One) – By Brian Nicholls (08/11/2020)
  • Minolta X300 – Turning Back Time with my 35 Year Old SLR – By Richard Wilford (08/10/2020)
  • Contax RTS Review – Second Time Lucky (08/10/2020)
  • A Day Out with the Nikkor 50mm f/1.2 AIS and Nikon D850 DSLR – by Anil Mistry (08/09/2020)
  • Shooting Three Kinds of Redscale Film – by Tobias Eriksson (08/08/2020)
  • A Couple of Bodged Fixes for a Pentax PC35AF – By Seb Copley (08/08/2020)
  • Vivitar Tec 45 / Panasonic C-600 Review – Remarkable Machines Without A Reputation – By Thang Nguyen (08/07/2020)
  • Photographing Concerts in the 1970s & ’80s – By Dan Cuny (08/05/2020)
  • Samsung EX2F Review – A Pocket Camera No One Remembers – Orkhan Abbasov (08/03/2020)
  • Tokyo Optical Co. Topcor 50mm f/1.5 LTM (Semi-Sonnar) Mini-Review (08/03/2020)
  • It’s All Done with Mirrors – A Tale of a Telescope Street Photo – By Tom Ace (08/02/2020)
  • One Camera, One Lens – A Methodology that Stuck – by Jack Lowe (07/31/2020)
  • Shooting 4×5″ GAF Film Packs in the Mississippi Delta – by Andrew Morang (07/30/2020)
  • LCKDN20 – Documenting the Abandoned City – By Giacomo Mantovani (07/29/2020)
  • pixl-much-latr – delivering on a Kickstarter 22 months behind schedule (07/27/2020)
  • Konica Big Mini F Review – Is It As Good As It Looks? – By Thang Nguyen (07/27/2020)
  • Evaluating and Choosing Half Frame – By Javier Martínez Delgue (07/24/2020)
  • NEWS: pixl-latr – for digitising your film with a digital camera – now shipping! (07/24/2020)
  • Behind the scenes at the East Lancashire Railway – By Phil Harrison (07/24/2020)
  • Limiting and Reflecting on my Digital Output – by Simon King (07/22/2020)
  • About the value of my (and your?) photography – By Benoît Felten (07/21/2020)
  • Death in the Camera Store / Learning to See On the Other Side of Fear – By Gerard Exupery (07/20/2020)
  • Pentax MZ-5 Review – Cheap Thrills with an AF SLR Film Camera (07/20/2020)
  • The Yashica 124G and How it Helped Me Get Married – by Sacha Cloutier (07/18/2020)
  • 32 Frames / A Whole Roll of Lomography 800 – #FullRollFriday – By Gavin Bain (07/17/2020)
  • Voigtlander Vitessa – a (non-comprehensive) review – By Steve Karsten (07/17/2020)
  • Photographing An American Road Trip – By Daniel Sigg (07/16/2020)
  • Help! I am being held prisoner in a lens collection! – By Jonathan Leavitt (07/16/2020)
  • Mask portraits – Koniflex TLR and Portra 400 – by Peter Schafer (07/15/2020)
  • Yashica Mat-124G – Perspective From a Newbie – By Salman Rameli (07/14/2020)
  • Mamiya C330 Review – The hunt for the perfect 6×6 – By Anton McCloud (07/13/2020)
  • Cameradactyl OG – 5×4 Large Format Snapshot Camera Review (07/13/2020)
  • Bronica SQ-B – Panoramic Shooting with a Medium Format Camera – By Noel Roque (07/12/2020)
  • 25 frames / a whole roll developed by me for the first time in 30 years – #FullRollFriday – by Rock (07/10/2020)
  • NEWS: Intrepid Launch 5×7 Camera & #SaveAnalogCameras 2020 Survey (07/10/2020)
  • Minolta Dynax 7 Review (aka Minolta a-7 & Maxxum 7) – As good as it gets – By Bob Janes (07/10/2020)
  • Digitising Negatives and Slides – A Primer – By Bob Janes (07/09/2020)
  • Cinestill 800T – Filmstock Feedback – By Benoît Felten (07/08/2020)
  • Fujifilm X-Pro3 Part Three: Four Days with Four cameras – By David Hume (07/08/2020)
  • 4 Decades of Panoramas – Analogue & Digital – By Jordi Fradera (07/07/2020)
  • Pixii Connected Digital Rangefinder Available to Order! (07/06/2020)
  • Contax S2 Review: The Beauty of Simplicity – By Joe Monat (07/06/2020)
  • Leica M10-P Review – A Brilliantly Underwhelming Digital Rangefinder (07/06/2020)
  • The Season of our Discontent – By Mark Seawell (07/04/2020)
  • 36 Frames / A Whole Roll with a Leica iiif, Voigtlander Color Skopar 21mm f/4 ltm & Ilford FP4 Plus (metered at iso 400) – By Duncan Gruer (07/03/2020)
  • Pentax Super Program Review – By Chris Colten (07/03/2020)
  • The Impact of Air Bubbles in the Optics of Old Lenses – By Jordi Fradera (07/02/2020)
  • Some photos and thoughts on Graffiti – By Rock (07/02/2020)
  • Olympus XA and other Compacts – Rediscovering Old Flames – By Alan Reich (07/01/2020)
  • Konica 17mm f/16 Hexagon Lens Review – Plastic Fantastic or a Poor Man’s Hologon? – By Simon Kimber (06/29/2020)
  • It’s Not all Serendipity – An Interview with Sandy Phimester (06/29/2020)
  • A Few Words In Praise of Humble 50mm Lens – By Andy Larner (06/28/2020)
  • The Stay Home Project – By John Scott (06/27/2020)
  • 24 Frames / The Whole Roll of Ilford HP5+ in an Olympus Trip 35 – #FullRollFriday – By Hilary Clarke (06/26/2020)
  • Leica M8 – (Finally) Falling in love with this aging digital – By Taffy Ledesma (06/26/2020)
  • Reflections on the Covid-19 pandemic, through a single roll of film – by Pierre-Alix Favillier (06/25/2020)
  • Holga (and Umbrellas) – a 5 Frames mini-review – By Zac Lukins (06/25/2020)
  • Olympus Stylus Epic Zoom 115 Review – Elegant by Design – By Thang Nguyen (06/23/2020)
  • FauXPAN, Just Another DIY 35mm Panorama Camera – By Freeman Lin (06/22/2020)
  • Enjoying Some Pentax SLR Gear Acquisition Syndrome (06/22/2020)
  • The #BlackLivesMatter Protests in NYC & a Canonet G-III QL17 – By Jive (06/21/2020)
  • Black Lives Matter (through a Petzval 55mm f1.7 MKII Lens) – By Maxime Evangelista (06/20/2020)
  • A look back at a Return to Photography and Discovering Shooting Legacy Lenses – By Rock (06/20/2020)
  • 34 Frames / A Whole Roll of Ilford HP5, Contax 139Q C/Y & Sonnar 85mm – #FullRollFriday – By Victor Doroshenko (06/19/2020)
  • Konica Autoreflex T3 Review – By Bob Janes (06/19/2020)
  • Film Photography – Enriching my Journey like a Topolino – By Andrea Bevacqua (06/18/2020)
  • Leica R3 – a Review in a Galaxy Far, Far Away – By Luke Patton (06/18/2020)
  • Fomapan 200 for my first Black and White slides – By Fred Baboulaz (06/17/2020)
  • 3 Focal Lengths in Danish Marshland – by Sroyon Mukherjee (06/16/2020)
  • Hunting Dinosaurs or: Photographing Abandoned Factories – by Christian Schroeder (06/16/2020)
  • Minox EC Review – The smallest usable camera in the world – By Victor Doroshenko (06/15/2020)
  • Skyllaney restored Jupiter-3 Review – Exploring the Classic Sonnars pt.11 (06/15/2020)
  • Documenting the #BlackLivesMatter Protests – Some Thoughts and Images – By Dan Shapiro (06/13/2020)
  • Protestors, Allies, Fighters, Keep On – #BlackLivesMatter – By Eric Toribio (06/13/2020)
  • 23 frames / A Whole Roll of Fujifilm Superia 400 in a Vivitar Ultra Wide & Slim – #FullRollFriday – by Charles Higham (06/12/2020)
  • Ricoh GRIII Review – The Allure of a Compact Camera – By Srinidhi Aithal (06/12/2020)
  • Discovering Bromide Drag and New Developers – My First Steps into Analogue – Part 6 – By Andrea Bevacqua (06/11/2020)
  • Konica Auto S3 – A Tale of Woe and finding My White Whale – – By Hendrik Teron (06/11/2020)
  • Large scale printing with a Jobodrum – By Thorsten Wulff (06/09/2020)
  • Architectural photography with a 50mm lens (and some thoughts on minimalism) – By Daniel Sigg (06/09/2020)
  • Voigtlander 35mm Nokton f/1.2 VIII – By Bruno Chalifour (06/08/2020)
  • Pixii (Model A1112) – A Primer into this New Digital Rangefinder Concept (06/08/2020)
  • Scanning/Digitising My Life – By Jordi Fradera (06/07/2020)
  • Nikon FM3a – Code Name: “The Last Ninja” – by Rod ZX (06/07/2020)
  • 36 Frames / A whole roll of Fuji Neopan 400 – #FullRollFriday – By Sandeep (06/05/2020)
  • Fujifilm Zoom Date siblings: 1000, 1300 and 160S Review – By Ivan B. Palli (06/05/2020)
  • First Experiments in Home Developing Colour – My First Steps into Analogue – Part 5 – By Andrea Bevacqua (06/04/2020)
  • The Waitress, the Tarantula, the Body in the Bathtub and Why I Had To Buy My Girlfriend a New Pentax (06/03/2020)
  • At the Machine Boneyard: 10 Frames of Scrap Metal – by Christian Schroeder (06/02/2020)
  • Shooting 5×4 with Connie / Reminding myself how easy Large Format Photography is (06/01/2020)
  • Lockdown Lumen Pt 2 – Artists around the World Printing with Sunlight (05/31/2020)
  • Fuji GFX100 – Just a camera, but it’s the right camera for me – By Adam Hoskins (05/31/2020)
  • 7 Years of 35mmc, a New Website Design… and a New Member of the Team (05/30/2020)
  • Virus in Vicksburg – a quick overview by Andrew Morang (05/30/2020)
  • 36 frames / A Whole Roll of Kodak Portra 400 – #FullRollFriday – by Lee Webb (05/29/2020)
  • Leica 90mm f/2 APO Long Term Review – by Simon King (05/29/2020)
  • My First Roll of 120 Film – My First Steps into Analogue – Part 4 – By Andrea Bevacqua (05/28/2020)
  • Everything Goes Back to the Beginning – By Marcel Zyskind (05/27/2020)
  • Yet Another Night Shift: Long-Time Exposures on Kodak Portra – by Christian Schroeder (05/26/2020)
  • Pentax ZX5n & 40mm DA Limited – A Crop Pano for a Winter Coat Pocket – by Rob Jamieson (05/25/2020)
  • Sony 135mm STF ‘Smooth Trans Focus’ – A Different Compromise for Sharp Focus and Smooth Bokeh (05/25/2020)
  • Lockdown Lumen – Artists around the World Printing with Sunlight (05/24/2020)
  • Zeiss Otus 55mm and 85mm Lenses on 35mm Emulsions – Owls on Film – By Bent_Brent (05/24/2020)
  • 23 frames / A Whole Roll of panoramic images with the Horizon 202 – #FullRollFriday – By Thodoris Markou (05/22/2020)
  • Nikon F5 review – A dream come true – By Vladislav Stanimirovic (05/22/2020)
  • Revisiting and Reflecting on my Photographs from 2012 – by Samuel Hardwick (05/19/2020)
  • Panasonic Lumix LC5 Review – Occasional Forays Into Digital – By Rock (05/19/2020)
  • Zeiss 21mm f/2.8 ZM Biogon – A Lens I Will Grudgingly Keep – By Hern Tan (05/18/2020)
  • Lomography Metropolis Film and the Minolta Riva Panorama (05/18/2020)
  • Shooting Pentax Auto 110 Lenses (On film and Digital) – By Jason Foster (05/17/2020)
  • My Dad is Teaching Me Photography – By Connie Gill (05/16/2020)
  • 24 Frames / The Whole Roll of Expired Gold 200 in an Agfamatic 200 – #FullRollFriday – by Rock (05/15/2020)
  • Minolta XG-E Review: Takes a Lickin’ and Keeps On Tickin’ – by Aaron Gold (05/15/2020)
  • Some little improvements – My First Steps into Analogue – Part 3 – By Andrea Bevacqua (05/14/2020)
  • Kodak ColorPlus 200 and Olympus OM40 – Developed as B&W – by Teemu Matilainen (05/14/2020)
  • Mamiya DSX 1000B Review (05/11/2020)
  • Fuji X100V – A (Personal) Guide to Mode/Menu/Button Customisations (05/11/2020)
  • 35mm in the Time of Coronavirus – By Steph Powell (05/10/2020)
  • 29 Frames / A Whole Roll (Almost) of Rollei Retro 400s – #FullRollFriday – by Gary Quinn (05/08/2020)
  • Olympus Pen EE-3 Review – A Weekend in Prague – by John Hanson (05/08/2020)
  • Honing In On Areas For Improvement – My First Steps into Analogue – Part 2 – By Andrea Bevacqua (05/07/2020)
  • A Little Bricolage, or: How I Recovered Two Old Lenses – By Jordi Fradera (05/07/2020)
  • Reflecting on Old Photographs – Nathan’s Famous Since 1916 – By Gerard Exupery (05/06/2020)
  • The Craft Project – A New Direction – by Julian Higgs (05/06/2020)
  • Olympus Mju-ii Review – A One Roll Test on the Street – by John Hanson (05/05/2020)
  • February Frames with Bernie, The Strokes, Nikon and Tri-X – By William Le (05/05/2020)
  • Skyllaney Rehoused 1930s Uncoated Zeiss Jena 50mm f/2 Sonnar – Exploring the Classic Sonnars pt.10 (05/04/2020)
  • Dodge, Burn and Other Heresies – Darkroom Technique Part 5 – by Sroyon Mukherjee (05/04/2020)
  • Who Lost Their Shoe? – by Chris Colten (05/03/2020)
  • Sigma 45mm f/2.8 DGDN Mini-Review – By JK Lockwood (05/01/2020)
  • Finding the digital bit more difficult – My first steps into Analogue – Part 1 – By Andrea Bevacqua (04/30/2020)
  • 40 Year Old Black and White Film: experiments with three German Film Stocks (and a 1955 Leica M3) – By Daniel Sigg (04/30/2020)
  • Zeiss Jena 5cm Sonnars – The Magic of the Prewar Uncoated Sonnar – By Brian Sweeney (04/29/2020)
  • Delving Deeper into Textured Double-Exposure – By Benoît Felten (04/29/2020)
  • The Peat Bog, Impressions from Another World – by Christian Schroeder (04/28/2020)
  • Split Grade Printing – Darkroom Technique Part 4 – by Sroyon Mukherjee (04/27/2020)
  • Bringing a New M-Mount Sonnar Lens to Market – An Interview with Chris Andreyo, Skyllaney Opto-Mechanics (04/27/2020)
  • Carena Mini Zoom 115s Review – Least Probable Favorite Camera of all time – By Gandhi Cabañas (04/25/2020)
  • 25 Frames / A Whole Roll of Kodak Ultramax 400 in a Canon Snappy LXII – #FullRollFriday – by David Hume. (04/24/2020)
  • The Nikon Nikonos III – Review and Photos From the Kayak – By David Hume (04/24/2020)
  • Canon Sure Shot 105 Zoom – Mini Review – By Gavin Bain (04/23/2020)
  • Drug Store Film – A Short Review – By Charlie Bierwirth (04/22/2020)
  • Rollei IR400 Infrared Film – First Roll – By Maxwell Wagner (04/22/2020)
  • Zourkhane – a Traditional Sport in Iran – By Marc Wick (04/21/2020)
  • Analogue Portrait Photography with Leica M rangefinder Cameras – by Marc Wick (04/21/2020)
  • Cat-and-Mouse with Exposure and Contrast – Darkroom Technique Part 3 – by Sroyon Mukherjee (04/20/2020)
  • Fuji X100 – Kolari Vision Full Spectrum Modified – First Impressions (04/20/2020)
  • 36 frames / A Whole Roll from the Early Days of my Film Photography – #FullRollFriday – By Ed Worthington (04/17/2020)
  • Ilford HP5 – I Just Developed a Roll I Shot a Quarter-Century Ago – By Aaron Gold (04/17/2020)
  • Easter Egg Hunting with the Fuji X100V (04/16/2020)
  • Why I might hate these old negatives – By Gerard Exupery (04/15/2020)
  • Infrared Photography with an Unmodified Leica M240 and an R720nm filter – By Steven Bleistein (04/15/2020)
  • Lomography ‘Babylon Kino’ B&W 13 ISO 35mm Film – First Frames Review (04/14/2020)
  • Nikon Lite Touch Zoom 120ED – A One Roll (of Tri-X) Review – By Robert (04/14/2020)
  • Exploring Worcester’s Former Fire Station (04/13/2020)
  • Knowing Little, Aiming High – Darkroom Technique Part 2 – By Sroyon Mukherjee (04/13/2020)
  • Travelling Light in Japan with Fujifilm X-Pro3 – By John Scott (04/11/2020)
  • 22 Frames / A whole roll of JCH400 shot on the Horizon 202 – #FullRollFriday – By Captain Badbeard (04/10/2020)
  • Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II – By Dale Rogers (04/10/2020)
  • Las Luminarias – Spanish festival of horses and fire – By Tibor Budai (04/09/2020)
  • Images from the Last Normal Thursday in Tokyo with Meg Hewitt – Steven Bleistein (04/08/2020)
  • Learning to develop film with the Cinestill Df96 Monobath – By Rob MacKillop (04/07/2020)
  • Fuji X100V – First Frames with and some thoughts on why I bought it… (04/06/2020)
  • How to Build a Darkroom for £100 or Less – Darkroom Technique Part 1 – by Sroyon Mukherjee (04/06/2020)
  • Pentax 6×7: My journey so far, or: A camera too far – By Rock (04/04/2020)
  • 36 frames / A Whole Roll of Rollei RPX400 – The first #FullRollFriday – By Jeremy Strange (04/03/2020)
  • New product: Irrelevancy Filter cleans up your images – by Aaron Gold (04/01/2020)
  • Leica R6.2 Review – By James Tocchio of Casual Photophile (03/30/2020)
  • The Tsukiji Outer Market at Dawn with a Leica M3 and Roll of Kodak Tri-X – By Steven Bleistein (03/29/2020)
  • NEWS: Intrepid Launch 4×5 Black Edition – Limited-Run 3D Printed Large Format Camera (03/27/2020)
  • Canon EOS-1 Review – The Professional 1 – by Ray Goodwin (03/27/2020)
  • Lomography ‘Fantôme Kino’ B&W 8 ISO 35mm Film – First Frames Review (03/26/2020)
  • ARS-Imago Monobath MB Developer: Initial Thoughts – By Steven Bleistein (03/24/2020)
  • CoronaVirus isn’t going to stop me Blogging about Cameras and Photography (03/23/2020)
  • Conversion to Film: The Expected and Unexpected – by Anton Yakovlev (03/21/2020)
  • Olympus 35RC – A Travelling Review – By Andy Larner (03/20/2020)
  • Enjoying and Learning in the Darkroom – by Michael Scott (03/19/2020)
  • A Heavy Visit – An Acount of Shooting an Emotive Subject – By Alex Kreisman (03/18/2020)
  • Photographing Buildings and Places in Hannover – by Christian Schroeder (03/17/2020)
  • Kolari Pocket & IRChrome Filter Review – Digital Aerochrome in a Tiny Package! (03/16/2020)
  • A quick 3 frames of Kodak Aerochrome – By Mike Caputo (03/16/2020)
  • NEWS: Analogue Spotlight Update, Ilford Darkroom Survey Results & Intrepid Zine Issue 2 (03/13/2020)
  • Nikomat FT2 review: Because photography isn’t complicated enough – by Aaron Gold (03/13/2020)
  • Canon 50mm ƒ/1.4 LTM Lens – A Mini-Review of 1960s Optical Excellence – by Andrew Morang (03/11/2020)
  • Shooting Textured Double-Exposures with the Hasselblad XPAN – By Benoît Felten (03/10/2020)
  • [CANCELLED] Analogue Spotlight Plan B – Meet-ups this Weekend [CANCELLED] (03/09/2020)
  • Leica IIIa Review – My Final Roll with an Underused but Long-Prized Camera (03/09/2020)
  • PhotoKlassik International is now SilvergrainClassics (and pixl-latr is reviewed in the latest edition) (03/07/2020)
  • Shooting Star Trails with 120 Cinestill 800T – By Bill Thoo (03/06/2020)
  • Ilford announce talks on their stand at The Photography Show (03/05/2020)
  • The Beauty of Basic: Life with One Lens – By Will Mordell (03/05/2020)
  • Fomapan 400 & Kentmere 400 Review – Battle of the Budgets – by Simon King (03/04/2020)
  • NOSSAFLEX – An organising tool for film photography – Launches on Kickstarter (03/03/2020)
  • Fujifilm X-Pro3 Round Two: The X Files and a Meditation on Film and Digital – By David Hume (03/03/2020)
  • Reveni Labs Light Meter: Tiny Meter For Your Old Cameras – Launches on Kickstarter (03/02/2020)
  • That Time I Shot an 18-55mm APS-C Digital Lens on a 35mm Pentax Film Camera (03/02/2020)
  • Deciding on My Favourite 5 Frames From 2019 (And Maybe A couple of Sneaky Extras) – By Gavin Bain (03/01/2020)
  • Praktica L Rievew – A Yearning for this old Line of SLRS – By Rock (02/29/2020)
  • Pentax KX review: My first. My favorite? – by Aaron Gold (02/28/2020)
  • Some Thoughts and Experiences in Favor of the Price Hikes on Film – Steven Bleistein (02/27/2020)
  • NEWS: Analogue Forums Launched on DPReview (and I’m a moderator there) (02/26/2020)
  • Rollei 135 Film – Experiments with Three Stocks – by Daniel Sigg (02/26/2020)
  • That time I shot a Noritar 80mm f/2 medium format lens on a Pentax 35mm film camera – By Aivaras (02/25/2020)
  • NEWS: #FP4Party – A party to celebrate ILFORD FP4 PLUS film – By Sandeep (02/24/2020)
  • The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO) (02/24/2020)
  • Yashica T4 Review – Goodbye to an old friend – By Clive Williams (02/22/2020)
  • Canon Sure Shot Zoom XL Review – An Elegant Brute – By Mike Hannon (02/21/2020)
  • Pushing T-Max 400 to EI3200 with a Leica M3 Monochrom and First-Gen Summilux 35mm f/1.4 – Steven Bleistein (02/19/2020)
  • NEWS: Theres gonna be Loads(!) of Analogue Stuff at The Photography Show! (02/18/2020)
  • Ricoh GRIII and GR1s Experience Comparison by a Film Agnostic – By Steven Bleistein (02/18/2020)
  • In Homage to – and Defence of – the Work of Tatsuo Suzuki – By Steven Bleistein (02/17/2020)
  • Art Meets Education – Educating Underprivileged Children Through Photography – an Interview with Nico Klein-Allermann (02/17/2020)
  • TTArtisan 21mm f/1.5 ASPH review – by Vincent Bihler (02/14/2020)
  • How I Shot A Micro-Budget Feature Film for less than £4000 with Vintage Lenses and a Sony A7s – By Brenden Singh (02/13/2020)
  • A Paxette Pinhole Conversion and a walk in the Countryside – By Rock (02/12/2020)
  • NEWS: ‘Negative Supply’ for 120 hits Kickstarter & ‘FilmLab App’ Preview Version for Mac and Windows (02/10/2020)
  • Minolta 28mm f/3.5 G-Rokkor Review – Another Gem I’m Parting With (02/10/2020)
  • Thanks for the memories – Finishing a Roll of Neopan 1600 I started in 2012 – by Dave Donnelly (02/09/2020)
  • Kodak Tri-X Review – Five Decades and Counting of Praise – by Andrew Morang (02/07/2020)
  • A slightly troubled tale of replacing vintage camera leather – by Christopher James (02/06/2020)
  • Finding Subjects in Familiar Sights – by Chris Illing (02/04/2020)
  • Own Your Workflow and Goals (and don’t get too distracted by the mantras of others) (02/03/2020)
  • Travelling Myanmar Solo with Black & White Film – By Jelle Vonk (02/02/2020)
  • Doing my Thing (with a Fuji or two) – By Thorsten Wulff (02/01/2020)
  • Fujifilm X-Pro3: First thoughts from a film shooter – By David Hume (01/31/2020)
  • Instant Magny 35 Review – An Instax Headache! – By Hern Tan (01/24/2020)
  • Olympus Stylus Epic Zoom 80 – Mini Review – By Will Hopkins (01/23/2020)
  • Street shootout between Nikon 35mm camera/lens combos yields surprising results – By Isaac D. Pacheco (01/22/2020)
  • Pentax P30 Review – Finding Joy, Despite it not working as expected (01/20/2020)
  • 7artisans 50mm f/1.1 Long Term Review – by Simon King (01/17/2020)
  • Shooting Black & White Film at the Zoo – by Christian Schroeder (01/16/2020)
  • Up Close and Personal with the Ricoh GR1s and Kodak T-Max P3200 at EI12,800 – By Steven Bleistein (01/15/2020)
  • Olympus XA3 Review – Highs and Lows of Travel Photography with a Simple Compact Camera – By Keith Tomlinson (01/14/2020)
  • Ilford Ortho Plus Review – My First two rolls (01/13/2020)
  • American Dream Colors: On US Roads with my Canon AE-1 – By J.M. Saponaro (01/12/2020)
  • Canon 50mm F1.8 LTM on A Leica T – by Ed Lara (01/11/2020)
  • Voigtlander VSL 1 review (01/10/2020)
  • Nikon EM & Nikkor 35mm Review – A Quest for An Ideal Compact Film SLR – Pt2 – by Ed Lara (01/09/2020)
  • The London Arba’een Procession 2019 with Fujifilm C200 – by Simon King (01/08/2020)
  • Fujifilm X100F & Shooting it like an Analog Rangefinder – By Steven Bleistein (01/07/2020)
  • That time I shot Instax film in a Mamiya 6, upside-down – By Gilbert Townshend (01/06/2020)
  • My Joy in Getting back into Film Photography – by David Mitchell (01/05/2020)
  • On Finding inspiration (Don’t hold your breath) – By David Hume (01/02/2020)
  • The State of the Film Photography Industry at the turn of 2020 – An interview with Charys Schuler, Editor, PhotoKlassik International (01/01/2020)
  • The Most Read and Commented upon Posts Published on 35mmc in 2019 (12/31/2019)
  • Panasonic GM1 Review: A Digital ILC Alternative to the Olympus XA2? – by Charles Higham (12/29/2019)
  • Worried about the price of film? Some thoughts on bulk loading (and my process) – By Daniel Sigg (12/27/2019)
  • That time I adapted lenses to (rather than from) a Chaika – by Tobias Eriksson (12/26/2019)
  • A Fuji X100 and Solution that isn’t a Solution to my Photography Grump (12/24/2019)
  • Kodak Ektar 25 – Urban/Rural Decay in the Texas Panhandle – by Andrew Morang (12/21/2019)
  • 55 Frames with 55 Cameras of One Man at One Moment – By Mark van der Wal (12/20/2019)
  • Big News: The “Analogue Spotlight” is coming to The Photography Show 2020! (12/19/2019)
  • CAMERADACTYL Brancopan 35mm Panoramic Camera: A Preview with Pictures – By Ethan (12/17/2019)
  • TTArtisan 11mm f/2.8 M-Mount Fisheye lens Review (12/16/2019)
  • Zeiss Ikon Contina III – One Roll Mini Review – by Charles Higham (12/15/2019)
  • Leica Minilux Death by E02 / 5 Frames with a Beautiful Brick – By Bill Thoo (12/14/2019)
  • A Beginner’s Exploration of Documentary Photography – By Hugo Morgan (12/13/2019)
  • Agricultural Landscapes – by Christian Schroeder (12/12/2019)
  • Ektachrome E100 in 120 & 4×5 imminently available! (12/11/2019)
  • Why I Think You Should Print Your Black & White Negs In Your Own Darkroom – By Recky Reck (12/11/2019)
  • A path from, and back to, a Yashica 40mm f/1.7 lens – by Anders Bjørn Jensen (12/10/2019)
  • 7Artisans 75mm f/1.25 Review – a confusion of “want” over “need” (12/09/2019)
  • Reflecting on Some Film Photography Failures – by Simon King (12/07/2019)
  • Leica M8 – A Year with an Ageing Digital Rangefinder – By Rui Hu (12/06/2019)
  • Recurrent Corneal Erosion and a Mamiya 645 Pro – It’s a Pirates Life For Me – By Adam Laws (12/05/2019)
  • Zeiss ZM M-Mount Lenes – The Lenses I “Need”, and not just “Want” (12/02/2019)
  • The Alchemy of Film Photography – finding my perfect formula – by Joseph Tan (11/29/2019)
  • Olympus OM-2n – My First SLR Film Camera Review – Ivan Studynskyi (11/27/2019)
  • Nikon FE Review – Returning to Film with a Fun, Compact, Affordable and Easy SLR – By Daniel Sigg (11/26/2019)
  • Pentax-M 40mm f/2.8 and Pentax MX – imperfect, but pocketable! (11/25/2019)
  • Pentax MV-1 & 40mm f/2.8 Review – A Quest For an Ideal Compact Film SLR – Part 1 – by Ed Lara (11/22/2019)
  • Video: Chatting to Ashley Carr in Stourport (part 2) (11/19/2019)
  • Fuji Natura 1600 & Shooting Star Trails and at Night – By Bill Thoo (11/15/2019)
  • Canon 28mm f/2.8 LTM – A Short Review – By Atanas Grozdev (11/14/2019)
  • Studying Eisenstaedt – By Frank Wu (11/13/2019)
  • Balda Baldix – A mini-review of 1950’s Folder – By Dave Donnelly (11/13/2019)
  • Fuji C200 Review – A short note on my Enduring Love for this film – By Phil Stefans (11/12/2019)
  • Pentax MX – My Nuts and Bolts Review (11/11/2019)
  • Olympus XA – Digital Palate Cleansing – By Ed Lara (11/10/2019)
  • Why Are You Carrying The Camera? – By Frank H. Wu (11/07/2019)
  • Canon Model 7 – A Journey To Find “My” Camera – By Gavin Bain (11/05/2019)
  • Mamiya 7 vs. Makina 67 – Spoiler: the Makina Wins (11/04/2019)
  • Meeting the Vintage Field Camera Man at the Golden Spike 150th Anniversary – By Frank H. Wu (11/01/2019)
  • Kodak P3200 at EI400 Pull-Processed in XTOL (10/28/2019)
  • NEWS: New Ilford Photo Ortho Film, a Liquid Filled lens from Lomography and more (10/26/2019)
  • Yashica Electro 35 GS – A Personal Journey to Find My Perfect Rangefinder Camera – By Salman Rameli (10/25/2019)
  • Ilford FP4+ – My First Roll Review – By Gavin Bain (10/24/2019)
  • Pentax MX – doing the “one camera” thing to aid a lack of inspiration (10/21/2019)
  • Why I spend my free time being a lab technician for a friend – By Sina Farhat (10/17/2019)
  • What A Photographer Needs – By Ryan McCarthy (10/16/2019)
  • Fuji lens lost in wilderness for 4 months – found, and still works! – By Steve Boykin (10/16/2019)
  • Kodak Ektachrome E100 – Shooting my First Rolls – Part 5 – The Journey So Far (10/14/2019)
  • Cosina CT-1 and its Lengthy Legacy – By Ben O’Keeffe (10/11/2019)
  • Inchindown: Why make photography so hard? An Interview with Simon & Dave (10/07/2019)
  • Ilford HP5 Plus & The Yorkshire War Experience – By Phil Harrison (10/05/2019)
  • Rangefinder vs. SLR – Protest Photography – by Simon King (10/04/2019)
  • Fuji X-Pro 3 – A digital camera design philosophy I can get on board with! (09/30/2019)
  • Kodak ColorPlus 200 on Nikomat FTN – Colour Negative Photography on the Cheap – By Tom Sheppard (09/28/2019)
  • Nikonos V Review – Cycling with and shooting on Dry Land – Steven Bleistein (09/27/2019)
  • Revisiting Bremen Ports – by Christian Schroeder (09/26/2019)
  • TTArtisan 35mm f/1.4 ASPH review – by Vincent Bihler (09/24/2019)
  • Voigtlander 50mm f/1.2 Nokton Aspherical Review (09/23/2019)
  • Nikon F-301 (N2000) – In Defence of Nikon’s Ugly Duckling – By Brian J. Grossman (09/20/2019)
  • There Is No Such Thing As 120mm Film! (09/18/2019)
  • Extreme GAS! I don’t need a new camera, I need a new Helicopter! (09/16/2019)
  • One Shot: Inchindown – Worcester Photo Walk and Film Showing (09/14/2019)
  • Topcon RE Super vs. Miranda Sensorex – By Stuart Jenkins (09/13/2019)
  • Pentax Espio 80 Review – My Summer Holiday Snapper (09/09/2019)
  • Minolta Maxxum 9 / Dynax 9 / Alpha 9 Review – The 35mm Film Godfather of the Sony Alpha line – By Benjamin Fargen (09/06/2019)
  • The Value of Inspiration (09/02/2019)
  • Voigtlander Bessa & Brilliant V6 Two Classic 1938 Medium Format Cameras – By Phil Harrison (08/31/2019)
  • Yashica T4 Review: A ‘Cult vs. Budget’ Comparison – By Dmitry Zhilyaev (08/30/2019)
  • Kodak Portra 800: My Latest Crush In Film Photography – By Aukje (08/28/2019)
  • Video: Chatting to Ashley Carr in a Carpark in Stourport (08/26/2019)
  • One Rainy Night in SF – Nikon F3HP + Kodak TRI-X pushed to 3200 – By Benjamin Fargen (08/24/2019)
  • Bremen Ports, a Playground for Photographing Industrial Architecture – by Christian Schroeder (08/23/2019)
  • Kodak P3200 – A Lackadaisical Experiment Shooting for Fowey Shellfish (08/19/2019)
