England is full of amazingly nice people. After Germany was removed from the Amber List, and quarantine in a British hotel no longer needed, Nadja and me jumped into the camper ...
7 December, 2021
Getting the Shot: A Hybrid Workflow Odyssey – By Jamie Winder
I am not a purist. Not when it comes to the things I enjoy, nor the way I work, and definitely not in the way I approach photography. I love shooting film, but will spend time i...
27 November, 2021
Iceland on Mamiya RB67 – by Ľubomír Drápal
Cold mornings. Sunrises. Night Sky. Mountains. Nature. Tired legs. Analog photos. Old cameras. B&W films. The smell of a freshly developed photos. Slide films… This is how I wou...
4 September, 2021
Chasing a Hot Dog with a Leitz-Minolta CL – By Dan Castelli
Like many photographers, I have a camera that serves as back-up to my primary photography equipment. In my case, it’s the Leitz-Minolta CL with the 40mm f/2.0 M-Rokkor lens.
Th...
15 August, 2021
Ilford HP5 and a First Experiment at 3200 – by Jonathan Slater
Minolta's SRT series is regarded as something of a classic for good reason - they're beautifully tactile in the hands, make sounds that you can find videos dedicated to on YouTu...
23 July, 2021
Ilford HP5+ at Adventurous ASAs – By Kieran Newman
Ilford’s HP5+ is one of the industry standards for black and white film – an inexpensive 400 ASA emulsion available almost everywhere and used by almost everyone at some point i...
24 May, 2021
Minolta Autocord TLR: First Impressions – by Sroyon
I shot a roll with a twin-lens reflex camera (TLR) for the first time this month. But long before I used a TLR in real life, I loved the idea of it – so much so that I thought t...
I recently spent about eight hours in Istanbul during a stopover between my flights from Bulgaria to my onward travel to the United States. I made it into the terminal at just a...