I shoot about 50% film and 50% digital these days. For digital I shoot with the Fujifilm X series cameras and lenses. Fujifilm cameras appealed to me several years ago because o...
9 February, 2020
Thanks for the memories – Finishing a Roll of Neopan 1600 I started in 2012 – by Dave Donnelly
I guess it was bound to happen, too many film cameras loaded at the same time and lots happening. Having three Olympus OM10s plus a similar looking OM1 can be confusing, As a r...
21 January, 2020
5 Frames with a Contax T3 on Fuji Superia 400 – By David Marshall
Who buys a Contax T3 these days? Who would pay upwards of a grand for a small, overhyped analogue camera?Well, me.I bought a T3 just under a year ago from Bellamy Hunt. An expen...
3 January, 2020
5 Frames With FujiFilm Venus 800 – By Simon King
Frequent readers may remember my struggle around the discontinued FujiFilm Neopan 400, and the compromises I had to make. I now have reason again to be frustrated with FujiFilm ...
28 November, 2019
5 Frames with Fujifilm Neopan Acros 100 II, Minolta CLE & Leica Summicron-C 40mm f/2 – Steven Bleistein
Neopan Acros 100 had always been one of my favourite film stocks, right up until it was discontinued about two years ago. Acros 100 was contrasty, rendering rich blacks and acce...
15 November, 2019
Fuji Natura 1600 & Shooting Star Trails and at Night – By Bill Thoo
I have the privilege of travelling for work to the Central West of New South Wales twice a year. After hours are typically my own, and I usually take those opportunities for pho...
12 November, 2019
Fuji C200 Review – A short note on my Enduring Love for this film – By Phil Stefans
OK yes it’s cheap. Fuji C200 is one of the cheapest 35mm colour films on the market. But if Portra 400 was the same price as C200, I’d still pick the Fuji most of the time. I’m ...
Back in the 90s I used to shoot “Melbourne City Scene” articles for a wine magazine where I’d write little pieces about wine bars and illustrate them with quick shots of bottles...