  • Leica 50mm f/0.95 ASPH Noctilux-M Review and Bokeh Worship – By Steven Bleistein (08/18/2019)
  • Mamiya 6 IV Review – The Original 6- by Ray Goodwin (08/16/2019)
  • That time I shot a Toyo 4×5 with a Fuji XE3 stuck to the back – By Martin Norton (08/12/2019)
  • Kodak Ektachrome E100 – Forgetting my Expectations & Embracing a bit of Failure (08/12/2019)
  • The ChromaGraphica Double Dry Plate Holder Launched on Kickstarter (08/11/2019)
  • Don’t Believe the hype – A tight-fisted photographer’s approach to compact cameras – By Tony Smith (08/09/2019)
  • My “Reason for Visit,” stage 3B cancer – By Nicolás Hagen (08/08/2019)
  • That Time I Shot a Instamatic Lens on a Fuji XE-1 – by Tobias Eriksson (08/05/2019)
  • Canon 50mm f/1.5 LTM Review – Exploring the Classic Sonnars Pt.9 (08/05/2019)
  • FujiFilm Neopan 400 – Trying Not to Get Too Attached to a Dead Film – by Simon King (08/03/2019)
  • Olympus Pen-FV review – Less is more (literally) – By Tim Lebedin (08/02/2019)
  • Nikkormat FTn Review – Definitely Quirky, but also a Rock Solid Camera (07/29/2019)
  • Agfa 1035 – What Hamish’s Unloved Camera Did Next… An Ektachrome Adventure – By Dave Walker (07/28/2019)
  • Environmental Portraits on E6 – shooting transparency with available light – By David Hume (07/26/2019)
  • Kodak Ektachrome E100 – First Rolls Review – Pt 4 – Bristol SilverPan Film Lab (incl. Video) (07/22/2019)
  • Ricoh GR III – Early Impressions – By Louis A. Sousa (07/21/2019)
  • The Nuclear Option – My Experiences in the Chernobyl Exclusion Zone – By Charlie Thom (07/19/2019)
  • Point and Shoot Shootout on a Budget – By Dan Marinelli (07/18/2019)
  • Finding a style not a camera – By Taylor Ervin (07/17/2019)
  • Lomography Launch LomoChrome Metropolis on Kickstarter (07/16/2019)
  • Ricoh GR Mini Review – On The Road – Morocco by Motorcycle – by Nick Holt (07/16/2019)
  • No, your Pentax Spotmatic F is not better than my Leica M6! / Don’t be like Frank (07/15/2019)
  • That time I shot homemade red scale in a pinhole-modified Zorki 4 – By Alex Purcell (07/15/2019)
  • Agfa Karat 36 Review – The Patchless Rangefinder – By Perry Ge (07/12/2019)
  • Focus on the Positives – Analogue Wonderland Summer Film Photography Competition (07/11/2019)
  • My First Ever Roll of Film and My Love for Light – by Joshua Nutz (07/11/2019)
  • Russian Slide Projector lens modification – By Stuart Jenkins (07/10/2019)
  • Kodak T-MAX P3200 – Frist Rolls Review – The Start of Some Experiments (07/08/2019)
  • Canonflex R2000 – A mini-review of Rare Camera – by Meifei Tang (07/07/2019)
  • That time I shot freelensing with a Camedia D-435 and an Olympus OM 50mm – by Charles Higham (07/05/2019)
  • Asahi Pentax 24mm f/3.5 Super-Multi-Coated Takumar Review (07/05/2019)
  • Kodak Vision 3 250D – C41 or ECN2 – A quick comparison – by Phil Harrison (07/03/2019)
  • That time I shot with a Mamiya Press lens strapped to a Sony A7Rii – By Martin Ellard (07/01/2019)
  • Negative Supply Film Carrier MK1 for camera scanning Launched on Kickstarter (07/01/2019)
  • Lomo LC-A – a one-roll / 15-year review (07/01/2019)
  • Ilford Delta 400 – My First Roll – By Gavin Bain (06/29/2019)
  • Yashica MAT 124G (and its auxiliary lenses) Review – By Aivaras (06/28/2019)
  • That time I made the Sonblad – The Poor Man’s Hasselblad CFV II – by Simon Forster (06/24/2019)
  • Leica 21mm f/3.4 Super-Angulon Review / Shooting an elderly symmetrical wide angle on a digital rangefinder (06/24/2019)
  • Leica M10-P vs. Sony A7riii and Shooting the Simon and Garfunkel Story (06/17/2019)
  • Kodak Ektar 25 – Living in the Past, a Hasselblad, and Flooding in Mississippi – by Andrew Morang (06/15/2019)
  • Protest Photography – Composing and Shooting Hong Kong’s Mass Protests with a Konica Hexar RF and XPan (06/14/2019)
  • Kodak Ektachrome E100 – First Rolls Review – Pt3 – Experiments with an Incident meter (06/10/2019)
  • Shooting Snowdon with a Fuji x100F – by Pierre-Alix Favillier (06/09/2019)
  • Minolta 28mm f/2.8 M-Rokkor – Shooting and Repairing – by Victor Doroshenko (06/07/2019)
  • That time I shot with a Leica and gaffa tape as a “lens” – By John Scott (06/06/2019)
  • Kodak Portra 800 Review – and some Thoughts on Shooting it Within my Workflow (06/03/2019)
  • Fujichrome Velvia – Expired & Developed in Rodinal – By Lee Griffith (06/02/2019)
  • Minolta Hi-Matic 7 Review – One Year Shooting Film – By Seb Copley (05/31/2019)
  • 7Artisans 50mm f/1.1 & 28mm f/1.4 Reiview – Alternatives or Imposters? – By Jeremy Rata (05/28/2019)
  • Kodak Ektachrome E100 – First Rolls Review – Pt2 (05/27/2019)
  • Compact Magic: Turning into a Point-and-Shooter – By Christian Schroeder (05/24/2019)
  • Chinon Bellami Mini Review – By Dale Willetts (05/23/2019)
  • Pentax P30t review – The Middle Child – By William Le (05/22/2019)
  • Leica M10-P – Initial Experiments with a Nikon 35mm 2.8 PC Shift Lens (05/20/2019)
  • The Kit Before the Horse – By David Allen (05/19/2019)
  • Camera, Lens, Film and Peripheral Kit Reviews (05/19/2019)
  • Theory & Reflections (05/19/2019)
  • Tutorials & Knowhow (05/19/2019)
  • Yashica T3 Super D Review – by Byron Hawes (05/17/2019)
  • Giles Duley’s Legacy of War: The Final Chapter – a Kickstarter Campaign you should definitely back! (05/15/2019)
  • Kodak Ektachrome E100 – First Rolls Review – Pt1 – My First Roll (05/13/2019)
  • FujiFilm E-510 – A Digital Compact from a Forgotten Age – By Adam Kendall (05/10/2019)
  • National Panasonic C-500AF – The Little Plastic Camera that Could – by Tom Shappard (05/08/2019)
  • Dilemma Dilemma: What Shall I Use, Color or Black & White? A Short Comparison – by Andrew Morang (05/07/2019)
  • Alex Lambrechts on Inspiration and Style – an Interview by Hamish Gill (05/06/2019)
  • Minolta Lenses on a Nikon F3 in Iceland – by Simon King (05/04/2019)
  • Leica M-D 262 Review – A Love Affair – by Ong Sien Hong (05/03/2019)
  • Yashica Auto Focus Motor Review and Notes – By Michael Raven (05/02/2019)
  • Bronica ETRS Review – by Andy, AKA The Phlogger (05/01/2019)
  • Canon MC Review – The Joys, and Woes of Early Autofocus Point & Shoot cameras (04/29/2019)
  • Voigtlander 35mm f/2 Ultron ASPH Review – Shooting in Hong Kong – By Ong Sien Hong (04/24/2019)
  • Zenit-E: A Love Letter To The Unloved – By Dan Fernandez (04/19/2019)
  • NEWS: New Intrepid LF film Cameras & LIT Bluetooth Xenon Flash for your mobile (04/16/2019)
  • Shooting Leica Rangefinder Cameras with Third-Party Lenses is not a Crime! (04/15/2019)
  • Canon AT1 Review – The Unpopular Sibling – By Gavin Bain (04/10/2019)
  • My Colour Film Photography Workflow, or: A Rant about how Software isn’t the Enemy! (04/08/2019)
  • Voigtländer Vito BL Review – Compact Excellence – by Andrew Morang (04/05/2019)
  • Leica M6 (yet another) Review – Is it worth the hype? – By Joe Monat (04/04/2019)
  • Zeiss 35mm 1.4 ZM Distagon Review – Optically Awesome! (04/01/2019)
  • My Dark Side: Night Photography with CineStill 800T Film – By Christian Schroeder (03/31/2019)
  • Olympus Mju ii & Kodak T-MAX 400: Lessons from The Forgotten Ones – by Jon YK Lee (03/30/2019)
  • Nikon L35AF – a mini review – by Giacomo Zema (03/29/2019)
  • Ricoh GR10 Review – A Diamond Wrapped in Coal – By Edward Chang (03/28/2019)
  • Leica TL Review – finding joy in very limited function and purpose (03/25/2019)
  • Epson R-D1 review – a digi-film camera – By Simone Zuccarini (03/23/2019)
  • Voigtlander 35mm Nokton 1.2 Mini-Review – One of the fastest 35’s around – By Ryan HK (03/22/2019)
  • Kodak Portra 400 – Pushing to 1600 – by Simon King (03/21/2019)
  • Ricoh Shotmaster Zoom Super Date Review – By Gavin Bain (03/20/2019)
  • Olympus mju-ii Review (pt2) – Great Camera, But Too Expensive For What It Is! (03/18/2019)
  • Ricoh RZ-105 Zoom Date – Mystery Camera Review – By Ivan Palli (03/17/2019)
  • Olympus XA – Shooting a roll in San Francisco – By Jacint (03/15/2019)
  • Leica M [typ 262] Review – Saying Goodbye (03/11/2019)
  • Sea & Sea Motormarine EX II Review – By Andy Larner (03/08/2019)
  • Canon SureShot Autoboy (AF35M II) Review – by Jeremy Strange (03/07/2019)
  • The Photography Show Dress Code – By Simon Forster (03/06/2019)
  • Agfa Flexilette Review – a 35mm TLR – By Thomas Merk (03/05/2019)
  • Film Photography News and Interesting Reading – 4/3/2019 – By Ray Goodwin (03/04/2019)
  • Konica Hexar RF Review – A Meandering Insight into my Experiences so far (03/04/2019)
  • Nikon EM Review: The “SLR Camera for Women” – By Mike Caputo (03/01/2019)
  • Olympus AZ-1 Zoom Review – a remarkably unremarkable camera – By Oliver Clarke (02/28/2019)
  • Film Photography News and Interesting Reading – 25/2/2019 – By Ray Goodwin (02/26/2019)
  • Understanding Shutter Speed, Aperture, Film Speed (ISO) & The Relationship Between Them (02/25/2019)
  • Canon Demi EE17 Review – A Surprisingly Good Half Frame Camera – By Phil Stefans (02/22/2019)
  • Nikonos V, 35mm f/2.5 & Fuji Superia X-TRA 400 – In the Surf- By Michael Rennie (02/21/2019)
  • Kiev 4 Review – It Bites Back – By James Northcote (02/20/2019)
  • The Hawaii Darkroom – A Community Darkroom Launches on Kickstarter (02/19/2019)
  • A few frames with a Konica Hexar RF, Voigtlander 50mm f/1.2 and Kodak Portra 800 (02/18/2019)
  • 1960s New York. Dad’s slides scanned – by Charles Higham (02/17/2019)
  • Film Photography News and Interesting Reading – 15/2/2019 – By Ray Goodwin (02/15/2019)
  • Leica M4-2 Review – Leica’s Redheaded Stepchild – by Ryan HK (02/15/2019)
  • Leica M [typ 240] Review – A brief relationship (02/11/2019)
  • (Mis)adventures with a Minolta Himatic 7s – By Matt Evans (02/10/2019)
  • Film Photography News and Interesting Reading – 8/2/2019 – By Ray Goodwin (02/08/2019)
  • Minolta CLE Review: The Most Zen of M-Mount Rigs – Steven Bleistein (02/08/2019)
  • A Quartz Date Dilemma – By Taylor Ervin (02/07/2019)
  • An Experience Thrift Hunting in my Hometown – By Gavin Bain (02/05/2019)
  • 35mmc / Sunny 16 Podcast – The Photography Show Mega Analogue Meetup (02/04/2019)
  • Practice [and not a New Camera] Makes Perfect! (02/04/2019)
  • Leica 35mm 2.4 Summarit-m mini-review – by Adam Laws (02/03/2019)
  • Film Photography News and Interesting Reading – 25/1/2019 – 31/1/2019 (02/01/2019)
  • Leica M7: Beautiful Camera; Neither Here nor There – by Steven Bleistein (02/01/2019)
  • 35mm Compact Camera Photographer #31 – Trenton Trammell (01/31/2019)
  • Kodak Autographic Brownie 2A with 120 film ​- By Lori Brooks (01/30/2019)
  • Cosina CX-2 Review – an ingenious bit of industrial design (01/28/2019)
  • Nikon 50mm f/1.8 – Returning to the Cheap Fifty: A Homecoming – By Max Cooper (01/25/2019)
  • Balda Baldessa 1b – a mini-review – By Cameradactyl (Ethan) (01/23/2019)
  • Thinking about spending a stack of cash on a film camera? Read this first! (01/22/2019)
  • Cosmic 35 Review – and a multiple exposure project – By Dale Willetts (01/21/2019)
  • Function and Repair of Hasselblad Film Backs (A12 and others) – By Arild Edvard Båsmo (01/19/2019)
  • Fuji Natura Black Review – For Late Night Shooting – By Marcus Harris (01/18/2019)
  • Leica Standard Review – and some thoughts around the Benefits of Standardisation (01/14/2019)
  • Film Photography Shows Why Private Property and Capitalist Markets Work Well – By Frank H. Wu (01/12/2019)
  • Minox 35 GT review – a true pocket camera – by Gaston W (01/11/2019)
  • Do We Need to Know What We’re Looking At? – By Frank H. Wu (01/08/2019)
  • Yashica Y35 Review – it’s not for us hoity-toity elitist film photographers, you know!? (01/07/2019)
  • Nikon S2 Review – Upstart Rival to the Leica M3 – By Steven Bleistein (01/05/2019)
  • Asahi Takumar 24mm Lens on a Leica M2 – by Andrew Morang (01/04/2019)
  • 35mm Compact Camera Photographer #30 – Wen Zeng (01/03/2019)
  • Motivation in Your Photography or The Importance of A Project – By Julian Higgs (01/01/2019)
  • Enjoy 35mmc? Then why not support me on Patreon? (12/31/2018)
  • Hacking Nikon L35AF ‘Pikaichi’ lens into the body of an Industar 50-2- by Charles Higham (12/28/2018)
  • Panomicron Oxygen review – A 3D Printed Hasselblad Xpan Alternative (12/24/2018)
  • Canon QL17 Giii review – Discovering cameras I’d Missed Along the Way – Part 1 – By Steve Ember (12/21/2018)
  • Konica Z-up 150 VP – Mini Review – by Charles Higham (12/16/2018)
  • Yashica Lynx-14 Review – Great 45mm lens (good camera stuck to the back) – By Andy Larner (12/14/2018)
  • A Portrait of a Violin Maker, and some reflections on shooting what I enjoy (12/10/2018)
  • Fuji Industrial 100 One Roll Review – Shooting Film and Eating Tuna – By Robert (12/09/2018)
  • My Photography is STILL Better Than Yours – by Anil Mistry (12/08/2018)
  • Canon Sure Shot Max Review – Eat Your Liver Yashica T4! – By Mike Caputo (12/07/2018)
  • Which Film Camera Should I Buy? A Guide to Anyone Asking This Question (12/03/2018)
  • Are All My Photographs Failures? – By Frank H. Wu (12/02/2018)
  • Fujica ST-901 Review – Back to the future – by Chris Pattison (11/30/2018)
  • Long exposures with the Minolta Dynax 5 and a roll of Kodak ColorPlus 200 – By Robert (11/29/2018)
  • Adding Manual Shutter Speeds to the Yashica Electro 35 Series Cameras – by BY CAMERADACTYL (Ethan) (11/27/2018)
  • Minolta – Four 35mm, 1960’s Compacts – by Tobias Eriksson (11/26/2018)
  • Voigtlander Vito II review – A simple folding 35mm compact camera (11/23/2018)
  • Sharing my Failures – Lost Frames from Amsterdam – by Simon King (11/22/2018)
  • Voigtlander 28mm f/2 Ultron Review – Speedy Value – By Hern Tan (11/19/2018)
  • A Difference Between Professionals and Amateurs – By Frank H. Wu (11/16/2018)
  • 7Artisans 28mm f/1.4 late-prototype early impressions preview (11/16/2018)
  • Leica M6J review – The M6 meets the M3 – By Steven Bleistein (11/12/2018)
  • Rollei Prego AF review – a gem, provided you don’t drop it… (11/11/2018)
  • The Making of the POLARACER project – Shooting the Custom Motorcycle Scene in Bali – By Carlos Albisu (11/06/2018)
  • How Film Photography Helped Me to Appreciate Colour – by Simon King (11/05/2018)
  • Agfa 1035 Review – a Confusion of my Preferences (11/04/2018)
  • Is it Easier or Harder to Take Photos Now? – By Frank H. Wu (11/03/2018)
  • Yashica Y35 Review – Unexpected Expectations – By Alan Duncan (10/31/2018)
  • Lensbaby Lenses: Sweet vs. Edge – a Review – By Martina Kettner (10/29/2018)
  • Canon P (for Populaire) thread mount rangefinder mini-review (10/28/2018)
  • NEWS: Ondu Pinhole III and Lenscapt on Kickstarter, Negative Lab Pro and Lumu Power 2 Announced (10/26/2018)
  • Fuji GW690II – Urban Decay in Vicksburg, Mississippi, with the Texas Leica – By Andrew Morang (10/25/2018)
  • How to Calibrate a Canon P Rangefinder (in my case, for use with Soviet lenses) – by Cameradactyl (Ethan) (10/23/2018)
  • Voigtlander 50mm f/2.5 Color-Skopar Leica Thread Mount Lens Review (10/21/2018)
  • A Mamiya 67 instant camera, or: Creating the Maminstax – By Victor Doroshenko (10/20/2018)
  • Schneider 45mm f/2.8 Xenar to Leica M mount Conversion – By Ellis Ley (10/16/2018)
  • Pentax MZ-S and 31mm, 43mm, 77mm Limited lens trio review – By Aivaras (10/13/2018)
  • Sony 135/2.8 [T4.5] STF Mini-Review – By Rollin Banderob (10/11/2018)
  • Konica Z-up 100w compact review – by Charles Higham (10/09/2018)
  • Leica MP (Another) Review – by Adam Laws (10/07/2018)
  • The Intrepid 4×5 Enlarger – print & scan 35mm, 120 & 4×5 film (possibly compatible with pixl-latr!!) (10/05/2018)
  • The Streets of Kuala Lumpur and Hat Yai with a Nikon 35Ti – by Nuraishah Shamsuddin (10/04/2018)
  • Leica M5 and R8 – In defence of the Forgotten Divas – by Markus Maurer (10/03/2018)
  • My Dead Dogs Came Back – By Frank H. Wu (10/02/2018)
  • Leica M3 – The Virtues of the First M – by Steven Bleistein (09/30/2018)
  • Shooting in the Morgan Motor Company Factory (09/29/2018)
  • Busy news week – a few of the analogue related highlights… (09/28/2018)
  • Fujica GS645 Professional – A 6×45 Rangefinder Review – By Rob Hawthorn (09/22/2018)
  • Kodak Ektachrome E100 – A few Double Exposures – By Michael Turek (09/18/2018)
  • Sharpness? A creative goal, but still not a prerequisite for a good photo, or: why I’m enjoying my Makina 67 (09/16/2018)
  • Kodak Ektar 100 – Shooting Fashion In The Dark – By Aukje (09/15/2018)
  • A Tour of my Darkroom and some notes for setting up yours – By Dan Castelli (09/14/2018)
  • Minolta AF 35R QD Review – A Brief Encounter – by Taylor Ervin (09/13/2018)
  • Green Man Festival 2018 on Ten Rolls of Film, a Leica M4, and a Contax G1 – by Simon King (09/10/2018)
  • Sharpness? Overrated, and very rarely part of the definition of a good photo! (09/09/2018)
  • Canon 5D Classic Review – By Ray Goodwin (09/08/2018)
  • Scanning from the emulsion; getting the most out of a flatbed scanner – By David Narbecki (09/06/2018)
  • Olympus AF10 Twin Review – Two Lenses For The Price Of One – By Rick Davy (09/03/2018)
  • Kodak Pro Image 100 – First Roll Review (09/02/2018)
  • Canon EOS 300 Review – Not a great camera, but a great camera! – By Malcolm Myers (09/01/2018)
  • Silver Springs and a Voigtländer Vitomatic I – By Anthony Rue (08/27/2018)
  • Plaubel Makina 67 Review – the Beginning and end of my Journey into Medium Format (08/19/2018)
  • Kodak No 2A folding pocket Brownie camera – An Historic Compact – By Dale Willetts (08/18/2018)
  • Hanging Out With Photographers? For a Price? (08/17/2018)
  • Non-Destructive Hacking the Ricoh R1 for Full-Frame Wide-Angle Photography – By Howard Hurd (08/14/2018)
  • Reflections on Experiencing an Attack of Anti-GAS – By Dan Marinelli (08/11/2018)
  • Kodak P3200 & Happiness found in my (lazy) Hybrid 35mm Workflow (08/11/2018)
  • Film Photography as the “Long Tail” – By Frank H. Wu (08/10/2018)
  • Canon 50mm f/2.2 Leica thread mount lens review (08/05/2018)
  • Zenit E Review – My Father’s old camera – Johann Wahlmüller (08/04/2018)
  • Canon AF35M Review – Making Mere Adequacy Intriguing – by Torsten Kathke (08/03/2018)
  • Kodak Portra 400 – My First Roll – by Simon King (08/02/2018)
  • How to Travel Without a Camera – By Elben Shira (08/01/2018)
  • In Pursuit of Elegance (if Not a “Good” Photo – Whatever that Means) in the Highlands – By David Allen (07/28/2018)
  • Sunbeams News: The Kodak Alaris / Analogue Wonderland Summer Holidays Competition! (07/24/2018)
  • Modding a Halina Anastigmat f/3.5 45mm – by Tobias Eriksson (07/23/2018)
  • My Leica M3 Titan Reverse Panda & Leica M4-P Super-Rat – CameraWorks-UK Custom Cameras (07/22/2018)
  • The Necessity of Bad Photos – by Frank H. Wu (07/21/2018)
  • Hasselblad Xpan with a 35mm F2.8 PC Nikkor – A Users’ Review. Cal Stewart (07/20/2018)
  • Rollei Prego 70 Review: The Trouble With Names – Pedro Trevino’s P&S Journal #3 (07/19/2018)
  • I’m a photographer, and I like cameras – why is that not ok? (Video) (07/17/2018)
  • Some of my Favourite Film Photographers – Simon King (07/16/2018)
  • Sunbeams Analogue Photography News: Kodak Pro Image 100, Yodica and a Particle accelerator (07/15/2018)
  • Three 50mm lenses that fit my needs (video) (07/15/2018)
  • Zeiss 50mm f/2 Planar vs Jupiter-8 50mm f/2 – by Simon King (07/14/2018)
  • Petri 1.9 Color Corrected Super Type III – Review by Johnny Sisson (07/13/2018)
  • The Photos Not Taken – by Frank H. Wu (07/12/2018)
  • A World Within a World, or: A Russian Lens for a Russian Circus – By Robert Poole (07/09/2018)
  • Canon 50mm f/1.4 ltm lens Review – An impressive classic gem (07/08/2018)
  • Yashica Ninja Star II AF-J2 Review – Thoughts on Salvage (NSFW) – Pedro Trevino’s P&S Journal #2 (07/07/2018)
  • Analogue Adventurer Kit & the Pinbox Camera Obscura – Makers made photography stuff for makers (07/06/2018)
  • How I Removed a Cracked, Stuck-On Lens Filter – By Frank H. Wu (07/05/2018)
  • Traveling? Taking a vintage film camera? Take a back up! – By Denys (07/04/2018)
  • Zeiss Ikonta 524/2 review – Slow the working down – By Oliver Clarke (06/30/2018)
  • Olympus Mju II Zoom 80 Panorama Review – by Ken Hindle-May (06/27/2018)
  • Shooting a Polaroid 195 in Sudan – By Carlos Albisu (06/26/2018)
  • Panasonic GH2 and 25mm f/1.7 – A new camera for the vlog (06/24/2018)
  • Pentax Zoom 105 Super Review – By Pedro Trevino (06/23/2018)
  • Intrepid 4×5 MKIII, Cinestill DF96 and Lomography Diana Instant Square Camera (06/22/2018)
  • 35mm Compact Camera Photographer #29 – Daniel Marinelli (06/19/2018)
  • pixl-latr – launches on Kickstarter!! (06/18/2018)
  • Contax T Review – My Final Word in Pocket Cameras – by Hern Tan (06/16/2018)
  • Ricoh GR Digital Classic Review – My Story – by Gabor Dobrocsi (06/13/2018)
  • pixl-latr, Ektachrome & MiNT instant RF – The Sunbeams Analogue Photography News (06/11/2018)
  • Solarcan Review – Solography; it does exactly what it says on the tin! (06/10/2018)
  • Got GAS – You Need The Film Camera Gas Factory! (06/10/2018)
  • Leica Q Review – by Adam Laws (06/09/2018)
  • Voigtlander Bessa R2C Review- What Is Old Is New Again – By Floyd K. Takeuchi (06/08/2018)
  • Nikon 1 V1 Review – One For All or One for None? (06/05/2018)
  • 5 Years of 35mmc – Thanks, and a few little updates (06/03/2018)
  • Leica 50mm f/0.95 Noctilux vs 7Artisans 50mm f/1.1 – by Simon King (06/02/2018)
  • 7artisans 55mm F1.4 Review – Shot on a Fuji X Camera – by Iurii Zvonar (06/01/2018)
  • Yashica Electro 35CC mini review – by Andrew Morang (05/31/2018)
  • Lensbaby Burnside review – wacky, but potentially wonderful (05/27/2018)
  • Leica M10 – Why I chose mine over the Sony a9 – by Rollin Banderob (05/26/2018)
  • Ricoh FF-90 Super Review – A Landscape Photographer’s New Companion – By Adam Smith (05/25/2018)
  • Minolta X-700 and 45mm f2 Lens – A love story with an uncertain ending – By Torsten Kathke (05/23/2018)
  • An Instax Project And A Framing Challenge – by Aukje (05/22/2018)
  • The Sunbeams Analogue Photography News – 100 not out! (05/21/2018)
  • Adapting lenses, K&F Concept, Simon Forster & Another Podcast Appearance (05/20/2018)
  • Konica C35 Review – by Olli Thomson (05/19/2018)
  • Ricoh GR Digital Review – Shooting a Vintage Digital Camera (05/14/2018)
  • Tetenal Colortec C-41 Developing Kit – By Parallax Photographic (05/13/2018)
  • Fuji Natura S Review – Wide and Fast – By Andrew (05/12/2018)
  • 24 Hour Project, London, 7/4/18: What (was) in my Bag & My Approach – by Simon King (05/07/2018)
  • Leica MP review & some wider thoughts on “the ultimate tool” (05/06/2018)
  • Olympus Trip 35 Review – Learning to be More Spontaneous – by Andrew Morang (05/05/2018)
  • Photography as Social Activity – By Frank H. Wu (05/04/2018)
  • The Sunbeams Analogue Photography News: From Germany to Kenya (05/03/2018)
  • Kodak P3200 – My first Roll (04/29/2018)
  • Canon Sure Shot Supreme Review – By Dean Dent (04/28/2018)
  • Game Boy Camera – by Adam Laws (04/28/2018)
  • Sansome Walk – The Silent Leisure Centre (04/23/2018)
  • Voitlander Vitomatic II Review – by Nigel Haycock (04/22/2018)
  • Chinon 35 FS-II Review – Birth of a Review – By Ian (04/21/2018)
  • Beers & Cameras Birmingham – 24/03/18 – and, how we didn’t let the racists ruin our day… (04/15/2018)
  • The Sunbeams Analogue photography news: Sporty shots and sagging mattresses (04/15/2018)
  • Konica AA-35 Reporter Review – By John Furlong (04/14/2018)
  • First roll with a Leica II – by KJ Vogelius (04/14/2018)
  • Hasselblad X-Pan Review – Fulfilling a Vision – By Cal Stewart (04/07/2018)
  • Reflecting on some analogue memories – by Rob MacKillop (04/06/2018)
  • Photographing Punks on Polaroid – by Simon King (04/02/2018)
  • Functionalist camera design, the Agfa 1035 and the Plaubel Makina 67 (04/01/2018)
  • The Sunbeams Analogue Photography News – The Photography Show 2018 (03/31/2018)
  • Canon EOS 33 Review – An overlooked treasure – By Benn Murhaaya (03/31/2018)
  • Leicaflex Standard Review – by Jason S. Ganz (03/28/2018)
  • Olympus 35 SP vs Olympus 35 RC Review – Twins – By Matt Parry (03/24/2018)
  • One Good Photo of Everybody – by Frank H. Wu (03/23/2018)
  • Kodak Ektra Mobile Phone Review – By JK Lockwood (03/21/2018)
  • Shooting Film on Assignment: Can it Compete with Digital? – by Simon King (03/19/2018)
  • What is a Rangefinder Camera, and is one right for you? (03/18/2018)
  • The Sunbeams Analogue Photography News – Negatives Positive and Self Portraits (03/17/2018)
  • Canon 7 Review – by Terry B. (03/17/2018)
  • A Few Frames More, with the Hasselblad XPan – by Simon King (03/12/2018)
  • The Leica Rangefinder and the importance of a well calibrated system – By Alan Starkie (03/11/2018)
  • Nikon FM3a Review – My desert Island camera – by Anil Mistry (03/10/2018)
  • Why I Enjoy Film Photography More Than Digital Photography – by Frank Wu (03/09/2018)
  • Leica M240 – Retiring My Well Worn Rangefinder – By Simon King (03/05/2018)
  • Nikon F75 Project – Part 6 – preferences & ideologies (03/04/2018)
  • Olympus SP & DC Review – Two Olympus cameras, one family holiday – Guest post by Chris Pattison (03/03/2018)
  • The Sunbeams Analogue Photography News – Film Ladies, Film Labs and Fast Fast Film (03/02/2018)
  • 7artisans 12mm F2.8 lens review (Fuji Mount) – by Iurii Zvonar (03/02/2018)
  • Sony RX1R Review – and using it as a Digital Contax G2 – by Simon King (02/26/2018)
  • A National Geographic Find – by Chris Page (02/26/2018)
  • The Leica Mystique: The Brand vs. The Camera (02/25/2018)
  • 35mm Compact Camera Photographer #28 – Grégoire Huret / Tete De Loup (02/24/2018)
  • “Are You a Photographer?” – By Frank Wu (02/23/2018)
  • 80 Days Without Development: Describing Images I Have Not Seen – By Jordan Lockhart (02/18/2018)
  • Nikon F75 Project – Part 5 – An afternoon with a zoom lens (and a roll of Portra 800) (02/18/2018)
  • My photography is better than yours – By Anil Mistry (02/17/2018)
  • The Sunbeams Analogue Photography News – Let’s Explore the cheap shots challenge (02/16/2018)
  • Leica IIIC Review – A family member back in operation – by Andrew Morang (02/10/2018)
  • Chroma 5×4 Technical Field Camera Launches on Kickstarter (02/09/2018)
  • It’s Not the Camera – by Frank H. Wu (02/09/2018)
  • London Comic Con on Three Rolls of XP2 and a Leica CL – by Simon King (02/05/2018)
  • Leica Monochrom (M9M) review – for the love of black and white (02/04/2018)
  • Yashica T2 Review: A Noisy Companion – by John Lee (02/03/2018)
  • The Sunbeams Analogue Photography News – Architecture & Adventures (02/02/2018)
  • ‘Unremarkable Architecture’ – Kicking of a photo project (with Kodak 400 TMAX) (01/28/2018)
  • The Short Life of Tri-X Man – by Frank H. Wu (01/26/2018)
  • Ricoh GXR Review – By Alex Hakimi (01/21/2018)
  • 7Artisans 35mm f/1.2 Review – my new mini super-sonnar (01/20/2018)
  • The Box Is Back! – The Sunbeams Analogue Photography News – January 19th 2018 (01/19/2018)
  • Beers & Cameras – Birmingham Meet-up March 24th, 2018 – #BandCBRUM (01/16/2018)
  • The Contrarian with the Contax – By Frank H. Wu (01/13/2018)
  • Nikon F75 Project – Part 4 – The SLR viewfinder, fundamentally flawed and entirely outdated…? (01/13/2018)
  • Voigtlander 25mm Snapshot Skopar Review – by Eddy Lambert (01/07/2018)
  • The Sunbeams Analogue Photography News – January 5th 2018 – The Sunnies Awards (01/05/2018)
  • Surviving 365 Days on Film – by Ken Hindle-May (01/01/2018)
  • Leica M9 Review – Rediscovering a Joy in Digital Photography (12/31/2017)
  • Yashica Electro 35GS Review – I Guess I’ll Keep It? – by Ian Ross (12/30/2017)
  • Discovering Film Photography in the Digital Age – by Joe Y (12/30/2017)
  • 7Artisans 55mm f/1.4 aps-c lens – Mini-review (12/29/2017)
  • Nikon F75 Project – Part 3 – Kodak Portra 800 & Two competing brains at the Christmas Fayre (12/24/2017)
  • Nikon F75 Project – Part 2 – revelling in the 50mm point & shoot experience (12/21/2017)
  • 7Artisans 50mm f1.1 – The Everyman’s Noctilux? – Guest Review by Mehrdad Abedi (12/17/2017)
  • Nikon F75 Project – Part 1 – Going off on a tangent from my usual direction of travel (12/17/2017)
  • Leica M2 – Overlooked lesser sibling or minimalist, ‘gold-standard’ talisman of classic Leicadom for wide angle? – By Chroma (12/16/2017)
  • Yashica T4 Zoom – user review by Kwasi Boyd-Bouldin (12/09/2017)
