Even if you're new to film photography, you've probably heard about the various types of B&W emulsions which are out there: orthochromatic, panchromatic, infrared and so on. If ...
From very early in my photography I have been fascinated by the unique look and simply luscious tones infrared images can produce. Ansel on steroids. I have only been able to pr...
Before Kate and I went to Paris in 2010, a good friend visited one of my digital-infrared exhibits and-- the following Christmas-- gave me a Nikon CoolPix 990 that he’d converte...
A comment on my review of Rollei Infrared film triggered this follow up. In his comment, Neal Wellons pointed out, quite correctly, that, for infrared photography, using a range...
In response to this recent 35mmc article, reader Toby Van de Velde asked for an article about my digital-infrared workflow. The more I thought about it, the more useful I though...
When not shooting film I really enjoy using SIGMA's Quattro cameras. Have had and still have other more conventional digital solutions, but I really like these oddball offerings...
For nearly a quarter century, I've tested every digital camera that crossed my path to see how well it handled infrared photography. Some didn't pass muster, like my beloved Min...
Human vision is sensitive only to a small part of the entire colour spectrum. Infrared photography allows us to visualise reflected light that is otherwise invisible to us and o...