Back in March of this year, the effects of the Covid-19 pandemic reached the city I'm currently living in: Edmonton, Alberta Canada.
For a lot of people, there was a feeling th...
8 August, 2020
Shooting Three Kinds of Redscale Film – by Tobias Eriksson
I recently found myself exposing three different redscale films almost in parallel. An Olympus Pen D2 was passing through my hands to be sold in my Etsy shop. I couldn't pass th...
30 July, 2020
5 Frames from a Night Shift Medic on Tri-X at 1600 in a Canon New F1 – By Cody Thompson
I'm an emergency paramedic on the night shift in a very busy system. For a while, the inherent darkness of my shift kept me from bringing a camera to work at all. Then I toyed a...
Last summer I cleaned out my son's camera stash from his high school photography days and found an Olympus XA 35mm, along with an outdated roll of Kodak Gold 200. My photography...
I have finished this roll of Kodak Gold 200 in January this year, although I hadn’t sent it to my local development lab as I was too lazy to drive there. Besides, I also had a r...
14 June, 2020
5 Frames with a Zeiss 35mm f/2.8 C Biogon, Leica M6 and T-Max400 at EI400 – by Phil Harrison
The lockdown has given people plenty of opportunity to buy stuff they can't afford and don't really need, I know, I'm one of them. I'd been thinking about replacing the 7Artisan...
10 June, 2020
5 frames with a Leica M6 and an Elmarit 28mm on Kodak 400TX (at EI800) – By Michael Palmer
I've been shooting film since I was a kid, starting with my fisher price 110 camera. I learned to develop my own black and white in 2001 and have on and off kept shooting film e...
Before I come to the actual topic of this post, the machine boneyard, allow me a short excursion.
During these Corona days, I have developed a ritual. As soon as the evening ap...