  • The Perfect 35mm Compact Camera – by Roger Hicks (12/03/2017)
  • Voigtlander 28mm f/3.5 Color-Skopar Review (11/26/2017)
  • Rollei 35 Review- A brace of rolleis – by Malcolm Myers (11/25/2017)
  • 7Artisans 35mm f/2 News & Pre-Production Sample Photos (11/18/2017)
  • Nikonos iii – a dry land one-roll review (11/12/2017)
  • Experiments in Developing Colour Film At Home: The Chemicals Dilemma – by Aukje (11/11/2017)
  • Stop bloody moaning and support the Film Photography industry! (11/08/2017)
  • Leica M-Mount Modified Yashica Electro 45mm f/1.7 lens (11/05/2017)
  • Snapshots of a Commute – by Greg May (11/04/2017)
  • Modding a 28mm Canon Demi C lens for M39 mount – by Tobias Eriksson (10/29/2017)
  • Canon Demi C – Half-frame with a tele lens – Guest review by Tobias Eriksson (10/28/2017)
  • Finding details in the city: part 2 – Georgetown – by Carlos Argott (10/27/2017)
  • Lomography 20mm f/5.6 Zenit New Russar+ Review (10/22/2017)
  • Fuji X100f Review – Has Fuji lost sight of the elegant original concept? (10/14/2017)
  • Canon EOS 300x & 40mm f/2.8 STM Review – My Compact Camera – by Mauro Pastore (10/07/2017)
  • Paterson Universal Developing Tank – by Parallax Photographic (10/01/2017)
  • 7Artisans 50mm f/1.1 – First Roll – by Barnaby Nutt (09/30/2017)
  • Olympus L-10 Panorama Review – Guest Post by EMULSIVE (09/25/2017)
  • Finding my way in photography Part 2 – My first steps shooting film – Guest Post by Nick Holt (09/17/2017)
  • Voigtlander 50mm 3.5 VM Heliar – a review of two halves (09/16/2017)
  • A little introduction to 35mm for Pinhole photography – Guest post by Alex Yates (09/09/2017)
  • Ricoh 500GX Review – Spirit of ’76 – by Chris Pattison (09/09/2017)
  • Canon Sureshot Multi Tele Review – Adventures in Half Frame Part 2 – by Anil Mistry (09/03/2017)
  • Olympus Pen EE-2 Review – Adventures in Half Frame Part 1 – by Anil Mistry (09/02/2017)
  • Disposable Cameras Review – Cheap, Fun, and Dependable – by Rick Davy (08/28/2017)
  • Jupiter-8m (Brian Sweeney modified) – Finding My Perfect Classic Sonnar PT8 (08/27/2017)
  • My First Roll of Film – Guest post by Eve North (08/19/2017)
  • Film Photography and Street Photography Workshops, London 25/08/17 – Book your place now (08/16/2017)
  • Sony A5100 review and (quite personal) setup guide (08/13/2017)
  • Finding details in the city: part 1 – International District – Guest post by Carlos Argott (08/05/2017)
  • 10 Pocket money Classic Cameras – Part 2 – Guest post by Alan Duncan (08/04/2017)
  • 10 Pocket money Classic Cameras – Part 1 – Guest post by Alan Duncan (07/31/2017)
  • 7Artisans 50mm f/1.1 (ongoing) Review (07/29/2017)
  • Film Photography; a to road rediscovery – Guest post by Richard Williams (07/23/2017)
  • A Canon Prima BF-90, 3 Rolls of Agfa Vista 200 and a Trip to Japan – Guest post by Nuraishah Shamsuddin (07/09/2017)
  • Leica M6 Street Photography – Tokyo Files – by Mark Forbes (07/08/2017)
  • Leica M9M Monochrom – First few shots and initial impressions (07/02/2017)
  • Sony A7Rii – Making it work for me – Take Perfect. Spoil it. Be happy – by Aivaras (07/01/2017)
  • Hasselblad Xpan-ii – A personal review – The dream that didn’t come true (06/25/2017)
  • Jupiter-3 Review – Experiences with a flawed copy – Finding my Perfect Classic Sonnar – PT7 (06/18/2017)
  • Smena 8M Review – Sometimes you just have to play – By Carlos Argott (06/17/2017)
  • Finding my way in photography – part 1 – by Nick Holt (06/11/2017)
  • Leica 90mm f/2.8 Elmarit-M Review – closing the door on modern Leica lenses (in favour of Zeiss) (06/10/2017)
  • 35mm & (very) Large Format in Detroit – by Erik Henderson (06/04/2017)
  • Jupiter-8 – fluked success at modification – Finding my Perfect Classic Sonnar – PT6 (06/03/2017)
  • Disposable cameras – Reflections on my early use – by Tobias Eriksson (05/29/2017)
  • Kodak Retinette 1A Review – A compact piece of Kodak History – by Carlos Argott (05/28/2017)
  • Tips and a DIY tool for film loading using a 35mm Paterson Tank System – guest post by Guy (05/28/2017)
  • Canon AF-10 DIY LTM lens conversion (05/27/2017)
  • Jupiter-8 (unmodified) on a Leica – Finding my Perfect Classic Sonnar – PT5 (05/21/2017)
  • Ricoh 500G Review – A Great All-rounder – by Andy Rowan (05/14/2017)
  • Lomochrome Turquoise Review and Experience – by Hugo Mireles (05/07/2017)
  • The St. Paul’s Hostel Ilford Photo HP5+ disposable camera project – an introduction to the project (05/06/2017)
  • How to Choose the Best Camera for Street Photography – Guest post by Digby Fullam of Streethunters.net (05/01/2017)
  • Jupiter-8M (Contax Mount) – Finding my perfect classic Sonnar PT4 (04/30/2017)
  • Yashica T3 Review – by Alex Redman (04/29/2017)
  • Nikonos V – Underwater Film Photography – by Aukje (04/23/2017)
  • Halina Panorama – full frame “Canny” Shooting (04/22/2017)
  • The Cameraventures #saveanalogcameras movement – get involved! (04/16/2017)
  • 35mm Compact Camera Photographer #26 – Caio Proença (04/16/2017)
  • Konica WaiWai – The disposable camera experience (04/15/2017)
  • 35mm Compact Camera Photographer #25 – Carlos Albisu (04/09/2017)
  • Leica D-Lux (typ 109) Review – serious digital compact? – Jef Price (04/08/2017)
  • Argus C4 Review – My Experiences – by DaCosta (04/01/2017)
  • Comparing (or not) Oranges and Oranges – Finding my perfect classic Sonnar – PT3 (03/26/2017)
  • There’s a first time for everything… – by Joe Thomlinson (03/23/2017)
  • Ricoh Shotmaster Tru-Zoom Date Review – A Mystery Camera in the Mail – by Frank Lehnen (03/18/2017)
  • Pacific Image XA Review – I Scan at home, and this is why – Guest Post by Mark Sperry (03/15/2017)
  • Film vs. Digital – An argument against the argument (03/12/2017)
  • Noritsu LS-1100 – The Move to Home Scanning / Early experiences with a 35mm Film Lab Scanner (03/11/2017)
  • Noritsu LS-1100 – First Colour Scans (03/06/2017)
  • 35mm Compact Camera Photographer #24 – Gran Angular (03/05/2017)
  • Fuji X-Pro, or: Why I stopped worrying about buying a digital Leica – by Xiaosu Han (03/04/2017)
  • The story behind a photo of a plastic bottle or: A (slightly defensive) response to a comment posted on my Sony A7rii review (02/26/2017)
  • Noritsu LS-1100 – First Black & White Scans (02/25/2017)
  • Avenon 21mm f/2.8 super-wide lens mini-review (02/24/2017)
  • Adjusting the rangefinder of the Fed4 – Guest post by Howard hurd (02/22/2017)
  • Fed4 & Industar И-61 lens review – Back in the USSR – by Howard Hurd (02/20/2017)
  • Zeiss 50mm 1.5 Sonnar (Separated Optics) – Finding my perfect classic Sonnar – PT2 (02/19/2017)
  • My First Experience of Film – by Ross Gibson (02/18/2017)
  • Hasselblad XPan – by Jef Price (02/11/2017)
  • An insight into my Post Process of colour images shot with the Leica M9 in low light (02/10/2017)
  • Epson V800 – Home Scanning Colour Negatives – by Aukje (02/08/2017)
  • Finding my perfect classic Sonnar – PT1 (02/05/2017)
  • Day 1 in the Darkroom… (01/22/2017)
  • My Time With The Travelling Yashica – Paul Rice – Chatham, Ontario Canada (01/21/2017)
  • Sony A7Rii review – A superb farce of a camera (01/16/2017)
  • Reflecta RPS 10M Review – Reflections on Homes Scanning – by Frank Lehnen (01/14/2017)
  • The lure of the uncomplicated camera (01/10/2017)
  • Polaroid 690 Review – by Adam Laws (01/07/2017)
  • Orwo film – The Magic of a forgotten giant – by Eric “kAAs” Sluis (01/01/2017)
  • Voigtlander f/1.5 50mm Nokton LTM – Review by Hern Tan (12/29/2016)
  • My Instagram account(s), and who should I follow? (12/28/2016)
  • MS-Optics 21mm f/4.5 Perar Review- a tiny, and very eccentric lens (12/26/2016)
  • County Enterprises at Work (12/22/2016)
  • A few Tips & Tricks for shooting a 35mm point & shoot camera in low light (12/17/2016)
  • Leica M6 – In Praise of the Classic- by Hokari57 (12/14/2016)
  • Loading a 120 film camera with a pair of 3D printed 35mm film adapters (12/05/2016)
  • Pushing Tri-X To 3200, Or Shooting A Concert On Film – Guest Post by Aukje (12/04/2016)
  • Leica M-D: To M-D or not to M-D? – By Adam Singer (12/03/2016)
  • Zeiss Ikon Taxona Review – Shooting Square – by Rajmohan Fotograf (11/26/2016)
  • Come to the inaugural Beers & Cameras, Worcester! (11/23/2016)
  • Lomo LC-Wide Review – The Ultra-wide, Point & Shoot (11/22/2016)
  • Minox 35GT Review – Ilford HP5 & the Streets of Berlin – by Jean-Christophe Wiart (11/20/2016)
  • Canon Sure Shot Sleek / Prima Mini II Review – By Charles Higham (11/17/2016)
  • The Leica M3, Nikon 28Ti, and the Jurong Fishery Port – By Hern Tan (11/12/2016)
  • #MCRWLK with a Lomo LC-Wide and a roll of JCH Streetpan 400 (11/05/2016)
  • Olympus Trip 35 – Two Trips with a Trip – by Daniel Stoessel (10/29/2016)
  • Voigtländer 35mm f/2.5 Color Skopar Review – by Theo Wiersema (10/23/2016)
  • A Disused Office Building (10/19/2016)
  • A few more shots from the Leica M9 (10/16/2016)
  • Ricoh FF9s Review – with a roll of IR friendly Rollei 80s – by Ivan B. Palli (10/08/2016)
  • My Thoughts After One Year Of Shooting Film – by Aukje (10/07/2016)
  • A brief history of Reid & Sigrist – Guest post by Wilson Laidlaw (10/01/2016)
  • Leica C2 Zoom Review – A Mind of Its Own – by Torsten Kathke (09/26/2016)
  • Canon Sprint Review (or AF35j, Jet or Autoboy Lite) (09/24/2016)
  • Nikon 310 Zoom – review by Andrew (09/23/2016)
  • 35mm Compact Camera Photographer #23 – Anil Mistry (09/21/2016)
  • Leica CL Review (The Film Camera) (09/17/2016)
  • Olympus OM4Ti review – a ‘compact’ SLR Camera – by Guy (09/12/2016)
  • 35mm Compact Camera Photographer #22 – Mickaël André (09/10/2016)
  • How to: 28mm & finder for your Leica on a pensioner’s budget – by Geoff Radnor (09/08/2016)
  • 35mm Compact Camera Photographer #21 – Luis Diaz (09/04/2016)
  • Diversity and the Traveling Yashica in Dubai, UAE (09/02/2016)
  • Contact (Tango) Sheet – The photo and camera that won a Leica M4 – By Julián Péter (08/29/2016)
  • Hasselblad Xpan with a Nikon 35mm PC shift lens – FAQ (08/27/2016)
  • Kodak Ektar 100 Vs Portra 400 In Greece – By Aukje (08/25/2016)
  • Leica M8 Review – A simple, digital, rangefinder (08/22/2016)
  • Leica Barnack Cameras – In praise of the early compact Leicas – By Frank Lehnen (08/16/2016)
  • Leica M8 – How important is the use of a CCD in the look of the photos? (08/15/2016)
  • Konica Genba Kantoku 28WB Review – “The Guv” – by Ray Yee (08/05/2016)
  • And the winner of the M4 is Julián Péter (08/04/2016)
  • First Shots with the Leica M9 (08/04/2016)
  • DIY Leica M6 remote shutter release – Guest post by Guy (08/03/2016)
  • Why & how I made a DIY 35mm mini-Viewfinder – Guest post by Eddy (08/02/2016)
  • Hacking a 35mm viewfinder out of a Canon AF7 – Guest post by Frank Lehnen (07/30/2016)
  • Basic Optics For Photographers In 9 Diagrams – by Aukje (07/25/2016)
  • Building a custom Olympus 35RC – “Project Deco” – Guest post by Steve Lloyd (07/23/2016)
  • 35mm Compact Photographer #20 – Michael Rennie (07/22/2016)
  • Leica M4 Competition Entries (07/20/2016)
  • Specialist Film Camera Repair & Modification Companies (07/17/2016)
  • Leica M4 Review (07/16/2016)
  • Lomo LC-A – 7 Alternatives to the Classic Lomo – by Alan Duncan (07/12/2016)
  • An afternoon and evening at Stroud Brewery (07/10/2016)
  • Miranda A-X – Attack of the Clone – Guest Review by Ken Hindle-May (07/09/2016)
  • Olympus XA Review – Mighty Micro Machine – by Michael Rennie (07/07/2016)
  • Pentax Espio 120 – 1/3rd roll review (07/03/2016)
  • Zeiss 28mm 2.8 ZM Biogon Review (07/02/2016)
  • KKE – Film photography for a local architects (06/26/2016)
  • Halina AF810 Review – a Bloody Awful Camera (06/25/2016)
  • Samsung ECX1 Review – The bargain “Dad Cam” of Yore (06/21/2016)
  • A few snaps with the Leica M8 and Zeiss 28mm ZM Biogon (06/18/2016)
  • Olympus AF-1 Twin Review – A travel camera of (no) choice – by Douglas Pulman (06/15/2016)
  • Canon Sure Shot AF-7/8 Review – Simplicity is fun – by Christos Theofilogiannakos (06/11/2016)
  • Samsung Vega 140S Review – “Millennium Compact” – by Charles Higham (06/08/2016)
  • The Future of 35mmc – Stick, or Twist? Your thoughts please! (06/07/2016)
  • 3D Printed Yashica T4 lens conversion (06/06/2016)
  • Konica C35 EFP Review – by Dexter Robinson (06/05/2016)
  • Samsung AF Slim – one roll review (06/04/2016)
  • Plaubel Makina 670 Review – How it Killed my love of 35mm – by Ray Larose (06/01/2016)
  • Leica M2-R review – by Alex Hakimi (06/01/2016)
  • Portraits with the Traveling Yashica, Dubai, United Arab Emirates (05/25/2016)
  • Leica 28mm 2.8 Elmarit-M ASPH Review – one of the best lenses I’ve ever… sold… (05/22/2016)
  • Vivitar 35ES Review – A short test – by Charles Higham (05/21/2016)
  • Halina AF700 Review – How it saved me from Creative Block – By Miriam Woodburn (05/20/2016)
  • Win a Leica M4 (05/19/2016)
  • Six by Four – my experience of creating a Photo Book – By Frank Lehnen (05/18/2016)
  • Olympus PEN EE-2 Review – Fixed Perfection? – by Alan Duncan (05/16/2016)
  • Lomography 50mm f/1.5 Zenit New Jupiter 3+ Art lens Review (05/15/2016)
  • Ilford HP5 vs Kodak Tri-X – Finding My Go-To Black & White Film – by Aukje (05/13/2016)
  • 35mm Compact Photographer #19 – Jimmy Yang (05/11/2016)
  • Finding the value in home scanning – Guest post by Frank Lehnen (05/11/2016)
  • Olympus XA4 Review – by Patrick Kuhl (05/06/2016)
  • Overexposure latitude or: how to cheat your way to perfect film photography (05/02/2016)
  • Fuji X70 Review – A Photographer’s Camera – by Benn Murhaaya (04/26/2016)
  • I wanna grow up to be Terry Richardson – The Travelling Yashica in Ottawa, Canada (04/24/2016)
  • Contax G2 Review – by Adam Laws (04/23/2016)
  • Chinon 35EE Review – The Poundland Rangefinder – Guest review by Alan Duncan (04/20/2016)
  • Kodak Portra 400 – My First Experience With – by Aukje (04/15/2016)
  • Minolta AFZ – a mini review (04/11/2016)
  • Plustek OpticFilm 8200i Review – A case for home scanning – by KJ Vogelius (04/08/2016)
  • Hacking the Contax T2 for low light street shooting – by Ric Capucho (04/03/2016)
  • Leica 40mm f/2 Summicron Lens Review (04/02/2016)
  • Lomo LC-A+ Review – love it or hate it…. or both? – by Frank Lehnen (03/31/2016)
  • Olympus XA2 Review – or why I learned to love a camera – by Frank Lehnen (03/27/2016)
  • Metering for Film, Understanding the Basics of Exposure – By JK Lockwood (03/26/2016)
  • An evening of abusing the Leica M8 in low light (03/25/2016)
  • Fuji Pro 400H & Kodak Portra 400 – Quest For Colour – By Aukje (03/22/2016)
  • My day at the Photography Show 2016 (03/21/2016)
  • Zeiss Ikon ZM Review – The Ultimate AE M-mount Rangefinder…? (03/19/2016)
  • Svema former USSR Bulk Film – by Eric ‘kAAs’ Sluis (03/18/2016)
  • Experiences with 35mm Ilford SFX – by Rob MacKillop (03/17/2016)
  • First (digital) colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar (03/13/2016)
  • First colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar (03/13/2016)
  • The Yellow Filter And Why I Love This Community – by Aukje (03/12/2016)
  • 35mm Compact Photographer #17 – Sean Fisher (03/10/2016)
  • 35mm Compact Photographer #18 – Oswaldo Guadarrama (03/06/2016)
  • MS-Optics converted Nikon L35 35mm f/2.8 Sonnar – 35mm Lens conversion – Part 2 (03/05/2016)
  • Ricoh FF-8WR – one roll review (03/05/2016)
  • Yeg with the Travelling Yashica – Edmonton, Alberta, Canada (03/04/2016)
  • Vivitar Ultra Wide and Slim – Modifying & Shooting – by Charles Higham (03/01/2016)
  • 35mm Compact Photographer #16 – Patrik Rośen (02/27/2016)
  • Minolta Riva Panorama – A Fun Intermezzo – by Aukje (02/22/2016)
  • 35mm Compact Photographer #15 – Frank Lehnen (02/21/2016)
  • Olympus 35RC – 3 Days in Hong Kong – by Jay Meador (02/18/2016)
  • Leica M8 – With or without a infrared cut filter comparison … (02/14/2016)
  • Ricoh R1 Review (Rollei Prego Micron) – An overlooked achiever – by Benn (02/12/2016)
  • Three simple, non-invasive things to try to repair dead or erratic Nikon L35AF – Guest post by Eddy (02/10/2016)
  • Discovering the professional scan – Guest post by Frank Lehnen (02/07/2016)
  • Voigtlander 28mm f/1.9 Review, or: A cautionary tale of Actual vs. the Perceived need of a fast lens (02/06/2016)
  • My First Roll(s) With A Leica Film Camera Continued – Guest Post by Aukje (02/04/2016)
  • An evening at home with a Leica M8(!) (02/02/2016)
  • Nikon L35AF – A review of a broken camera (that will see life after it’s death) (01/30/2016)
  • Birthday no.33 (01/28/2016)
  • Clee Hill in the Fog / 3rd roll with the Xpan II   (01/26/2016)
  • Olympus Pen D3 – Emulsive Half-Baked Half-Frame Tour begins #TravelHalf (01/23/2016)
  • My First Roll With a Leica Film Camera – Guest Post by Aukje (01/22/2016)
  • Canon AF35ML Review – A Curious incident – by Torsten Kathke (01/20/2016)
  • The Road to Making a Pinhole Modified 35mm Compact Canon Camera – by Duncan Waldron (01/19/2016)
  • A 35mm compact camera lens conversion – Part 1.5 – (Still) Choosing the lens (01/17/2016)
  • First roll with the Hasselblad Xpan II & 45mm (01/15/2016)
  • 9 Reasons you shouldn’t own a thread mount Leica – Guest post by Dominik Mrzyk (01/08/2016)
  • 7 Reasons you should own a Thread Mount Leica (01/02/2016)
  • The Gear Acquisition Syndrome Horseshoe (01/01/2016)
  • One camera, four conversations – Pieter Geloen (12/23/2015)
  • A 35mm compact camera lens conversion – Part 1 – Choosing the lens (12/22/2015)
  • Not shooting / won’t shoot – What to do to find and build inspiration – by Ryan Neilan (12/21/2015)
  • A Birthday at the Birmingham German Christmas Market (12/16/2015)
  • Voigtlander Bessa L – (not really a) review (12/13/2015)
  • Kodak Tri-X – My First Roll – by Aukje (12/12/2015)
  • Kodak Tri-X – Finding my Photo Mojo in Forty Rolls – by Ryan Neilan (12/10/2015)
  • Canon 85mm f1.8 LTM Review – James Fox-Davies (12/08/2015)
  • Minolta Explorer Freedom Zoom Review (Riva Zoom 70W) – by Benn Murhaaya (12/06/2015)
  • Zeiss 50mm 1.5 ZM C Sonnar Review (11/22/2015)
  • Leica M-A – From Digital, Back to Film (part 2) – by Anthony Killeen (11/21/2015)
  • Carters Steam Fair (11/15/2015)
  • Canon 50mm f0.95 Review – by James Fox-Davies (11/12/2015)
  • My First Film Camera Continued – by Aukje (11/07/2015)
  • F8 team head shots (11/06/2015)
  • Creating the (my) perfect camera – Guest Post By James Fox-Davies (11/03/2015)
  • Wilces Cider – The start of a year long project (10/28/2015)
  • Minolta Hi-Matic AF2 Review – A Camera Between the Ages – by Torsten Kathke (10/21/2015)
  • The Traveling Yashica: Morten (Denmark) (10/20/2015)
  • The Traveling Yashica: Duncan Waldron (Camira, Australia) (10/17/2015)
  • 35mm Compact Photographer #14 – James Fox-Davies (10/16/2015)
  • Leica M5 Review – The Odd One Out (10/15/2015)
  • The Traveling Yashica: Sergio Novo (Aranjuez, Madrid, Spain) (10/11/2015)
  • The 35mmc (growing) Guide to the 35mm Advanced Compact Camera (10/09/2015)
  • My First Film Camera – by Aukje (10/07/2015)
  • Leica M-A – From digital, back to film – by Anthony Killeen (10/06/2015)
  • Hacking a Taab to fit a Zeiss 50mm ZM Sonnar (10/04/2015)
  • A couple of rolls with the Leica M5 (10/03/2015)
  • Minolta Riva Mini Review – by Torsten Kathke (10/02/2015)
  • The first 24hrs of Norah Dali Gill (09/27/2015)
  • The 50mm Sonnar gets a workout in the Gym (09/26/2015)
  • First Roll with the Zeiss 50mm ZM Sonnar (09/25/2015)
  • Leica 35mm f/2 Summicron v3 Lens Review (09/19/2015)
  • WIN a Leica Noctilux-M (mug) – and some film (09/18/2015)
  • First roll with Zeiss Ikon (ZM) (09/16/2015)
  • £500 for Refugee Action (09/13/2015)
  • Petri Color 35 Review (09/05/2015)
  • Konica Auto S3 review – by Mike Caputo (08/30/2015)
  • Voigtlander 15mm f/4.5 Super-Wide Heliar (V1) Review (08/29/2015)
  • Olympus mju-iii wide 100 review (08/23/2015)
  • Canon Sureshot A1 Review – Underwater fun! – by Chris Dodkin (08/18/2015)
  • Fuji DL Super Mini (Tiara) Instruction Manual (08/09/2015)
  • Konica AiBORG Review – Big/ugly/horrible… Good lens (08/07/2015)
  • Win a Rollei 35T! (08/05/2015)
  • A day in hospital – First roll with the Olympus mju-iii Wide 100 (08/04/2015)
  • Zeiss 16mm f/8 Hologon Lens Review – M-Mount Modified (08/02/2015)
  • Fixing a detached rewind lever on a Petri Color 35 (08/01/2015)
  • Light Meters – by Marco North (07/29/2015)
  • First photos (/Gifs) from the Konica AiBORG (07/28/2015)
  • Leica M6 Classic & Leica M6 TTL – A Review of Both Variants (07/24/2015)
  • Legoland Windsor & giving AG Photo Lab a go (07/20/2015)
  • Poll: Which of these oddities should I review first… (07/18/2015)
  • The Traveling Yashica: Angelina Hue in Brussels & Istanbul (07/17/2015)
  • Fuji DL-500 review – Tiara’s older brother – by Benn Murhaaya (NSFW) (07/13/2015)
  • Cornwall 2015 – The last day – The Lost Gardens of Heligan (07/11/2015)
  • Cornwall 2015 – Day 5 – Fun Park and Dunes walk (07/10/2015)
  • Konica Mermaid – One roll mini-review (07/10/2015)
  • Cornwall 2015 – Day 4 – Sunshine at last! (07/08/2015)
  • Cornwall 2015 – Day 3 – Eden and the beach (07/07/2015)
  • Cornwall – Day 2 – The beach and the fun park (07/06/2015)
  • Cornwall 2015 – Holywell Bay in the Mist (07/05/2015)
  • Leica M Edition 60 (Leica M60) Review – the Deconstruction of the Digital Camera (07/02/2015)
  • The Traveling Yashica (Vácszentlászló, Hungary) (06/28/2015)
  • First shots with the Leica M Edition 60 (06/18/2015)
  • First shots with the Leica 90mm f/2.8 Elmarit-M (06/16/2015)
  • Understanding lens terminology – Part 2 – Bokeh (06/13/2015)
  • Faye and Family – A Family shoot with a difference (06/12/2015)
  • Ma Baker – Behind the scenes at a local bakery (06/11/2015)
  • First roll from UK Film Lab (06/10/2015)
  • A roll of XP2 through the Contax T3 (06/05/2015)
  • Petri 2.8 Color Corrected Super review – by Andrew (06/04/2015)
  • Understanding Lens Terminology – Part 1 – Sharpness, Contrast, 3d Pop and Flare (05/28/2015)
  • Chinon Auto 3001 Multifocus review – by Sigurður J. Haraldsson (05/24/2015)
  • Defining the Perfect Lens (05/21/2015)
  • A pre-wedding shoot on a farm… (05/17/2015)
  • Leica 50mm f/2.5 Summarit-M Review (05/12/2015)
  • First Roll with my Leica M-A – Lndnwlk 3.0 (05/11/2015)
  • Election Day 2015 – The final push of the Worcester Labour Party (05/07/2015)
  • Leica M3 DS Review – My final thoughts on the Double Stroke vs. Single Stroke (05/04/2015)
  • Leica IIIc Review (Long-winded Edition) – By Filmosaur (05/02/2015)
  • Leica M2 Review – Unique in its own Subtle Way (04/29/2015)
  • Canon Prima BF-80 Date Review (Snappy QT Date) – By Benn Murhaaya (04/26/2015)
  • First roll with the Leica M3 DS and m-mount Leitz Elmar 50/3.5 (04/25/2015)
  • Leica M-A Review – The Perfect Rangefinder? (04/19/2015)
  • Modification of Olympus mju-ii to retain flash settings – Part 2 (04/16/2015)
  • 35mm Compact Photographer #13 – ‘Thirdculture’ (04/15/2015)
  • First roll with the Leica M-A and 50/2.5 Summarit-M (04/10/2015)
  • First roll with a Leica M2 (and a recently serviced 50mm 1.5 Summarit) (04/08/2015)
  • Leica Mini – One roll review (04/07/2015)
  • The Traveling Yashica: Matt Jacques (Vancouver, Canada) (03/30/2015)
  • Nikon AF3 – One roll review (03/28/2015)
  • The Leica iiic Competition – Andrej’s Winning photo (03/28/2015)
  • First roll with the Leica CL – Derelict barns (03/20/2015)
  • The Traveling Yashica: Dave Wolanski – Delaware (USA) (03/19/2015)
  • The Traveling Yashica: Alex Yates – Norwich, UK (03/16/2015)
  • Rollei 35SE Review – and some wider thoughts about shooting a zone focus camera (03/14/2015)
  • Leica iiic Competition – Vote on the final 10 (03/13/2015)
  • 35mm Compact Photographer #12 – Benn Murhaaya (03/10/2015)
  • The Viewfinder effect – and why I choose to cripple myself with an offset viewfinder (03/09/2015)
  • Minolta AF101R review – by Maulana Randa (03/08/2015)
  • Leica iiic Competition Entires (181-201) (03/07/2015)
  • Leica iiic Competition Entires (161-180) (03/06/2015)
  • Leica iiic competition entries (141-160) (03/04/2015)
  • First Roll with the Rollei 35SE (03/02/2015)
  • Leica iiic competition entries (121-140) (03/01/2015)
  • Leica iiic competition entries (101-120) (02/28/2015)
  • Leica iiic competition entries (81-100) (02/28/2015)
  • Leica iiic competition entries (61-80) (02/27/2015)
  • Leica iiic competition entries (41-60) (02/24/2015)
  • Leica iiic competition entries (21-40) (02/23/2015)
  • Leica iiic competition entries (1-20) (02/22/2015)
  • First shots with the Leitz Elmar 50mm f/3.5 (and Leica iiic) (02/18/2015)
  • First Roll with the Contax T3 (02/16/2015)
  • “Karmera” and the act of giving away your gear (02/14/2015)
  • 35mm Compact Photographer #11 – Rob MacKillop (02/10/2015)
  • Win my Leica! (02/06/2015)
  • Leica M3 – a review, and some thoughts about finding the right version for me (02/02/2015)
  • A lost roll from Christmas – 50mm V4 Summicron and XP2 (01/30/2015)
  • A Quick Guide to a Rangefinder’s Effective Base Length (EBL) (01/24/2015)
  • First roll with the Leica M3 (01/21/2015)
  • Low light fun with Ilford HP5+ at ei3200 and Ilfotec DD-X (01/10/2015)
  • Olympus AF-10 Super Review, or: Pushing the functional limits of a crap point & shoot. (01/08/2015)
  • Adjusting a Leica M3 to focus closer than 1 metre (01/05/2015)
  • Christmas in colour – A few shots with the Voigtlander 50mm f/1.1 (12/31/2014)
  • Pentax Espio Mini (UC-1) (12/30/2014)
  • Voigtlander R2A & R3A Review (12/29/2014)
  • The Traveling Yashica: Austin Beeman – Ohio, USA (12/19/2014)
  • Modification of Pentax Espio Mini to retain flash settings (12/14/2014)
  • Voigtlander 50mm f/1.1 Nokton Review (12/06/2014)
  • The Traveling Yashica: Daniel VanDurmen – Tulsa, OK. USA (11/30/2014)
  • The Traveling Yashica: Jonas Lundström in Gothenburg, Sweden (11/30/2014)
  • WIN my Ricoh GR1s (11/22/2014)
  • Minolta Riva Panorama Review – A simple joy! (11/18/2014)
  • Leica 50mm f/2 Summar Review – A lens with a good deal of character. (11/01/2014)
  • Hartlebury Train Carriages – Cinestill 800T and 50mm Summicron (10/30/2014)
  • Flash switch hack for the Olympus AF-10 super (10/26/2014)
  • The Film Camera – a Tool or Something More (08/09/2014)
  • The Traveling Yashica: Moni Smith, Portland, Oregon U.S.A. (08/08/2014)
  • Leica M4-P Review – Function over Mystique (07/30/2014)
  • The Traveling Yashica: Antonella Guarracino, Dublin (07/28/2014)
  • The Traveling Yashica: Mark Buckley, Cheltenham (06/18/2014)
  • Pentax PC35AF Review – A camera with a certain charm (05/15/2014)
  • The Traveling Yashica: Bryan Tyler, Kentucky (04/23/2014)
  • The Traveling Yashica: Alex Redman, England (04/23/2014)
  • Modification of Pentax PC35AF to kill the beeping (04/22/2014)
  • Minolta Hi-Matic E Review – A point & poke Rangefinder (04/19/2014)
  • The Traveling Yashica: Julián Péter, Slovakia (04/19/2014)
  • Leica M7 review – a near perfect camera (at least for my personal requirements) (04/13/2014)
  • The Genius of Barnack, a Leica iiia & how rangefinders found a home on 35mmc (04/03/2014)
  • Canon Prima 120 Review – My current telephoto lens of choice! (03/15/2014)
  • Three Nights in Paris – And some reflections on my camera choices (03/09/2014)
  • How to Recode / Edit the DX barcode on 35mm Film Canisters (03/08/2014)
  • 35mm Compact Photographer #10 – John Roberts – Rollei 35 Shooter (02/25/2014)
  • Fujifilm DL-270 Zoom Date Review – The “In-laws’ Camera” – by Julián Péter (02/05/2014)
  • The Traveling Yashica: Amanda Raney, Mississippi (01/31/2014)
  • 35mm Compact Photographer #9 – Alex Redman – He walks, he rolls, he shoots (01/18/2014)
  • The Traveling Yashica: Ben Jennings, Reading, England (01/14/2014)
  • Fuji Zoom Date 2.8 “Silvi” Review- I think it might be a party animal! (01/14/2014)
  • How to Adapt a 675za Hearing aid Battery for use as a px625 replacement (01/12/2014)
  • Olympus 35rc Review – yet another classic Oly (01/11/2014)
  • The Traveling Yashica: Susan Clement, Memphis, Tennessee. (12/23/2013)
  • My failing right eye, an old watch, the Leica M7 and learning how to frame a photo again… (12/15/2013)
  • The Traveling Yashica: Hamish Gill, A trip to Huddersfield (12/05/2013)
