Reading back through my posts about Kodak Ektachrome E100 so far, and indeed the comments on them, I do feel a little like I have somehow led people to believe that I'm not sati...
Something readers of 35mmc might not know is that Kodaks new Ektachrome E100 has been available in super 8 and now 16mm. I don't usually shoot slide film, but I do shoot a lot o...
A little while ago now I shot a roll of Ektachrome E100 in a camera that turned out to be broken. The camera itself feels pretty irrelevant to this story, other than the fact th...
28 July, 2019
Agfa 1035 – What Hamish’s Unloved Camera Did Next… An Ektachrome Adventure – By Dave Walker
Some people may remember Hamish’s post back in November 2018, about the Agfa Optima 1035 camera that was so nearly something he liked, but not quite there: The Agfa 1035 and a C...
22 July, 2019
Kodak Ektachrome E100 – First Rolls Review – Pt 4 – Bristol SilverPan Film Lab (incl. Video)
A couple of weeks ago I went down to Bristol to meet Duncan Gammon from SilverPan Film Lab. We’d met briefly at the photography Show in March, but since then I’ve started using ...
My forth roll of Kodak Ektachrome E100 has been, at least a little bit, about experimenting with an incident meter. Even in the few rolls I’ve shot - and despite the mistakes an...
27 May, 2019
Kodak Ektachrome E100 – First Rolls Review – Pt2
It’s safe to say that my first post about shooting Kodak Ektachrome E100 gave me a lot to reflect on. Not just the experience itself, but the comments I received in response to ...
Slide film, the troublesome film child. I say this because slide film is a very sensitive film stock. You need to nail exposure for it to look nice most of the time. If you are ...