  • The Traveling Yashica: Dominik Mrzyk, Upper Silesia, Poland. (11/20/2013)
  • The Traveling Yashica: Brendan, Dublin, Ireland (11/11/2013)
  • Olympus XA Review – Another Classic Oly – by Daniel VanDurmen (10/31/2013)
  • The Traveling Yashica: Inge van Leipsig, Rotterdam, The Netherlands (10/28/2013)
  • The Traveling Yashica: Dominic Clarke, London, England (10/24/2013)
  • 35mm Compact Photographer #8 – Daniel VanDurmen – An RF xpro shooter (10/24/2013)
  • The Traveling Yashica: First stop in Munich, Germany (10/22/2013)
  • How to Home Brew Redscale Film (09/24/2013)
  • 35mm Compact Photographer #7 – Alan Duff – A Hiking Street Shooter (09/23/2013)
  • The Traveling Yashica (09/18/2013)
  • Breaking my Xpro Cherry (09/09/2013)
  • Our Discovery of the Worcester Community Land Co-operative (09/08/2013)
  • Fuji Klasse S/W Instruction Manual in English (09/04/2013)
  • Olympus mju-ii Review – Is It the Ultimate Point & Shoot? – By Hamish Gill (08/30/2013)
  • 35mm Compact Photographer #6 – Nicholas Poole – Armed with an Oly 35SP (08/14/2013)
  • Modification of Olympus mju-ii to retain flash settings (08/11/2013)
  • The Daughter’s 2nd Birthday – Shot with a mju-ii (08/05/2013)
  • Ricoh FF90 Review – The camera that got in a fight with 80’s style, and lost! (08/01/2013)
  • 35mm Compact Photographer #5 – Jake Kenny – An “Urban Abstract” Shooter (08/01/2013)
  • 35mm Compact Photographer #4 – Troy Holden – A mju-ii man (07/30/2013)
  • 35mm Compact Photographer #3 – Julián Péter – Hi-skill with a Hi-Matic! (07/29/2013)
  • Water fight fun with a Canon Sureshot A1 (07/23/2013)
  • 35mm Compact Photographer #2 – Dominik Mrzyk – Student Shooter (07/22/2013)
  • 35mm Compact Photographer #1 – Stewart Duffy – A Trip 35 man (07/20/2013)
  • Ricoh GR1s – Shots from a lost weekend (07/17/2013)
  • Konica Big Mini Review – Yeah, it’s not bad … (07/08/2013)
  • A Week in Wales – Part 2 (07/03/2013)
  • A Week in Wales – Part 1 (07/01/2013)
  • A quick fix to a Ricoh GR1s viewfinder surround. (06/20/2013)
  • Shooting film, XP2, my laziness and other comments on entering the world of analogue photography… (06/18/2013)
  • Cleaning the dust out of a Konica Big Mini Lens (06/16/2013)
  • Nikon ‘Lite Touch’ AF600 Review – A Forgotten Fling (06/09/2013)
  • Petri Color 35 – Through the Viewfinder (06/07/2013)
  • Yashica T5 Review – The Path to Enlightenment (06/05/2013)
  • Scale/Zone Focusing – A Tutorial (05/23/2013)
  • Trip 35 and some very cheap film… and Connie. (05/23/2013)
  • Olympus Trip 35 – Through the Viewfinder (05/22/2013)
  • Voigtlander Vito B Review – A Beautiful Camera (05/18/2013)
  • First Shots from the Fuji Klasse W (05/17/2013)
  • A selection of Yashica T5 shots. (05/15/2013)
  • Olympus Trip 35 Review – A cult classic point & shoot (05/08/2013)
  • The beginning the middle and the end… (05/01/2013)
• Category: Explore 35mmc
  • Photography & Project Work (05/19/2019)
• Category: Gear Reviews & Experiences
  • Intrepid 4×5 – One Year of Traveling – a Review, Thoughts, and Photos (02/05/2024)
  • Nikon S4 Rangefinder – The Antithesis to Digital Drudgery. (01/29/2024)
  • Yashica Mat 124G – First Roll Experiences (01/25/2024)
  • Bronica ETRSi and 135W – First Whole Roll Experiences (01/23/2024)
  • Klito no. 2 hand camera – That time when I revived a camera from 1906. (01/22/2024)
  • Pentax Q 11.5mm Shield Lens on the Beach – A Jankuary Lens that Blurs (01/16/2024)
  • Polaroid SX-70 – An Early Experience Shooting a Pack of Colour film at Pollock Light Rock (01/15/2024)
  • Agfa Super Silette Automatic Review (01/10/2024)
  • NONS Instant back review (01/08/2024)
  • Minolta Dynax 9xi – That difficult second ‘Pro’ AF SLR (12/23/2023)
  • PAM Britar 105mm f/4.5 – An American Triplet Review (12/18/2023)
  • Mr.Ding Noxlux 50mm f1.1 review – by Vincent Bihler (11/27/2023)
  • Huaxia 822 – Jumping into the Analog Deep End – My First Foray into Film (11/24/2023)
  • Pentax SF1n, Pentax-A 35-135mm and Kodak Vision 3 250D – My Personal Recipe for Photographic Nirvana (11/23/2023)
  • Great Wall DF4 / Export – The beauty of simplicity. (11/20/2023)
  • Mint InstantFlex TL70 Plus Instax Square TLR Review (11/17/2023)
  • Kodak-Anastigmat Ektar 5cm f/3.5 – Retina Lens Mini Review (11/13/2023)
  • Nikkormat FT Mini-Review – Back to Basics (10/30/2023)
  • Voigtlander Vitomatic ii: from paperweight to family heirloom (10/06/2023)
  • Canonet QL17 GIII – This camera almost has it all (06/09/2023)
  • Kiev 4AM Review – Perseverance is Key – by The Blackburn Morb (05/20/2017)
  • Canonet QL17 GIII Review – Affordable, Fine and Reliable – by Armin Rebihic (01/19/2015)
  • Category: Accessories & More
    • Thirteen Ways of Looking at a Blackbird (02/10/2024)
    • Self-Publishing Books of Your Photography for the Skint Neophyte (02/06/2024)
    • Review of the Crown + Flint Mobile App for Film Photographers: Simple, Intuitive, and Helpful (12/28/2023)
    • Some Cool Books for 35mmc Readers (Part 2) (12/21/2023)
    • Some Cool Books for 35mmc Readers (Part 1) (11/26/2023)
    • Reflx Lab Light Meter Review (10/27/2023)
    • The Meaning in the Making – Mini Book Review (10/23/2023)
    • TTArtisan Lightmeter II Review – Gradual Improvements (09/07/2023)
    • The Negative Space – a Portrait of a Local Film Lab (09/03/2023)
    • Crown + Flint: The digital companion for analog photography (08/16/2023)
    • One of the Last Technicians in Stockholm – a reportage by Daniel Morales (08/10/2023)
    • Free Photo Editing Apps – A Comparison and some Personal Experiences (07/26/2023)
    • Seasons of East Van, 2022 – Book Review (05/23/2023)
    • Real Photographers Forum – Help Give the Old Place a Boost! (05/08/2023)
    • darktable Mini-Review – A Quick look at my Favorite Software (04/17/2023)
    • PPP Cameras – Repair & Servicing Review (04/06/2023)
    • Hedeco Lime Two Low Profile Shoe Mount Light Meter Review (02/02/2023)
    • Reveni Labs Incident Meter Prototype Preview (01/09/2023)
    • ZHong Yi Lens Turbo II Review – The Cure – By Tony Warren (12/16/2022)
    • Keks KM02 Shoe Mount Light Meter Review (09/12/2022)
    • “Elliott Erwitt: Silence Sounds Good” review – By Neil Milton (08/23/2022)
    • Lomography DigitaLIZA Max Review – By George Griffin (07/18/2022)
    • Grainery – The Story of a New Social App for Film Photographers – By Molly Kate (07/01/2022)
    • The Attraction of Wet Darkroom Prints – My Experience at Hidden Light LLC – By Floyd K. Takeuchi (06/19/2022)
    • Film Log: A Free App for Film Exposure Record-Keeping – by Dmitri Tcherbadji (05/07/2022)
    • A Memory of a Visit to a Lacandon Family – by Teit Joergensen (05/04/2022)
    • TTArtisan Light Meter Review – The Cheapest of Its Kind – By Frankie Bina (04/18/2022)
    • 5 Analogue Zines You Should Try: Pt1 – By Holly Gilman (04/14/2022)
    • Doomo Meter S Review – Just Another OLED Light Meter…? (04/04/2022)
    • Street Photography in Copenhagen in the 1960s – By Teit Joergensen (03/09/2022)
    • Reveni Labs Spot Meter Review (01/17/2022)
    • Memento Mori – The making of a Zine – By George Griffin (01/14/2022)
    • Hollywood Sunset – An Analog Experience with a Nikon and a 3D printed 4×5 – By Oleg (Boris) Dyachenko (01/09/2022)
    • Photography Through The Pandemic – A Spotlight on the Artists: Pt 5 (12/23/2021)
    • ‘Inherit the Land’ by Jack Lueders-Booth – Review by Joshua Wright (12/21/2021)
    • Photography Through The Pandemic – A Spotlight on the Artists: Pt 4 (12/20/2021)
    • The Joy of Photobooks – By Nik Stanbridge (12/16/2021)
    • Photosynthesis: A Double-Exposure Art Project – By Ben Felten (12/03/2021)
    • Photography Through The Pandemic – A Spotlight on the Artists: Pt 3 (11/30/2021)
    • Haystack Heroes: A Photographic Project – By Tommaso Carrara (11/28/2021)
    • Photography Through The Pandemic – A Spotlight on the Artists: Pt 2 (11/23/2021)
    • Photography Through The Pandemic – A Spotlight on the Artists: Pt 1 (11/16/2021)
    • Datafilm: The Note Taking App Designed For Film Photographers – By Vincent (11/14/2021)
    • Analogue Upcycle – by Laura Cogan (10/31/2021)
    • Photography through the Pandemic Book – Kickstarter is Live! (10/27/2021)
    • ‘Moscow Dayze’, From Russia With Film: Bringing a Self-Published Photo Book to Life – by Dmitri Tcherbadji (10/05/2021)
    • ‘Dessert First!’ – Film Cameras and Sentiment in my New Photobook – By Hanna Quevedo (09/08/2021)
    • ‘New in Town’ – The Making of a Photo Book and Finding Inspiration Right Where I live – By Robert Guanci (06/20/2021)
    • Jupiter-3 – Sourcing my Perfect Soviet Lens with a bit of Help From Skyllaney – By Sasha Tsyrlin (06/09/2021)
    • ‘Holga’ by Michael Kenna – A Mini Book Review – By Holly Gilman (04/29/2021)
    • Photography through the Pandemic – 35mmc’s First Book! – By Holly Gilman (04/26/2021)
    • Keks EM-01 Shoe Mount Light Meter Review (04/19/2021)
    • V-201x Light Meter Review – The Budget Option (04/05/2021)
    • Analogue Wonderland Wonderbox Subscription – A 5 Frame Review – by Billy Sanford (04/01/2021)
    • Talking with Teachers – A Photography and Zine Project – By David Marshall (02/17/2021)
    • Skyllaney-Restored Sonnars Reunited with Their Old Rangefinder Camera – By Phil Steelandt (02/07/2021)
    • ‘Project Cleansweep’ – Beyond the Post-Military Landscape of the United Kingdom – By Dara McGrath (02/05/2021)
    • Magnum Contact Sheets – Book Review – by Holly Gilman and Sroyon Mukherjee (01/26/2021)
    • “Bardo: Summer of ’20” – a Photozine – by New Exit Group (01/24/2021)
    • ‘Arctic Norway’ – A Photozine – By Alex Relton Brown (12/30/2020)
    • Beauty in Photography by Robert Adams – Book Review – By Holly Gilman (12/09/2020)
    • “Why It Does Not Have to Be in Focus” and “Out of Focus”: Pinhole Adventures Part 4 – by Sroyon (11/30/2020)
    • ‘Redlands’ by Philip Brookman – A Book Review – By Holly Gilman (11/25/2020)
    • Through the (Looking) Glass – Photographing Portraits in the time of COVID-19 – By Carole Evans (09/22/2020)
    • Film Shots – Another Film Exif App For Android And iOS, But With A Difference – By Oleksii Novikov (08/06/2020)
    • The Colours of Shanghai / How I came to Publish a Photozine of XPAN shots – By Benoît Felten (08/04/2020)
    • Grain2Pixel Review – A Photoshop Plugin for Converting Negatives – By Arild Edvard Båsmo (07/31/2020)
    • Usedlens.co.uk – New Website for Searching for Used Camera Gear in the UK – By Dan Cook (07/07/2020)
    • Leica Summicron 35mm v4 vs Voigtlander Nokton 35mm v2 – By Vincent Bihler (06/01/2020)
    • Bridging Analog Photography and Digital Metadata with Exif Notes – By Babak Farshchian (05/21/2020)
    • Analog Memo – Creating a Digital Notebook App for Android – By Barry Carr (03/09/2020)
    • SilverPan Film Lab – My Choice for Film Development Services (01/27/2020)
    • The Lesser Photographer by CJ Chilvers – a particularly sage photography book (12/31/2018)
    • Hitchcock’s Rear Window – Watching the Watcher – By Frank H. Wu (07/27/2018)
    • Kodachrome Movie Review – it’s Good Even If it is About Family, Not Film – By Frank H. Wu (05/11/2018)
    • Good night sweetheart & my little rant about toothpaste (04/20/2018)
    • ‘Analogue Photography – Reference Manual for Shooting Film’ – a Strong Recommendation (03/25/2018)
    • Forward Motion – On the Road with Saint Etienne – By Mike Monaghan (03/14/2018)
    • Fat Lama – could your camera collection earn its keep? (02/11/2018)
    • Helmut Newton- Pages from the glossies – by Anil Mistry (01/14/2018)
    • Leica 50mm f/2 Summicron v3 – Cameraworks Restoration Review (12/10/2017)
    • Second City – Making My First Zine – by Richard PJ Lambert (10/21/2017)
    • RNI ‘Really Nice Images’ Review – and some wider thoughts on film simulation (07/25/2016)
    • Nightcap Pro – An iPhone camera app review (02/24/2016)
    • Voigtlander VC Meter II Light Meter Review (01/15/2015)
    • ‘Up North 2’ – The lost photozine (06/29/2014)
    • Thoughts on ‘up north 1’ and a little common ground shared with someone I’ve never met … (11/14/2013)
    • Real Photographers Forum – A highly biased opinion. (05/27/2013)
    • Japan Camera Hunter – Notes on a positive experience. (05/26/2013)
    • Category: Accessories
      • Zhiyun Molus X60 RGB Light Review – Documenting a Daoist Idol Makers’ Workshop (12/12/2024)
      • Kentfaith Variable ND (ND2-400) & 1/4 Black Mist and a growing love for lens filters (12/02/2024)
      • LightPix Labs FlashQ M20 – Hitting the street with a new flash (10/22/2024)
      • Zhiyun Molus G300 Review – Incredibly Compact and Bright LED Light (09/02/2024)
      • PPP Cameras Leatherette For Pentax 17 Review. (08/16/2024)
      • Godox Lux Elf Review – the Cute New Retro Flash (07/01/2024)
      • Bowman Leather Camera Straps Review – Affordable Quality from the Edge of the Lake District (05/17/2024)
      • Accessory rangefinders – the Watameter and others. (05/02/2024)
      • Godox Lux Cadet – Retro Flash Review (04/23/2024)
      • Godox AD100 Pro Review – The Perfect Off-Camera Flash For My Needs (10/24/2023)
      • Falcon Dust-Off: An Unsung Hero of Film Photography (10/07/2023)
      • Ago Film Processor by Vintage Visual – Product Review (10/03/2023)
      • SmallRig Free Blazer Review – A decent video tripod for under £400? (09/01/2023)
      • VSGO Electronic Air Blower Review (06/17/2023)
      • Godox AK-R21 Projection Attachment and AK-S Slide Set – Lighting Gear Review (06/12/2023)
      • A Photographers Vest – Better Late than Never! (01/31/2023)
      • Sirui B25R Bendable LED Light Review – It Bends! – by Sroyon (01/02/2023)
      • Sirui T120 Telescopic RGB LED Light Review – I See You Have Constructed a New Lightsaber – by Sroyon (12/29/2022)
      • Godox Lux Senior with B/W negative film – by Phil Harrison (12/14/2022)
      • Voigtländer Kontur Viewfinder Review – By Tony Warren (12/07/2022)
      • pixl-latr Review – A Film Scanning Gadget for Someone Who Hates Gadgets – By Nick Davis (11/25/2022)
      • Techart Pro LM-EA9 Auto Focus Lens Adapter Review (11/21/2022)
      • Godox Lux Senior and Lux Junior Flashes – In-depth Review and Comparison – by Sroyon (11/14/2022)
      • SmallRig 1.55X Anamorphic Lens, iPhone Cage and Grip Review (09/05/2022)
      • Godox Lux Senior Flash – Street Portraits and First Impressions – by Sroyon (08/29/2022)
      • Zen and the Art of Camera Scanning or The Brief History of Vlads Test Target – by Vlad Serebryany (07/30/2022)
      • Instax Share SP-2 Review – The Joy of Instax – By George Griffin (06/20/2022)
      • Jackery Explorer 240 Review – Power for Photographers (and their Families) on the Go (02/14/2022)
      • My Search for the Right Developing Tank – By Ciela Guenne (09/29/2021)
      • Tiffen Black Pro Mist Filter & Turning the 50mm ZM Sonnar “Atmosphere” up to 11 (09/13/2021)
      • Filling a Niche Market With the m_v Double Shoe Accessory – By Hern Tan (07/16/2021)
      • KameraKraft LMGRIP V2.0 & LM10GRIP V1.0 Leica Camera Grip Reviews (06/07/2021)
      • Shoe Mount Light Meters – Which One is Right for You…? (05/03/2021)
      • Doomo Meter D Light Meter Review – for the “Analogue” Experience (02/08/2021)
      • Moon Tiny Flash – Mini Flash Mini Review (11/16/2020)
      • Hedeco Lime One Compact Light Meter Review and Launch on Kickstarter (10/07/2020)
      • The Reveni Labs Light Meter Review – (Small) Size is Everything (09/28/2020)
      • Macro Converter Lens – for “Broadening Photography Skills on the Cheap” – By Salman Rameli (09/15/2020)
      • Tiffen Black Pro Mist Filter (1/8), on Digital & MF film – by Pierre-Alix Favillier (07/22/2020)
      • Sekonic L398A Review – Field testing – by Michael Scott (07/01/2020)
      • Peak Design Range Pouch (Small) Review (04/22/2019)
      • Butter? But… er… – the 3D printed accessories you will love, hate, or maybe both!? (12/17/2018)
      • Peli 1510 Protector Case review – My Peli Adventure Begins (10/14/2018)
      • 35mm Accessory Viewfinder for the Budget Conscious / The Wonders of 3D Printing (07/01/2018)
      • EditorKeys Lightroom Keyboard Cover mini-review (06/24/2018)
      • Peak Design Everyday Sling 5L – News and mini-review (10/31/2017)
      • Peak Design Slide Lite, Field Pouch, Leash and Cuff – A System Review (10/08/2017)
      • Hawkesmill Borough Leather Camera Strap Review (09/23/2017)
      • Lumu Power review – the tiny full featured light meter (08/20/2017)
      • Scarabaeus Review – an elegant belt clip for your camera (07/22/2017)
      • Cosyspeed Camslinger Review – A camera bag that doesn’t annoy me! (05/13/2017)
      • Cordweaver/Peak Design Strap Review (04/17/2017)
      • Leica 1.4x viewfinder magnifier – mini-review (04/02/2017)
      • PhotoMemo Books – from Mike Padua’s ShootFilmCo (11/04/2016)
      • 595Strapco Quick Release Horween Leather Camera Strap Review (10/09/2016)
      • Lumu Light Meter review (05/28/2016)
      • Zaidmade film case review (and other photography paraphernalia) (05/23/2016)
      • Voigtlander 28/35 mini-finder micro-review (01/16/2016)
      • 595Strapco Laverton review (08/24/2015)
      • ‘Taab’ lens tab – Pre-production review / beta test report (05/18/2015)
      • Footprint Leather Camera Strap with ‘QR Swivels’ (01/25/2015)
      • MR-9 Battery Adapter (01/14/2015)
      • Leatherman Squirt S4 review (for Photographers) (04/04/2014)
    • Category: Books, Zines & Exhibitions
      • McKeown’s Price Guide to Antique and Classic Cameras – Catalogues, Histories and Price Guides (04/02/2024)
    • Category: Light Meters
      • Keks KMQ – a new answer to the need for tiny light meter? (10/14/2024)
      • Sekonic Twinmate L-208 – A very versatile little light meter (10/07/2024)
      • Astrhori XH-2 Shoe Mount Light Meter Mini-Review (06/06/2024)
      • KEKS KM-Q – A Sugar Cube-Sized Light Meter Review (03/25/2024)
      • Astrhori AH-M1 Shoe Mount Light Meter Review (02/12/2024)
    • Category: Software & Apps
    • Category: Website & Services
  • Category: Compact Cameras
    • Fujica Half – the Revival of a Half Frame Camera (01/24/2024)
    • Nikon Zoom 700 VR Mini-Review (12/04/2023)
    • Kodak Star, 60 and S30 – One City, One Film, Three 110 Cameras (11/10/2023)
    • Ricoh Mirai as a Semi-Professional Task Camera – Back to See “the Future” (11/03/2023)
    • Worth the Upgrade? Reviewing the Kodak Ektar H35N’s Hip New Features: Glass Lens, Star Filter, and Bulb Shutter (11/02/2023)
    • Canon Sure Shot 130u II Date: One of Canon’s Last Film Cameras (09/30/2023)
    • Olympus XA2 – A Brief Guide to my Every Day Carry Camera (04/12/2023)
    • Leica Mini Zoom – A Whole (Test) Roll with Kodak Gold 200 (02/05/2023)
    • Category: Advanced Compact
      • Contax G2 – The Finest Camera Ever to See my Minds Eye (07/21/2023)
      • Nikon 35 Ti – Long Term Impressions – By Lennart Klein (12/05/2022)
      • Alfie Tych Preview – An Eccentric Camera that Fits in the Palm of Your Hand (10/13/2022)
      • CONTAX T – The 1st One – A Compact, Manually-Focused Rangefinder (10/10/2022)
      • Olympus XA – And the Nobel Laureate who used to own it – By Eric Huynh (07/19/2022)
      • Minolta TC-1 – On Loan and in Love – By Robert (09/10/2021)
      • Contax TVS – Mini Review – By Lukas Walter (07/04/2019)
      • Fujifilm Klasse 38mm F/2.6 Review – By David Narbecki (06/21/2019)
      • Konica Hexar AF – A Love Letter – By Ong Sien Hong (05/11/2019)
      • Pentax Espio 115M – Mini Review – by Phil Harrison (04/25/2019)
      • Nikon 28ti and 35ti – Mini-Review – By Ahmed Al Shorouqi (03/10/2019)
      • Contax TVSiii Review (vs. the TVSii) – A One Roll Review (09/23/2018)
      • Contax TVSii – a review with a few comparisons to the T2 (08/26/2018)
      • Contax T2 Review – Just a device? – by Adam Laws (11/18/2017)
      • Konica Hexar (AF) review – Picking a few holes in the Untouchable (07/16/2017)
      • Contax T2 vs. Fuji Klasse S – A Clash of Compact Camera Giants – by Aivaras (02/04/2017)
      • Minolta TC-1 Review – A Worthy Companion – by Benn Murhaaya (01/28/2017)
      • Ricoh GR1 – will it dethrone my Olympus XA2? – by Frank Lehnen (12/11/2016)
      • Contax TVS Review – The ‘Executive’ Compact Zoom – By Eddy (09/10/2016)
      • Contax G2 Review – The Gobi Desert – by Nicholas Koh (08/20/2016)
      • Nikon 35Ti review – by Marc-Olivier Gilbert (09/21/2015)
      • Contax T3 Review – A regular companion (06/17/2015)
      • Contax T2 – Long Term Impressions – By Kwasi Boyd-Bouldin (04/05/2015)
      • Fuji DL Super Mini (Tiara) Review – an almost cult classic – by Benn Murhaaya (03/17/2015)
      • Konica Hexar AF Mini Review – by Rob MacKillop (02/25/2015)
      • Minolta TC-1 Review – An Eccentric Beauty (09/27/2014)
      • Ricoh GR1v Review – My Final thoughts (02/16/2014)
      • Ricoh GR1 – A tale of repair and repeated woe (02/09/2014)
      • Fuji Klasse W Review – My final thoughts (02/04/2014)
      • Contax T2 Review – it’s chunky, it’s very expensive, but it’s good! (11/22/2013)
      • Fuji Klasse W – Comments on Exposure and Focusing (05/31/2013)
      • Ricoh GR1 Review – The Path to Enlightenment (05/05/2013)
      • Fuji Klasse W – Initial Impressions (05/03/2013)
    • Category: Disposable Cameras
    • Category: Point & Shoot
      • PIC Camera – Having fun with the rare round British made oddity (11/22/2024)
      • Pentax PC35AF-M – A Mini-Review (11/11/2024)
      • Minox 110S review (10/16/2024)
      • Boots 35AF – This Boots is made for shooting (10/11/2024)
      • Chinon Auto 3501 – Ugly, Noisy and Quite Capable (09/18/2024)
      • Holga Micro-110 – How low(fi) can you go? (09/07/2024)
      • Pentax Auto 110 – My First Experiences (07/05/2024)
      • Fuji DL-300 & Pentax Espio 140 – Jungle Duel – Point and Shoots (05/29/2024)
      • Minox CD70 – A Mini-Review on Kentmere 400 (05/20/2024)
      • Agfamatic Pocket 4008 – a P&S of Yesteryear (05/15/2024)
      • Olympus Promaster Infinity TWIN Review – It’s got the POWER! (05/10/2024)
      • Olympus XA4 has a day out in Scarborough (05/09/2024)
      • Lomomatic 110 Camera Review: Lomography’s New Tiny Format Treat (04/26/2024)
      • Nikon TW20 5 Frame Review – Two lenses; two perspectives (04/10/2024)
      • Rollei AFM35 – A Regular Companion Once More (04/09/2024)
      • Minolta 16 MG sub-miniature camera. (03/08/2024)
    • Category: Scale Focus
      • Olympus XA-2 – An old friend (12/26/2024)
      • Petri Color 35 – A Love Letter to a favourite camera (12/20/2024)
      • Olympus Trip 35 – Shooting my black camera in Munich (12/13/2024)
      • Rollei 35T – A compact hiking companion (12/06/2024)
      • Ilford Advocate Camera – A wonderful street camera (10/30/2024)
      • Canon 110 ED Review (10/23/2024)
      • Minolta Hi-Matic S2 – The One I’ll Never Part With (10/13/2024)
      • 5 Frames with a Voigtlander Bessa L – Broken in Just the Right Way (08/02/2024)
      • Rollei B35 – the German Cousin from Singapore (07/22/2024)
      • Rollei A110 – Bringing It Back From The Dead (06/30/2024)
      • Pentax 17 Comprehensive Review – The New Half-Frame Point & Shoot (06/17/2024)
      • King Dominant or Regula Sprinty BC300 (05/31/2024)
  • Category: Darkroom & Dev Kit
    • Jagglé – Introducing my Daylight Enlarger (09/16/2024)
    • AGO Film Processor – An honest review of Vintage Visual’s Film Processor (08/19/2024)
  • Category: Digital Cameras
    • GoPro – Treating a Action cam Like a Point & Shoot (12/11/2024)
    • Hasselblad X1D II 50C – A Week of Trying Digital Medium Format (11/15/2024)
    • Sony F828 Review – More than Meets the Eye (09/23/2024)
    • Pentax K100D – The only digital camera that I have any affection for (09/09/2024)
    • Sony NEX-7 from 2011 Revisited – Sony and APS-C – part 3 of 3 (07/26/2024)
    • Sony a700 from 2007 Revisited – Sony and APS-C part 2 of 3 (07/19/2024)
    • Sony R1 – the Original from 2005 revisited – Sony and APS-C part 1 of 3 (07/12/2024)
    • Olympus E-1 Review – Down the Kodak CCD Rabbit Hole (06/24/2024)
    • Pentax K-3 Mark 3 Monochrome Vs… – In Search of a Monochrome Option (06/09/2024)
    • Leica M8 – A “Better” Alternative to Shooting Film Rangefinders? (06/07/2024)
    • Leica C (Typ 112) – A Capable Compact (by Panasonic) (04/29/2024)
    • Olympus C2000Z – A new life for an early digital compact (04/12/2024)
    • Pentax Q7 – A Black and White Holiday Workflow (04/08/2024)
    • Konica Minolta Dimage X1 – It’ll put you off Photography for life (04/01/2024)
    • Konica Minolta Maxxum 7D in Walthamstow Marshes – Unleashing the CCD Kraken (03/25/2024)
    • Kodak EasyShare Z730 – Jankuary – The Best Camera is the One You Get for Free (02/19/2024)
    • Olympus E-300 and Fuji FinePix Z10fd – Jankuary Roadtrip – Battle of the CCDs (02/08/2024)
    • Fuji MX-500 – 5 Frames for Jankuary with my first digital camera (02/05/2024)
    • Polaroid’s PDC-700 – A little old digicam with a big secret (Shot for Jankuary) (02/02/2024)
    • Resurrecting a beloved Minolta A1 during some snowy Jankuary isolation (01/31/2024)
    • Kodak DX6340 – A Day With a 2003 Digicam for Jankuary (01/26/2024)
    • Casio EX-ZR800 – My Cheapo Companion (01/16/2024)
    • Olympus Camedia C2020Z – Vintage Digital/Antique Shop “Jankuary’ Find – 2MP from 1999. (01/15/2024)
    • Breaking Out A 19-Year Old Digicam for ‘Jankuary’: The 4MP Olympus FE-100 (01/12/2024)
    • Pentax Optio S12 – Jankuary Camera that Meows (01/10/2024)
    • Fujifilm Finepix S3100 – Kicking off Jankuary (01/05/2024)
    • Nikon D700 – a 2023 Review of a Classic Full Frame DSLR (11/06/2023)
  • Category: DIY & Pinhole Cameras
  • Category: Film
    • Polachrome Polapan CT – A short-lived introduction from Polaroid (11/07/2024)
    • Washi E – A Very Peculiar Film (10/27/2024)
    • Expired Kodak Technical Pan – a Cornucopia of Contrast (09/30/2024)
    • Ilford FP4 Type 517 Cine Film Review (09/24/2024)
    • Harman Phoenix 120 – My First Few Rolls (09/06/2024)
    • Harman Phoenix – Now Available in 120 – My First few Rolls (09/05/2024)
    • I Tried the Cheapest Film on the Internet – Here’s What Happened (07/02/2024)
    • Rollei RPX 25 at 100 ASA stand developed in Rodinal 100:1 (06/17/2024)
    • Adox CHS 100 II – First Impressions (06/17/2024)
    • Adox CMS 20 II Pro – My First Roll (06/14/2024)
    • SPUR UFG – The Quest for Finest Grain – An Aviation Film used for very Down-to-Earth Photography (05/30/2024)
    • Kodak Portra 400 – Recreating 90s New York Style (04/21/2024)
    • Orwo Wolfen NC-500 – A Contrarian’s Perspective (03/15/2024)
    • Ilford PanF 50 Plus in the Photography Studio (02/07/2024)
    • Kodak Verichrome Pan – Adventures Shooting a Roll of Film from 1976 (01/08/2024)
    • Rene Selection 5207 – Trying out an Incredible film for my #filmstocktryouts project (12/22/2023)
    • Agfa Copex Rapid developed in H&W Control (12/14/2023)
    • Harman Phoenix 200 – First Roll Review & Experiences (12/01/2023)
    • BERGGER Pancro 400 – Small Scenes Up a Mountain in Seoul (11/21/2023)
    • Ilford Delta 3200 – a challenge accepted (10/28/2023)
  • Category: Instant Cameras
    • HassyPB Review – It Makes Photos That People Want To Take From You (03/29/2024)
  • Category: Lenses
    • 7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment (12/22/2024)
    • NEWS: Introducing the Omnar 35mm f/3.5 Pantessa FLB (YS35-35FLB) (12/20/2024)
    • Viltrox AF 35mm 1.7 Z DX – A new nifty fifty prime lens for the Nikon DX system (12/18/2024)
    • Samyang Remaster Slim – a 3-for-1 Pancake Lens Review (12/16/2024)
    • Thypoch 50mm 1.4 Simera review – A high spec rangefinder lens! (11/12/2024)
    • Vivitar 19mm f3.8 – Exactly What it Should Be (10/24/2024)
    • Nikkor-H Auto 2.8cm f/3.5 – Wakimoto’s Triumph and Nikon’s Hidden Legacy (10/18/2024)
    • Viltrox 28mm f/4.5 Pancake Lens Review and Indigogo Launch (09/27/2024)
    • Nikon 500mm Mirror Lens – The short fat cheap deal! (09/16/2024)
    • Light Lens Lab Eight Element 35mm f/2 review (08/26/2024)
    • Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens (08/16/2024)
    • Omnar/Skyllaney Converted Carl Zeiss Jena Biotar 40mm f/1.4 – Mini Review (06/28/2024)
    • Thypoch Eureka 50mm f/2 M-Mount Lens Review (05/24/2024)
    • TTArtisan 27mm f/2.8 AF Fuji X mount (a manual lens shooters) review (05/13/2024)
    • Lomography Nour Triplet V 2.0/64 Review – Beyond The Blur – My Time With The Bokeh Control Art Lens (05/06/2024)
    • Thypoch Simera 28mm f/1.4 ASPH review (04/22/2024)
    • 7Artisans 60mm 2.8 Macro Lenses – A Comparison of Two Lenses for Film Scanning (04/05/2024)
    • Carl Zeiss 38mm Sonnar / Omnar CX38-28 for use on Hasselblad XCD and Fuji GFX (03/22/2024)
    • 7Artisans 50mm 1.8 AF – A Brand New Budget Auto Focus Lens (03/16/2024)
    • 7Artisans 9mm f/5.6 Review (03/11/2024)
    • Soligor 35mm f/3.5 – A Cheap and Cheerful Softie (03/01/2024)
    • Thypoch Simera 35mm ASPH review (02/19/2024)
  • Category: Medium & Large Format
    • Rolleiflex 2,8GX – A Short Review and Comparisons with the 2.8F (12/23/2024)
    • Fujifilm GA645W – medium format for mountaineering? (12/09/2024)
    • O.Zone 69 – My Summer with an Open-Source Camera System (11/29/2024)
    • Konica Pearl III Medium Format Folder – Review and Street Shots from NYC (11/25/2024)
    • Pentax 67II – The Perfect Travel Camera (11/18/2024)
    • Kodak Tourist – The Most “Transformable” MF Folder? (11/09/2024)
    • Tele Rolleiflex Review – I will not be separated from this camera (10/28/2024)
    • Yashica D – Diving into Medium Format (10/14/2024)
    • Marchand Fischer Baby Camera (10/04/2024)
    • Kodak 66 II – a refreshingly simple 6×6 folding camera (09/19/2024)
    • Thornton Pickard Rubyette No. 2 – So now what? (08/22/2024)
    • Hasselblad SWC vs. Mamiya 7 with 43mm lens – A Personal Wide-Angle Medium Format Showdown (08/01/2024)
    • Zeiss Ikon Ikoflex II – Falling in love with an ancient TLR. (07/23/2024)
    • Pearl River 4 – A Chinese TLR camera (06/10/2024)
    • Pentax 645 – A Review of a Budget Medium Format Workhorse (06/03/2024)
    • A brief encounter with a (Zeiss) Ideal camera. (05/03/2024)
    • The Yashica Mat 124G and Me (04/28/2024)
    • Krauss Rolette Luxus – an old timer’s story (04/09/2024)
    • Agilux Agifold – Buying British (03/04/2024)
  • Category: Rangefinder Cameras
    • Category: Rangefinders (Changeable Lens)
      • Corfield Periflex Camera – A British Gem (12/24/2024)
      • Agfa Ambi Silette – First Roll Reflections (12/18/2024)
      • Leica III from 1933 – Perfectly Imperfect (11/27/2024)
      • Zeiss Ikon SW – First Impressions of this “blind” camera (10/07/2024)
      • Barnack to Barnack – my Thread Mount Leica Journey so far (09/11/2024)
      • Leica CL – A Vindication (08/05/2024)
      • Nikon S3 Olympic – A Piece of Treasure Found in the Junk Section (05/27/2024)
      • Leidolf Lordomat – Capturing Light and Shade (04/19/2024)
      • Leica M4-P vs. Leica CL – and a Tale of Loss and New Experiences (02/12/2024)
    • Category: Rangefinders (Fixed Lens)
      • Fujica 35-SE – A review of an interesting if tatty camera (12/04/2024)
      • Rollei XF 35 – First Impressions (11/06/2024)
      • Konica IIIM – Caves, Fog, and Review (10/21/2024)
      • Balda Super Matic – Quirky but fun (09/28/2024)
      • Retina IIc and the Kodak Retina system (08/09/2024)
      • Voigtlander Vito CLR – Early Experiences with little Stips (07/31/2024)
      • Minolta AL-F – Getting to know ALF (07/18/2024)
      • Certo Dollina 2 – Otherwise Unwanted Cameras № 5 (07/06/2024)
      • Olympus 35SP – A 5 Frame Mini-Review (06/28/2024)
      • Kodak Retina IIc – My Journey and Discovery (03/26/2024)
      • Richomatic 35 – Two Contrasting Examples of a 1960s Quality Point & Shoot Camera. (03/11/2024)
      • Ansco’s “Super Memar f/2” – A Simple High-Quality Camera (02/26/2024)
  • Category: Scanners & Digitisation Devices
    • BlackBox 135 Digitisation Tool Review (05/23/2024)
  • Category: SLRs
    • Ricoh KR10 Super – I have a debt of gratitude to this camera (11/20/2024)
    • Minolta Maxxum 7000 – Putting a €30 Camera Through Its Paces at Belgium’s Toughest Cycling Race (11/13/2024)
    • Nikon F2 Photomic – The game changer (11/08/2024)
    • Rolleiflex SL35 – Why use an unloved camera? (11/04/2024)
    • Fuji STX-2 – A Love Affair with a Much Hated Camera. Simple Refinement (11/01/2024)
    • Leica R3 – a camera I was never expecting to buy! (10/17/2024)
    • Minolta 7000 – Finding an eBay Bargain (09/13/2024)
    • Nikon F3 – The Professional Simplicity (08/29/2024)
    • Olympus OM2n – Best of Both Worlds? (07/29/2024)
    • Ihagee Kine Exacta 1936 Round Window – Accidentally Discovering a Camera Brand I’d not heard of (07/28/2024)
    • Chinon CE-4 and Pentax SMC 50mm f1.7 – Think Different (07/15/2024)
    • Minolta Maxxum 7 – The Best for when you really have got to get that shot (on a budget) (04/15/2024)
    • Nikon F4 Review – A Design Revolution (03/20/2024)
  • Category: Underwater/Rugged Cameras
    • Nikonos V – My Thoughts and Experiences – Is it really indestructible? (09/30/2024)
• Category: News & Events
  • Join me and the photography community on Bluesky (11/25/2024)
  • NEWS: Jagglé Berlinova – Live on Kickstarter! (10/16/2024)
  • NEWS: Intrepid Launch I-0 Shutter and 150mm f6.3 Lens on Kickstarter (09/24/2024)
  • NEWS: Ilford Photo Celebrating 145 years History with Limited Edition Retro Packaging (09/24/2024)
  • Free Fuji Neopan 400 for a good cause – and some for sale too! (09/20/2024)
  • NEWS: Silver & Light – An Analogue Photographic Exhibition (04/19/2024)
  • A couple of website issues fixed (02/09/2024)
  • How to Bring Back the Visual Editor (A Note to 35mmc Contributors) (01/29/2024)
  • New Website Update (the adverts are back…) (01/24/2024)
  • New website – Live! (now help me find the weird stuff) (01/18/2024)
  • NEWS: Bi-weekly News Round-Up – January 14, 2024 (01/14/2024)
  • NEWS: BlackScale Lab Releases BlackBox 120 for Medium Format Film Scanning After 35mm Success (01/12/2024)
  • NEWS: 25th Anniversary of STRAIGHT 8 Goes Big on IMAX in 2024 (01/11/2024)
  • Forthcoming Major Overhaul of 35mmc (01/09/2024)
  • NEWS: Kickstarter for Kolari Shades Launches Today: Sunglasses Made By Photographers For Photographers (01/09/2024)
  • ROUND-UP: Camera Reviews from the Film Photography Blogosphere (01/07/2024)
  • NEWS: Bi-weekly News Round-Up – December 31, 2023 (12/31/2023)
  • The Most Read and Commented upon Posts Published on 35mmc in 2023 (12/31/2023)
  • NEWS: IUTD Studios Transparent 35mm Film Camera with 28mm Lens Now Available (12/22/2023)
  • NEWS: The Sustainable Darkroom’s Documentary Shares Eco-Friendly Vision for Photography’s Future (12/20/2023)
  • NEWS: RETO Releases KODAK Multi-Purpose Camera Strap With Quick-Detach System (12/19/2023)
  • NEWS: TTArtisan Releases Affordable Ultra-Wide 10mm F2 Aspherical Lens for E, X, Z, RF, and MFT Mounts (12/18/2023)
  • ROUND-UP: Camera Reviews from the Film Photography Blogosphere (12/17/2023)
  • Jankuary – Janky Camera January (12/15/2023)
  • NEWS: Bi-weekly News Round-Up – December 10, 2023 (12/10/2023)
  • NEWS: Analog Cafe Founder Creates Edible Instant Pinhole Camera from Gingerbread (12/08/2023)
  • NEWS: AstriHori Announces Full-Frame 28mm F13 2X Macro Lens with a Waterproof Periscope Probe (12/06/2023)
  • NEWS: A 2023 Holiday Gift Guide for Film Photographers (12/04/2023)
  • ROUND-UP: Camera Reviews from the Film Photography Blogosphere (12/03/2023)
  • NEWS: “What The Film?!” Challenges Photographer’s to Identify Black and White Film Stocks (12/02/2023)
  • NEWS: HARMAN Photo Introduces Phoenix ISO 200 Colour Film Made from Scratch in the UK (12/01/2023)
  • NEWS: The Latest on MiNT’s Compact 35mm Film Camera Project with Disparafilm Blog (11/29/2023)
  • NEWS: Kickstarter Launched for the Jollylook Eye – A Mechanical Instax Mini Film Photo Printer (11/28/2023)
  • NEWS: Viltrox Releases Compact Affordable Full-Frame 20mm F2.8 Lens for Sony E Users (11/27/2023)
  • NEWS: Bi-weekly Round-Up – November 26, 2023 (11/26/2023)
  • NEWS: Supersense Launches Cheaper ONE INSTANT DIY Peel-Apart Instant Packfilm Kit (11/24/2023)
  • NEWS: December 1st Open Lab Event to Celebrate Merger Between Barcelona Film Labs – Dubblelab and Amigou (11/23/2023)
  • NEWS: TTArtisan Releases APS-C 35mm F1.8 Autofocus Lens for Fujifilm X, Sony E, and Nikon Z Mount (11/20/2023)
  • ROUND-UP: Camera Reviews from the Film Photography Blogosphere (11/19/2023)
  • Website issue: Emails not working (11/19/2023)
  • For Sale: A Load of my Personal Collection (11/17/2023)
  • EVENT: Intrepid Studios to Host Three Free Open Days in November and December (11/14/2023)
  • NEWS: I’m Back Partners with Yashica on Digital Back Kickstarter for Film Cameras (11/13/2023)
  • EVENT: Rio’s 2nd Carioca Analog Photography Festival is Accepting Exhibition Submissions Until November 11th (11/08/2023)
  • NEWS: Recently Published Photo-Audiobook “H – A Love Story” Raises Awareness About Heroin and Homelessness (10/24/2023)
  • NEWS: Reveni Labs Launches Kickstarter Today for Pro-Grade Camera Tester (10/23/2023)
  • NEWS: Fundraiser for New Small Town Inertia PC After Motherboard Fried (10/23/2023)
  • NEWS: Lomography Declares 120 An Endangered Species and Offers Significant Price Reductions (10/18/2023)
  • NEWS: 7Artisans Launches Ultra Wide Aspherical 9mm F5.6 Full Frame Lens for E, RF, Z, and L Mounts (10/13/2023)
  • 35mmc, Adverts, Website Issues, and a Path Forward (10/13/2023)
  • NEWS: The Battle Over 800T – Straight Answers on the CineStill Trademark Story (10/13/2023)
  • EVENT: Filmstock 2023 – A New Analogue Photography Event Heads to Atlanta, GA This Weekend (10/05/2023)
  • NEWS: Lomography Launches Kickstarter for the Nour Triplet F2.0 Bokeh Control Art Lens (10/04/2023)
  • NEWS: Kamerastore and Analogue Wonderland Partner to Bring Certified Vintage Film Camera Shop to UK Community (09/29/2023)
  • NEWS: Reto Project Expands Creative Options with the Upgraded 35mm Half-Frame Kodak Ektar H35N (09/01/2023)
• Category: Photography
  • Drinking Districts in Japan VII: Obihiro (02/06/2024)
  • Kiev 60 in Paklenica National Park (02/01/2024)
  • Travelling from Germany to Northern Italy, taking in Denmark and Austria on the way: Original Canonet roll #5 (01/30/2024)
  • Ancient ORWO film, ancient Agfa Rodinal, ancient camera, lens and… photographer? (01/13/2024)
  • Ride Options in Vienna (01/11/2024)
  • The End of the Line (01/11/2024)
  • 6 rolls, 6 days, 600km, one misplaced drop of oil: Nikon FM on the Second City Divide (01/04/2024)
  • Blur as protagonist: an attempt to take the pulse of the city (01/02/2024)
  • The Whole Roll – Weekend in Northern Quebec (12/22/2023)
  • A Curious British Institution, and the Tale of an Agfa Isolette II (12/17/2023)
  • Home on Mamiya RB67 (12/15/2023)
  • Where is the Heidelberg? – with Canonet GIII QL17 and Fomapan 400 (12/09/2023)
  • Dream Grieving, Photograph Weaving (12/07/2023)
  • Film Ferrania P30 in Finland with a Leica M3 (12/07/2023)
  • You don’t know what you’ve got till it’s gone (12/06/2023)
  • Phytogram Experiments in Weeds – What Pushes Through (11/30/2023)
  • Saving my vacation photos from a faulty development (11/21/2023)
  • Bay Area Photo Walkabout with a Selection of Camera (11/08/2023)
  • Veliko Tarnovo – a Glimpse into its Past (11/07/2023)
  • Documenting Berlin, 2022-2023 (10/31/2023)
  • The End of a Summer with Nikon F4 (10/31/2023)
  • Traversing The Cowboy Trail (Part two) (10/26/2023)
  • Traversing The Cowboy Trail (Part One) (10/21/2023)
  • Behind the People of Chicago (10/18/2023)
  • Submerging in Ponarth with Minolta X-500 – By Miłosz J. Cordes (06/06/2021)
  • In the Woods, in the Rain, with a Mirror and a Mamiya 645 1000s – by Brian Dolzani (11/18/2020)
  • 36 Frames / A Whole Roll of Fomapan 100 (at EI400) – #FullRollFriday – By Anthony Chatain (05/01/2020)
  • Category: 5 frames with...
    • 5 frames with a Nikon F4S (12/19/2024)
    • 10 Shots from the Toronto Skate Scene (12/17/2024)
    • 5 Frames with a Rollei 35AF and Cinestill 800T (12/10/2024)
    • 5 Frames in Berlin with Leica M3 & Ilford HP5 (12/06/2024)
    • 5 frames with Beauty Lightomatic II (11/29/2024)
    • 5 Frames in Laos with the Lomo LC-A (11/28/2024)
    • 5 frames taken with a Leica R4 that I got by chance (11/27/2024)
    • 5 frames with an Olympus Trip MD2 and Kentmere 400 (11/26/2024)
    • 5 Frames rock hunting in the Keweenaw with a Minolta SR-7 (11/26/2024)
    • 5 Frames with a Vivitar 70-210 f/3.5 (11/25/2024)
    • 5 Frames of Kodak Tri-X @3200 (11/19/2024)
    • 5 Frames with a Minolta Dynax 9 & Harmon Phoenix 200 (11/16/2024)
    • 5 Frames with a Kodak Easyshare DX7630 (11/15/2024)
    • 5 Frames with a Yashica Mat 124 (11/13/2024)
    • 5 frames with an Instax Mini 99 (11/12/2024)
    • 5 Frames with my Canon A1 and a roll of Ilford Pan F (11/11/2024)
    • 5 Frames With the Leica M8 in Providence, Rhode Island (11/10/2024)
    • 5 Frames with Contax T and Fomapan 200 (11/10/2024)
    • 5 frames with a Rolleicord Va on Lomography Purple (11/09/2024)
    • 5 Frames in Berlin on a Leica M5 with CineStill 50D (11/08/2024)
    • 5 Frames with a Canon Canonet QI17 GIII and Fujifilm 400 (11/03/2024)
    • 5 Frames with a Voigtländer Vito B (11/02/2024)
    • 5 Frames with a Minolta XGM at Go Your Own Way (10/28/2024)
    • 5 Frames of Kodak 5219T film with Contax Aria for Cantonese Opera (10/27/2024)
    • 5 Frames with a 1D MkII and a 35mm F1.4L (10/23/2024)
    • 5 Frames from the Ultramax Challenge (10/22/2024)
    • 5 Frames with a Canon G1 – a Little Known Classic (10/20/2024)
    • 5 Frames With a Nikon S3 — a Camera That Will Make Your Heart Flutter (10/16/2024)
    • Fuji Eterna 250D – My first step into cine film stock (10/12/2024)
    • 5 frames with Petri 7s using Kodak Gold 200 (10/12/2024)
    • 5 Frames with an IR Converted Nikon D300 (10/03/2024)
    • 5 Frames with a Minolta 16MG and Rollei RPX 25 (10/01/2024)
    • 5 Frames, 40 Years, 1 Camera (09/29/2024)
    • 5 Macro Frames with a Canon EOS 30 & MP-E 65mm (09/27/2024)
    • 5 Frames with Pentacon F and Agfa APX 100 (09/26/2024)
    • 5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM (09/25/2024)
    • 5 Frames with a Kodak Retina Ib (Model 19) and a roll of Kodak ColorPlus 200 (09/21/2024)
    • 5 frames with a Canon EOS IX7 APS camera (09/20/2024)
    • 5 Frames with a Retinette 1B and Lomochrome Metropolis – Patina at Lullingstone Castle (09/18/2024)
    • 5 Frames with A Few Minolta X-300s (09/15/2024)
    • 5 Frames with a Hasselblad 501 C – ZEISS 80mm f/2.8 and Kodak Gold 200 – By Eric L. Woods (09/01/2024)
    • 5 Frames with Three Cameras in the Woods (08/31/2024)
    • 5 Frames with a 20-40mm f/2.8 Pentax 110 lens on an OMD-EM5 MKII (08/30/2024)
    • The Whole Test Roll – Hasselblad 503CX and Ilford XP2 Super (08/25/2024)
    • 5 Frames with a Leica M6 and Slide Film (08/24/2024)
    • 5 Frames with a Widelux F7 at The Louvre (08/22/2024)
    • 5 Frames of Kodak VISON3 5219T on a Leica M6 with Nokton 35mm F1.5 in Cantonese Opera Backstage (08/18/2024)
    • 5 Frames With A Le Clic Fun Shooter Panoramic Conversion (08/16/2024)
    • 5 Frames in Old San Juan On a Mamiya 6 with Fujichrome (08/14/2024)
    • 5 Frames with a Minolta X-700 and Harman Phoenix in Krakow, Poland (08/11/2024)
    • 5 Frames Going Square with 35mm Film in a Minolta 24 Rapid (08/10/2024)
    • 5 Frames with Ilford Ortho Plus (08/08/2024)
    • 5 Frames with a Fed-2 – New aspects, old subject (08/06/2024)
    • 5 Frames of Iceland (on Portra 400 and HP5+) (08/04/2024)
    • 5 Frames Around the University of Minnesota (08/02/2024)
    • 5 Frames with Contax T2 and Kodak Tri-x 400 (07/30/2024)
    • 5 Frames with a Sony DSC R1 bridge camera – from Commute to Salsa. (07/27/2024)
    • 5 Frames with ‘a’ Kodak Autographic № 3. (07/17/2024)
    • 5 Frames of Sunsets in Black and White (07/16/2024)
    • 5 Frames with a Mamiya C330 and Rollei Infrared film (07/13/2024)
    • 5 frames with a Canon AE-1, shooting a professional football (soccer) game (07/11/2024)
    • 5 Frames with a Nikon FE and a Stroke of Luck (07/10/2024)
    • 4 Frames (and an error) with a Zeiss Ikon Nettar 518/16 (07/09/2024)
    • 5 frames with Nikon FM2 and Kodak Gold 200 (07/06/2024)
    • 5 Frames with the Ilford Sporti (07/05/2024)
    • 5 Frames with Rollei Superpan 200 and a Minolta 460Tx 110 (07/04/2024)
    • 5 Frames with a Leica M3, TTArtisan 50/1.4 and Tri-X (07/04/2024)
    • 5 Frames with an Olympus OM-1N (06/28/2024)
    • 5 Frames with a Panasonic Lumix G100 (06/27/2024)
    • 5 Frames with a Pentax MZ5 at the Beach (06/26/2024)
    • A Classic Car meet with XP2 Super and a bit of help from a Leica 111a (06/26/2024)
    • 5 Frames of Kodak Double XX 5222 on a Pentax Espio 24EW in Madrid (06/25/2024)
    • 5 Frames with expired Agfa CNS in a Rollei A110 and processed in expired chemicals. (06/23/2024)
    • 5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160 (06/20/2024)
    • 5 Frames with a Fujifilm GA645 (06/18/2024)
    • 5 frames with a Nikon FM2 & Kentmere 400 pushed to 3200 (06/10/2024)
    • 5 frames with the Olympus XA that were ruined by the addition of my finger (06/08/2024)
    • 5 Unintended frames with Agfa APX100 (and an OM4-Ti) (06/07/2024)
    • 5 frames with Nikkormat FT3 in Meidling, Wien (06/05/2024)
    • 5 frames in Ouro Preto with Ilford Delta 400 and a Nikon 35Ti (06/04/2024)
    • 5 Frames of Macrophotography with a Pentax 645D and Pentax-A 120mm f/4 (06/02/2024)
    • 5 frames with a Canon EOS 30 – A return to film (06/01/2024)
    • 5 Frames with a Fujica ST605N and a Vivitar 35mm f2.8 (05/25/2024)
    • 5 Frames testing two Rollei A110 cameras (05/24/2024)
    • 5 frames with a Canon EOS-1V, the glorious Fifty and a Roll of Tri-X 400 (05/23/2024)
    • 5 Frames with a Leica iiic, Summicron 50/2 and Ilford HP5+ (05/22/2024)
    • 5 Frames inspired by Georges de la Tour (05/14/2024)
    • 5 Frames with a Nikon D800 and the Voigtlander f1.4 58mm Nokton (05/09/2024)
    • 5 Frames with a Free Olympus OM10 and Optomax 35mm Lens (05/07/2024)
    • 5 frames with Orwo Wolfen NC500 and a Yashica Electro 35 CC (05/04/2024)
    • 5 Frames with a Minolta XD, 85mm f/2.8 Varisoft lens and Ilford HP5+ (05/02/2024)
    • 5 frames with Fomachrom D II 20 (04/30/2024)
    • 5 frames with a Pentax Q7 & Fisheye lens in the library (04/30/2024)
    • 5 frames with Harman Phoenix 200 and Olympus Pen D – A match made in heaven (04/25/2024)
    • 5 frames with a Minolta 700si (04/24/2024)
    • 5 Frames with an Intrepid 4×5 – Famous For Quality. (04/24/2024)
    • 5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2 (04/23/2024)
    • 5 frames with Sony Mavica MVC-FD200, and a lesson in trusting your equipment (04/17/2024)
    • 5 (+2) Frames with a Pentax Q7 & Nikon 85mm 1.8 AFD (~400mm equivalent) (04/16/2024)
    • 5 frames with Kodak Shellburst 346 – the UFO film (04/14/2024)
    • 5 Portraits of… my Girlfriend in Rome with a Pentax ME Super (04/11/2024)
    • 5 Frames with a Nikon F3 HP and Portra 400 (04/02/2024)
    • 5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto (03/31/2024)
    • 5 Frames with a Praktica MTL5B, a Pentacon 50/1,8 and a Roll of Portra 400 (expired in 2011) (03/28/2024)
    • 5 Frames from a Seaside Town with a Nikon F4 (03/28/2024)
    • 5 frames with Ilford Delta 3200 and Canon EOS 7 (03/27/2024)
    • 5 Frames with the Sony DSC-V3 – In Search of Lost CCD Sensors. (03/19/2024)
    • 5 frames in Venice with the Leica 50mm Summicron V4 on a Leica M10 (03/17/2024)
    • 5 Frames with a Minolta X-700 and Tri-X (03/14/2024)
    • 5 Frames with Lomography Orca 110 monochrome film. (03/12/2024)
    • 5 Frames with the Mamiya 6 IV-S Folding 6×6 Camera (03/10/2024)
    • 5 Frames with a Voigtlander Vito II (03/09/2024)
    • 5 Frames with Agfa APX 400 in the Midwinter (03/07/2024)
    • 5 Frames with a Voigtlander Bessa I – My Gateway into Medium Format (03/04/2024)
    • 5 Frames with a Voigtländer Vito CLR (02/27/2024)
    • 5 Frames with a Leica M3 & Ilford HP5 pushed to 3200 (02/25/2024)
    • 5 Frames on the road in Morocco with Bronica RF 645 (02/24/2024)
    • 5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI (02/23/2024)
    • 5 Frames with an Omnar Lenses CX38-28 – Contax T/T2 M-Mount Lens Conversion – on a Leica M10-P (02/21/2024)
    • 5 Frames with JCH Streetpan 400 and a Leica M4-P (02/21/2024)
    • 5 Frames with Fujichrome Fortia SP and Yashica FX-3 (02/20/2024)
    • A 2 Year Journey Across California with Kono Monolit ISO 3 film (02/20/2024)
    • 5 (square) frames with a Zeiss Ikon Tenax I and Ilford XP2 Super (02/17/2024)
    • 5 Frames with Five Fifties and a Leica SL (Typ 601) (02/16/2024)
    • 5 Frames in Greece with the Contax T3 (02/15/2024)
    • 5-ish Frames with a Kodak Tourist II (02/15/2024)
    • 5 Frames with a Yashica 35 Rangefinder (02/11/2024)
    • 5 Colour Frames with a Yashica Mat TLR (02/09/2024)
    • 5 Frames with the MiniCam 100k – My Jankuary project (02/07/2024)
    • 5 Frames with a Kodak Medalist II and Ektar 100 (02/04/2024)
    • 5 frames of 40-years expired Kodacolor II (01/30/2024)
    • 5 Frames with a Leica 111a (01/28/2024)
    • 5 frames in Los Angeles with a Kodak S1100XL and Ilford HP5+ (01/27/2024)
    • 5 Frames Testing a Long Since Used Olympus 35 ECR (01/23/2024)
    • 5 Frames with a Minolta XD7 and Kodak Vision 3 250D (01/21/2024)
    • 5 frames with Zebra Dry Plate Tin Types (01/20/2024)
    • 5 Frames with a Mamiya Press Super 23 – or how I got (back) into film photography. (01/14/2024)
    • 5 Frames with a Fuji GS645S that wasn’t quite as advertised (01/09/2024)
    • 5 frames of Fomapan 100 with my Father-in-Law’s Canonet on Jeju (01/07/2024)
    • 5 Frames with a Rollei 35 and Kodak Tri-X (01/06/2024)
    • 5 Frames with a Canon EOS 600 in Berlin after many years (01/02/2024)
    • 5 Frames with my Nikomat FTn in Milan (12/29/2023)
    • 5 Frames with “WP-Tech 100” and a repaired XA2 (12/27/2023)
    • 5 Frames With a Trip 35 – A Brace of Olympi Pt. 2 (12/20/2023)
    • 5 Frames with a Ricoh XR-X and Vivitar Series I 28-105mm f2.8-3.8 (12/19/2023)
    • 5 Frames with Ilford Delta 100 (12/16/2023)
    • 5 Frames With an XA2 – A Brace of Olympi, Pt. 1 (12/13/2023)
    • 5 Frames with a Kiev 4a and Ilford FP4 Plus – A summer love story in Italy (12/03/2023)
    • 5 Frames of the Granite Coast on Delta 100 in Rodinal (11/28/2023)
    • 5 Frames with RETO Amber 800T, Contax G1 and 28mm f/2.8 (11/22/2023)
    • 5 frames with a Kodak Retinette type 030 Found in a Junk Shop (11/19/2023)
    • 10 Frames from a Tour by Bicycle around New Haven (11/18/2023)
    • 5 Frames through the Mamiya 6 with Kentmere Pan 400 (11/16/2023)
    • 5 Frames with a Rollei B35 and expired Orwo NP27 (11/15/2023)
    • 5 Frames with Foma Fomapan Retro 200 Black and White, Pentax 645N and FA 75mm f/2.8 (11/14/2023)
    • 5 Frames of trains with an Olympus Pen FV (11/12/2023)
    • 5 Frames of X-Ray Damaged Kodak Vision 3 200T (11/11/2023)
    • 5 Frames of Cinestill 800t with a Minolta x-300 and the MD 50mm f/1.7 (11/07/2023)
    • 5 Frames with CatLABS X FILM 100 Color, Pentax 645N and FA 75mm f/2.8 (11/05/2023)
    • 5 Frames with the Minolta X-370 in Las Vegas (11/04/2023)
    • 5 Frames with FPP Low ISO 1.6, Pentax *ist and 50mm f/1.4 (10/29/2023)
    • 5 frames with Kodak Ultramax in a Konica Autoreflex T3 (10/25/2023)
    • 5 Frames Beta Testing an Alfie Tych (10/23/2023)
    • A Few Frames Going Horizont-al (10/18/2023)
    • 5 Frames with Retocolor Aqua 400, Konica Hexar RF and 7Artisans 35mm f/1.4 (10/17/2023)
    • 5 Portraits with Meopta Flexaret VI and Lomography Lady Grey (10/15/2023)
    • 5 Frames with the Leica Summicron 50 Dual Range at closest focus (10/12/2023)
    • 5 Frames with the Zeiss Ikon Contaflex II and Kodak Portra 400 (10/05/2023)
    • 5 Frames with a Pentax MX and AristaEDU (10/05/2023)
    • 5 frames of Kodak Vision3 500T pushed to 1600 at home (09/27/2023)
    • 5 frames of Mt Inari on ORWO Wolfen NC400 with a Pentax KX (09/24/2023)
    • 5 Frames with the Auto Close-up Lens for the Mamiya 6: ‘Baroque’ and superfluous or compact and handy? (09/12/2023)
    • 5 Frames with a Leica Minilux and Kodak 400NC (09/06/2023)
    • 5 Frames of Kodachrome 25 and 64 – an unromantic retrospective (09/01/2023)
    • 5 frames with an Olympus Trip – Sell or Keep? (08/31/2023)
    • 5 Frames with Lomography Metropolis, an OM-2n on the central plains of Kansas – Ruralopolis (08/30/2023)
    • 5 Frames from a 500mm – A Whole New World (08/26/2023)
    • 8 Frames with the Canon Sure Shot Classic 120 – a Stress Test (08/24/2023)
    • 5 Frames with JCH Street Pan in Saratoga Springs, NY (08/16/2023)
    • 5 Frames with Holga 120N and Kodak Porta 160 (08/15/2023)
    • 5 Frames in West Norwood Cemetery with a Minolta SRT-101b and Rokkor 28mm f3.5 (08/12/2023)
    • 5 frames with Voigtlander Bessa L and Ilford XP2 (07/27/2023)
    • 5 Frames with a Tower Reflex 30 and a Kodak Polafilter Hood (07/25/2023)
    • 5 Frames with my newly acquired Pentax 67 (07/23/2023)
    • 5 frames in Portland with an Olympus XA4 and Portra 400 (07/18/2023)
    • 5 Frames in the Grand Canyon with an Nikon FE, T-Max 400, and an Orange Filter (07/15/2023)
    • 5 Frames from a Canon A35F – The Best Rangefinder (07/09/2023)
    • 5 Frames with a Houghton Ensign Box 2¼B (07/08/2023)
    • 5 Frames with Kodak Retina Ia crossing the wild Carpathians (07/01/2023)
    • 5 Frames With Zenit-E On Ilford HP5 (06/29/2023)
    • 5 Frames with Contax RX and some old Detroit Iron – Regrets on one that got away! (06/27/2023)
    • 5 Tri-X 400 test roll Frames, in an Olympus OM2n / my return to REAL photography (06/26/2023)
    • 5 Frames in the Forest with a Pentax 6×7 (06/25/2023)
    • 5 Frames with a Moskva 5 (06/20/2023)
    • 5 Frames at Ontario Place with a Rolleiflex 2.8C (06/18/2023)
    • 5 frames with Shanghai GP3 100 in a Mamiya RB67 (06/15/2023)
    • 5 frames with Fujica Half 1.9 – 33mm F1.9 Half Frame Camera (06/15/2023)
    • 5 Frames of Chicago’s Union Station with a Yashica Mat 124G and Kodak Ektar 100 (06/14/2023)
    • 5 Frames in Italy With the Nikon FM2n and a Roll of Fujifilm Superia X-Tra 400 (06/13/2023)
    • 5 Frames in Crested Butte, Colorado With an Argus Model A and Ilford Delta 3200 (06/10/2023)
    • 5 Frames around Osaka Castle with a Minolta XD5 and Fujicolor 100 (06/08/2023)
    • 5 Frames with Rollei Ortho 25 Plus (06/08/2023)
    • 5 Frames with a Friendly Deer (06/06/2023)
    • 5 Frames with the Polaroid Now on i-Type Color Film (06/06/2023)
    • 5 Frames with a Voigtlander 21mm Color-Skopar (06/03/2023)
    • 5 Frames with a Dacora Digna up Pen Y Fan (06/01/2023)
    • 5 Frames of Kodak Tri-X in Cornwall with a Mamiya RB67 and Sekor C 127mm f3.8 – by Arinola (05/30/2023)
    • 5 Frames around Dublin with a Nikon F80 and Kodak Ektar 100 (05/30/2023)
    • 5 Frames of a Classic Cobra with a Leicaflex and Kodak Ultramax (05/27/2023)
    • 5 frames of Berlin with my Ricoh 500G and Ilford HP5, Ilford FP4, Ilford XP2 and Fomapan 400 (05/25/2023)
    • 5 frames of cheap cheap cheap in the Far East. An Argus C3, caffenol and Kentmere Pan 100. (05/16/2023)
    • 5 frames with the Voigtlander 35/2 Ultron II on M10-P in Hong Kong: The beginning of my Leica journey (04/30/2023)
    • 5 frames with the Lomo Earl Grey 100 and the Nikon FE (04/27/2023)
    • 5 Frames with a Fujica ST605n and Rollei Retro 400s (04/25/2023)
    • 5 Frames with the Spinner 360° (04/23/2023)
    • 5 Frames with the Kodak Retina 1a & Very Expired Ilford FP4 (04/16/2023)
    • 5 frames at Golden Hour in the Fall (04/11/2023)
    • 5 frames in Villargordo del Cabriel, Spain on Adox Scala 160 (04/04/2023)
    • 5 Frames of Kodak T-Max 100 with a Minolta Hi-Matic F – By Robert Kapp (03/25/2023)
    • 5 Frames at the Gallery with a Nikon FM – By Tony Joslin (03/23/2023)
    • 5 Frames (and a Warning) with FPP’s ISO 6 Yeti film in a Nikon SLR – by Clifton Dowell (03/18/2023)
    • 5 frames with Zenza Bronica SQ-A in Northern Zealand, Denmark – By Miłosz Cordes (03/16/2023)
    • 5 Frames in Nottingham with a Yashica FX-D and Contax Zeiss 85mm f1.4 – By Ellis Thomas (03/14/2023)
    • 5 frames with a Reto Ultra Wide and Slim – By Shaun Edwards (03/09/2023)
    • 5 Frames of rural Australia on Velvia 100 and a Contax 139q with a 28mm lens – By Dylan Porter (03/07/2023)
    • 5 Frames With a Bronica SQ-A – By Jon Broughton (03/05/2023)
    • 5 frames with the Flea Market Find Yashica T2 – By Nico Hilbert (02/28/2023)
    • 5 Frames with a Leica IIIa, Canon LTM 50mm f2.8 lens and Kentmere 400 – By Richard de Bulat (02/26/2023)
    • 5 frames with the Voigtlander 15mm Super-Wide Heliar V1 on a Leica M10 – By Luke Kenny (02/23/2023)
    • 5 Frames on the Kodak 66 Model iii and Portra 400 – By Stevie Keen (02/21/2023)
    • 5 frames of Fomapan 100 with Dad’s second Ricoh KR10 Super on Jeju (02/19/2023)
    • 5 Frames in Jelgava with Neopan 100 Acros II and Nikon FM – by Felix I Flores Rodriguez (02/18/2023)
    • 5 frames with a lost Kodak ColorPlus 200, a Leica M3 & 40mm Summicron-C – By Hugo Munoz (02/16/2023)
    • 5 Frames with a Voigtlander Bessa 66 and Lomography Berlin – By Ian Whitney (02/16/2023)
    • Appreciating the Challenges of Photography in 1932 (5 Frames with a Leica II & Elmar 5cm f/3.5 Lens) – By Reed George (02/15/2023)
    • 5 Frames in Sedona, Arizona on Kodak Ektar – By Kevin Montanaro (02/08/2023)
    • 5 frames with Ilford Delta 100 and a Red 25 filter – By Gus (02/07/2023)
    • 5 frames of low-light photography with an Olympus XA2 – by Shawn Granton (02/04/2023)
    • 5 Frames in St Kilda, Melbourne with a Holga – By Paul Sutton (02/02/2023)
    • 5 Frames from a Vintage 18mm T-Mount Lens on a Fuji X-Pro1 – By Dave Powell (02/01/2023)
    • 5 Frames With a Nikon FM, Nikkor AF-D 35mm F2, and Film Washi X – by Stephen Fretz (01/31/2023)
    • 5 Frames Simply Taken with a Konica TC-X and Sigma Mini-Wide II 28mm lens (No Batteries Required) – By Iain Paterson (01/24/2023)
    • 5 Frames with Hasselblad 501c/Zeiss 80mm f/2.8 and Cinestill 400D – By Eric L. Woods (01/21/2023)
    • 5 Frames on a roll of Ilford Delta 100 with Rolleicord Va 75mm – by Iksung (01/19/2023)
    • 5 frames with my Rollei 35B and Ilford HP5 in Paris – By Alessandro Bellafiore (01/14/2023)
    • Mission, Distraction, Epiphany in 5 Frames, featuring a Zeiss Ikon Contessa and Portra 160 – By Martin Misiak (01/11/2023)
    • 5 Frames of old aircraft in Latvia with an Olympus OM-1, a Zuiko 28mm f/3.5 and Kodak Ektar 100 – By Michael Jardine (01/08/2023)
    • 5 Frames with a Zeiss Contaflex Super BC & XP2 in ID-11 – By Peter Kay (01/07/2023)
    • CLACK! 5 Frames with a Very Simple Agfa 120 Box Camera – By Stewart Waller (01/04/2023)
    • 5 Frames on a Morning Walk with a Nikon F2A – By Stephen Hanka (01/03/2023)
    • 5 frames with an Olympus XA and Agent Shadow Film – By Shaun Edwards (12/22/2022)
    • 5 Frames In Croatia with a Zenit-E & Kodak 200 – By Andrew Hutchinson (12/17/2022)
    • 5 Frames – Old Bikes, Old Camera, Old Film – By Eric Norris (12/13/2022)
    • 5 Night Photography Frames with a Canon Eos 1V – Cinestill 800T – Marco Manuzzi (12/10/2022)
    • 5 Frames on Ilford FP4+ with a Meopta Flexaret IV – By Tony Warren (12/06/2022)
    • 5 Frames of ‘… And You Will Know Us by the Trail of Dead’ with a Leica M6 and Kodak Tri-X – by Neil Milton (11/30/2022)
    • 5 Frames with a Contax G2, Zeiss Biogon 2.8 / 21 and Portra 160 – Images of a Monster – By Bill Brown — by William Brown (11/29/2022)
    • 5 frames with Canon EOS 30 and Kodak Ektar 100 – By Paolo Lucente (11/27/2022)
    • 5 frames with my Pentax MX and Ilford Delta 3200 on a Bright Summer Day – By Armando Caballero (11/26/2022)
    • 5 Frames with a Leica M3 in the Singapore Botanic Gardens – by Sroyon (11/22/2022)
    • 5 frames with Olympus XA2 and Ilford XP2 Super (and the wistful nostalgia of goodbyes) – By Mel (11/20/2022)
    • 5 Frames with Rollei RPX400 – pushed one stop at SynthFest, Sheffield – By Ted Ayre (11/19/2022)
    • Jazzing to Dave McKenna (in 5 Blurry Minolta AF-C Frames) – By Dave Powell (11/16/2022)
    • 5 Yashica T4 “Rainy Day” Frames – By Dave Powell (11/13/2022)
    • 5 Frames with Kodak Ektar 100 at RHS Gardens Bridgewater, Salford – By Ted Ayre (11/12/2022)
    • 5 frames with Kodak Portra 160 and an Olympus XA – By Ted Ayre (11/05/2022)
    • 5 Frames with a Bronica ETRS: Small Town Panoramas – By Lee Hiers (11/01/2022)
    • 5 Frames on holiday in Beaufort, South Carolina with a Fujica Half and Kodak Ultramax – By Dan Smouse (10/30/2022)
    • 5 Frames in Riga with the Nikon FE2 and Lomography Lady Grey 400 – by Felix I Flores Rodriguez (10/29/2022)
    • 5 Frames of Washi F with my 1920 Ica Icarette – by Sonny Rosenberg (10/27/2022)
    • 5 Frames with the Retina IIC and HP5 at Night – By Dave Roberts (10/25/2022)
    • 10 Frames of Vintage Sailboats with a Zeiss Super Ikonta 533/16 – by LA Sousa (10/22/2022)
    • 5 Frames with the Kodak Cresta II – By Richard de Bulat (10/18/2022)
    • 5 Frames with a Sinar F1 in the local park – By Alasdair Mackintosh (10/16/2022)
    • 5 Frames with Rolleiflex T – Still Life in an old house – by Costas Papageorgiou (10/15/2022)
    • 5 frames with Nikon F3P and Kentmere 400 – By Hans Gustafsson (10/12/2022)
    • 5 Frames with a Pentax IQ Zoom EZY and Lomography 400 Color Film – By Dee Dee Yelverton (10/09/2022)
    • 5 Frames with a Bell & Howell Electric Eye 127 and Kodak Ektar 100 – by Stuart Jenkins (10/05/2022)
    • [Another] 5 frames with Kodak Ultramax 400 & a Canon Sprint – By Michael Maliner (10/04/2022)
    • 5 Frames with TMAX 100 – Learning to develop Black and White Film – by Alex Vye (09/27/2022)
    • 5 Frames with a (possibly broken) Hasselblad 500cm – By Philip Ahlquist (09/18/2022)
    • 5 frames with a Hasselblad on the Camino de Santiago – By Daniel Morales (09/17/2022)
    • 5 Frames in Blaenavon with a Nikon L35AF – By Ellis Thomas (09/14/2022)
    • 5 frames with Rolleicord Vb in Iran – By Kamil Leszczuk (09/11/2022)
    • 5 frames with the Pentax Spotmatic and developed as Stand development – By Nick Ambrose (09/10/2022)
    • 5 Frames with an FT-2 Soviet Swing Lens Camera – By Daniel Smith (09/09/2022)
    • 5 Frames with Rollei 35S and Ilford XP2 – Bike Trips Around Singapore – By Tsang Tsang (09/06/2022)
    • 5 Frames of fog falling over Cramond Causeway, Scotland with a Leica M6 on Tri-x 400 – by Neil Milton (09/04/2022)
    • 5 Frames with my Favorite (Terribly Named) Camera – Pentax *ist, 28mm f/2.8, and Ilford HP5 Plus – Eric L. Woods (09/03/2022)
    • The Whole Roll – 24 exp. HP5+, Minolta x-700, Minolta MD 50mm f/1.7 – By Robert Kapp (09/02/2022)
    • 5 Frames in Bilbao with Leica M4-2, Voigtländer VM 35 mm f/1.4 Nokton Classic II MC, Kodak Tri-X pushed 2 stops (1600 ISO). (08/30/2022)
    • 5 Frames with Kodak Ultramax 400 and a 1985 Canon Sprint – By Michael Maliner (08/27/2022)
    • 5 Frames with Leica M3 and 50mm Summicron – By Rene Villaroman (08/25/2022)
    • 5 Frames with a freshly serviced Yashicamat and Fomapan – by Phil Harrison (08/20/2022)
    • 5 Frames with BCG PHC-50 (aka ORWO Tf12d) – By Don Goodman-Wilson (08/18/2022)
    • 5 Frames of Rollei RPX 25 with a 1924 Kodak Folding Hawkeye No.2 – By Sonny Rosenberg (08/17/2022)
    • 5 Frames in a Reclamation Yard with a Leica M3 and Summitar 50/2 – By Nik Stanbridge (08/16/2022)
    • 5 Frames with the Exakta Varex IIa – By Glenn Bech (08/09/2022)
    • 5 Digital Frames with the debated Pentax-M 40mm f/2.8 – by Roland Casselbrant (08/07/2022)
    • 5 Frames of Lomochrome Purple With My Chroma Six:9 – By Sonny Rosenberg (08/06/2022)
    • 5 frames with a Yashica AW-Mini and some Fomapan – BY Grégoire MBV (08/02/2022)
    • 5 Frames of Close-up and Macro with an Olympus OM20, a Tokina 80-200 zoom and a Raynox DCR150 – By Richard Patterson (07/29/2022)
    • 5 frames with the Polaroid Sun 660 in the East Side Gallery – by George Pavlopoulos (07/24/2022)
    • 5 Frames with Ricoh XF30 Super Date – by Frankie Bina (07/23/2022)
    • 5 Frames of Kodak Ektar 100 rendered thru a Minolta MC 58mm f/1.4 – By Robert Kapp (07/20/2022)
    • 5 Frames with my Dad’s Pentax MX and Kodak Tri-X 400 – By Armando Caballero (07/17/2022)
    • 5 Frames of (Extremely Expired) Kodak Gold 200 – By Don Goodman-Wilson (07/16/2022)
    • 5 Frames With Bessa R, Jupiter-8 50mm and VC Color Skopar 35mm – By Eric Rose (07/13/2022)
    • 5 Frames With Nikon FM2 and Ilford FP4+ – By Hans Gustafson (07/12/2022)
    • 7 Frames from Inside the Salt Palace on Tmax 3200 (at 1600) – by Sonny Rosenberg (07/09/2022)
    • 5 Frames/A Year With My Hasselblad SWC/M – By John A. Bennett (07/05/2022)
    • 5 Frames on Portra 400 with the Best Lens in Medium Format – By Chip Greenberg (07/03/2022)
    • 5 Frames of HP-5 Overdeveloped in Seaweed – by Sonny Rosenberg (06/28/2022)
    • 5 Frames in Old California with an Old Leica – By Eric Norris (06/26/2022)
    • 5 Frames with an IR-Converted Lumix ZS3/TZ7 in Iceland – By Dave Powell (06/25/2022)
    • 5 Frames with the Som Berthiot 75mm French Cine lens on my Leica M3 (06/22/2022)
    • 5 Frames with the Lens that Changed Everything – By Iain Paterson (06/21/2022)
    • 5 Frames with the Zeiss (Ikon) Contina 1 (522/24) – by Simon Foale (06/18/2022)
    • 5 Macro Frames on Film with the Minolta MC Macro Rokkor 3.5/100mm – By Matthias Steck (06/16/2022)
    • 5 frames with a Minolta SRT303 and Ilford FP4 – By Allysse Riordan (06/14/2022)
    • 5 Frames with a Nikon AF600 & Fuji C200 in Venezia and Burano (Italy) – By Gregoire MBV (06/11/2022)
    • 5 Frames of Reno Fever Dream… in Blue! – By Sonny Rosenberg (06/09/2022)
    • 5 Frames with a Chinon 35EEii and Kodak Tri-X – By Richard de Bulat (06/07/2022)
    • 5 Frames with the New 7artisans 28mm f/5.6 Lens – By Clive Shepherd (06/05/2022)
    • 5 Frames at Catawba Falls with a Mamiya C3 and HP5+ – by N.S. Bucher (06/04/2022)
    • 5 Frames Pedalling to York with a Voigtlander Vito II – Sam Knight (05/28/2022)
    • 5 Sheets of Cámara Galletita Lumen Photos – By Sonny Rosenberg (05/26/2022)
    • 5 Frames of Ilford Fp4+ with a Canon T-70 – By Guillaume Rabuel (05/25/2022)
    • 5 Frames on Santa Rae 1000 with a Pentax K1000 – By Conor O’Brien (05/24/2022)
    • 5 Frames with the Zero Image 6×9 Edition Pinhole Camera – By Rob Willox (05/17/2022)
    • 5 frames with the Canon L3, Jupiter 12 lens, and Shanghai Light 400 in London (05/14/2022)
    • 5 Frames With a Minolta XD7 and Vivitar 28-85mm f/3.5-4.5 – Riding Route 101 – By Peter Roberts (05/08/2022)
    • 6 Frames of Architecture on Lomography Redscale – by Christian Schroeder (05/01/2022)
    • 8 Frames Of The Deschutes River Trail With An Olympus 35 RD And Kodak Ektachrome 200 – By Shawn Granton (04/29/2022)
    • 5 Frames with the Sigma DP2 Quattro in North Merchiston Cemetery (04/23/2022)
    • 5 Frames of Adox Color Mission with a Zeiss 85 1.4 on a Nikon F2 – By Flo (04/21/2022)
    • 5 Frames with a “Dreamy” Agfa Click II – By Gabriele Bozzi (04/19/2022)
    • 5 Frames on Expired Kodak Gold 200 at The Carnival in Paris – By Benoit Arlet (04/16/2022)
    • 5 Frames with a Zero Image 2000 and Fuji Acros 100 – By Iksung Nah (04/10/2022)
    • 5 Frames With a Minolta XG1 in Not so Touristy Greenwich – By Peter Roberts (04/05/2022)
    • 5 (of the) last frames with the Canon 35mm f/1.5 LTM – By Agata Urbaniak (03/26/2022)
    • 7 Frames with a Nikon 28 Ti & Kodak Ektar 100 – By Matt Bigwood (03/19/2022)
    • 5 Frames with a Bronica SQ-B, Zenzanon PS 80mm lens and HP5 plus – By Stelios Themelakis (03/15/2022)
    • 5 Frames of Milan With a Mamiya Six Folder and Fuji Provia – By Rodrigo Verissimo (03/13/2022)
    • 5 Frames in the Rain – Portra 160 in a Nikonos III – by David Hume (03/12/2022)
    • 5 Frames With a Minolta XE1 on Ilford FP4 – By Conor O’Brien (03/10/2022)
    • 5 Frames With a Surprisingly Good Tamron Zoom – By Roland Casselbrant (03/04/2022)
    • 5 Frames with Expired Kodak Plus X and my Favorite Classic Manual Cameras – By Zheng Li (02/23/2022)
    • 5 Frames Of A Wedding On Lomochrome Purple – By Holly Gilman (02/19/2022)
    • 5 Frames with Expired Fujicolor Press 800 in a Nikon F4 – By David Hume (02/12/2022)
    • 5 Frames With A Voigtlander VITORET And Expired Kodak Gold 200 – By Iksung Nah (02/05/2022)
    • 5 Frames with the Beauty Super II F2 with Ilford FP4 – By Edward Steinerts (01/27/2022)
    • 5 Frames with an Olympus MJU-I – By Kushal Karki (01/19/2022)
    • 5 Frames with a Rolleicord VA and a roll of Ilford Delta 100 – By Iksung (01/16/2022)
    • 5 Frames with a Nikkormat EL – By Stephen Curzon (01/15/2022)
    • 6 Frames of Leibniz University Hannover – by Christian Schroeder (01/13/2022)
    • 5 Frames with an Argus/Cosina STL and Fomapan 400 after the Season’s First Snow – By Dan Smouse (01/12/2022)
    • 5 Frames with Babylon 13, Ilfosol 3 and a Petri 2.8 – A Slowly Developing Relationship (01/08/2022)
    • 5 Frames with a Minolta Hi-Matic G – A Joint Effort – By Peter Roberts (01/06/2022)
    • 5 Frames on FP4 and a Tamron 70-210 at Le Mans in 1993 – By Nik Stanbridge (01/05/2022)
    • 5 frames with the original Olympus Pen – by Graham Spinks (01/02/2022)
    • 5 Frames with a Rolleiflex 2.8E at the Hannover City Park – by Christian Schroeder (12/23/2021)
    • 5 Frames with the Olympus Trip 35 – by Chantel Wakefield (12/15/2021)
    • 5 Frames From a Trip to Sainsburys – Nikon F3 with HP5 – By Thorsten Wulff (12/08/2021)
    • 5 Frames and Farewell with Kodak Ektachrome 160T (120 / EI 160 / Fuji GA645i) – By David Hume (11/21/2021)
    • 5 Frames with Voigtländer Bessa R3a and Portra 800 – Tommaso Avati (11/06/2021)
    • 5 Frames of Street Photography in Greenwich with a Minolta SRT-101b – By Peter Roberts (10/23/2021)
    • 5 Frames with Delta 3200 and a Nikon FE – By Jamie Winder (10/21/2021)
    • 5 Frames with a Leica 35mm f2.4 Summarit-M, Leica M6 and Fuji Pro400H at EI400 – by Phil Harrison (10/20/2021)
    • 5 Medium Format Frames at the Happiest Place on Earth – By Eric Norris (10/16/2021)
    • 5 Frames – Including a Homage to Henri – from a Trip to France – By Thorsten Wulff (10/06/2021)
    • 5 frames with a Kodak ColorPlus 200 – The Jersey Shore – By Stephen Badolato (10/02/2021)
    • 5 Frames with ‘The Worst Lens Minolta Ever Made’ – By Iain Paterson (09/26/2021)
    • 5 Frames with a Gifted Nikon F and Ilford Delta 400 – By Dan Smouse (09/18/2021)
    • 5 Frames of Canal Life with a Zeiss 35mm f/2.8 C Biogon T* ZM, Leica M6 and Fuji PRO400H – by Phil Harrison (09/16/2021)
    • 5 Frames With a Voigtländer Vitomatic I – Not Bought “for Display” – By Alex Vye (09/15/2021)
    • 5 Frames with Portra 800 in a Rain Soaked Minolta Dynax 5 – By Robert (09/09/2021)
    • 5 Frames on an Argoflex – From Picture to Reality – By Charlie Bierwirth (09/05/2021)
    • 5 Frames with a Rolleiflex 2.8F – A Lifetime Partner – By Floyd Takeuchi (08/28/2021)
    • 5 frames with a Sigma DP1 – Classic Cars and Overcast Skies – By Wes Hall (08/26/2021)
    • 5 frames with a Canon Sure Shot Supreme on Expired Fujichrome Sensia 100 – By Nige Fishwick (08/25/2021)
    • 5 frames with a Holga (my First Film Camera) and some Expired Film – By Frankie Bina (08/14/2021)
    • 5 Frames with Cinestill 800T and a Canonet QL17 Giii (No Gas Stations) – by Marcus Rivera (08/11/2021)
    • 5 Frames with a Leica Summicron DR 50mm f/2 on a Leica M240 – By Steven Bleistein (08/05/2021)
    • 5 Frames with the Nikon F3 and Portra 400 – By John Fromstein (07/31/2021)
    • 5 Frames with a Ross Ensign Selfix 16-20 on Kodak Portra 160 – by Graham Spinks (07/29/2021)
    • 5 Frames with a Zeiss Contaflex Super and Berlin Kino 400 – By Dan Smouse (07/24/2021)
    • 5 Frames of Miniature Nostalgia with an Exa 500 – By Peter Roberts (07/21/2021)
    • 5 frames on the Thailand Northern Railway with Nikon SLRs – By Sukrit Chomsawat (07/11/2021)
    • 5 (x 2) Frames of the Columbia River Gorge on Kodak Elite Chrome 100 with an Olympus Pen EES-2 – by Shawn Granton (07/10/2021)
    • 5 Frames in a Utah Park with an Olympus Stylus and Kodak T-Max 100 – By Dan Smouse (07/07/2021)
    • 5 Frames with a Yashica T2 and Kodak Portra 400 – By Nathan Bobinchak (07/04/2021)
    • 5 Frames of Oysterville, Washington on Portra 400 with an Olympus 35 RD – by Shawn Granton (07/03/2021)
    • 5 Frames on Greenwich Beach with a Kiev 60, 50mm Flektogon and 30mm Macro tube, on Ektachrome 100 – By Michael Elliott (06/27/2021)
    • 5 Frames with a Rolleiflex at the Skatepark – By Alex Solomon (06/26/2021)
    • 5 frames with Fomapan 400 in a Nikon F2 in Dungeness, Kent – By Nigel Rumsey (06/23/2021)
    • 5 Frames with Silbersalz Daylight Films in Berlin – By Thorsten Wulff (06/19/2021)
    • 5 Frames with an Olympus Pen-S in a Fishing Village – By Alex Vye (06/16/2021)
    • 5 Frames with LomoChrome Purple XR 100-400 and a Nikon F6 – By Isaac D. Pacheco (06/10/2021)
    • 5 Frames on Frozen Lake Winnipeg with Rollei 25 RPX – By Christopf Rampitsch (06/05/2021)
    • 5 Frames with a Bessa R3M, Nokton 40mm f/1.4 MC and Ilford PAN400 – By Dmitry Goloub (06/02/2021)
    • 5 Frames in the Pandemic Autumn with a Nikon Lite Touch AF600 – By Nick Sweeney (05/30/2021)
    • 5 Frames with a Olympus Trip 35 & Argenti Vario Scale-X – By Carlos Viejo (05/21/2021)
    • 5 frames during the Pandemic with Fujifilm Provia 100F and a Contax NX – By Eric Jones (05/20/2021)
    • 5 Frames with a Kiev 4M & a Helios-103 lens on Fuji C200 – by Chill_Grain (05/19/2021)
    • 5 Frames of water taken on Fuji Reala with a Mamiya 6MF – By Keith Beven (05/16/2021)
    • 5 Frames around Norwich with a Purma Special and Rera Pan 100 – By Stuart Jenkins (05/15/2021)
    • 5 Frames Shooting the Birds in St James’s Park – by Simon King (05/13/2021)
    • 5 Frames with a Minolta SR-T 101, Kodak Elite 100 Slide Film, Capturing Cherry Blossoms in Portland Oregon – by Shawn Granton (05/12/2021)
    • 5 Frames with Kodak Verichrome Pan Film in Snowy Mississippi – by Andrew Morang (05/10/2021)
    • 5 (10) Frames Discovering Silbersalz35 250D with a Minolta SLR – By Matthias Steck (05/08/2021)
    • 5 Frames with a Rollei 35T & a Roll of Fuji Provia 400x Slide film pushed to 1600 – By Benjamin Amberg (04/30/2021)
    • 5 Frames with a Minolta SRT 101b and a MC Rokkor-HG 35mm f/2.8 – By Peter Roberts (04/29/2021)
    • 5 Frames with Lomography Fantôme 8 & a Canon EOS 300 – By Benoît Felten (04/27/2021)
    • 5 Frames with a Yashica Mat 124 at The Painted Hills – By Elisha Zepeda (04/24/2021)
    • 5 frames from Ecuador with a Nikon FM2n & Ilford SFX – By Jorge Carmigniani (04/19/2021)
    • 5 frames of Delivering the Post with a Canon Prima Mini – by Tobias Eriksson (04/18/2021)
    • 5 Frames with a Bencini Koroll S and KosmoFoto 100 – By Jeff Hicks (04/17/2021)
    • 5 Frames with a Yashica-Mat TLR & Portra 400 on a road trip to Anchorage – Dan Smouse (04/05/2021)
    • Halina 160 – 5 Frames Mini-Review with a Roll of Portra 400 – by James Greenoff (03/31/2021)
    • 5 Frames with a Canon EOS 600 and Rollei Superpan 200 in Via del Porto Fluviale – by Fabrizio Ferretti (03/29/2021)
    • 5 Frames with Kiro 400 in an Olympus MJU II – By Sammy Gunnell (03/28/2021)
    • 5 Frames with a Pentax SP1000 / Zeiss Jena 50mm 2.8 and Expired FP4 – By Peter Roberts (03/25/2021)
    • 5 Frames with a Zenit TTL on the top of a Welsh Valley in -5 Degrees C – By Toby Van De Velde (03/22/2021)
    • 5 frames with the Leica CL in Syria – By Grant Rayner (03/20/2021)
    • 5 frames with a Boots Multi AF Zoom and Ilford HP5+ – By James Mitchell (03/15/2021)
    • 5 Frames with the Haynes Classic Camera Kit – By Alex Wilden (03/14/2021)
    • 5 Frames with a Pentax ME Super & Kodak Pro Image 100 – By Kyle Klain (03/08/2021)
    • 5 Frames From the Washington Square Park Snowball Fight, January 2021 – by Simon King (03/06/2021)
    • 5 Frames of the “Ihme-Zentrum” on Expired Film – by Christian Schroeder (02/28/2021)
    • 5 Frames with the Canonet QL17 GIII and Kodak Porta 400 – By Brian Feld (02/27/2021)
    • 5 frames walking around with Lomochrome Metropolis in a Pentax MX – By Ben Killian (02/25/2021)
    • 5 Frames with Ricoh XR-2s and Kentmere 400 – By Mihai Sictir (02/21/2021)
    • 5 Frames with the Cheapest Leica I Could Find & a Roll of HP5+ – By Lawrence Pitman (02/20/2021)
    • 5 Frames of Dinosaurs with a Nikon F801 and Fomapan 400 – By Lukas Meekers (02/18/2021)
    • 5 Frames with a Nikon FE and Ektar 100 (A Walk in Canadian Woods) – By Alex Vye (02/13/2021)
    • 5 Frames with a Canon EOS 600 in the Gazometro Area – By Fabrizio Ferretti (02/10/2021)
    • 5 frames with the Yashica 200 AF in 1990s Tijuana – By Mirko Karsch (02/08/2021)
    • 5 Frames From 2020 – a More Personal Retrospective – by Simon King (02/06/2021)
    • 5 frames with the MS-Optics 24mm 2.0 Aporia on a Leica M10 – Lonely Forests – by Bastian Kratzke (02/04/2021)
    • 5 frames on a day trip to Berlin with an Olympus OM-2N – By Robert Mangelmann (02/01/2021)
    • 5 (Vertical) Frames with a Minolta Riva Panorama and Kodak ProImage 100 – By Victor Lopez (01/27/2021)
    • 5 Frames with an Olympus OM-1 taken back in the 80s – By Nik Stanbridge (01/22/2021)
    • 5 Frames with a Yashica AF-J and Fujicolor C200 – By Andrew Bogard (01/21/2021)
    • 5 Frames with a Voigtlander Bessa-R, 35mm f/1.7 & Ilford XP2 in Paris – by Mark Harrison (01/20/2021)
    • 5 Frames with Ilford HP5 400 in a Canon Snappy LX II – By David Hume (01/16/2021)
    • 5 Frames with the Argus C4 in Michigan – by Sean Benham (01/14/2021)
    • 5 Frames with a Yashica FX-3 & Kodak Ektachrome 100 – By Floyd K. Takeuchi (01/13/2021)
    • 5 Frames with Expired Portra 160 NC 220 in a Bronica ETRSi – By Robert Launder (01/09/2021)
    • 5 frames with Fuji 800 Disposable Camera Film and a Canon EOS 650 – By Michael Boffey (01/07/2021)
    • 5 Frames with a Nikon EL2 & Ilford PanF in Old Town Kenai, Alaska – By Dan Smouse (01/06/2021)
    • 5 Frames with a GB Kershaw 630 from a Car Boot Sale – By Amy Gotto (12/23/2020)
    • 5 Frames with a Canonet 28 and Fuji C200 – By Andrew Bogard (12/17/2020)
    • 5 Frames with the Canon AF35ML & Konica VX100 in Mexico City – by Michael Kowalczyk (12/12/2020)
    • 5 Frames with a Minolta XG-9 & Ilford HP5 in Howley – By Andrew Lodge (12/05/2020)
    • 5 Frames with a Nikon F and Kodak Tri-X – By Ian Patton (12/02/2020)
    • 5 frames with Pentax MZ-3, Voigtlander 20mm in Panorama Mode with pushed Tri-X – By Aivaras (11/30/2020)
    • 5 frames with a Minox 35EL & Agfa APX400 – By Bob Janes (11/28/2020)
    • 5 Frames Cut from The Summer of ’20 – by Simon King / New Exit Group (11/26/2020)
    • 5 Frames with a Rolleiflex 2.8F and Ilford HP5+ – By Michael Jardine (11/23/2020)
    • 5 frames with a Leica M-A, 35mm Summilux and Ilford Delta 400 – A Walk in the City in Crazy Times – by Marc Wick (11/22/2020)
    • 5 frames by an almost 3 year old – By Holly Gilman (11/21/2020)
    • A Few Frames with Nikon FE, Micro-Nikkor 55mm f/2.8 & expired Lomo 400 film – By Alex Vye (11/19/2020)
    • 5 frames with an Agfa Optima 1535 Sensor (11/18/2020)
    • 5 Frames with a Leica M6, 7Artisans 50mm f/1.1 and Fantôme 8 Film – Darkworld – By Marco Diaz (11/05/2020)
    • 5 Frames with a Konica Genba Kantoku and Kodak Portra – by Christian Schroeder (11/04/2020)
    • 5 Frames with a Revueflex AC2 – By Andrew Bogard (11/02/2020)
    • 5 Frames on Ilford SFX 200, Fuji TX-1 and PC-Nikkor 35mm lens – by Noel Roque (11/01/2020)
    • 5 Frames in the Ocean with a Nikonos V on Kodak Portra 400 – By Luis Ortega (10/31/2020)
    • 5 Frames With an Olympus AM-100 and Kodak Ektar 100 – By Tim Jamieson (10/29/2020)
    • 5 Frames with a Canon Prima Zoom 85 – By Andrew Bogard (10/28/2020)
    • 5 frames with an Olympus XA, Kodak Gold 200 and COVID-19 – By Davis Poon (10/22/2020)
    • 5 Frames with an Olympus XA3 from a Car – Felix Tanjono (10/16/2020)
    • 5 Frames with a Minolta V2 & Kodak Portra 400 – By Nigel Haycock (10/15/2020)
    • 5 Frames with the Pentax MG – Provence in Black & White – by Richard Wilford (10/14/2020)
    • 5 Frames with the Fuji GW690 III – By Phil Steelandt (10/12/2020)
    • 5 frames with a Rolleiflex 3.5F & Ilford FP4+ – By Matthew Bigwood (10/08/2020)
    • 5 frames with a Nikon F2 on Fujifilm C200 – Phong Nguyen (09/30/2020)
    • 5 Frames in Hamburg with Kodak Ektar 100 & A Canon A-1 – By Frank Sternisha (09/26/2020)
    • 5 Frames with an Olympus XA2 and Fuji Superia 400 – By Sam Larson (09/23/2020)
    • 5 Frames with Ilford FP4 & a Zeiss Ikon Box Tengor 56/2 – by John Carlson-Zizic (09/19/2020)
    • 5 Frames of Agfa CT Precisa in low light in an OM10 and Cross Processed – By Robert (09/17/2020)
    • 5 frames with the Film Ferrania P30 and Konica Hexar RF – By Max Khokhlov (09/16/2020)
    • 5 Frames with Pentax 645 (Ultrafine Xtreme 100 & TMAX 400) – By Christoph Traugott (09/13/2020)
    • 5 Frames with a Canon Canonet QL19 GIII and Cinestill 50D in Ilfosol 3 – by Sacha Cloutier (09/12/2020)
    • 5 Frames, Scale Focusing and a Voigtländer Vito C – By Marcus Harris (09/10/2020)
    • 5 (7) frames in New York on Kodak Gold – By Holly Gilman (09/09/2020)
    • 5 Frames with a Yachica-Mat – by Phil Harrison (09/08/2020)
    • 5 Frames with the Fujifilm X-E2 – The Hybrid Photographer – by Sean Benham (09/05/2020)
    • 5 Frames / A Whole Roll of Agfachrome R100S in an Agfa Isolette III – #FullRollFriday – by David Hume. (09/04/2020)
    • 5 Frames with a Leica M6, Lomochrome Purple, and a Lomography Minitar-1 Art Lens – By Marco Diaz (09/01/2020)
    • 5 Fast-Paced Frames with the Nikon 70-210 f/4 Series E – by Simon King (08/30/2020)
    • 5 Frames, 2 Rolls of Film, and 1 Mamiya Press Super 23 – By Floyd K. Takeuchi (08/29/2020)
    • 5 Frames with a White Slim Angel – Then and Now – By DeeDee Yelverton (08/26/2020)
    • 5 frames with a 360 degree Lens – By Dan Cuny (08/25/2020)
    • 5 frames of St Ives with my Zeiss Ikon Nettar & Ilford FP4 – by Graham Spinks (08/25/2020)
    • 5 Frames with Fujifilm Neopan 1600 – by Simon King (08/20/2020)
    • 5 Frames Of Kodak Tri-X in An Empty West Edmonton Mall – By Nick Colburn (08/19/2020)
    • 5 Frames with the Mamiya 6, 150mm F4.5 lens, and Fuji Provia – by Simon Foale (08/19/2020)
    • 5 Frames with Konica Auto S2 and Ilford FP4+ – By Kevin Ortner (08/12/2020)
    • 5 Frames with my Yashica Electro 35 GT – The Trials and Tribulations – by Sacha Cloutier (08/07/2020)
    • 5 Frames with a Leica M2 & 35mm Summilux on Adox Silvermax – By Florian Schmidt (08/06/2020)
    • 5 frames of Kentmere 100 on a Pentax P30n Developed in DF96 – By Mike Boffey (08/05/2020)
    • 5 Frames with the Fujifilm X100V – By Thorsten Wulff (08/04/2020)
    • 5 Frames with a Minolta Alpha Sweet – By Ian (08/01/2020)
    • 5 Frames with Halina Pocket 2000 ‘Auto-Kameraset’ – By Jordi Fradera (08/01/2020)
    • 5 Frames from a Night Shift Medic on Tri-X at 1600 in a Canon New F1 – By Cody Thompson (07/30/2020)
    • 5 frames with a Minolta Hi-Matic 7S & Ilford HP5+ – By Steve Phillips (07/29/2020)
    • 5 frames with Pentax MZ-3 and Voigtlander 20mm in Panorama Mode – By Aivaras (07/28/2020)
    • 5 Frames in Porto with 1927 Leica 1A & Kodak Tri-X – By Ian Patton (07/26/2020)
    • 5 Frames with Outdated Film and an Olympus XA From the Junk Drawer – By Vicky Ballas (07/25/2020)
    • 5 Frames with the Zenit E – Built in the USSR – By Sacha Cloutier (07/23/2020)
    • 5 (7) Frames with a Leica M6, Zeiss 35mm f/2 and Kodak Ultramax 400 – A Double First – By Benoît Felten (07/23/2020)
    • 5 frames with the Kilfitt Makro Kilar E 40mm f3.5 Lens – By Nigel Haycock (07/19/2020)
    • 5 Frames with an Olympus Trip 35 – Lockdown, Faces & Places – by Bertie Holloway (07/15/2020)
    • 5 Frames with an Olympus OM-10 and Ilford HP5 Plus – By Sam Larson (07/14/2020)
    • 5 frames with a Centon DF-300 & Miranda 24mm f/2.8 MC MACRO – by Charles Higham (07/11/2020)
    • 5 frames with a Pax M4 and Fujicolor C200 – By Steve Phillips (07/09/2020)
    • 5 Frames with (Early Version 24 exp) DubbleFilm BubbleGum and my Minolta X-700 – by Kate Johnson (07/05/2020)
    • 5 Frames with a Leica M2, 50mm Summicron V5 and 35mm Zeiss Biogon f2 – By Giles Barratt (07/04/2020)
    • Recreating the past: 5 frames with a Lomo LC-A – by Jamie Winder (06/30/2020)
    • 5 Frames with Yashica Electro 35 GS & Kodak Gold 200 – By Salman Rameli (06/24/2020)
    • 5 Frames at 5 in the Morning With Even More Ludicrously Pushed APX 100 – By Hern Tan (06/24/2020)
    • 5 Frames with a Lomo LC-A & Ilford XP2 – Athens in the run up to lock-down – By Mark Harrison (06/21/2020)
    • 5 Frames Locked-down and loaded – By Dave Whenham (06/17/2020)
    • 5 Frames with a Zeiss 35mm f/2.8 C Biogon, Leica M6 and T-Max400 at EI400 – by Phil Harrison (06/14/2020)
    • 5 Frames with a Nikon N90s and Cinestill BWXX – By Floyd K. Takeuchi (06/14/2020)
    • 5 frames with a Leica M6 and an Elmarit 28mm on Kodak 400TX (at EI800) – By Michael Palmer (06/10/2020)
    • 5 Frames with a Kodak Six-20 ‘Brownie’ C – By Dale Rogers (06/10/2020)
    • 5 Frames with the Olympus OM-2N – by Matt Krajewski (06/06/2020)
    • 5 Frames With a Pentax LX in New York – By Yohan Kim (06/04/2020)
    • 5 Frames Composed in Layers, with a 35mm Lens – by Simon King (06/03/2020)
    • 5 Frames with Ilford HP5+ developed in the Ars Imago Lab-Box – by Andrea Armando (06/02/2020)
    • 5 Frames with an AGFA Isolette – By Rock (05/28/2020)
    • 5 frames on the Anacapa Islands with the Nikon FM2 – By Srinidhi Aithal (05/27/2020)
    • 5 Frames With a Leica M3 & 90mm f/2.8 Elmarit – By Wyatt Ryan (05/26/2020)
    • 5 Frames with the Pentax 645N and Kodak T-MAX 100 – By Malcolm Myers (05/23/2020)
    • 5 Frames with Minolta Dynax SPxi & expired Kodak Royal Gold 400 – by Matt Krajewski (05/20/2020)
    • 5 Frames of Berlin in springtime (with a Nikkor 15mm and FM2) – By Thorsten Wulff (05/20/2020)
    • 5 frames with a Ricoh Auto 35 – by Tobias Eriksson (05/16/2020)
    • 5 frames with a Nikon FG & Fujifilm Pro 400H – By Ivan Mendez (05/13/2020)
    • 5 Frames with the Fuji GW690ii – By Josh Sitoh (05/13/2020)
    • 5 Frames With Mamiya C220: A Love and Loss Story – By Ivan Mendez (05/12/2020)
    • Covid-19 Essential Services with a Kiev 10 and Mir 20 Lens – by Peter Schafer (05/12/2020)
    • 5 Frames of North London Locked Down with a Voigtlander Bessa L- By Michael Scott (05/10/2020)
    • 5 Frames in Barcelona with Leica M3 and Lomography Potsdam – By Steve Karsten (05/09/2020)
    • 5 Frames with an Olympus OM2-N and Ilford HP5+ at EI1600 – By Marius Balayn (05/03/2020)
    • 5 frames with Olympus AF-10 Super & Kodak Color Plus- By Maurizio Palumbo (05/02/2020)
    • 5 Frames with Fuji Venus 800 and a Canon AE1-P – by Robert / London Camera Project (04/28/2020)
    • 5 Frames with a Canon EOS Rebel XS and Kodak Ultramax – By Simone Kuo (04/26/2020)
    • 5 Frames with Rollei Retro 100 Or Agfa APX 100 – By Rock (04/23/2020)
    • 5 Frames With the Nikon 70-210mm f/4 Series-E – By Simon King (04/19/2020)
    • 5 Frames with a 35mm Summicron-R Lens at the Botanical Garden – by Christian Schroeder (04/18/2020)
    • 5 Frames with a Toyoca-S whilst moving country – By Shaz (04/16/2020)
    • 5 Frames Shot From the Hip (with the 7artisans 35mm f/2) – by Simon King (04/12/2020)
    • 5 Frames with a Rolleiflex 3.5F and Ilford XP2 film in a Quarantined San Francisco – By Dan Shapiro (04/08/2020)
    • 5 Frames with a Yashica FX-3 Super 2000 (and an 8 year old) – By John Scott (04/05/2020)
    • Leica 50mm f/2 Summicron DR – Plum Blossoms – By Steven Bleistein (04/03/2020)
    • 5 Photos with the Cheapest Rollei TLR I Could Find – By Eric Norris (04/02/2020)
    • 5 Frames With Kodak Gold 200 / My Analog Photography Process – By Leo Lukens (03/31/2020)
    • 5 Portraits with Silvermax and the 60mm Leica Elmarit-R – by Michael Scott (03/28/2020)
    • 5 Frames with a Leica M4 and Rollei Infrared 400 – by Steve Karsten (03/26/2020)
    • 5 Frames with a Leica D-Lux 3: Paris on a small-sensor compact – By David Hume (03/25/2020)
    • 5 Frames With Eastman 5222 at EI1600 – By Hern Tan (03/22/2020)
    • 5 Frames With the 7artisans 35mm f/2 on the Leica M10, for Photojournalism – by Simon King (03/15/2020)
    • 5 Frames with a Fuji XPro3 and 7Artisans 50mm f/1.1 – by John Scott (03/14/2020)
    • 5 frames with Delta 400 and a circular polarizer – By Jim Sangwine (03/12/2020)
    • 5 Frames with Ferrania P30 – By Peter Schafer (03/08/2020)
    • 5 Land of the Dead frames with Portra 400 at EI1600 with a Maxxum 7 and a 85mm f/1.4 lens – By Victor Lopez (03/07/2020)
    • 5 frames with a Voigtlander Color-Skopar 20mm f/3.5 SL Asperical for Pentax – By Aivaras (02/23/2020)
    • 5 Frames with the Fuji GF670W from the Polynesian Islands – By Dominique Pierre-Nina (02/20/2020)
    • 5 frames with Kodak Gold pushed to 400 – By Ivan Studynskyi (02/16/2020)
    • 5 Frames With Fomapan 400 “Action” at EI1600, Developed as 3200 – by Simon King (02/15/2020)
    • 5 frames with Pentax 110 and adox HR50 – By Victor Doroshenko (02/11/2020)
    • Re-Acquainting with Adox Scala B&W Slide Film – By Ken Davis (02/08/2020)
    • 5 Frames with an Olympus 35RC on Lomography 800 in Bogotá – by Bob Witteman (02/05/2020)
    • 5 Frames with the “Last Roll” of Ferrania Solaris 100 – by Andrea Armando (01/30/2020)
    • 5 Frames in hoarfrost wonderland with the Minolta XD-7 & Kodak Portra 160 – By Matthias Steck (01/29/2020)
    • 5 frames with CineStill 800T at night in Taipei – By Jim Sangwine (01/28/2020)
    • 5 frames with Santa Rae 1000 and a Nikon EM – by Charles Higham (01/26/2020)
    • 5 frames in Winter Wonderland with a Leica 111F – by Michael Scott (01/25/2020)
    • 5 Frames with a Contax T3 on Fuji Superia 400 – By David Marshall (01/21/2020)
    • 5 Frames With Tri-X Pushed to 1600 – by Simon King (01/19/2020)
    • 5 Frames with 5 Chinons and 5 Films in One Graveyard – By Rock (01/18/2020)
    • 5 frames with a Fuji X100 / a reminder of an annoying conversation I had with some Fuji reps (01/06/2020)
    • 5 Frames With CineStill 800T and a Yashica T5 – By Kevan Wilkinson (01/04/2020)
    • 5 frames with an Asahi Pentax K1000 – By Oscar Capdevila (01/03/2020)
    • 5 Frames With FujiFilm Venus 800 – By Simon King (01/03/2020)
    • 5 frames with Kodak Vision3 in Medium Format – by Tim Lebedin (12/30/2019)
    • 5 Frames with the Film Washi S – By Odair Fortes (12/28/2019)
    • 5 frames with a Leica M5 and Zeiss Biogon C 35mm f/2.8 – By Charles Morgan (12/23/2019)
    • 5 Frames with Nikon F2 + 50mm F2 Nikkor H-Auto – By Josh Sitoh (12/22/2019)
    • 5 Frames with Kodak 2238 in a M4 with a Canon LTM 50/1.4 – By Bill Thoo (12/18/2019)
    • 5 frames in London’s Docklands with a Voigtlander Bessa 1 – By Michael Scott (12/08/2019)
    • 5 frames with a Kiev 4A and Lomography 400 – By Steve Phillips (12/04/2019)
    • 5 Frames with a 35mm Curtagon Shift Lens – by Christian Schroeder (12/03/2019)
    • 5 Frames with the Zeiss Ikon Super Ikonta 533/16 – By Eric Norris (12/01/2019)
    • 5 Frames with the Yashica 635 and Kodak Portra 400 – By Lee Butterley (11/30/2019)
    • 5 Frames with Fujifilm Neopan Acros 100 II, Minolta CLE & Leica Summicron-C 40mm f/2 – Steven Bleistein (11/28/2019)
    • 5 Frames Skiing with a Zeiss Ikon Nettar – Andy Larner (11/28/2019)
    • 5 Frames With the runt of the litter: The Olympus XA1 – Brian Nicholls (11/24/2019)
    • 5 Frames by Candlelight: 0.5-4s Exposures on Ilford HP5+ at EI 800 – by Simon King (11/23/2019)
    • 5 Frames With FPP Retrochrome 400 – by Simon King (11/23/2019)
    • 5 frames of the Extinction Rebellion with a Leica R5 – by Michael Scott (11/21/2019)
    • 5 Frames with Fomapan 400 “Action” at EI200, Developed Normally – by Simon King (11/20/2019)
    • 5 Frames with the Pentax Spotmatic F and Kodak Gold 200 – By Jérémie Schuler (11/18/2019)
    • (First) 5 Frames With Kodak Tri-x 400 – By Jake Yorath (11/17/2019)
    • 5 Frames with the Nikon L35AF and Kodak Portra 800 in the german woods – By Martin Holman (11/16/2019)
    • 5 Frames with the Bronica ETRsi + 500mm f/8 EII – By Wyatt Ryan (11/09/2019)
    • Rolleiflex SL35 mini-review- A Gorgeous Under-The-Radar SLR – By Recky Reck. (11/08/2019)
    • 5 frames with 5 cameras and 5 films in one graveyard – by Rock (11/07/2019)
    • 5 frames with a Franka Solida IIE – by Michael Scott (11/06/2019)
    • 5 Frames rediscovering film with a Nikon FE2 – By Shaz (11/03/2019)
    • 5 Frames with Fomapan 400 “Action” (@ EI1600) – by Simon King (11/02/2019)
    • 5 Frames with the Canon SureShot / Autoboy 2 – By Wyatt Ryan (11/01/2019)
    • 5 Frames at an Airshow with the OM-1n and the Zuiko 300mm – By Ed Lara (10/31/2019)
    • 5 frames with 5 Leicas – by Per Wilhelmsson (10/30/2019)
    • 5 Frames with a 1950’s Envoy Wide Angle 6×9 – By Paul Elcock (10/29/2019)
    • 5 Frames with the Nikon F100 and Kodak ColorPlus 200 – By Dhanesh R. (10/27/2019)
    • 5 frames from Mo’orea with a Nikonos III – by Marc Gabor (10/26/2019)
    • 5 Frames with an Olympus XA4 – with Wen Zeng (10/23/2019)
    • Yashica Electro 35 – A mini review at The Mission Inn – By Eric Norris (10/22/2019)
    • 5 Frames with a Nikon F4 (and lots of tears and too much booze) – By Luis Barros (10/20/2019)
    • 5 Frames with a Nikon F80 from Eastern Europe – by Daniele “Cappe” Cappelletto (10/19/2019)
    • 5 Frames with a Praktica FX3 (10/18/2019)
    • 5 Frames with the Bronica SQ-A, my first (working) medium format camera – By Lukas Walter (10/15/2019)
    • 5 Frames with an Olympus Trip 35 and expired Kodak 400 Ultramax – by Tiago Meirelles (10/13/2019)
    • 5 Frames with Leica IIIg with Fuji Sensia 100 and Superia 400 – By Rob MacKillop (10/12/2019)
    • 5 Frames with Rollei Infrared 400, a Leica M7 and Voigtlander Color Skopar 21mm f/4 – Steven Bleistein (10/10/2019)
    • 5 frames with the Kodak 66 model III – by Michael Scott (10/09/2019)
    • 5 Frames in Paris with an Agfa Half-Frame Flea Market Find – By Eric Norris (10/08/2019)
    • 5 Frames with Kodak T-Max 400 – by Simon King (10/06/2019)
    • (First) 5 Frames with the Leica Monochrom and 7Artisans 50mm f/1.1 – By Rob MacKillop (10/06/2019)
    • 5 frames with an Olympus XA and XP2 Super at the Pet Parade – By Alex Solomon (10/03/2019)
    • 5 Frames With An Olympus OM1 MD (Again) – By Julian Higgs (10/02/2019)
    • 5 frames with Kodak Ektachrome E100 in low light – By David Narbecki (10/01/2019)
    • 5 frames with the Mamiya 35 ‘Executive’ – By Nigel Haycock (09/29/2019)
    • 5 Frames in My Garden with a Minolta XD-11 and Ilford HP5 ISO 400 – by Kate Johnson (09/25/2019)
    • 5 Frames with a Wondering Mind and a Leica M3 – By Ong Sien Hong (09/25/2019)
    • 5 Frames with Kodak Portra 400 on a Zorki 4. Or: Down a Rabbit Hole – By Lawrie Conole (09/22/2019)
    • 5 Frames with Vivitar V3000s: A more-than-expected Result – By Ris Sukarma (09/21/2019)
    • 5 frames with a Kodak Tele-Instamatic 608 – By Will Hopkins (09/19/2019)
    • 5 Frames with a Holga 120 GFN and Ilford Delta 3200 – By Bill Thoo (09/18/2019)
    • 5 Frames with the Mamiya 6 and the 75mm f3.5 – by Aloysius Chow (09/17/2019)
    • 5 frames with a Canon Demi 28 – By Steve Karsten (09/15/2019)
    • 5 Frames with a Hasselblad 503CX – By James Greenoff (09/14/2019)
    • 5 Frames with a Nikkor 50mm F1.4 on the Olympus Pen-FT – By Tiffany Perez (09/12/2019)
    • 5 frames with Kodak Instamatic 500 – By Sergio Palazzi (09/11/2019)
    • 5 frames with an Industar-61 L/D 55mm f/2.8 – By Dan Dodd (09/10/2019)
    • 5 frames of Cinestill 800t in Two Londons – By Robert (09/08/2019)
    • 5 Frames With Far Too Much Alcohol (and a Lomo LC-A) – by Ken Hindle-May (09/07/2019)
    • 5 Frames with the Olympus XA3 – By Martin Holmann (09/05/2019)
    • 5 Frames and a Movie during the Morning Rush with a Leica M240 and First Generation Summilux 35mm f/1.4 – By Steven Bleistein (09/04/2019)
    • 5 frames with a rather dumb push: FP4 @800 & Neofin Blau – By Virgil Roger (09/03/2019)
    • 5 Frames from New York, on Cinestill 50D with the Olympus XA – by Simon King (09/01/2019)
    • 5 Frames with the 7Artisans 75mm f/1.25 – By John Scott (08/30/2019)
    • 5 Frames With the Konica Hexar AF – By Louis A. Sousa (08/29/2019)
    • 5 Wider-Open Frames with the 7Artisans 75mm f/1.25 & a Leica M10-P (08/28/2019)
    • 5 Rural Japan Frames with a Leica M6J, a Summilux 50mm f/1.4 pre-asph., on Kodak T-Max 100 – Steven Bleistein (08/27/2019)
    • 5 Frames on the Beach with a Yashica Electro 35 GSN – by Lee Webb (08/25/2019)
    • 5 Frames with an Ilford Obscura and Direct Positive Paper – By Ellsworth Bell (08/22/2019)
    • 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang (08/21/2019)
    • 5 Frames from Dog Green, Omaha, and a Leica M6 – By Torsten Wulff (08/20/2019)
    • 5 Frames with a Konica A4 and Expired film – By Florian Hofmann (08/17/2019)
    • 5 Frames With EOS 3 and Kodak P3200 TMAX – By Matthew Harry (08/15/2019)
    • 5 Frames on the Angels 5K with the Olympus XA – by Tiffany Perez (08/14/2019)
    • 5 Frames with Fuji Velvia 100 (35mm / EI 100 / Nikon F4) – By David Hume (08/13/2019)
    • 5 frames with a Meikai EL/Harmony – A 35mm box camera with a rangefinder face – by Tobias Eriksson (08/11/2019)
    • 5 Frames with Ilford Pan F on the Olympus XA – by Tiffany Perez (08/10/2019)
    • 5 Frames with Kentmere 400 – by Simon King (08/07/2019)
    • 5 frames with a Pentax Auto 110 – by Martin Connolly (08/06/2019)
    • 5 frames with Minox B and HR50 – by Victor Doroshenko (08/04/2019)
    • 5 Frames with a Leica M6 and Pro Image 100 – By Greg May (08/04/2019)
    • 5 Frames with a Hasselblad 500C and Kodak Portra 160 – By Christian Schroeder (08/01/2019)
    • 5 Frames with a Canon EOS 1 – By James Greenoff (07/31/2019)
    • 5 Frames with the Olympus XA2 – Wyatt Ryan (07/30/2019)
    • 5 Frames with my new Zorki, pushing Ilford Delta 400 to 1600 – By Gavin Bain (07/27/2019)
    • 5 Frames with a No.2 Kodak Hawkeye Folding Camera Model C – By Jochen Utecht (07/25/2019)
    • 5 frames with a Yashica Mat 124 and Ektar 100 – by Hugo (07/24/2019)
    • 5 Frames with Ilford Delta 3200 (at EI8000-ish) – by Simon King (07/23/2019)
    • 5 Frames with the Olympus XA & Ektar 100 (at EI400) – by Simon King (07/23/2019)
    • 5 frames with a Canonet QL17 G-III – by Gandhi Cabañas (07/20/2019)
    • 5 frames with Kodak Ektar 100 and a Hasselblad 503cx – by Peter Samson (07/14/2019)
    • 5 Frames With A Yashica 35 – By Nigel Cliff (07/13/2019)
    • 5 Frames with a Leica M6 and Voigtlander 35mm f/1.4 – By Nigel Cliff (07/12/2019)
    • 5 Candid Portraits in Paris with a Leica M3, Summicron 50mm f/2, and Kodak T-MAX 100 Film – By Steve Bleistein (07/09/2019)
    • 5 Frames with a Ricoh FF90 Super and a TC-9 Teleconverter (07/08/2019)
    • 5 Frames with Ricoh FZ-70 and Boots film – by Matt Krajewski (07/06/2019)
    • Contax S2 – A mini-review – by Aivaras (07/02/2019)
    • 5 Frames with a First-Gen Leica Summilux 35mm f/1.4 Wide Open and a Leica M240 – by Steven Bleistein (06/30/2019)
    • 5 Frames with Kodak Ektar, My Dream Film, on the Nikon F3 – by Tiffany Perez (06/27/2019)
    • 5 Frames with a 7Artisans 28mm f/1.4 – By John Scott (06/26/2019)
    • 5 Frames with a Voigtlander Nokton Aspherical 40mm f/1.2 – By John Scott (06/25/2019)
    • 5 Frames With Ilford Delta 100 (expired 2006) – by Simon King (06/23/2019)
    • 5 Frames With CineStill 800T and Orange Filters on a Leica M6 – By Christian Schroeder (06/22/2019)
    • Frames with the Mighty Hasselblad XPAN – By Yul Vazquez (06/20/2019)
    • 5 Frames with Fuji Velvia 50 and an Olympus OM-1 – By Ben Kepka (06/19/2019)
    • 5 Frames with Olympus IS-1000 and the film it came with – by Matt Krajewski (06/18/2019)
    • 5 Frames with a Nikon FE (and a return to film photography) – By Thorsten Wulff (06/16/2019)
    • 5 Frames with the Nikon One-Touch Zoom 90 – By Mike Caputo (06/13/2019)
    • 5 frames with a Canon A-1 and TRI-X – By James Mitchell (06/12/2019)
    • 5 Frames in Ferrari Heaven with an Leitz 50mm Elmar – By Terry B (06/11/2019)
    • 5 frames with a Konica Auto S3 (And a tiny bit of a Tbilisi travelogue) – By Linda Terstad (06/08/2019)
    • 5/10 Frames with my Olympus Pen-FT (Sophie) in the Poppy Fields – by Tiffany Perez (06/05/2019)
    • Leica 35mm f/2 eight-element Summicron and Leica M240 – Candid Portraits – By Steven Bleistein (06/04/2019)
    • 5 Frames With CineStill 800T and a Yashica T5 taken in Broad Daylight – By Kevan Wilkinson (06/01/2019)
    • 5 Frames on the Run to Remember LA with the Olympus XA – by Tiffany Perez (05/30/2019)
    • 5 Frames with a Pentax MX and SMC Pentax-M 50mm f/1.7 – by Andrea Armando (05/29/2019)
    • 5 Frames with Kodak Ektachrome on the Nikon F3 – by Tiffany Perez (05/26/2019)
    • 5 Frames with Minolta Dynax 500si Super – By Matt Krajewski (05/25/2019)
    • 5 frames with a Canon Sure Shot Classic 120 – by Matt Evans (05/21/2019)
    • 5 Frames with a Canon A-1 and Ilford FP4 – Alessia Becheri (05/18/2019)
    • 5 Frames with a Konica K-Mini – By Dominic Leung (05/16/2019)
    • 5 Frames with the new Ricoh GRIII – by Stuart Andrews (05/15/2019)
    • 5 Frames with a 7Artisans 35mm f/2 Lens – By Ong Sien Hong (05/14/2019)
    • 5 Five frames with a Canon EOS Rebel K2 – by Gandhi Cabañas (05/12/2019)
    • 5 frames with Alfo 100 and the Fujifilm Zoom Date 1000 – by Ivan B. Palli (05/09/2019)
    • 5 Frames With an Olympus XA – By Julian Higgs (05/05/2019)
    • 5 Frames with Lomography 400 on the Nikon F3 – by Tiffany Perez (04/30/2019)
    • 5 frames with a Leica M6 and Voigtlander 40mm f/1.4 – by Dean Vuksanovic (04/28/2019)
    • 5 frames with a Minolta Dynax 7000 – By Dorian Farrimond (04/27/2019)
    • 5 frames with the Olympus 35SP and Fomapan 200 (I have a lot to learn) – by Giacomo Zema (04/26/2019)
    • 5 Frames With A Konica Auto S3 – By Marcus Harris (04/23/2019)
    • 5 Frames with a Contax G1 – by Mitchel Gordon Brauns (04/21/2019)
    • 5 Frames With Olympus AF10 (aka Infinity Jr) and the roll of film it came with – By Matt Krajewski (04/20/2019)
    • 5 Frames with a Mamiya C220 and Portra 160 NC – By Trenton Trammell (04/18/2019)
    • 5 Frames with an Olympus XA2 – By Filipa Leite Rosa (04/17/2019)
    • 5 Frames with My Thrift Store Olympus XA – by Tiffany Perez (04/16/2019)
    • 5 Frames with Film Never Die IRO200, a Leica M3, Leica Summicron-M 50mm f/2 – By Steven Bleistein (04/14/2019)
    • 5 Frames with Kodak T-MAX P3200 (Pushed to 6400), a Leica M3 and v1 35mm Summicron – By Steven Bleistein (04/13/2019)
    • 5 Frames on Skiddaw with an Olympus XA and T-MAX P3200 – By Chris Pattison (04/12/2019)
    • 5 Frames with Canon F-1 – By Ben Kepka (04/11/2019)
    • 5 Frames with Kodak Pro Image 100 – By James Greenoff (04/09/2019)
    • 5 Frames with a Zorki, Industar-61 & Expired Kodak Gold – By Lori Brooks (04/07/2019)
    • 5 frames with Minolta AF-S and well expired Kodak Ultra 400 – By Matt Krajewski (04/06/2019)
    • 5 frames with a Fuji Discovery 90 – by Gandhi Cabañas (04/03/2019)
    • 5 Frames With a Canon Sure Shot Sleek – By Charlie Thom (04/02/2019)
    • 5 frames with Fuji HD-M and Cinestill 800t – By Linda Terstad (03/27/2019)
    • 5 frames with a Chinon CG-5 and Vivitar 19mm & Ilford Delta 3200 – by Charles Higham (03/26/2019)
    • 5 Frames with Kodak Ektachrome E100 in Morocco – by Simon King (03/24/2019)
    • 5 frames with a Canon Prima AS-1 – By Linda Terstad (03/19/2019)
    • 5 frames with an Olympus AF-1 & Revolog Snovlox – By Allysse Riordan (03/16/2019)
    • 5 Frames with a Leica M4 – by Jochen Utecht (03/14/2019)
    • 5 Frames With An Olympus OM1 MD & Ilford HP5+ – By Julian Higgs (03/13/2019)
    • 5 frames with the Nikon FM2 & Agfa APX 400 in my Paris – By Martina Rigotti (03/12/2019)
    • 5 Frames With an Aires 35-IIIL – By Arran Saunders (03/09/2019)
    • 5 frames with a Minolta Weathermatic 35 and Portra 400 – By Linda Terstad (03/03/2019)
    • 5 Frames with a Olympus Mju II DLX – By Howard Dale (03/02/2019)
    • 5 Frames with a Fuji GX680 – By Sergio Moura (02/27/2019)
    • 5 Frames with a Nikon L35AF – By Christian Diehlmann (02/26/2019)
    • 5 Frames with the Voigtländer Vito C – By Nigel Haycock (02/24/2019)
    • 5 frames in Kolkata with a Leica M3 and Voigtländer 28mm f/1.9 – by Sroyon Mukherjee (02/23/2019)
    • 5 Frosty Frames with Vivitar 55mm 2.8 macro (02/19/2019)
    • 5 Frames with a Nikon FM2n and Ilford HP5+ 400 – By Cristian Geelen (02/16/2019)
    • 5 Frames with the Olympus 35RC – by Barry Carr (02/14/2019)
    • 5 Frames With A Rolleiflex 2.8F & Ilford Delta 3200 – by Floyd K. Takeuchi (02/13/2019)
    • 5 Frames with the new Voigtlander Color-Skopar Vintage Line 21mm f/3.5 – By John Scott (02/12/2019)
    • 5 Frames with FujiFilm Provia 100f, My First Roll of Slide Film – by Simon King (02/09/2019)
    • 5 Frames with an Olympus XA Rangefinder – by Forrest Rogers (02/06/2019)
    • 5 Frames With an Olympus OM10 and F.Zuiko 50mm 1.8 & Expired Fuji Superia Xtra – By Gavin Bain (02/02/2019)
    • 5 Frames with a Voigtlander Bessa R2 – by David Marshall (01/29/2019)
    • 5 Frames with a Ricoh TF-500 – By Adam Kendall (01/27/2019)
    • 5 frames with a Yashica Electro 35 GS – By Gavin Bain (01/26/2019)
    • 5 Frames with a Leica M4-2 and Zeiss ZM 50mm f2 Planar – By Thomas Inman (01/24/2019)
    • 5 Frames With The Rollei XF35 and Agfa APX 400 – by Anil Mistry (01/20/2019)
    • 5 Frames with the Konica C35 – By Sam Hainsworth (01/17/2019)
    • 5 Frames with a Fuji DL-510P Date – By Ashley Hall (01/16/2019)
    • 5 Frames with a semi-broken Contax T on Neopan 400 – By Xiaosu Han (01/15/2019)
    • 5 Frames With A Contax G2 – By Floyd K. Takeuchi (01/13/2019)
    • 5 Frames With An Olympus OM10 – Gavin Bain (01/10/2019)
    • 5 Candid Portraits in Tsukiji Pushing T-Max 100 with a Leica M6J and Summicron 50mm f/2- By Steven Bleistein (01/09/2019)
    • 5 Frames with a Canonet QL17 G-III – By Wen Zeng (01/06/2019)
    • 5 frames with a Smena Symbol – by Matt Evans (01/02/2019)
    • 5 Frames with a 90mm Summarit on a Leica M8 – By David Evans (12/30/2018)
    • 5 frames with the Minolta TC1 – By Isa Maidan (12/29/2018)
    • 5 frames with an Agfa Silette I and Ilford HP5+ – By James Mitchell (12/27/2018)
    • 5 Frames With A Zeiss Ikon Nettar 517/16 6×6 Folding Camera – By Julian Higgs (12/26/2018)
    • 5 frames from the first roll with Leica M4-P 7artisans 50 1.1 and Delta 100 – By Victor Doroshenko (12/23/2018)
    • 5 frames with the Voigtländer Bessa R2M and 35mm f/2.5 Classic – by Andreas Kaczmarek (12/22/2018)
    • 5 Frames with the Mamiya M645 1000s and Mamiya-Sekor C 55mm f/2.8 – By Wyatt Ryan (12/20/2018)
    • 5 Frames With An Olympus OM2n SLR & Ilford HP5- By Julian Higgs (12/19/2018)
    • 5 Frames with a Yashica Zoomtec 70 – By Daniel Kastner (12/18/2018)
    • 5 frames with a Nikon Nikkor HC 5cm f/2 ltm on a Sony A7RII – By Aivaras (12/15/2018)
    • 5 Frames with the Nikon F3HP & Minolta 55mm f/1.7 – by Simon King (12/13/2018)
    • 5 Frames with a Contax 167MT & Carl Zeiss Planar 50mm f/1.7 – By Brett Franklin (12/12/2018)
    • 5 Frames with the SureShot and Ektar 100 – by Nathanaël Fournier (12/11/2018)
    • 5 Frames on Ferrania P30 Alpha (with a Leica M6 and Nokton 35mm) – By Son Pham (12/06/2018)
    • 5 Frames with a Rollei B35 (and a little intro to “Analogue United”) – By Mariya Todorova (12/05/2018)
    • 5 Frames with Konica Hexar AF – by Louis Sousa (12/04/2018)
    • 5 Frames With A Yashica T5 and Ektachrome E100 – By Kevan Wilkinson (12/01/2018)
    • 5 Frames with Minolta CLE and Rokkor 40mm f/2 – by Florent Pinsault (11/28/2018)
    • 5 Frames with the Canon Rebel G and 50mm f/1.8 – by Wyatt Ryan (11/25/2018)
    • 5 Frames With the Petri 7s – by Barry Carr (11/24/2018)
    • 5 Frames with a Mamiya Sekor 45mm f/2.8 N & Mamiya 645 1000S – By Aivaras (11/21/2018)
    • 5 frames with a Rollei 35SE – By Pierre-Alix Favillier (11/20/2018)
    • 5 frames with my dear Nikon F and Nikkor 28mm f3.5 – by Jano Urda (11/18/2018)
    • 5 Frames with an Olympus Zuiko 55mm f/1.2 – by Thomas Risberg (11/15/2018)
    • 5 Frames travelling with a Mamiya 6 MF – By Faraz (11/14/2018)
    • 5 Frames with the Olympus OM Zuiko 100mm f2.8 – By Sandeep (11/13/2018)
    • 5 Frames with a Leica M4-P on a Whisky Pilgrimage – By Nick Holt (11/10/2018)
    • 5 Frames with my Leica M2 and 7 Artisans 50mm f/1.1 – by Tim Dobbs (11/09/2018)
    • 5 frames with a Canon 7, 35/2 lens and Rollei RPX400 – by Anthony Chatain (11/08/2018)
    • 5 Frames with a Lomo LC-A – by Pjotr Eijkenboom (11/07/2018)
    • 5 frames with a Minolta Panorama Zoom 28 – by Charles Higham (11/02/2018)
    • 5 Frames with a Leica M5 – by Petros Katradis (11/01/2018)
    • 5 Frames with the Minolta 24mm f/2.8 MD W.Rokkor – By Steven Starr (10/30/2018)
    • 5 Frames with a Fed 50mm f/3.5 LTM lens (Industar-10) – By Christian Irving Cayetano (10/27/2018)
    • 5 Frames with a Takumar 50mm f/1.8 on a Spotmatic (with 11 year old film) – By Nigel Cliff (10/24/2018)
    • 5 Frames With A Leica Tele-Elmarit 90mm f/2.8 – by Aukje (10/22/2018)
    • 5 Frames with a Mamiya Sekor 80mm f/1.9 and Mamiya 645 1000s – By Aivaras (10/19/2018)
    • 5 Frames With a Fujica GL690 – by Denys Trofimchuk (10/18/2018)
    • Konica Tomato – Five Frames – By Kevan Wilkinson (10/17/2018)
    • 5 Frames with a Canon A-1 – By Ollie Lattin (10/15/2018)
    • 5 Frames with a Leica R8 and 28mm f/2.8 – by Dominique Collard (10/12/2018)
    • 5 Frames with a Leica M4 and Voigtlander 35mm f/2.5 – By Dan Smith (10/10/2018)
    • 5 Frames With A Fed 4 Russian Rangefinder – By Julian Higgs (10/08/2018)
    • 5 Frames with an Olympus 35RC, A Centon FG20 Flash, and a 24 Frame Roll of Kodak Gold Ultra 400 – By Toby Van De Velde (10/06/2018)
    • 5 Frames with a Pinhole Works Driftwood Camera – by Amy Davis (10/01/2018)
    • 5 Frames With a Hanimex 35FX – By Richard Williams (09/27/2018)
    • 5 frames with a Steinheil 50mm f/2.8 Cassar S lens – by Tobias Eriksson (09/26/2018)
    • 5 Frames With A Minolta 700si And A Roll Of Dubblefilm Monsoon – By Nigel Cliff (09/25/2018)
    • 5 frames with the Canonet QL17 GIII in Glacier National Park – By Brady LaVigne (09/24/2018)
    • 5 Frames with a Yashica T4 and a roll of Ilford FP4 – By Dave Donnelly (09/21/2018)
    • 5 frames with a Praktica MTL5 – By Ioana Trifu (09/20/2018)
    • 5 Frames with a Schneider-Kreuznach Xenar 50mm f/2.8 Lens – By Cheyenne Morrison (09/17/2018)
    • 5 Frames with a Konica Big Mini F – By Kamburger (09/17/2018)
    • 5 Frames with a Ricoh GR1s – by Steven Bleistein (09/12/2018)
    • 5 Frames With An Olympus OM2 SP – By Julian Higgs (09/11/2018)
    • 5 Frames with a Yashica Half Frame 17 Rapid – by Denis Savinov (09/07/2018)
    • 5 frames with a Yashica Samurai X3.0 and Fuji Superia 400 – By Dan Marinelli (09/05/2018)
    • 5 frames with a Fujica GW690 and a roll of Cinestill 50D – By Irv Bartlett (08/31/2018)
    • 5 Frames with a Nikonos V – by Dirk Marwede (08/30/2018)
    • 5 Frames from my First Roll of Kodak Portra 160 – By Stu Myers (08/29/2018)
    • 5 Frames with a Smena Symbol (08/28/2018)
    • 5 Frames With A Chinon 35EE – By Nigel Cliff (08/25/2018)
    • 5 Frames with the Pentax 67 – By Louis Sousa (08/24/2018)
    • 5 Frames with a Nikon F4S and Nikkor 35mm f/2.8 AI and Adox CMS II – By Toni Skokovic (08/23/2018)
    • 5 Frames with a Konica Hexar AF – By James Nguyen (08/22/2018)
    • 5 Frames with the Summishica – By Andy Karlson (08/21/2018)
    • 5 Frames with an Olympus mju-i – By Gregoire Huret (08/20/2018)
    • 5 frames with an Olympus XA1 – By Howard Hurd (08/16/2018)
    • 5 Frames with an Olympus OM-2N – By Chris Johnson (08/15/2018)
    • 5 frames with an Auto Yashinon 1:2 50mm lens – by Tobias Eriksson (08/13/2018)
    • 5 Frames with a Nikon FE2 and a roll of Fuji Reala 500D – by Tim Dobbs (08/09/2018)
    • 5 frames with an Olympus Infinity Stylus Zoom 140 DLX – by Kyle McMurphy (08/08/2018)
    • 5 Frames With a Pentax Spotmatic F – By Ray Goodwin (08/07/2018)
    • (A few more than) 5 frames with a Zeiss Ikonta B 522/24 – by Sergio Palazzi (08/06/2018)
    • 5 Frames With A Voigtlander CLR Rangefinder Camera – By Julian Higgs (07/31/2018)
    • 5 Frames With Fujifilm Klasse W – By Ricardo Kalaidjian (07/30/2018)
    • 5 frames with a Canon P and Canon 50mm f/1.4 lens (07/29/2018)
    • 5 Frames with a Ricoh 500G – by Martin Connolly (07/26/2018)
    • 5 Frames with An Olympus 35SP Rangefinder – By Julian Higgs (07/25/2018)
    • 5 Frames with an Agfa Optima 335 electronic – by Dave Donnelly (07/18/2018)
    • 5 frames with a Kodak Retina IIIc – by Thomas Merk (07/11/2018)
    • Shooting a roll of Kodak HIE infrared film with a Nikon F-301 – by Charles Higham. (07/10/2018)
    • 5 Frames with a Leica M6 and Fuji Pro 400H – By Khalid Ibrahim (07/03/2018)
    • 5 frames with a Konica C35 – by Dale Willetts (06/29/2018)
    • 5 Frames With a Minolta Dynax 800Si – By Simon Forster (06/28/2018)
    • 5 Frames with an Exa 500 – by Dale Willetts (06/21/2018)
    • 5 Frames with a Nikon F100 by Adam Laws (06/15/2018)
    • 5 Frames with a Sigma SD14 / Helios-44-2 – by Bernd Runde (06/12/2018)
    • 5 frames with an Olympus 35 LE – By Tobias Eriksson (06/07/2018)
    • 5 Frames with a Zeiss Otus 55mm and Canon EOS 1V – By Bent_Brent (06/06/2018)
    • 5 frames with an Olympus Pen F – By Tobias Eriksson (06/04/2018)
    • 5 Frames with a Zorki 4K – By Dale Willetts (05/30/2018)
    • 5 Frames with a Pentax ME – By Oliver Clarke (05/29/2018)
    • 5 Frames with a Zeiss Ikon Contessa – by Thomas Bell (05/24/2018)
    • 5 Frames from My First Year as a Photographer [with a Leica M240] – by Simon King (05/21/2018)
    • 5 frames with my Leica M6 & Zeiss 50mm f1.5 C Sonnar – By Rick Davy (05/17/2018)
    • 5 Frames With A Holga 120FN – by Dev Samaddar (05/16/2018)
    • 5 Frames With a Leica M6 and Kodak Portra 800 – By Martin Smith (05/15/2018)
    • 5 Frames With Refilled Disposable Cameras – By Skyler Adams (05/10/2018)
    • 5 Frames with a Nikon F80 – by Chris McPhee (05/09/2018)
    • 5 frames on the road with expired film from 1998 – by J.F. Pritchard (05/08/2018)
    • 5 Frames With An Olympus 35 RC – by Julian Higgs (05/03/2018)
    • 5 frames with a Nikon F3 – by Eduardo Ribeiro (05/02/2018)
    • 5 Frames with a Miranda Sensorex – by Nigel Haycock (05/01/2018)
    • 7 Frames with a Ricoh GR Digital IV – By Yul Vazquez (04/30/2018)
    • 5 Frames with a Kodak Vest Pocket – By Dan Smith (04/25/2018)
    • 5 Frames with a Polaroid Originals One Step 2 – By Ed Worthington (04/24/2018)
    • 5 frames with a Leica M6 TTL and 7artisans 35mm f/2 Sonnar – by EMULSIVE (04/19/2018)
    • 5 Frames with the Minolta Maxxum 7000 – By Chris McPhee (04/18/2018)
    • 5 frames with a Nikon FM3A and Nikkor 28-70mm 2.8 D – by John Whitmore (04/17/2018)
    • 5 frames with Pentax SuperA – By Aivaras (04/12/2018)
    • 5 Frames with a Contax G1 – by Carlos Albisu (04/11/2018)
    • 5 Frames with the Lomography Minitar Art Lens – by Barnaby Nutt (04/10/2018)
    • 5 Frames with the 7Artisans Prototype 35mm f/2 m-mount lens (04/08/2018)
    • 5 Frames with a Kodak Retina IIc – By Howard Dale (04/05/2018)
    • 5 Frames with The Contax RTSii – by Anil Mistry (04/04/2018)
    • 5 Frames with a Leica M6 & Cinestill 800t – by Christoph Ackermann (04/03/2018)
    • 5 Frames With An Olympus Trip 35 – By Julian Higgs (03/29/2018)
    • 5 Frames with a Rolleicord IIA – by Tom O’Neill (03/27/2018)
    • 5 Frames with an Olympus Trip 35 – By Huy Le (03/22/2018)
    • 5 Frames with a Canon AT-1 and a Roll of Redscale – by Toby Van de Velde (03/21/2018)
    • 5 Frames with an Olympus OM-2N – by Shameer Yaqin (03/15/2018)
    • 5 (6) frames with a Hasselblad in Mississippi – by Andrew Morang (03/14/2018)
    • 5 Frames with a Vivitar 35ES – By Howard Dale (03/13/2018)
    • 5 Frames with a Nikon F80 (03/11/2018)
    • 5 Frames with a Fujica GS645 Pro by Son Pham (03/08/2018)
    • 5 Frames with a Zenit EM – By Greg May (03/07/2018)
    • 5 frames with a Canon AE-1 Program – By Greg May (03/06/2018)
    • 5 Frames with a Nikonos IV-A – By Ivan Mendez (03/01/2018)
    • 5 Frames with a Nikkormat – By Greg May (02/28/2018)
    • 5 Frames with a Polaroid SX-70 – By Simon King (02/27/2018)
    • 5 Frames with a Nikon F100 by Carlos Llamas (02/22/2018)
    • 5 Frames with a Leica MP, Portra 400 & Lots of Sun – By Nelson M (02/21/2018)
    • 5 Frames with a Olympus OM-1n – By Paulius Gailiunas (02/20/2018)
    • 5 frames with a the Olympus mju-II – by Francisco Varone (02/15/2018)
    • 5 Frames with a Leica Mini – By David Felix (02/14/2018)
    • 5 frames with a the Minolta Dynax 3000i & Minolta AF Zoom 35-80mm f/4-5.6 – by Charles Higham (02/13/2018)
    • 5 frames with a Bessaflex and CZJ Flektogon 2.4/35mm – by Son Pham (02/08/2018)
    • 5 Frames With a Leica M7 – by Adam Laws (02/07/2018)
    • 5 Frames with an Olympus E-M10 by Vlado Ondrejovic (02/06/2018)
    • 5 Frames with Bell & Howell Fixed Focus Camera – By Howard Dale (02/01/2018)
    • 5 Frames with a Samsung AF Slim (01/31/2018)
    • 5 Frames with a Pentax Spotmatic – By Wesley Fortin (01/30/2018)
    • 5 Frames With a Calumet C1 – BY Erik Henderson (01/25/2018)
    • 5 Frames with a Samsung ECX-1 (01/24/2018)
    • 5 Frames with a Hasselblad XPan – By Simon King (01/23/2018)
    • 5 Frames with a 7Artisans 50mm f/1.1 – Barnaby Nutt (01/18/2018)
    • 5 (4 underexposed) frames with a Leica M-A and 7Artisans 50mm f/1.1 (01/17/2018)
    • 5 Frames with a 135 adapted Holga – By Lucas H (01/16/2018)
    • 5 Frames with a Pentax Spotmatic and Kominar 28mm/3.5 – By Toni Skokovic (01/11/2018)
    • 5 Frames with a Leica Standard & Voigtlander 28mm f/3.5 (01/10/2018)
    • 5 Frames with a Leica CL and Jupiter-8 – By Simon King (01/09/2018)
    • 5 Frames with a Nikon FM3A and Nikkor 50mm f1.2 AIS – by Anil Mistry (01/04/2018)
    • 5 Frames with a Leica M typ 262 (01/03/2018)
    • 5 frames with a Canon Av-1 and a Elicar 28mm f2.8 – A.K.A. “Don’t think, React” – by Gael Berthon (01/02/2018)
    • 5 frames with a Leica M2 & 35mm Summicron – by Maximilian Selim (12/28/2017)
    • 5 frames with a Leica M3 & Zeiss 50mm Sonnar (12/27/2017)
    • 5 frames with a Yashica Minister II – by Malcolm (12/26/2017)
    • 5 Frames with a Canon F1 with a 55mm f/1.2 – James Greenoff (12/25/2017)
    • 5 frames with a Ferrania Condor II – Francesco Melis (12/21/2017)
    • 5 frames with a Pentax Espio 35-70 AF Zoom – By James Cockroft (12/19/2017)
    • 5 Frames with an Olympus Trip 35 – By Chris McPhee (12/14/2017)
    • 5 frames with a Lomo LC-A+ – By Etienne Despois (12/12/2017)
    • 5 frames with a Leica M-A – By Björn Berings (12/07/2017)
    • 5 Frames with a Leica CL – By Dan Castelli (12/05/2017)
    • 5 Frames with a Minolta M-Rokkor 90mm 1:4 – By Rollin Banderob (11/30/2017)
    • 5 Frames with a Plaubel Makina 67 – By Adam Laws (11/28/2017)
    • 5 Frames with a Minox B Subminiature Camera – By Wayne Pinney (11/23/2017)
    • 5 frames with an Intrepid 5×4 Field Camera and Schneider APO-Symmar 5.6/150 lens – By Richard Pickup (11/21/2017)
    • 5 Frames with a Nikon FE2 – Ryan Jones (11/16/2017)
    • 5 Frames with a Olympus Mju – by Frederick Maurice Lim (11/14/2017)
    • 5 Frames with a Ricoh ZF – By James Cockroft (11/09/2017)
    • 5 Frames with a Minolta CLE & M-Rokkor 40mm – By Dan Diaz (11/07/2017)
    • 5 Frames with a Nikon F301 – by Ed Worthington (11/02/2017)
    • 5 frames with a Contax T – By Gavin Maxwell (10/31/2017)
    • 5 frames with a Zeiss Ikon ZM and its 35mm Biogon – By Alexis (10/26/2017)
    • 5 Frames with a Leica M6 and 28mm Elmarit – by Daniel Avery (10/24/2017)
    • 5 frames with a Pentax MZ-3 and SMC-F 50mm 1.7 lens by Aivaras (10/19/2017)
    • 5 Frames with a FED 5B with Industar 61 L/D by Mark (10/17/2017)
    • 5 frames with a Fuji Tiara ii – by Eddy (10/12/2017)
    • 5 frames with a Canon Canonet QL17 by Tobias Eriksson (10/10/2017)
    • 5 Frames with a Rollei 35S – by Jack Johnson (10/05/2017)
    • 5 Frames With a Leica M Monochrom (Typ 246) – By Nick Holt (10/03/2017)
    • 5 Frames with a Minolta CLE / M-Rokkor 40mm 1:2 – By Steven Starr (09/28/2017)
    • 5 Frames with a Canon FTb and 50mm 1.4 lens – by Rob Davie (09/26/2017)
    • 5 Frames with an Olympus OM-1 with Zuiko 50mm/1.8 – by Toni Skokovic (09/21/2017)
    • 5 Frames with a Pentax ME Super – by Anil Mistry (09/19/2017)
    • 5 frames with a Leica M4-P + 35mm Summilux by Marco North (09/15/2017)
    • 5 Frames with an Olympus Auto Eye – by Ed Worthington (09/14/2017)
    • 5 frames with a Voigtlander Vito B – by Richard Williams (09/12/2017)
    • 5 frames with a Zero 2000 Pinhole Camera (09/10/2017)
  • Category: Found Photos
    • 5 Frames with an Olympus 35 SP (12/09/2024)
    • One Man’s Journey in Seven Photos (11/17/2024)
    • Negatives from the Original 1888 Kodak Camera (09/12/2024)
    • Discovering some Photos Taken by my Grandfather with his Leica (08/20/2024)
    • Historical Records in Family Photographs (03/24/2024)
    • A Roll of My Grandfather’s Film – Agfa Isopan on his Leica I (11/30/2023)
  • Category: One Shot Story
    • Happy Holidays! – One-Shot Story (12/25/2024)
    • One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station (12/21/2024)
    • Brighton montage – a one shot story (12/08/2024)
    • Polaroid Punk – a One Shot Story (12/02/2024)
    • Not quite a TLR challenge response – A one-shot story (12/01/2024)
    • Lesson Learned Again – A One Shot Story (11/24/2024)
    • Tripcock Ness – A One Shot Story (11/19/2024)
    • Stray or street dogs of Istanbul – One-Shot Story (11/05/2024)
    • “The Puffin Inspectors” – One-Shot Story (11/02/2024)
    • The Dancer – A One Shot Story (10/31/2024)
    • In a Haunted Antiques Shop – One-Shot Story (10/31/2024)
    • TLR Challenge: 2 – The Spirit in the Sky (A One Shot Story) (10/28/2024)
    • Breaking the Bank for a Bubble — A One-Shot Story (10/08/2024)
    • Autumn Emerging – One-Shot Story (10/05/2024)
    • My Father’s UFO – a One Shot Story (09/29/2024)
    • The Director – A One Shot Story (09/17/2024)
    • A Painterly Puzzle – One-Shot Story (09/10/2024)
    • Beyond the Frame – One Shot, Six Stories (09/06/2024)
    • That Time I Played Art Detective — One-Shot Story (09/03/2024)
    • The Power of a Pinecone — A One-Shot Story (08/30/2024)
    • The Tranmere Cross – A One Shot Story (08/29/2024)
    • Folk Art on Wheels — One-Shot Story (08/27/2024)
    • The Accidental Double Exposure: A Virtual Architectural Vision – a One Shot Story (08/23/2024)
    • Friday Night Lights – The Catch – A One Shot Story (08/21/2024)
    • Bilbao in November rain (A One-Shot Story) (08/15/2024)
    • How Hercule Poirot Helped Me to Find a 6×6, or is the Voigländer Perkeo the Moka Pot of Cameras – A One Shot Story (08/14/2024)
    • Father, Son and a Texas Star – A One Shot Story (08/13/2024)
    • An Accidental Living-Room – A One Shot Story (08/09/2024)
    • Shooting LF – Trying the Ultimate Inanimate Subject First – A One Shot Story (08/07/2024)
    • Crete, a Welcome – A One Shot Story (07/02/2024)
    • Wind from northwest – One shot Story (06/30/2024)
    • The Kids Are Alright – A One Shot Story (06/24/2024)
    • The World is Freshly Washed – A One Shot Story (06/21/2024)
    • Melbourne 1996 – A One Shot Story by David Hume (06/18/2024)
    • FOMO – Taking my Favourite Image of the Year (06/05/2024)
    • On the Common – a One Shot Story (05/29/2024)
    • The Cat and His Boy – A One Shot Story (05/21/2024)
    • A One Shot Story from New Zealand’s South Island. (05/14/2024)
    • There’s a Shadow in My Shoes! – A One-Shot Story (04/03/2024)
    • Found Out – A one shot story (03/26/2024)
    • How Privacy Hysteria Killed Street-Photography (03/14/2024)
    • Terrorists in the Swat Valley – A One Shot Story (02/27/2024)
    • Home Run Towards Happiness – One Shot Story (02/14/2024)
    • Tracking Down My Very First Home (One-Shot Story) (01/04/2024)
    • 410 East 65th Street (12/01/2023)
    • Plainclothes Angels (a One-Shot Story) (06/07/2023)
    • The Haunting on Sunset Hill (a One-Shot Story) (04/26/2023)
    • The Eyes of Venice (a One-Shot Mystery Story) (04/12/2023)
    • Money from Mars (A One-Shot Story) (03/08/2023)
  • Category: Photos & Projects
    • A Night at the Opera – Plays and Opera Photography (12/19/2024)
    • Canon AE-1 on the Coastline of Montenegro (12/17/2024)
    • Three days on a island with a roll of film (12/15/2024)
    • Returning to the Hakone Turnpike (12/08/2024)
    • Minolta 16MG & Adox CMS 20 II – Zones 5 through 9 (12/07/2024)
    • Get out and Photograph a Tree! (12/07/2024)
    • Mystery Films – Found, Developed and Scanned (12/05/2024)
    • A Camera Trio in Rio (12/05/2024)
    • Hydra on 35mm (12/04/2024)
    • Shooting in a cemetery leads to uncovering a local tragedy (and then another). Dangerous currents. (11/30/2024)
    • The Balkan Spomeniks – Monuments for a new tomorrow (11/30/2024)
    • Welcome to the Gates of Hell (11/28/2024)
    • The great Agfa Scala 200x disaster (11/23/2024)
    • A Castle You Say? (11/22/2024)
    • Portraits in Skating (11/14/2024)
    • People’s Park Chengdu with an Olympus XA3 and expired Rollei RPX 400 (11/07/2024)
    • Shooting a Roller Derby Bout (11/06/2024)
    • Becoming an Honorary Newfoundlander (11/03/2024)
    • Young Band Rocks at a Youth Rock Concert (11/01/2024)
    • Padua, a photographer’s goldmine (10/29/2024)
    • A walk round Portland, Oregon with a Leica M3 and Voigtländer 21/4 Color-Skopar (10/26/2024)
    • The night Venice talked to me (10/20/2024)
    • Shooting Fast Alfa Romeo on a Race Track (10/19/2024)
    • Shooting Cinestill 800T at My Neighbor’s Gallery Exhibition (10/19/2024)
    • Soho (Needless To Say) (10/10/2024)
    • The good, the bad, and the grainy – exploring Czechia with an untested Pentax 170SL (10/10/2024)
    • “A day in the life of a” – 83 and counting (10/08/2024)
    • The FA Cup: Capturing the Magic Through Film (10/06/2024)
    • Elegy in a Country Churchyard (10/05/2024)
    • A Full Roll of Flowing Water with a Moscow 4 (09/28/2024)
    • Weegee Returns – A photographic tribute to a legendary cult photographer! (09/13/2024)
    • The Boat Graveyard (09/12/2024)
    • Shooting Kite Surfing (09/11/2024)
    • Kodak Ektramax Fireworks and a Cool 110 Tip (09/10/2024)
    • Returning to home developing – an expired roll of FP4 and perhaps a Pen EE (09/04/2024)
    • Burning the midnight oil with Ilford HP5 at 1600 ASA (08/28/2024)
    • Flaybrick Memorial Gardens (08/21/2024)
    • Shooting Historical European Martial Arts (HEMA)-like Events (08/15/2024)
    • Agfa APX 400 pushed to 1600 – When Needs Must (08/06/2024)
    • A Few Musing on Theatre Photography (08/03/2024)
    • Ghost Town Photography in Colorado (08/01/2024)
    • A Few of my Stereo .GIFs (07/31/2024)
    • Instant Arctic – Emulsion Lifting on the Edge of the World (07/30/2024)
    • Shrovetide in Lazarim (07/26/2024)
    • Shooting Vintage with Vintage – Classic Cars through Leitz Thambar and Dallmeyer Dalrac (07/25/2024)
    • Visiting Algeria with My Olympus XA (07/18/2024)
    • A Second Outing with the Pentax Auto 110 with Fomapan 400. (07/14/2024)
    • Rockmount Ranch Wear – an American Legend (07/12/2024)
    • Polo in The Karakoram – Hockey on Horseback with a Contax G2 and Velvia 50 (07/07/2024)
    • How to Shoot Stand-up Paddle Competitions (07/03/2024)
    • The “Troytsa” – a Religious Resistance Symbol in Bessarabia (06/25/2024)
    • Easter Night Vigil in an Orthodox Community (06/19/2024)
    • London Tube Riders Having the Time of their Lives, or Perhaps Not (06/16/2024)
    • One Photographer and Two Cameras for Spares & Repairs (06/15/2024)
    • Grain, Glorious Grain! – T-Max 3200 pushed to 6400 (06/13/2024)
    • How to (Unconventionally) Shoot Track and Field Competitions (06/12/2024)
    • Rolleicord Vb, a roll of Portra 400 and the Reggia di Venaria (06/06/2024)
    • Creekside with a Leica M3 (06/04/2024)
    • Into the Wayback Machine – More Adventures with Severly Expired Film (05/28/2024)
    • The Surface of Water, Grain, and the Search for the Perfect Scan. (05/26/2024)
    • Kyoto, farewell (05/19/2024)
    • Conflicted Beauty – Photographing Charleston South Carolina (05/16/2024)
    • Park Life with a Ihagee Exa 1A (05/16/2024)
    • Visiting an old ‘friend’ – Lisbon (05/12/2024)
    • Recreating Historic Images (05/11/2024)
    • Shooting Analog in the Italian Alps (my new Rolleicord and the first b/w roll) (05/08/2024)
    • Learning to Shoot Boxing Matches (05/08/2024)
    • Karni Mata, Deshnoke (05/07/2024)
    • Évora, Portugal with a Leica MP & Foma 100 (05/05/2024)
    • Sigh, Gone – Shooting in Ho Chi Minh City (05/01/2024)
    • Lower than the Angels: Chinatown in February 2020 and 2023 (04/25/2024)
    • Cascais, Portugal, by Day and Night (04/20/2024)
    • A Custom Tailored Shirt (04/13/2024)
    • Cycling Slow is what I do Best (04/10/2024)
    • Shooting Contre-Jour (04/06/2024)
    • Leica M3 and Portra 400 at 6000 Feet (1828 meters) (04/04/2024)
    • Gongoozeling Experiences Along England’s Canals (04/03/2024)
    • Compact Formation: Shooting Football with a Superzoom (03/23/2024)
    • Contax RTS II and a roll of Expired Provia (03/18/2024)
    • A Roll of Delta 400 and the Walk to ICP (03/13/2024)
    • Documenting Shanghai’s Modern Architecture (03/12/2024)
    • Finding War and Peace in London – reflections after shooting London’s grand demonstration for Gaza (03/06/2024)
    • 10 Botanical Frames in Black and White – Why on Earth Would You Do It? (03/05/2024)
    • A Weekend Getaway to Nagiso with Ricoh GR1v and Kodak Gold 200 (03/02/2024)
    • Festivity of the Goat and “Canhoto” (03/01/2024)
    • Defining Environmental Automotive Portraiture (02/28/2024)
    • Surviving two Leica fails on a motoring trip down to the Balkans (02/22/2024)
    • A Wet and Misty Thames Walk with a Leica iiig and 50mm Summar (02/18/2024)
  • Category: The Whole Roll
    • The Whole Roll: Harman Phoenix 120 in Minolta Autocord MX (11/20/2024)
    • The Whole Roll (x2): Fomapan 400 & Kodak Tri-X, April 2024 (05/30/2024)
    • Whole Roll of Expired Arista Through North County San Diego (05/01/2024)
    • The Whole Roll: Ilford FP4+ at the London New Years Day Parade (2024) (03/15/2024)
  • Category: Traveling Yashica (& other cameras)
• Category: Theory & Reflections
  • Category: Compact Photographers
  • Category: Fiction
  • Category: Gear Theory
    • Can You Get Mojo From TLR Cameras? (12/03/2024)
    • DSLR Scanning on a Budget: Unlock Stunning Results with an Affordable Enlarger Lens (12/01/2024)
    • Converting Colour and B&W Film Negs – an Evolution (11/24/2024)
    • The Wider View – learning to create panoramic images (11/21/2024)
    • Memorable photos made with forgettable lenses (11/21/2024)
    • Enjoying the 110 format (11/14/2024)
    • TLR Challenge: 3 – Night Shots (11/04/2024)
    • What does a perfect camera need? (10/29/2024)
    • My TLRs Over the Years (10/25/2024)
    • From a 50 to a 35 – How I Changed My Perspective (10/21/2024)
    • Running with cameras (10/18/2024)
    • TLR Challenge – My Response (10/17/2024)
    • TLR Challenge: 1 – User Errors (10/02/2024)
    • 4×5 reborn, or “What are those things?” (09/25/2024)
    • Early Auto Exposure – Three Different Approaches (09/05/2024)
    • The beginning of a TLR Challenge (08/17/2024)
    • That time I sent a letter to the president of Canon, and got a reply. (08/07/2024)
    • Holga Tips from a Holga Nut (07/03/2024)
    • One camera, One Lens – Testing the Photo Adage in Japan (06/29/2024)
    • In praise of ‘cheap’ lenses for ‘pro’ works (06/22/2024)
    • Expired Film – My Hows and Whys (05/28/2024)
    • Some of my thoughts and experiences with Point & Shoots (05/22/2024)
    • Give Broken Ones a Chance – Shooting a Damaged Leica CL (03/27/2024)
    • A Note on the Concept of “Correct” Exposure (03/13/2024)
    • Canon EOS A2 – An Odd Little GAS Journey. (02/28/2024)
    • Pentax – In Praise of Usability of Cameras and Lenses (02/13/2024)
    • Traveling. Light? 4 days, 4 Cameras (01/31/2024)
    • Life-like Finders and Photo-like Finders Part 1: The L–P spectrum (12/26/2023)
    • A Bout of GAS, and a Rediscovered Pentax Q7 (12/24/2023)
    • The Short Telephoto – My Preferred Carry-Everywhere Lens (12/11/2023)
    • 500mm Mirror Lens with Film – by Simon King (11/29/2023)
    • Confessions of a Failed Camera Flipper (11/14/2023)
    • Digital Negatives – The Power of CHDK on Canon Powershots – By Sean Benham (06/13/2022)
  • Category: Humour
    • Working Undercover – A one (or two) shot story (12/13/2024)
    • A Glossary of Photographic Terms (09/22/2024)
  • Category: Interviews
  • Category: Learning Journeys
    • From Negative to Positive in Colour – My Experience & Workflow (10/04/2024)
    • Just like riding a bike (10/01/2024)
    • Learning to Shoot Fashion Shows on Film (07/24/2024)
    • My First Five Rolls of Film (Ever) (06/19/2024)
    • Going Analog on Okinawa – Part IV – DSLR Scanning (04/27/2024)
    • Going Analog on Okinawa – Part III – Scanning Misadventures (04/18/2024)
    • Going Analog on Okinawa – Part II – The First Roll (04/11/2024)
    • Photography and the Importance of a Proper Training (04/07/2024)
    • Going Analog on Okinawa – Part I – The Decision (04/04/2024)
    • Trying Darkroom Printing for the First Time (02/16/2024)
    • Developing film at home for the first time (12/14/2023)
    • Camera Manuals, Coffee, and a Big Duh Moment (11/09/2023)
    • Digitisation – a tale of a film scanning options rabbit hole (10/22/2023)
    • My First Major Development Fail (10/08/2023)
    • Easing into Home Development (10/01/2023)
  • Category: Philosophy & Reflections
    • When The Burn Out Hits (12/21/2024)
    • Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’) (12/16/2024)
    • New Horizons and Moving Back in Time (12/03/2024)
    • Spectacular Vernacular. Memory and Legacy. (11/18/2024)
    • The Gigapixel Image (11/17/2024)
    • Hope in Creativity (10/09/2024)
    • Kamera with a K – An ode to a love of Kamera: Shooting Seoul with a long missed Zeiss Ikon ZM (09/08/2024)
    • When Kitsch Becomes Collectible (09/04/2024)
    • My Asylum Years (09/03/2024)
    • The Stupidity of Being Stubborn (08/28/2024)
    • A Collector’s Journey From Microscopes to Cancer to Cameras (08/27/2024)
    • The Camera that Launched my Career… and Nearly Devastated me. (08/12/2024)
    • Is the Revolution Here Again? (I’m really serious about this.) (07/20/2024)
    • Save those negatives. You never know… (07/10/2024)
    • On Composition – Or: the eye sees what the mind is prepared to comprehend (06/13/2024)
    • What does it take to be a Photographer? (06/11/2024)
    • Seeing in Black and White (05/31/2024)
    • Looking Back at my First Roll of Film (05/18/2024)
    • Film Folders – Pure nostalgia, with a few tips from long, long ago (04/17/2024)
    • Another YAWDISF Post (04/16/2024)
    • My Return to Film – More than Nostalgia (03/30/2024)
    • AI or not AI? or: on authenticity and photography (03/21/2024)
    • Lonely in Korea (Yes, the Southern One) (03/21/2024)
    • What Does ‘Professional’ Mean in Photography? (03/19/2024)
    • Thoughts on the Question: Why Do You Still Shoot Film? (03/05/2024)
    • (森林浴) Shinrin-Yoku or Forest Bathing Might Be the Best Thing for You and Your Photography (02/29/2024)
    • Do we need to take a step back in film photography? (02/26/2024)
    • Creativity vs Originality (02/22/2024)
    • Exploring Urban Exploration Photography (02/13/2024)
    • Falling in Love with Film & Promising to not buy a Leica M3 – Part One (02/08/2024)
    • Getting it Wrong and Portra 160 in the Autumn (01/03/2024)
    • AI, TV, VHS, IC, CD, DVD, EV, ICV and all the rest. (12/10/2023)
    • Your 2024 Film Challenge (10/14/2023)
    • The Roll Of Film That Changed My Photographic Life (10/03/2023)
    • Death and Film Photography (07/25/2023)
  • Category: Workflow
• Category: Tutorials & Knowhow
  • Category: Buyers Guides
    • Don’t be afraid to experiment and test before tossing stuff out (10/30/2024)
    • Maximizing Garage Sale And Thrift Store Finds (08/23/2024)
    • An eBay Bargain and Impulse Bought Tale of Woe (03/08/2024)
    • Chinese Photo Product Silent Upgrades – A Public Service Announcement (02/09/2024)
  • Category: Camera History
  • Category: Manuals & Downloads
  • Category: Mods, DIY & Lens Adapting
    • How I modded Lomo LC-A+ into half-frame camera (12/14/2024)
    • Rangefinder with glasses? A mod made from necessity (12/10/2024)
    • Two cameras with a common shortcoming (11/23/2024)
    • My Square Story – Making my own 24×24 35mm Cameras (11/05/2024)
    • Can a Polaroid pack camera shoot 4×5? (10/15/2024)
    • More Adventures with C-Mount Marble Macros (10/03/2024)
    • Nikons SB-104 – A Substantial Battery Upgrade (10/02/2024)
    • 35mm Film Pot Pinhole Camera (09/20/2024)
    • A DIY 35mm Film Stripper (09/19/2024)
    • Shooting Sheet film in a Polaroid Pack Camera (08/13/2024)
    • Adventures in C-Mount 110-Film Scanning (08/08/2024)
    • Adventures in C-Mount Macro Land (07/24/2024)
    • Controlling the shutter on an automatic Polaroid pack camera (07/16/2024)
    • Polaroid Swinger – Modification for use with 120 Film (07/11/2024)
    • Perfecting the 110 re-load (06/20/2024)
    • Modifying and Shooting a Sprocket Rocket in Oxford (06/14/2024)
    • Converting a 50mm lens meant for 35mm film to large format (06/12/2024)
    • My Homemade 6×12 Format Camera. (06/03/2024)
    • My Early Experiences 3d Printing – New Life for Old Cameras (05/27/2024)
    • Adapting a Yashinon-DX 45mm f1.7 for a Corfield Periflex (05/21/2024)
    • Portable Light Box For Free – A Quick Tip (03/20/2024)
    • A Versatile Adaptation of the Leitz Wetzlar F/2.5 Colourplan (03/03/2024)
    • That Time I Built an X-Pro1/Monitor-Six-20 “FrankenFuji” (02/29/2024)
    • Modifying an Olympus Trip 35 for Shooting ISO 3200 Film (02/23/2024)
    • Shooting “Super-Macros” with a Contaflex Super B SLR (Part 2) (02/03/2024)
    • Fixing the Fujica SLR lens compatibility problem (01/26/2024)
    • Shooting “Super-Macros” with a Contaflex Super B SLR (Part 1) (01/24/2024)
    • Turning A 35mm Lens Into A 150mm – Jankuary Lens Adapting (01/12/2024)
    • If Your Vintage Camera Lacks Strap Lugs, Try This! (12/27/2023)
    • The Cirkut-Holga: A toy slitscan panorama camera (12/08/2023)
    • The 110 Saga Continues – Post Mortem Discoveries (12/05/2023)
    • How to Refill an Ilford Disposable Camera (12/05/2023)
    • Making a No-Sew Belt Pouch from an Old Denim Jacket (11/28/2023)
    • That Time I Hacked a Canon AF35ML to Make a Loupe (10/14/2023)
    • That time I “half-framed” a cute Kodak Flash Bantam camera (Part 3 of 3) (04/18/2023)
  • Category: Processes, Tutorials & Guides
    • Approaching Reportage Photography (11/07/2024)
    • A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography (09/26/2024)
    • How to shoot Kodak Vision Color Print (2383) in colors (09/24/2024)
    • How I achieve Good scans with a DIY rig (09/22/2024)
    • 5 Digital Frames Transferred to Film (An Experiment) (09/14/2024)
    • Agfa Copex Rapid – Development Tests (07/23/2024)
    • Rodinal Tests – Temperature, Grain and Contrast (07/19/2024)
    • How to Make Tea… PC-TEA that is (07/17/2024)
    • Bi-Pack Bi-Chromes: or How I learned to love making color pictures on black and white film in a single exposure (07/09/2024)
    • My First use of Caffenol (06/27/2024)
    • How to Take a 3-D Photo with Almost Any Camera (06/21/2024)
    • Cannabis, pig’s blood, pee, and EpiPen: can these things develop film? (04/20/2024)
    • How (not) to Reticulate (03/24/2024)
    • The Black and White Paper Reversal Process (02/14/2024)
    • F-Stop Printing in the Darkroom (02/02/2024)
    • 116 Cameras – Shooting Wide Aspect Ratio on a Shoestring (12/12/2023)
    • Development Tests, Part 2: Adox Rodinal 400:1, Fomapan 100 Classic and TTArtisans 50mm f1.4 (12/02/2023)
    • Development Tests: Rodinal 200:1 and re-used 400:1 (11/25/2023)
    • Hotel Darkroom: Developing Film on the Road (11/02/2023)
    • How to Make a Digital Contact Sheet (10/20/2023)
  • Category: Repairs & Cleaning
    • Fixing the Leica 14405 handgrip for film cameras. (08/20/2024)
    • Cleaning a Classic Canon f/1.2 LTM Lens (06/11/2024)
  • Category: That time I shot with a...
• Category: Uncategorized
  • Minox Photographs Smuggled from a Soviet Camp (02/10/2024)
  • 5 Frames with a Canon EOS 5D & 50mm f/1.8 EF STM – The Hunt for a Daily Carry Camera. (12/30/2023)
  • Email links don’t work – please access the website directly (12/15/2023)